Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20616). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 Ą unknown
via fallback
2 • annotation_inline
parent ligne 48
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3 74 page_number
via heuristic_pagenum
4 BRHADDEŚĨ page_header
via surya_layout
5 • annotation_inline
parent ligne 48
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6 धा नी सनि धा पा पा पा पा table
via surya_layout
7 (१३) table
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8 į unknown
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9 धा नी मा पा गा गा गा गा table
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10 (१४) table
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11 į annotation_inline
parent ligne 48
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12 गा पा पा पा धा मा गा मा table
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13 (१५) table
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14 धा धा नी धा पा पा पा पा table
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15 (१६) table
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16 री गा मा पा पम पा पा नी table
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17 (१७) table
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18 री री री री पा पा पा पा table
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19 (१८) table
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20 पा पा पा धा मा मा मा table
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21 (१९) table
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22 नी पा मा गम गां गां गां गां table
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23 (२०) table
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24 रों रों गा गा मा मा मा मा table
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25 (२१) table
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26 नी पा नी मा नी धा पा पा table
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27 (२२) table
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28 सा सा धनि धा पा पा पा पा table
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29 (२३) table
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30 मा पा मा परिग गा गा सां सां table
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31 (38) table
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32 री री गा गा मा मा पा मा table
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33 (२५) table
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34 रीं रीं रीं गा मा रिग मा मा table
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35 (२६) table
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36 मा नी पा नी गा गा गा गा table
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37 ( २७) table
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38 मा मा पा पा धा धनि निध मा table
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39 (२८) table
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40 धा धा सा नी धा नी पा पा table
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41 (२९) table
via surya_layout
42 रीं रीं रीं रीं मा पा धा मा table
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43 (३०) table
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44 नी नी नी धा पा मा मा table
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45 (38) table
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46 मा परि गा गा गा गा गा गा table
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47 (३२) table
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48 ॥ [इति] नन्दयन्ती ॥ section_header
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49 । म ॥१९१ main
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50 [॥१९२इति जातिर्नाम द्वितीयोऽध्याय:॥] editorial_bracket
parent ligne 49
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L#Texte OCRRole autoCorriger si incorrect
1 286 page_number
via heuristic_pagenum
2 BRHADDEŚĪ page_header
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3 2. Gāthā main
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4 आर्यालक्षणसंयुक्ता गाथा प्राकृतभाषया । main
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5 गीयते पूर्ववद् रम्या छन्दोलक्षणवेदिभि:॥ main
via surya_layout
6 Mānaso IV.16.256. annotation_inline
parent ligne 5
via heuristic_short
7 आर्येव प्राकृते गेया स्यात् पञ्चचरणाश्रया । main
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8 त्रिपदी षट्पदी गाथेत्यपरे सूरयो जगुः॥ main
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9 SR IV.232. annotation_inline
parent ligne 8
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10 3. Dvipathaka main
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11 गातव्या (व्य:) स्वरसंयुक्तस्तालेन परिवर्जिता: (त:) । main
via surya_layout
12 प्रबन्धो द्विपथाभिज्ञो गीतविद्याविशारदै: ॥ main
via surya_layout
13 Mānaso IV.16.261. annotation_inline
parent ligne 12
via heuristic_short
14 छन्दसा द्विपथेन स्याद् द्विपथ: स्वरमुक्तिक: । main
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15 तालहीन: सतालो वा स च ज्ञेयश्रतुर्विध:॥ main
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16 स्वरैरेकोऽन्य: प्रयोगै: सोभयानुभयौ परौ । main
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17 प्राकृते दोहसंज्ञोऽसौ तस्य भेदा नव त्विमे ॥ main
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18 SR IV.232-34. annotation_inline
parent ligne 17
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19 8. Reconstruction based on - main
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20 कयापि भाषया क्लृप्ता ...... main
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21 भाषया तु यया कया..... main
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22 Mānaso IV.16.316, 318. main
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23 9. Reconstruction based on S Rāj I.3.3.32 b. list_item
via surya_layout
24 येन केनापि तालेन रागेणाभिमतेन च। list_item
via surya_layout
25 10. cf. (i) list_item
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26 गीयते स्वरसंयुक्ता गीतज्ञैध चतुष्पदी ॥ list_item
via surya_layout
27 Mānaso IV.16.285. main
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28 समे पोडश मात्रा: स्यु: पादे पञ्चदशायुजि । main
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29 (ii) annotation_inline
parent ligne 28
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30 यस्यां भित्रार्थयमकावधौ सा तु चतुष्पदी ॥ main
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31 स्वरतेनकसंयुक्ता तेनकन्याससंयुता ॥ main
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32 SR IV.271,272. main
via surya_layout
33 11. This line seems to pertain to the description of <i>dodhaka</i>, which is list_item
via surya_layout
34 incomplete due to a break in the text. list_item
via surya_layout
35 12. The description of totaka is missing due to a break in the text. The list_item
via surya_layout
36 following extracts from other texts are relevant for filling the gap- list_item
via surya_layout
37 येन केनापि तालेन रागेणाभीप्सितेन च। list_item
via surya_layout
38 (i) list_item
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39 गातव्यस्ता (स्तो)टको नाम प्रबन्धो गीतवेदिभि:॥ list_item
via surya_layout
40 Mānaso IV.16.267, main
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41 तोटकच्छन्दसा न्यस्तस्वरोऽङ्ग्रयन्ते तु तोटक:। main
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42 (ii) annotation_inline
parent ligne 41
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43 SR IV. 244. main
via surya_layout

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA page_header
via surya_layout
2 295 page_number
via heuristic_pagenum
3 becoming an adjective of vidhi and the total meaning being 'general rule'. main
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4 Utsarga and apavāda is another pair that is commonly used in Pūrva main
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5 Mīmāmsā, meaning general rule and exception respectively. Here 'utsarga' main
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6 has been used in isolation, the compound utsarga-vidhi being implicit. main
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7 'Vidhi' meaning rule or injunction has been used with the adjective samvādī main
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8 -anuvādī in a compound, meaning the rule pertaining to the samvādin and main
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9 anuvādin svaras. annotation_inline
parent ligne 8
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10 14. This phrase or piece of notation does not occur in SR in the list_item
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11 prastāra of ṣāḍjī, nor in Bha Bhā in the prastāra of pancamāmśa ṣāḍjī. list_item
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12 15. 'Svasthāna' is known to stand for a section of 'ālapti' or list_item
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13 improvised elaboration of a rāga (cf. SR III. 192-195); it has been used here list_item
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14 in jāti which is a prototype of rāga. It is not improbable that our text is using list_item
via surya_layout
15 this word in a different meaning, which could, perhaps, be graha. list_item
via surya_layout
16 16. The purport is that amsa is the regulator of graha, apanyasa, list_item
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17 vinyāsa, samnyāsa and nyāsa on account of being the point of reference both list_item
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18 in intervallic and melodic organisation. list_item
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19 17,18. Gīta is melodic rendering and pada is a unit of text or melody list_item
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20 or text-cum-melody, as the case may be, i.e., gīta could stand for melodic list_item
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21 rendering with or without text and 'pada' could stand for self-contained list_item
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22 units of text (meaningful or otherwise) or of melody or of text-cum-melody. list_item
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23 Apanyāsa operates within the splittings (vidārīs) of gīta or pada i.e., it is the list_item
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24 pause between one vidārī and another. list_item
via surya_layout
25 19. 'Pāda', literally meaning foot is used both in the context of list_item
via surya_layout
26 textual metre and musical composition. list_item
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27 20. 'Peśī', literally meaning muscle suggests the conception of the list_item
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28 'body' of a musical structure on the model of the human body. SR IV. 12a list_item
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29 speaks of the dhātus (lit. humours) of prabandha that are so called because list_item
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30 of upholding the 'body' of prabandha and again in 13b speaks of the list_item
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31 'prabandha-puruşa' that has six angas or limbs. The word peśī has also been list_item
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32 used in Datti. 142 for a vidārī of gīta or pada; thus this word has a history going list_item
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33 much earlier than our text. list_item
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34 21. NS. XXVIII.68, 69 has reading variants in all the editions; the list_item
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35 citation in our text has proximity to c.r. in Kalā. It is notable that the name list_item
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36 of Bharata does not occur in the introduction to the citation. list_item
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37 22. The octave of the amsa is implied here; that is the beginning of list_item
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38 tāra (high). list_item
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39 23. The 23rd kalā or vidārī (sub-section) of the prastāra of nandayantī list_item
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40 in SR reads - sā sā dhani dhā, there is a vertical stroke on the two 'sās' list_item
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41 indicating their tara position. list_item
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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĨ page_header
via surya_layout
2 228 page_number
via heuristic_pagenum
3 [२. कामलेखा] section_header
via surya_layout
4 द्विगुणितरुद्रा प्रथमे, मात्रा युजि सम्भवन्ति ता एव । main
via surya_layout
5 विंशतिश्चासमे चरणे, यस्या: सा कामलेखेति ३६॥४४५॥ main
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6 विंशति विषमे annotation_inline
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7 (?)चरमे annotation_inline
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8 [३. बाणलेखा] section_header
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9 द्विगुणितकला यदि स्युर्मात्रा: पादत्रयेऽप्यविशिष्टा: । main
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10 (電?) annotation_inline
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11 ऽपि+(विशिष्टम्) annotation_inline
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12 [ता]बाणगणोपेता यस्यां सा बाणलेखेति ३७॥ ४४६॥ editorial_bracket
parent ligne 9
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13 न्त annotation_inline
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14 [४. चन्द्रलेखा] section_header
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15 चत्वारिशत् त्र्यधिका मात्रासंख्याऽङ्घ्रियुग्मेषु main
via surya_layout
16 एकोना सा विषमे यस्यां सा चन्द्रलेखेति ३८॥ ४४७॥ main
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17 ॥ इति मात्रैलाचतुष्टयम् ॥ editorial_bracket
parent ligne 16
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18 [ग. वर्णेलाप्रकारा:] section_header
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19 नैवात्र तालनियमो रसनियमो रागनियमस्तु । main
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20 भवति[खल्]वर्णनियमो वर्णेला कथ्यते तस्मात् ॥४४८॥ editorial_bracket
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21 ++ annotation_inline
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22 मदनवती शशिलेखा प्रभावती मालती तथा[ललिता] । editorial_bracket
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23 (च)तथा annotation_inline
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24 हेमवती ३९कुसुमवती वर्णनिबन्धा भवन्ति सप्तैला:॥४४९॥ main
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25 एकादशादिवर्णै: सप्तदशान्तै: क्रमेण सप्तैता: । main
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26 गीयन्ते गन्धर्वैर्लिलतपदैर्जगित सन्नादै: ॥ ४५०॥ main
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27 [१. मदनवती २. शशिलेखा ३. प्रभावती] editorial_bracket
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28 ४० अलघुगणोपेता [सा] मदनवती लघुगणेन शशिलेखा । editorial_bracket
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29 अलिलतनामोपेता annotation_inline
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30 गुरुगणबहुला [नित्यं]प्रभावती <sup>४१</sup>मालती तथा ललिता ॥ ४५१॥ editorial_bracket
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31 ....भवति रम्यतरा annotation_inline
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1 BRHADDEŚĨ page_header
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2 168 page_number
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3 उदाहरणम् - धाधासासागधरिगारिसागनिरीसासाधासानीनीनी धाधाधानिधापापामाधासाधा main
via surya_layout
4 निनिधाधापागागाधारिधामामाधा निनिधाधा । दाक्षिणात्या । [२] editorial_bracket
parent ligne 3
via heuristic_brackets
5 धैवताद्यन्तसंयुक्ता गान्धारस्वरभूषिता । main
via surya_layout
6 गन्धारधैवतस्यात्र गमनं दृश्यते घनम् ॥ main
via surya_layout
7 गान्धारो annotation_inline
parent ligne 6
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8 •क्षेति annotation_inline
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9 भाषा ह्येषा तु सङ्कीर्णा गान्धारी समुदाहता ॥ १०७॥ main
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10 हा + annotation_inline
parent ligne 9
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11 उदाहरणम् – धाधागागागिरिगमगामाधा रिरिरिरगामापामा मापामापामापासगारिरिगागागाधापाधागागा main
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12 रीसासासानिसासानिगामापासासानीगारीमागमागामा मामामानिनिनिन। मधाधाधाधा। गान्धारी । [३] editorial_bracket
parent ligne 11
via heuristic_brackets
13 धैवताद्यन्तसंयुक्ता षाडवा पञ्चमोज्झिता । main
via surya_layout
14 ॰माहिता annotation_inline
parent ligne 13
via heuristic_markers
15 मध्यमर्षभसंवादो द्विश्रुतीनां च गीयते ॥ main
via surya_layout
16 १८विभाषा चैव श्रीकण्ठी प्रयोगे ललितास्तुते ॥ १०८॥ main
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17 ॰कण्ठे annotation_inline
parent ligne 16
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18 उदाहरणम् -धानिमागागाधा रिमागागाधा रिमागरिगारिरिगारिरिगामागारिगाधा रिरिरीनिसा- main
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19 निनिधाधा। श्रीकण्ठी । [४] editorial_bracket
parent ligne 18
via heuristic_brackets
20 ९९मध्यमांशा धैवतान्ता ऋषभेण तु दुर्बला । main
via surya_layout
21 (तु) annotation_inline
parent ligne 20
via heuristic_height
22 मध्यमर्षभपञ्चमानां गमनं दृश्यते घनम् ॥१०९॥ main
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23 दुश्यतेन्धनम् annotation_inline
parent ligne 22
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24 •पञ्चमगमनं annotation_inline
parent ligne 22
via heuristic_height
25 एषा विभाषा पौराली रम्या चातिमनोहरा । main
via surya_layout
26 चा(नि?ति) annotation_inline
parent ligne 25
via heuristic_height
27 गीयते नागलोकेन गमकैर्मधुरस्वरा ॥ ११०॥ main
via surya_layout
28 गधकै annotation_inline
parent ligne 27
via heuristic_height
29 उदाहरणम् - [मा]पापाधा निनिसासामानिधा पाधाधाधाधा निसारिरिमागारिसारिमागासारिसारि- editorial_bracket
parent ligne 27
via heuristic_brackets
30 मामारिगारिमा सासासासानिनिनिनीधाधा मापामापापापानिनिरिरिसानिधा पाधाधानिनिधा निनिरि- main
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31 <b>₹</b> annotation_inline
parent ligne 30
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32 रिनिरि रिमागारिसा निरिसानिसासानिनिधाधा गमापाधानिनिसानिसानिधाधा। पौराली । [५] editorial_bracket
parent ligne 30
via heuristic_brackets
197 lignes a valider — change uniquement les roles incorrects.