Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20588). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p133 LEFT — 46 lignes

page vol_II_p133 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>F</b> unknown
via fallback
2 age grant in the annotation_inline
parent ligne 5
via heuristic_height
3 248 page_number
via heuristic_pagenum
4 BRHADDEŚĪ page_header
via surya_layout
5 ग्रहापन्यासविन्याससंन्याससन्यासगोचर:। main
via surya_layout
6 अनुवृत्तश्च यस्येह सोंऽशः स्याद्दशलक्षणः ॥ main
via surya_layout
7 XXVIII. 69. annotation_inline
parent ligne 6
via heuristic_height
8 37. P.t. adds here - 'syādityādi', which is out of context. main
via surya_layout
9 38. Reconstruction based on Datti . 142. main
via surya_layout
10 39,40. Reconstruction based on c.r. in Sudhā on SR I.7.47cd,p.190. main
via surya_layout
11 41-44. C.r. in Sudhā on SRI.7.47cd, p.190. main
via surya_layout
12 45. Reconstruction based on c.r. in Kalā on SR I.7.29-34, p.180,181. main
via surya_layout
13 46. cf.(i) annotation_inline
parent ligne 12
via heuristic_short
14 यस्मिन् भवति रागश्च यस्माच्चैव प्रवर्तते । main
via surya_layout
15 मन्द्रश्च तारमन्द्रश्च योऽत्यर्थं चोपलभ्यते ॥ main
via surya_layout
16 [अनेकस्वरसंयोगो योऽत्यर्थमुपलभ्यते । editorial_bracket
parent ligne 15
via heuristic_brackets
17 अन्यश्च बलिनो यस्य संवादी चानुवाद्यपि ॥] editorial_bracket
parent ligne 15
via heuristic_brackets
18 ग्रहापन्यासविन्याससंन्यासन्यासगोचर:। main
via surya_layout
19 अनुवृत्तश्च यस्येह सोंऽशः स्याद्दशलक्षणः॥ main
via surya_layout
20 NŚ XXVIII. 68,69. annotation_inline
parent ligne 19
via heuristic_short
21 (ii) main
via surya_layout
22 यस्मिन् वसति रागस्तु यस्माच्चैव प्रवर्तते । main
via surya_layout
23 तेन वै तारमन्द्राणां योऽत्यर्थमुपलभ्यते ॥ main
via surya_layout
24 मन्द्रश्च तारविषया पञ्चस्वरपरा गति: ॥ main
via surya_layout
25 अनेकस्वरसंयोगो योऽत्यर्धमुपलभ्यते । main
via surya_layout
26 अन्यच्च बलिनो यस्य संवादी चानुवाद्यपि । main
via surya_layout
27 ग्रहोपन्यासविन्यासविन्यासाभ्यासगोचर: । main
via surya_layout
28 परिवार्य स्थितो यस्तु सोंऽश: स्याद् दशलक्षण:॥ main
via surya_layout
29 NŚ Chau. XXVIII.72 -74. main
via surya_layout
30 (iii) annotation_inline
parent ligne 29
via heuristic_height
31 यद्यपि भरतमतङ्गादिभिः संन्यासविन्यासयोर्विदार्याश्रयत्वादपन्यासेऽन्तर्भावेणान्तर- main
via surya_layout
32 मार्गस्याप्यंशकाद्यवयवानामन्योन्यसंघटनात्मकस्यांशादिसम्बन्धाधीनसिद्धेः पृथगुद्देशो नापेक्षित इति दशकं जातिलक्षणमित्युक्त main
via surya_layout
33 तथापि संन्यासिवन्यासयो: पृथगवयवत्वेनान्तरमार्गस्य तु सत्स्वंशादिष्ववयवेषु तेन विना प्रयोगासिद्धेस्तस्यावश्यिकत्वाक्षक्षण main
via surya_layout
34 पृथगुद्दिश्य त्रयोदशेत्युक्तं ग्रन्थकारेण । main
via surya_layout
35 Kalā on SR I. 7.3.29-34 p.180,181. main
via surya_layout
36 In the last passage above the inclusion of samnyāsa-vinyāsa and antaramārga in main
via surya_layout
37 jāti-lakṣaṇas by Śārṅgadeva in addition to the ten lakṣaṇas accepted by main
via surya_layout
38 Bharata and Matanga is noticed and justified. main
via surya_layout
39 47. P.t. begins - balavati ca śrutike 'mśe durbalem' śāmśe, which is redun- main
via surya_layout
40 dant and has been dropped. main
via surya_layout
41 cf.तत्पूर्वावधित्वे त्वातारषड्जं तारषड्जमारभ्यारोहः सामान्यतः प्राप्तचतुर्थस्वरारोहः। सामान्यतः प्रकीर्तितो  स्द्रटादिभि main
via surya_layout
42 यावत्पड्जमेव तारगतिर्मध्यमस्याप्यत्र संवादित्वादनाशित्वाच्च तारगती रुद्रटेन कृता मध्यमस्येति न दोष इति मतङ्गोक्तम् । main
via surya_layout
43 C.r.in Kalā on SR I. 7.35,36, p.185. main
via surya_layout
44 48. MS B reading as recorded by the ed. is - 'evamatra vinyāsau'. main
via surya_layout
45 والمعالم والمعالي والمعالي والمعالي والمعالي والمعالي والمعالي والمعالية والمعالية والمعالية والمعالية والمعالية والمعال annotation_inline
parent ligne 44
via heuristic_height
46 and the second second second annotation_inline
parent ligne 44
via heuristic_height

vol_II_p027 RIGHT — 38 lignes

page vol_II_p027 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 37 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 [ Anu. 136] editorial_bracket
parent ligne 4
via heuristic_brackets
4 This means that kaiśikī, raktagāndhārī and gāndhārī, these three jātis do main
via surya_layout
5 not become ṣāḍava on account of (the omission of) ṛṣabha, on pañcama main
via surya_layout
6 being the amśa, because of the negation of the omission of the samvādī of main
via surya_layout
7 the amśa. Similarly, ṣāḍjī does not become ṣāḍava through (the omission main
via surya_layout
8 of) niṣāda, on gāndhāra being the aniśa (and) ṣadjodīcyavā should be known main
via surya_layout
9 as not being ṣāḍava through (the omission of) ṛṣabha, on dhaivata being the main
via surya_layout
10 ainsa. Now the giving up of the formation of auduvita that is obtained (due main
via surya_layout
11 to presription) is being prohibited (lit. its giving up is being prescribed). main
via surya_layout
12 In gāndhārī and raktagāndhārī, ṣaḍja, madhyama (and) pañcama alongwith main
via surya_layout
13 niṣāda are known as the amśas in which the formation of auduvita does not main
via surya_layout
14 operate. annotation_inline
parent ligne 13
via heuristic_height
15 (254) annotation_inline
parent ligne 13
via heuristic_height
16 [ Anu. 137 ] editorial_bracket
parent ligne 13
via heuristic_brackets
17 (Contention) annotation_inline
parent ligne 13
via heuristic_height
18 And this is incongruous because the formation of auduvita is not main
via surya_layout
19 obtained (through prescription). Truly has this been said. By the main
via surya_layout
20 statement negating the formation of auduvita, the auduvita obtained on main
via surya_layout
21 account of precription alone is prohibited. main
via surya_layout
22 In ṣadjamadhyamā jāti, gāndhāra and then niṣāda and then in kaiśikī and main
via surya_layout
23 dhaivatī, dhaivata and ṛṣabha respectively (are the svaras that are not main
via surya_layout
24 omitted for making auduva forms of the respective jātis when the above are main
via surya_layout
25 aniśas). annotation_inline
parent ligne 24
via heuristic_height
26 (255) annotation_inline
parent ligne 24
via heuristic_height
27 [ Anu. 138 ] editorial_bracket
parent ligne 24
via heuristic_brackets
28 This means that in ṣadjamadhyamā, gāndhāra and then niṣāda are not main
via surya_layout
29 entitled to form auduvita. Dhaivatain kaiśikī and ṛṣabhain pañcamī are not main
via surya_layout
30 entitled to form auduvita. The prohibition applies only to the auduvita that main
via surya_layout
31 is obtained through prescription. And the state of being anisa is being main
via surya_layout
32 hypothetically considered without its being obtained (?) main
via surya_layout
33 Now, he (the author) draws out the svaras that do not become exceptions main
via surya_layout
34 in the formation of ṣāḍava and auḍuvita. main
via surya_layout
35 Forty-seven (svaras) are to be applied in the formation of ṣāḍava. main
via surya_layout
36 (256) annotation_inline
parent ligne 35
via heuristic_height
37 [ Anu. 139] editorial_bracket
parent ligne 35
via heuristic_brackets
38 This means that in the formation of ṣāḍava, forty-seven ainśas are to be main
via surya_layout

vol_I_p068 RIGHT — 39 lignes

page vol_I_p068 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 119 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 sarimapapamarisa rigapadhadhapagari gamadhaninidhamaga 143 mapanisasasanipama main
via surya_layout
4 sanipamamapanisa nidhamagagamadhani dhapagaririgapadha pamarisasarimapa, main
via surya_layout
5 (25) annotation_inline
parent ligne 4
via heuristic_height
6 udghattitah annotation_inline
parent ligne 4
via heuristic_height
7 sarigā rigamā gamapā mapadhā padhanī dhanisā 144 sanidhā nidhapā dhapamā main
via surya_layout
8 (26) annotation_inline
parent ligne 7
via heuristic_height
9 pamagā magarī garisā, āksiptakah main
via surya_layout
10 sagamā marisā rimapā pagarī gapadhā dhamagā madhanī nipamā panisā 145 main
via surya_layout
11 sadhapā dhanisā sadhapā panisā nipamā madhanī dhamagā gapadhā pagarī main
via surya_layout
12 (27) annotation_inline
parent ligne 11
via heuristic_height
13 rimapā marisā sagamā garisā, sampradānam main
via surya_layout
14 sagama marisa rimapa pagari..... main
via surya_layout
15 VII [ Section on Pada - giti ] section_header
via surya_layout
16 O! most venerable muni! I have duly spoken of the alankaras. Now I shall main
via surya_layout
17 speak about giti1 which is associated with chandas2 and akṣara3 (syllable). main
via surya_layout
18 (170) annotation_inline
parent ligne 17
via heuristic_height
19 The first one should be known as māgadhī, and the second one is main
via surya_layout
20 ardhamāgadhī, the third one is sambhāvitā and the fourth one is known as main
via surya_layout
21 (171) annotation_inline
parent ligne 20
via heuristic_height
22 pṛthulā. annotation_inline
parent ligne 20
via heuristic_height
23 The giti which is 'returned to'4 (repeated) thrice, that giti is known as main
via surya_layout
24 māgadhī. That (gītī) which is completed5 in half the time (of māgadhī) should be main
via surya_layout
25 (172) annotation_inline
parent ligne 24
via heuristic_height
26 known as ardhamāgadhī (lit. half-māgadhī). main
via surya_layout
27 And sambhāvitā should be known to be composed of guru (lit. heavy, here main
via surya_layout
28 long) syllables. And the one called pṛthulā should be known to be composed of main
via surya_layout
29 (173) annotation_inline
parent ligne 28
via heuristic_height
30 laghu (lit. light, here short) syllables. main
via surya_layout
31 (Anu. 104) annotation_inline
parent ligne 30
via heuristic_height
32 In dakṣiṇa 6 mārga 7 (lit. path) (operates) the pṛthulā gīti, in vārtika 8 mārga main
via surya_layout
33 sambhāvitā (gīti) and in citra 10 mārga māgadhī gīti. There are eight mātrās in main
via surya_layout
34 dakṣiṇa mārga, four mātrās in vārtika mārga and two mātrās in citra mārga in the main
via surya_layout
35 order of the use of kalās.11 main
via surya_layout
36 In the citra mārga and ekakala tāla, māgadhī gīti should be known; in the main
via surya_layout
37 vārtika mārga (and) dvikala tāla sambhāvitā gīti should be known. (174) main
via surya_layout
38 ___ annotation_inline
parent ligne 37
via heuristic_height
39 (vide) annotation_inline
parent ligne 37
via heuristic_height

vol_I_p057 RIGHT — 36 lignes

page vol_I_p057 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 97 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 sanidhapamagaririgamapadhanisa, sanidhapamagarisasarigamapadhanisa. Or, main
via surya_layout
4 saninisa, nidhadhani, dhapapadha, pamamapa, magagama gaririga risasari. Thus main
via surya_layout
5 (16) annotation_inline
parent ligne 4
via heuristic_height
6 is (ends) prasāda. annotation_inline
parent ligne 4
via heuristic_height
7 (Anu. 86) annotation_inline
parent ligne 4
via heuristic_height
8 (Pairs of) two svaras each moving to and fro in the order of ascent 53 and main
via surya_layout
9 descent and forming units of two kalās (phrases) each (form) udvāhita. As - sari main
via surya_layout
10 riga, gama mapa, padha dhani, nisa sani, 54 nidha dhapa, pama maga, gari, main
via surya_layout
11 (17) annotation_inline
parent ligne 10
via heuristic_height
12 risa. Thus is (ends) udvāhita. annotation_inline
parent ligne 10
via heuristic_height
13 (Anu. 87) annotation_inline
parent ligne 10
via heuristic_height
14 This (udvāhita) itself is (called) upalolaka with (the pairs of svaras) being main
via surya_layout
15 repeated twice. As - sari sari, riga riga, gama gama, mapa mapa, padha padha, main
via surya_layout
16 dhani dhani, nisa nisa, sani sani, nidha nidha, dhapa dhapa, pama pama, main
via surya_layout
17 (18) annotation_inline
parent ligne 16
via heuristic_height
18 maga maga, gari gari, risa risa. Thus is (ends) upalolaka. main
via surya_layout
19 (Anu. 88) annotation_inline
parent ligne 18
via heuristic_height
20 There, krama is that, where having reached the sthayin55 (steady) svara after main
via surya_layout
21 ascending in the svaras in successive order beginning with one, without any gap, main
via surya_layout
22 svaras are pronounced in the order of prastara, increasing one by one (in main
via surya_layout
23 successive phrases). This is not different from prastara, being identical in form.56 main
via surya_layout
24 As - saririsa, sarigagarisa, sarigamamagarisa, sarigamapapamagarisa, main
via surya_layout
25 sarigamapadhadhapamagarisa, sarigamapadhaninidhapamagarisa, main
via surya_layout
26 sarigamapadhanisa 57 sanidhapamagarisa. Or, having ascended to the antara main
via surya_layout
27 (gandhāra) and in the same order having ascended to the kākali (niṣāda) the main
via surya_layout
28 sthāyi-svara (steady note) is reached, that is krama. As- sagani-nigasa. Thus is main
via surya_layout
29 (19) annotation_inline
parent ligne 28
via heuristic_height
30 (ends) krama. annotation_inline
parent ligne 28
via heuristic_height
31 (Anu. 89) annotation_inline
parent ligne 28
via heuristic_height
32 Niṣkūjita is (formed) on having ascended (in the order of) first-third, then main
via surya_layout
33 second-fourth and others also in the same order. In the opinion of Kohala main
via surya_layout
34 niṣkūjita is (formed) by ascent with a gap of one svara (each time). As -saga main
via surya_layout
35 (20) annotation_inline
parent ligne 34
via heuristic_height
36 rima gapa madha pani dhasa. Thus is (ends) nişküjita. main
via surya_layout

vol_I_p054 RIGHT — 38 lignes

page vol_I_p054 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 91 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Udghaisita (rubbed, pressed or shaken upwards) (26) Ākṣiptaka (thrown down) main
via surya_layout
4 (27) Sampradāna (the act of giving or bestowing), (28) Hasita (laughter), (29) main
via surya_layout
5 Hunkāra (the 'hum' sound) (30) Sandhipracchādana (covering the joint or main
via surya_layout
6 juncture) (31) Vidhuta (shaken off) (32) Udgita (sung, celebrated) (33) main
via surya_layout
7 Gātravarṇa (the colour of the body). main
via surya_layout
8 (Anu. 70) annotation_inline
parent ligne 7
via heuristic_height
9 Now the definition of these alankāras is being given (said). That is thus—the main
via surya_layout
10 gradual ascent beginning from 'low' upto the starting point of 'high' is (known main
via surya_layout
11 as) prasannādi.27 By the word mandra28 is denoted the low sound. As - sā nī gā main
via surya_layout
12 mā pā dhā nī sā.29 annotation_inline
parent ligne 11
via heuristic_height
13 (1) annotation_inline
parent ligne 11
via heuristic_height
14 Thus is (ends) prasannādi. annotation_inline
parent ligne 11
via heuristic_height
15 (Anu. 71) annotation_inline
parent ligne 11
via heuristic_height
16 Beginning from tara 30 (high) and (reaching) upto mandra (low) is main
via surya_layout
17 prasannānta. As - sā<sup>31</sup> nī dhā pā mā gā nī sā. Thus is (ends) prasannānta. main
via surya_layout
18 (2) annotation_inline
parent ligne 17
via heuristic_height
19 (Anu. 72) annotation_inline
parent ligne 17
via heuristic_height
20 Where there is 'low' in the beginning and end and 'high' in the middle, main
via surya_layout
21 that is prasannādyanta. As - sā rī gā mā pā dhā nī sā, 52 sā nī dhā pā mā gā rī main
via surya_layout
22 (3) annotation_inline
parent ligne 21
via heuristic_height
23 sā. Thus is (ends) prasannādyanta. main
via surya_layout
24 (Anu. 73) annotation_inline
parent ligne 23
via heuristic_height
25 Where there is 'low' in the middle and 'high' in the beginning and end, main
via surya_layout
26 that is prasannamadhya. As - sā 33 ní dhā pā mā gā rī sā, sā rī gā mā pā dhā ni main
via surya_layout
27 (4) annotation_inline
parent ligne 26
via heuristic_height
28 sā.34 Thus is (ends) prasannamadhya. main
via surya_layout
29 (Anu. 74) annotation_inline
parent ligne 28
via heuristic_height
30 The pronunciation (sounding) of the seven svaras with a similar sound in main
via surya_layout
31 the three registers is sama. This is being said. (A svara) should be made main
via surya_layout
32 (sounded) in the three registers with the same number of śrutis 35 as it is main
via surya_layout
33 composed of (originally). As - sa ri ga ma pa dha ni - thus (it is). Or, sama main
via surya_layout
34 (comes into being) on account of the pronunciation of pairs of samvādin main
via surya_layout
35 (consonant) svaras. That is as - sama sapa ridha gani (thus). When the grāma main
via surya_layout
36 changes (to madhyamagrāma, then) sama, ripa, gani - thus is the special main
via surya_layout
37 <b>(5)</b> annotation_inline
parent ligne 36
via heuristic_height
38 (structure of pairs). Thus is (ends) sama. main
via surya_layout
197 lignes a valider — change uniquement les roles incorrects.