Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20632). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p121 LEFT — 28 lignes

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1 (vide) annotation_inline
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2 BRHADDEŚĪ page_header
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3 224 page_number
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4 क्षत्रियाणां कुलं चैव रसो रौद्र: प्रकीर्तित: । main
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5 यत्रानलगणाः पञ्च षष्ठो वायुगणस्तथा ॥ main
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6 एला हंसावती हन्त सा स्मृता गीतपारगै: ॥४३०॥ main
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7 [३. नन्दावती] section_header
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8 लघुभिर्गमकैर्युक्ता रागे मालवकैशिके । main
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9 एला नन्दावती नाम प्रतितालेन गीयते ॥४३१॥ main
via surya_layout
10 इन्द्राणी देवता, वृत्ति: सात्त्वती तत्र कीर्तिता । main
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11 गौडीया कथ्यते रीति:, पीतो वर्ण: स्मृतो बुधै: ॥ ४३२॥ main
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12 रसो वीर: समाख्यातो, वैश्यानां कुलसम्भवा। main
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13 व्य: annotation_inline
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14 नादावत्यामिव सर्वं कर्तव्यं रागपूर्वकम् ॥४३३॥ main
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15 (न?ना) annotation_inline
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16 यत्राम्बरगणाः पञ्च मार्तण्डगणसंयुताः । main
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17 मार्ताण्ड॰ annotation_inline
parent ligne 16
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18 एला नन्दावती सा तु विज्ञेया गीतवेदिभि: ॥४३४॥ main
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19 [४. भद्रावती] section_header
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20 एकैकपदसंयुक्ता मूर्छनाध्वनिसङ्कुला । main
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21 कङ्कालतालसम्बन्धा ककुभेन प्रगीयते ॥४३५॥ main
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22 एला भद्रावती नाम शूद्रजातिसमुद्भवा । main
via surya_layout
23 कृष्णवर्णा च विज्ञेया वैदर्भीरीतिशोभिता ॥४३६॥ main
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24 भारतीवृत्तियुक्ता च बीभत्सरसभूषिता । main
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25 वाराहीदेवतोपेता कथिता गीतकोविदै: ॥४३७॥ main
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26 यत्र भूमिगणाः पञ्च षष्ठो जलगणस्तथा । main
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27 भद्रावतीति विख्याता सा स्मृता मुनिपुङ्गवै: ॥४३८॥ main
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28 पुटपुङ्गवै: (?) annotation_inline
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vol_II_p162 RIGHT — 41 lignes

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1 <b>VIMARŚA</b> annotation_inline
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2 307 page_number
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3 52. The word gamaka seems to stand for shake here. list_item
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4 53. Dānavīra is one of the four varieties of vīra, the other three being list_item
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5 dharmavīra, yuddhavīra and dayāvīra. list_item
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6 54. The import seems to be that śuddha-bhinna has an independent list_item
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7 form and that it is not the modified form of a suddharaga. list_item
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8 55. Here the distinction of a bhinna raga is established only on the list_item
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9 basis of giti or distinctive tonal rendering. list_item
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10 56. Syasthāna is a word used in SR III.140 and III.191-192 in the list_item
via surya_layout
11 context of sthāya and ālapti respectively; it stands for the sections of rāgālapti list_item
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12 formed on the basis of the units of tonal range within an octave, the first unit list_item
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13 being formed in the range from the tonic and from below it upto the svara list_item
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14 preceding the fourth, the second unit touching the fourth, the third list_item
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15 reaching below the octave and the fourth touching the octave. list_item
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16 57. 'Leaving the svasthana' seems to imply that the lower register will list_item
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17 be used in this rāga, as distinct from śuddhakaiśika which is performed with list_item
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18 tāra svaras. Here svasthāna does not seem to signify the units of tonal range list_item
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19 described in note 56 above, rather it appears to mean ' the own sthana or list_item
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20 register' of a raga. list_item
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21 58. "Niṣāda taking up the two śrutis of pañcama" is a prima facie list_item
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22 fallacious statement because pañcama is not adjacent to niṣāda. But there list_item
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23 could be a hidden meaning, taking the two grāmas together, as follows - list_item
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24 Şadjagrāma sa - ri- antaraga - ma - pa - dha - ni. main
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25 Madhyamagrāma ma - pa - dha - ni - sa - ri - ga. main
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26 Niṣāda of madhyamagrāma is adjacent to pañcama of ṣadjagrāma. The main
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27 above statement could be valid in terms of the two grāmas taken together. main
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28 59. The 'omission' of pancama comprised of three śrutis in list_item
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29 ṣaḍjagrāma actually means that this pañcama is not admissible in ṣaḍjagrāma. list_item
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30 60. 'Mature' karuṇa rasa is a notable expression. list_item
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31 61. Our text mentions ohāṭī for the second time here. SR (II.1.4,5) list_item
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32 also mentions it while describing the gaudi gita and defines it as the list_item
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33 "Sound combining 'ha' and 'o' produced b, placing the chin on the chest." list_item
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34 62. There is a striking contradiction between the viniyoga or list_item
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35 application in terms of śringāra and the rasas mentioned separately, viz. list_item
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36 bībhatsa and bhayānaka that are incompatible to śṛṅgāra. list_item
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37 63. Here again the viniyoga is given in terms of karuņa and the rasa list_item
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38 is mentioned as vīra in accordance with the amśa that is ṣaḍja. list_item
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39 64. 'Rāga' is another name for vesarā gīti; this alternative name is also list_item
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40 mentioned in later texts like SR II.1.6. The basis of this alternative name as list_item
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41 cited in the name of Kasyapa seems to be that the ragas that are not list_item
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1 TRANSLATION page_header
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2 69 page_number
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3 rī rī gā sama mā mā pā pā table
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4 (8) table
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5 mā pā mā pariga gā gā gā gā table
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6 (9) table
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7 dhā nī pā mā dhā nī sā sā table
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8 (10) table
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9 nī nī nī nī ņī nī nī nī table
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10 (11) table
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11 mā mā dhā nī nī dhā pā pā table
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12 (12) table
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13 mā pā mā pariga gā gā gā gā table
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14 (13) table
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15 nī nī pā dhani gā gā gā gā table
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16 (14) table
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17 sā rī gā sā nī nī nī nī table
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18 (15) table
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19 nī nī dhā dhā pā pā pā pā table
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20 (16) table
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21 Thus ends Kārmāravī. section_header
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22 [7.Gāndhārapañcami] section_header
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23 Pañcama is the amsa in gandharapañcami. The wise should produce main
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24 concert (among svaras) here also as in gāndhārī and pancamī. main
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25 (19) annotation_inline
parent ligne 24
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26 Caccatpuța ( is the tāla), there are sixteen kalās here. The mūrchanā main
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27 beginning with gandhara obtains. Application is (prescribed) in the singing main
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28 of dhruvās pertaining to the fourth act. main
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29 (20) annotation_inline
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30 Gāndhārais the nyāsain this (jāti). Ŗṣabhaand pañcamaare apanyāsas. The main
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31 prastāra is thus - main
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32 mā mā pama dhanī dhapa mā dhā nī table
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33 (1) table
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34 sani dhā pā pā pā pā pā table
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35 (2) table
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36 dhā nī sā sā mā mā pā pā table
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37 (3) table
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38 ការី ការី ការី ការី ការី ការី ការី ការី table
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39 (4) table
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40 nī nī dhapa mā nidha nidha pā pā table
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41 (5) table
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42 pā pā rī rī rī rī pā pā table
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43 (6) table
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44 mā riga sā sadha nī nī nī nī table
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45 (7) table
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46 nī rī sā risa rī rī rī rī table
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47 (8) table
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48 ni gā sā niga sā nī nī nī table
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49 (9) table
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50 nī mā nī mā pā pā gā gā table
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51 (10) table
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vol_II_p132 LEFT — 50 lignes

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1 246 page_number
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2 BRHADDEŚĪ section_header
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3 Verse No. table
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4 Reading table
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5 Reading table
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6 BrD table
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7 Datti table
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8 BŗD table
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9 Datti table
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10 193 page_number
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11 49 page_number
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12 पड्जायाधैव table
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13 पड्जायास्त्वथ table
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14 194 page_number
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15 सधैवत्यो: table
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16 सधैवत्ये * table
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17 50 page_number
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18 *This reading is there in the Trivandrum edition of Datti which has been main
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19 changed by Mukund Lath to sadhaivatyoh. main
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20 12. Both p.t. and Datti read'tatha', but we have replaced it with list_item
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21 'tābhyām' because 'tathā' does not relate gāndhārī and pañcamī to gāndhāra- list_item
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22 pañcami as its components or progenitors. list_item
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23 13. cf. NŚ XXVIII 49-53 for verses 199-203 of our text. list_item
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24 14. The portion in square brackets has been added from list_item
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25 NŚ XXVIII.55, 56. list_item
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26 15. Reading in NŚ XXVIII. 57. list_item
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27 l 6. cf(i) श्रुतिस्वरग्रामसमूहाज्जायन्त इति जातय:, अथवा जायते रसप्रतीतिराभ्य इति जातय:,यद्वा सकलस्य list_item
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28 रागादेर्जन्महेतुत्वाज्जातयः, अथवा यथा नराणां ब्राह्मणत्वादयो जातयः, शुद्धा विकृताश्च, एवमेता अपीति जातयः। list_item
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29 C.r. in Sudhā on SR 1.7.3. p. 171. unknown
via fallback
30 ŧ annotation_inline
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31 (ii) निर्हेतौ समवायात् श्रुतिस्वरग्रहादिसमूहाद्यतो जायन्ते ततो जातय इति निर्वचनम् । list_item
via surya_layout
32 Abhi Bhā on NŚ XXVIII. p. 37. list_item
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33 17.cf. अंशग्रहादिशतयोजनाया जायन्त इति जातय इत्यन्ये । जाते रसं प्रति आभ्य(जायते रसप्रतीतिराभ्य)इति list_item
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34 वा सकलस्य रागादेर्जन्महेतुर्जातिरिति टीकाकार:। list_item
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35 Abhi Bhā on NŠ XXVIII.p.38. main
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36 18. Reconstruction based on BhaKo, p. 227. list_item
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37 Reconstruction based on Sudhā on SR I. 7.3 p. 171, list_item
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38 cf. शुद्धाश्च विकृताश्चैवमत्रापि जातिलक्षणम् । जातिर्द्धिधा शुद्धा विकृता च । शुद्धा सप्तविधा । विकृता एकादशविधा । list_item
via surya_layout
39 BhaKo p. 227. list_item
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40 20. 'Viścṣa' or specified 'lakṣaṇa' relates to the description of each list_item
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41 <i>jāti</i>, hence this word has been replaced by us with ‘ <i>daśavidha</i> ’ (tenfold) . list_item
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42 ग्रहांशी तारमन्द्री च पाडवीडुविते क्रमात् । अल्पत्वं च बहुत्वं च न्यासोऽपन्यास एव च ॥ list_item
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43 21. cf.(i) list_item
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44 <b>Datti.</b> 55, unknown
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45 ग्रहांशी तारमन्द्री च न्यासोऽपन्यास एव च । list_item
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46 (ii) list_item
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47 अल्पत्वं च बहुत्वं च पाडवौडुविते तथा ॥ list_item
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48 NŠ XXVIII.66. main
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49 22. Reading of MS B as recorded by the ed. list_item
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50 23. Datti 56 reads *<i>evametadyathājāti *</i>. list_item
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vol_I_p049 RIGHT — 37 lignes

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1 81 page_number
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2 TRANSLATION page_header
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3 krama as sa - ri - ga. Vyutkramas (permutations) are five beginning with ga - ri main
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4 - <math>sa</math>; <math>ga - sa - ri</math>, <math>ri - ga - sa</math>, <math>[ri - sa - ga]</math> <math>sa - ga - ri< editorial_bracket
parent ligne 3
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5 <math>k\bar{u}_{l}a</math>-tanas formed by vyutkrama (permutation or change of order). Thus there main
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6 are six tanas of gandhara (along with the preceding two svaras viz. sa - n). main
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7 Similarly, there is only one krama (original order) of madhyama (added to main
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8 the preceding three svaras) as sa - ri - ga - ma; there are twenty-three utkramas main
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9 beginning with ma - ga - ri - sa. That is thus - ma - ga - ri - sa, ma - ga sa - main
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10 ri, ma - ri - ga - sa, ma - ri - sa - ga, ma - sa - ga - ri, ma - sa - ri - ga main
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11 thus are the six tānas beginning with madhyama, formed by vyutkrama. Similarly, main
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12 there are six tānas, each beginning with gāndhāra, ṛṣabha and ṣadja and taken main
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13 together they are twenty-four. annotation_inline
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14 Similarly, there is only one krama (original order) of pañcama (along with its main
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15 four preceding svaras). The kūṭa-tānas beginning with pa - ma - ga - ri - sa main
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16 (formed by) vyutkrama are one hundred and nineteen. That is thus - sa - ni - main
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17 ga - ma - pa, pa - ma - ga - ri - sa. Each one of pa - ma - ga - ri - sa has main
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18 twenty-four (varieties beginning with it), taken together they become one main
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19 hundred and twenty. Similarly, dhaivata has one krama (original order along main
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20 with its preceding five svaras) as sa - ni - ga - ma - pa - dha, dha - pa - ma - main
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21 ga - ni - sa, this is the vyutkrama (reverse order). Each one of dha - pa - ma - main
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22 ga - ni - sa becomes [one hundred] and twenty (through kūļa-tānas); taken editorial_bracket
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23 together (the kūṭa-tānas) become seven hundred and twenty. Similarly, there is main
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24 only one krama of niṣāda (alongwith its six preceding svaras) as sa - ri - ga - main
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25 ma - pa - dha - ni. Ni - dha - pa - ma - ga - ri - sa is the vyutkrama. Each main
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26 one of ni - dha - pa - ma - ga - ni - sa becomes seven hundred and twenty main
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27 (through <math>k\bar{u}ta</math>-tānas); taken together they become five thousand and forty. main
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28 (Anu. 59) annotation_inline
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29 Thus the tāna-vidhāna (performance of tānas) of svaras is found on the main
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30 (viṇās having) sixty-six strings or hundred strings. The measurements of these main
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31 two (<math>vin\bar{a}s</math>) are middle and the like (?)<sup>57</sup>. Here the demonstration of these <math>k\bar{u}t main
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32 tānas has not been made on these (viņās) in order to avoid a digression; by this main
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33 order itself, it (the demonstration) should be understood by the wise ones on main
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34 their own. annotation_inline
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35 (Anu. 60) annotation_inline
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36 The objective of these tanas has been said to be for the sake of the main
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37 attainment of [ sthānas (registers) ]. Sthānas (registers) are said to be three in editorial_bracket
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207 lignes a valider — change uniquement les roles incorrects.