Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20602). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p011 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	5	page_number via heuristic_pagenum
3	and andhri and nandayanti and karmaravi and then kaisiki, thus should be	main via surya_layout
4	known the eleven (jātis) based on madhyamagrāma.	main via surya_layout
5	<math>(189 - 190)</math>	main via surya_layout
6	[Thus end the eleven jātis based on madhyamagrāma]	editorial_bracket parent ligne 5 via heuristic_brackets
7	[ sādhāraņakṛtā jātis ]	section_header via surya_layout
8	Three jatis should be known by the wise to be sadharanakṛtā (those in	main via surya_layout
9	which the use of sādhāraṇa svaras is prescribed) viz., madhyamā, pañcamī and	main via surya_layout
10	similarly <i>şadjamadhyamā</i>.	main via surya_layout
11	(191)	annotation_inline parent ligne 10 via heuristic_short
12	Thus ends the number and nomenclature of jātis.	main via surya_layout
13	[2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis]	section_header via surya_layout
14	[Anu. 115]	section_header via surya_layout
15	Out of these eighteen jātis the seven bearing the names of (seven) svaras	main via surya_layout
16	are spoken of as being twofold - suddhās and vikṛtās. The suddhās are devoid	main via surya_layout
17	of the omission of notes and have their anisa, graha, nyāsa and apanyāsa on	main via surya_layout
18	their own svara, i.e. the svara from which each of them derives its respective	main via surya_layout
19	name. They assume the name vikṛtā on account of the alteration obtaining	main via surya_layout
20	in them through an alteration in respect of one, two or many lakṣaṇas	main via surya_layout
21	(characteristics) out of the above lakṣaṇas(characteristics of their śuddha	main via surya_layout
22	1002 472 7	unknown via fallback
23	form), excepting nyāsa4 (which is not altered).	main via surya_layout
24	[Anu. 116]	section_header via surya_layout
25	Out of these (lakṣaṇas) he (the author) spoke (speaks) about the	main via surya_layout
26	日本が一次の後の日の行人の行うのできるというますが、まるは、大利の大利の人の自己となりから	unknown via fallback
27	prescription of nyāsa. There in the prescription of nyāsa, the nyāsa which is	main via surya_layout
28	the svara from which the respective jāti derives its name, is, as a rule, low	main via surya_layout
29	(mandra) in the jātis that are śuddhā (unaltered). In the vikṛtā (jātis) the	main via surya_layout
30	nyāsa on the note from which the respective jāti derives its name, is either	main via surya_layout
31	tāra (high) or mandra (low); thus there is no rule.	main via surya_layout
32	[Anu. 117]	section_header via surya_layout
33	Thus the śuddhā jātis have a twofold<sup>5</sup> form, viz., the original (unaltered)	main via surya_layout
34	and the altered state. The eleven jātis have only an altered state because they	main via surya_layout
35	are born of the vikṛtā varieties (of śuddhā jātis); they do not have an	main via surya_layout
36	unaltered state. Why is that so? They are born of mutual blending.	main via surya_layout
37	Similarly has said Bharata -	main via surya_layout
38	ر<br>د د د د د د د د د د د د د د د د د د د	unknown via fallback

vol_II_p122 RIGHT — 28 lignes

L#	Texte OCR	Role auto
1	227	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[General Prescription]	section_header via surya_layout
4	The name pāda (foot) is given to a group of three padas (textual-cum-melodic units) which is brimming with mūrchanā bind	main via surya_layout
5	should be made sthita<sup>53</sup> (slow?); this is the prescription in respect of elās.	main via surya_layout
6	(439)	annotation_inline parent ligne 5 via heuristic_short
7	Then one should properly put in the name of the one being described. It	main via surya_layout
8	(elā) is lalitā (beautiful) (and) full of rasa; the name of self (composer)	main via surya_layout
9	comes after this.	annotation_inline parent ligne 8 via heuristic_short
10	(440)	main via surya_layout
11	Thus ends the fourfold ganaila.	main via surya_layout
12	[5. Saṅkarailā]	section_header via surya_layout
13	If the fourth foot 'grows' (gets elaborated) like the third foot, then the elā	main via surya_layout
14	spoken of by Matanga Muni becomes sankara (mixed). Here the fifth elā is	main via surya_layout
15	said to be named sankara.	main via surya_layout
16	(441)	annotation_inline parent ligne 15 via heuristic_short
17	[Thus ends gaņailā.]	editorial_bracket parent ligne 15 via heuristic_brackets
18	[B. The varieties of Mātrailā]	section_header via surya_layout
19	Ratilekhā, kāmalekhā, bāṇalekha and similarly candralekhā are (the varieties	main via surya_layout
20	of) mātrailā spoken of by Vallabha.54	main via surya_layout
21	(442)	main via surya_layout
22	[1. Raulekhā]	section_header via surya_layout
23	Where there are rudra 55 numbered (eleven) mātrās in (each of the first)	main via surya_layout
24	two feet and ten (rudrahasta?)56 mātrās measured according to the gaņa	main via surya_layout
25	named rati<sup>57</sup> (and) endowed with dhātu<sup>58</sup> (tonal-cum-rhymthic structure)	main via surya_layout
26	(and) mātu<sup>59</sup> (text), on account of this (ratigaņa) (this elā) is given the name	main via surya_layout
27	ratilekhā by the experts in the science of music (gītaśāstra).	main via surya_layout
28	<math>(443-444)</math>	main via surya_layout

vol_II_p077 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	137	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	Sauvīrī should be known as the first one, vega-madhyamā the second,	main via surya_layout
4	sādhāritā is the third one and gāndhārī the fourth. Thus should be known the	main via surya_layout
5	four <i>bhāṣās</i> born of <i>sauvīraka</i>.	main via surya_layout
6	<math>(30c-31)</math>	main via surya_layout
7	Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said	main via surya_layout
8	to be born of <i>bhinnapañcama</i>.	main via surya_layout
9	(32)	annotation_inline parent ligne 8 via heuristic_short
10	The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born	main via surya_layout
11	bhāvinī, the one that is beautiful for the people.	main via surya_layout
12	(33)	annotation_inline parent ligne 11 via heuristic_short
13	Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika,	main via surya_layout
14	and drāvidī is the third bhāṣā there that is described with characteristics	main via surya_layout
15	(lakṣaṇas).	annotation_inline parent ligne 14 via heuristic_short
16	(34)	main via surya_layout
17	The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava.	main via surya_layout
18	Tānodbhavā should be known as being assigned to bhinnatāna.	main via surya_layout
19	(35)	annotation_inline parent ligne 18 via heuristic_height
20	In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted.	main via surya_layout
21	Gāndhārī is with profuse gāndhāra and is delightful to the people in	main via surya_layout
22	pañcama (gāndhārapañcama). In revagupta<sup>13</sup> (?) śakākhyā is the one	main via surya_layout
23	spoken of in <i>pañcamaṣāḍav</i>a.	main via surya_layout
24	(36)	annotation_inline parent ligne 23 via heuristic_short
25	Thus are obvious the bhāṣās that are born in manifold ways. Now listen	main via surya_layout
26	to their description alongwith illustration for each one.	main via surya_layout
27	(37)	main via surya_layout
28	[The description of bhāṣās]	section_header via surya_layout
29	[1. Bhāṣās in ṭakka-rāga]	section_header via surya_layout
30	It has madhyama as its amśa, şadja as its concluding note, is devoid of	main via surya_layout
31	pañcama and there is to be seen here again and again the mutual	main via surya_layout
32	movement<sup>14</sup> of dhaivata-niṣāda and similarly ṣadja - dhaivata. This should	main via surya_layout
33	be known as hexatonic. Travaņā should bear the name mūlā.	main via surya_layout
34	(38-39)	annotation_inline parent ligne 33 via heuristic_height

vol_I_p077 LEFT — 45 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	136	page_number via heuristic_pagenum
3	22. C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
4	23. Added according to C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
5	24. Portion added according to C.r. in S R I Sudhā, p. 95.	list_item via surya_layout
6	25. P.t. adds 'pañcama' before 'ṛṣabhaḥ' which is unwarranted.	list_item via surya_layout
7	26. P.t. combines sapta-svarāķ etc. and that has led to a misunderstanding	list_item via surya_layout
8	among scholars to the effect that Matanga has accepted the 'samvāda' of seven-	list_item via surya_layout
9	sruti interval in addition to that of nine and thirteen-sruti interval. (cf. IMJ,	list_item via surya_layout
10	No. 11-12, p. 57, article by P.L.S. on Matanga's Brhaddess ). Actually sapta is	list_item via surya_layout
11	related to 'svarāḥ'; hence a full-stop has been added after sapta and that clears	list_item via surya_layout
12	the whole confusion.	list_item via surya_layout
13	27. The ed. states that the text is broken here; the missing portion has been	list_item via surya_layout
14	taken by us from S R I Sudhā, p. 121.	list_item via surya_layout
15	28. Missing portion (verse 55-60) taken from C.r. in S R I Kalā, p. 79-81.	list_item via surya_layout
16	The cited verses are interspersed by Kallinatha with prose sentences of his own,	list_item via surya_layout
17	but they have been omitted by us.	list_item via surya_layout
18	29. C.r. in S R I Kalā, p. 81.	list_item via surya_layout
19	30. Sam S Sā, p. 14 and C.r. in S R I Kalā, p. 81.	list_item via surya_layout
20	31. This portion is missing in the MSS, it has been paraphrased in S R I Kalā,	list_item via surya_layout
21	p. 81 and cited in ibid. Sudhā, p. 97.	list_item via surya_layout
22	32. cf. व्हाजाती समी जेयी रिधी क्षत्रियजातिको ।	list_item via surya_layout
23	निर्गा वैश्याविति प्रौक्तौ पञ्चमः शूद्रजातिकः ॥	list_item via surya_layout
24	( Sam Mak I. 29 )	main via surya_layout
25	33. C.r. in S R I Sudhā, p. 97 and Sam Cû, p. 71.	list_item via surya_layout
26	34. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
27	35. Reading suggested by the ed.	list_item via surya_layout
28	36. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
29	37. C.r. in Sam Cu, p. 72.	list_item via surya_layout
30	38. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
31	39. cf. स्वराः सरिगमाश्चैव चत्वारो राक्षसाः स्मृताः ।	list_item via surya_layout
32	पधौ मानुषसज्ञौ च निपाद दैवत विदुः ॥	list_item via surya_layout
33	(Sam Mak I. 1.46)	main via surya_layout
34	40. After this P.t. has the following half-verse –	main via surya_layout
35	शृद्धजातिसमृत्पन्नी तौ काकल्यन्तरी स्वरी ।	main via surya_layout
36	This is redundant and misplaced because verse 61 d has already spoken of	main via surya_layout
37	kākali and antara svaras being śūdra and this line does not fit into the context	main via surya_layout
38	after verse 72; hence it has been omitted by us.	main via surya_layout
39	41. cf. Nā Ši I.4.1,2 and Gītālankāra, p. 50.	list_item via surya_layout
40	42. cf. Nā Ši I.5.14-18.	list_item via surya_layout
41	43. The reading 'hara' suggested by the ed. in the place of 'bhi' of MSS.	list_item via surya_layout
42	44. cf. Nā Ši 1.5.12-14.	list_item via surya_layout
43	पर्जाञ्चतर्वारी च ऋषभस्य च गंद्रकः ।	list_item via surya_layout
44	45. cf.	list_item via surya_layout
45	गान्धारस्य च शान्त च हास्यास्य मध्यमस्य च ॥	list_item via surya_layout

vol_II_p038 LEFT — 47 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	58	page_number via heuristic_pagenum
3	मा गारी गामा मासा सा	table via surya_layout
4	(3)	table via surya_layout
5	[मा मगम मा मा निध पध पम गमम]	table via surya_layout
6	(8)	table via surya_layout
7	धा गध परि रिग गरि गस धस धा	table via surya_layout
8	(4)	table via surya_layout
9	निध सा री मृगम मा मा मा मा	table via surya_layout
10	(६)	table via surya_layout
11	मां मां मंगमं मंधं धंपं पंधं पंमं गंमंगं	table via surya_layout
12	(৩)	table via surya_layout
13	धा पध परि रिंग मंग रिंग संधस सा	table via surya_layout
14	(८)	table via surya_layout
15	मां मां धनि धस धप पम पा पा	table via surya_layout
16	(9)	table via surya_layout
17	मा मग मां मां पध पम गम गस	table via surya_layout
18	(१०)	table via surya_layout
19	धा पध परि रिम मग रिग सधस सा	table via surya_layout
20	(११)	table via surya_layout
21	निंधं सां री मगम मा मा मा मा	table via surya_layout
22	(१२)	table via surya_layout
23	॥ [इति] षड्जमध्यमा ॥	table via surya_layout
24	(स॥	table via surya_layout
25	[२. गान्धारोदीच्यवा]	section_header via surya_layout
26	गान्धारोदीच्यवायां तु द्वावंशौ षड्जमध्यमौ ।	main via surya_layout
27	रिलोपात् षाडवं ज्ञेयं पूर्णत्वेंऽशेतराल्पता ॥४॥	main via surya_layout
28	॰(शोन्तरात्मना? शेतराल्पता)	annotation_inline parent ligne 27 via heuristic_markers
29	अल्पा निधपगान्धारा: षाडवत्वे प्रकीर्तिता: ।	main via surya_layout
30	रिधयो: सङ्गतिर्ज्ञेया धैवतादिश्च मूर्छना ॥ ५॥	main via surya_layout
31	स(गनिज्ञे ? ङ्गतिर्जे)या	main via surya_layout
32	तालश्चचत्पुटो ज्ञेय: कला: षोडश कीर्तिता: ।	main via surya_layout
33	विनियोगो ध्रुवागाने चतुर्थप्रेक्षणे मत: ॥ ६॥	main via surya_layout
34	<sup>१६९</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । १७°प्रस्तार: -	annotation_inline parent ligne 33 via heuristic_markers
35	म(ध्य)मो	main via surya_layout
36	(१)	table via surya_layout
37	सा सा पा मा पा धप पा मा	table via surya_layout
38	(२)	table via surya_layout
39	धा पा मा मा सा सा सा सा	table via surya_layout
40	धा नी सा सा मा मा पा पा	table via surya_layout
41	(3)	table via surya_layout
42	नी नी नी नी नी नी नी	table via surya_layout
43	<b>(</b>8)	table via surya_layout
44	मा मा धा निस नी नी नी नी	table via surya_layout
45	(4)	table via surya_layout
46	मा पा मा परि गा गा सा सा	table via surya_layout
47	<b>(</b>\(\xi\)	table via surya_layout

192 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p011 RIGHT — 38 lignes

vol_II_p122 RIGHT — 28 lignes

vol_II_p077 RIGHT — 34 lignes

vol_I_p077 LEFT — 45 lignes

vol_II_p038 LEFT — 47 lignes