Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20634). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p047 LEFT — 33 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDEŚI</b> page_header
via surya_layout
2 76 page_number
via heuristic_pagenum
3 [ अनु. ५१ ] editorial_bracket
parent ligne 4
via heuristic_brackets
4 ननु मध्यमसप्तकेन मूर्छनानिर्देशः क्रियते यदि तदा किमुक्तं मध्यमेन main
via surya_layout
5 स्वरेणेति ? सत्यमुक्तम्। स्वरजात्यपेक्षया एकवचनम्। १७ कण्ठ्ये स्वरे main
via surya_layout
6 ₀णर्ये annotation_inline
parent ligne 5
via heuristic_markers
7 मूर्छना कार्येति भावः। वैणग्रहणं च शरीर अप्रकीर्तितस्यापि स्थानस्य main
via surya_layout
8 ्रतितः तस्यापि annotation_inline
parent ligne 7
via heuristic_height
9 लाभार्थम्। main
via surya_layout
10 अनु₀ ५२ editorial_bracket
parent ligne 9
via heuristic_brackets
11 ननु षाडवौडुविते क्रियमाणे मूर्छनाप्रत्यभिज्ञानमस्ति वा न वा ? main
via surya_layout
12 अस्त्येव मूर्छनाप्रत्यभिज्ञानमिति। तथा चाह दत्तिलः — main
via surya_layout
13 "एवं कृतेऽपि तानत्वे गणयित्वा विनाशिनम्। main
via surya_layout
14 oWo annotation_inline
parent ligne 13
via heuristic_height
15 <sup>७७</sup>विद्वानेतावतिथ्येषा मूर्छनेत्यवधारयेत्।।" main
via surya_layout
16 दत्तिलम् ३७ | annotation_inline
parent ligne 15
via heuristic_short
17 च ते annotation_inline
parent ligne 15
via heuristic_height
18 [ अनु₀ ५३ ] editorial_bracket
parent ligne 15
via heuristic_brackets
19 ७४ननु प्रथमायां सप्तम्यां च मूर्छनायां षड्जे लुप्ते रिगमपधनीति main
via surya_layout
20 एकमेव रूप भवति, तत्र न ज्ञायते विशेषः। सत्यम्, भेदो नास्ति । main
via surya_layout
21 वस्तुगणने पुनरस्त्येव भेदः, मन्द्रतारकृतो भेदः। main
via surya_layout
22 [ अनु₀ ५४ ] editorial_bracket
parent ligne 21
via heuristic_brackets
23 ७१इद तु प्रयोक्तृश्रोतृसुखार्थमेव मूर्छना-तानान्यत्वमुक्तम्। main
via surya_layout
24 तानप्रयोजनमपि त्रिस्थानप्राप्त्यर्थीमेत्युक्तम्। main
via surya_layout
25 माना, annotation_inline
parent ligne 24
via heuristic_height
26 [ अनु₀ ५५ ] editorial_bracket
parent ligne 24
via heuristic_brackets
27 ननु मूर्छनास्तावज्जातिरागेषूपयोगिन्य इति युक्तं तासां कथनम्, main
via surya_layout
28 <sup>80</sup>ंगभाषादिषुपः annotation_inline
parent ligne 27
via heuristic_height
29 तानास्तु 📭 कुत्रोपयुज्यन्ते ? उच्यते- main
via surya_layout
30 द्वयोग्रामयोजीतिरागान्यत्वप्रतिपादनार्थं प्रयोगस्तानानाम्। main
via surya_layout
31 यद्वा ६४नष्टोद्दिष्टसंख्यासिद्ध्यर्थं प्रयोगस्तानानाम्। main
via surya_layout
32 (vide) unknown
via fallback
33 <b>ेत्रन्द्रष्ट</b>ः annotation_inline
parent ligne 31
via heuristic_height

vol_I_p050 LEFT — 39 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 82 page_number
via heuristic_pagenum
3 तस्माद् यत्किञ्चिद् गीयते तन्मध्यमध्वनिविशेषैः main
via surya_layout
4 कण्ठध्वनिभिर्मन्द्रतारव्यवस्थासिद्ध्यर्थमेव। main
via surya_layout
5 चतुर्विधा मया प्रोक्ता मूर्छनाः सप्तस्वरात्मिकाः। main
via surya_layout
6 द्वादशस्वरमूर्छनाः annotation_inline
parent ligne 5
via heuristic_short
7 इदानी तु प्रवक्ष्यामि द्वादशस्वरमूर्छनाः ॥११७॥ main
via surya_layout
8 90H annotation_inline
parent ligne 7
via heuristic_height
9 <sup>91</sup>ुनाम् main
via surya_layout
10 [ अनु॰ ६१ ] section_header
via surya_layout
11 तत्र मूर्छनानिर्देशः स्थानित्रतयप्राप्त्यर्थमिति वचनात्, main
via surya_layout
12 मन्द्रतारसिद्ध्यर्थमिति वचनाच्च द्वादशस्वरसम्पन्ना मूर्छना main
via surya_layout
13 द्रष्टव्याः annotation_inline
parent ligne 12
via heuristic_short
14 प्रयोगकाले। तथा चाह कोहलः -- main
via surya_layout
15 "योजनीयो बुधैर्नित्यं क्रमो लक्ष्यानुसारतः। main
via surya_layout
16 संस्थाप्य मूर्छना जातिरागभाषादिसिद्धये" ।।१२ main
via surya_layout
17 ुना annotation_inline
parent ligne 16
via heuristic_height
18 नान्दकश्वरणाप्युक्तम्- main
via surya_layout
19 “द्वादशस्वरसम्पन्ना ज्ञातव्या मूर्छना बुधैः। main
via surya_layout
20 जातिभाषादिसिद्ध्यर्थं तारमन्द्रादिसिद्धये।" main
via surya_layout
21 [ अनु₀ ६२ ] section_header
via surya_layout
22 यद्यप्याचार्यैः अप्तस्वरमूर्छनाः प्रतिपादिताः, स्थानत्रितयप्राप्त्यर्थं main
via surya_layout
23 ुदा annotation_inline
parent ligne 22
via heuristic_short
24 द्वादशस्वरैरेव मूर्छनाः प्रयुक्ताः। अन्यथा चोक्षषाडवे रिमा इति प्रयोगो main
via surya_layout
25 सा annotation_inline
parent ligne 24
via heuristic_height
26 न स्यात्। एवं च १५सति स रागः सिद्धो न स्यात्। main
via surya_layout
27 ग सिध्यान्त (२) annotation_inline
parent ligne 26
via heuristic_short
28 षाङ्जीजातौ रिगमधनि प्रयोगस्तारमन्द्रको न main
via surya_layout
29 पर्ज, annotation_inline
parent ligne 28
via heuristic_short
30 स्यात्। अन्येषामपि रागाणां नाशंकरः प्रयोगः स्यात्। तेन सरिगम [प] editorial_bracket
parent ligne 28
via heuristic_brackets
31 धन्याद्या मूर्छना धनि [ सरि ] गमपाद्याः। तद्यथा— editorial_bracket
parent ligne 28
via heuristic_brackets
32 नि अन्या annotation_inline
parent ligne 28
via heuristic_height
33 धनिसरिगमपधनिसरिग । उत्तरमन्द्रा main
via surya_layout
34 [ <sup>8</sup> ] editorial_bracket
parent ligne 33
via heuristic_brackets
35 निसरिगमपधनिसरिगम । रजनी main
via surya_layout
36 ि ३ ो annotation_inline
parent ligne 35
via heuristic_short
37 सरिगमपधनिसरिगमप । उत्तरायता main
via surya_layout
38 रिगमपधनिसरिगमपध । शुद्धषड्जा [ ४ ] editorial_bracket
parent ligne 37
via heuristic_brackets
39 गमपधनिसरिगमपधनि । मत्सरीकृता [ ५ editorial_bracket
parent ligne 37
via heuristic_brackets

vol_II_p053 RIGHT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 89 page_number
via heuristic_pagenum
3 The first alternative does not hold good. Why? Because of this rāga being main
via surya_layout
4 complete (with seven svaras). Hence the second alternative alone is main
via surya_layout
5 stronger. Why is it said to be prominent among the six rāgas? Because of main
via surya_layout
6 the statement that śuddhaṣāḍava should be used in the pūrvaraiga. On main
via surya_layout
7 account of its abundant usage in pūrvaranga, this śuddhaṣāḍava has been main
via surya_layout
8 indicated in the beginning. main
via surya_layout
9 Suddhaṣāḍava is born of the modified madhyamā jāti. main
via surya_layout
10 Its <i>nyāsa</i> is annotation_inline
parent ligne 9
via heuristic_height
11 madhyama, which is also the amśa and gāndhāra is weak in it. main
via surya_layout
12 (300) annotation_inline
parent ligne 11
via heuristic_height
13 [ Anu. 165 ] section_header
via surya_layout
14 This means - suddhaṣāḍava is related to madhyamagrāma. Tāra (high) main
via surya_layout
15 madhyama is its graha. Madhyama is the amśa and nyāsa and there is the main
via surya_layout
16 sparseness of gāndhāra. Niṣāda and gāndhāra are kākalī and antara (here).33 main
via surya_layout
17 It is endowed with all the svaras. It is used in the pūrvaranga. Madhyama is main
via surya_layout
18 the vādin and ṣaḍja is the samvādin. Ŗṣabha and pañcama are the anuvādins. main
via surya_layout
19 There is no vivādin. Śṛṅgāra and hāsya are the rasas. The mūrchanā main
via surya_layout
20 beginning with madhyama obtains here. The avarohin (descending) varņa,34 main
via surya_layout
21 prevails. Prasannānta is the alankāra. It is sung in the three mārgas 36 of tāla main
via surya_layout
22 The kalā<sup>37</sup> (time-unit) comes about in the dakṣiṇa (mārga), the kalā obtains main
via surya_layout
23 in the vṛtti (mārga), the kalā prevails in the citra mārga. A tāla like caccatpuṭa 38 main
via surya_layout
24 obtains in the svaras and padas (units of text). main
via surya_layout
25 Ākṣiptikā..... table
via surya_layout
26 [2. Suddhapañcama] table
via surya_layout
27 ********* table
via surya_layout
28 [ Anu. 166 ] table
via surya_layout
29 Šuddhapancama is known to be born of şadjodicyavatī jāti. table
via surya_layout
30 --------------------------------------- table
via surya_layout
31 [3. Šuddhasādhārita] section_header
via surya_layout
32 It is with sadja as amsa, madhyama as nyāsa, the svaras with two śrutis main
via surya_layout
33 (gāndhāra and niṣāda) are sparse and similarly, born of ṣaḍjamadhyamā jāti main
via surya_layout
34 is the śuddhasādhārita. annotation_inline
parent ligne 33
via heuristic_height
35 (301) annotation_inline
parent ligne 33
via heuristic_height
36 A Section of the second section of the section of the section of the section of the section of the section of the sectio annotation_inline
parent ligne 33
via heuristic_height

vol_I_p032 RIGHT — 46 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 47 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 The third (letter) of the eighth (group viz. 's') combined with the Hari-bija main
via surya_layout
4 <math>(a)^{71}</math> is the initial svara that the knowledgeable one in svara should draw out main
via surya_layout
5 with all effort. annotation_inline
parent ligne 4
via heuristic_short
6 (63) main
via surya_layout
7 The second (letter) of the seventh (group viz. 'r'), combined with kāmabīja main
via surya_layout
8 (viz. 'a'),72 know (that) as the second svara arising out of the brahmasthāna main
via surya_layout
9 (64) annotation_inline
parent ligne 8
via heuristic_short
10 (brahmagranthi). main
via surya_layout
11 The third (letter) of the second group (viz. 'g') combined with Viṣṇu - bīja, main
via surya_layout
12 (viz. 'a'), one should always draw out (this) svara which is attractive among the main
via surya_layout
13 (65) annotation_inline
parent ligne 12
via heuristic_short
14 various svaras. main
via surya_layout
15 The last (letter) of the sixth group, (viz. 'm') combined with the initial one main
via surya_layout
16 (viz. 'a') know it as madhyama, the indestructible (and)<sup>73</sup> best among svaras. main
via surya_layout
17 (66) annotation_inline
parent ligne 16
via heuristic_short
18 The first one of the same (sixth group, viz. 'p') combined with the first one main
via surya_layout
19 (viz. 'a'), know that as the beautiful svara, associated with the number (five) of main
via surya_layout
20 (67) annotation_inline
parent ligne 19
via heuristic_short
21 vyoma (space)<sup>74</sup> and born of the ostha (lip)<sup>75</sup> sthāna.<sup>76</sup> main
via surya_layout
22 The fourth (letter) of the fifth group (viz. 'dh') combined with the initial main
via surya_layout
23 one (viz. 'a'), one should draw out that excellent svara born of two bows.<sup>77</sup> (68) main
via surya_layout
24 The last (letter) of the fifth group (viz. 'n') differentiated by the end that is main
via surya_layout
25 other than akāra (viz. 'i') arising out of the brahma-sthāna78 (cerebral aperture) main
via surya_layout
26 is combined with 'high' sound. main
via surya_layout
27 (69) annotation_inline
parent ligne 26
via heuristic_short
28 Thus, this much has been shown as the svaroddhāra (analysis of svara-names) main
via surya_layout
29 (70 ab) annotation_inline
parent ligne 28
via heuristic_short
30 contained in agama.79 main
via surya_layout
31 [ Assignment of community, colour and the like to svaras ] section_header
via surya_layout
32 Now I shall speak of the assignment of community, colour and the like (to main
via surya_layout
33 <math>(70 \text{ cd})</math> main
via surya_layout
34 svaras). main
via surya_layout
35 (i) Kula-Vamśa. section_header
via surya_layout
36 Şadja, gāndhāra and madhyama are born in the Kula 80 (community) of gods, main
via surya_layout
37 this svara pañcama is born in the lineage (vaṃśa)81 of manes (pitṛvaṃśa). main
via surya_layout
38 (71) unknown
via fallback
39 The two svaras ršabha and dhaivata are born in the lineage of rsis. The niṣāda main
via surya_layout
40 (72) annotation_inline
parent ligne 39
via heuristic_short
41 born in the community of demons, is called 'ni'. main
via surya_layout
42 (ii) Colours. section_header
via surya_layout
43 Ṣadja is of the colour of the lotus-petal, ṛṣabha is of the colour of parrot, main
via surya_layout
44 gāndhāra is goldenhued, madhyama is (white) like kunda (jasminum multi- main
via surya_layout
45 (73) annotation_inline
parent ligne 44
via heuristic_short
46 florum). main
via surya_layout

vol_II_p060 LEFT — 26 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 102 page_number
via heuristic_pagenum
2 BRHADDEŠĪ page_header
via surya_layout
3 [अनु॰ १८३] editorial_bracket
parent ligne 5
via heuristic_brackets
4 [ अस्यार्थ:- ]चतुःश्रुतेः पञ्चमस्य यदा श्रुतिद्वयं गृह्णाति निषादः तदासौ श्रुतिभिन्नोऽभिधीयते। editorial_bracket
parent ligne 5
via heuristic_brackets
5 ननु मध्यमग्रामे पञ्चमस्य त्रिश्रुतिकत्वात् कथं श्रुतिद्वयं गृह्णाति निपाद:? main
via surya_layout
6 उच्यते । annotation_inline
parent ligne 5
via heuristic_height
7 (fa) annotation_inline
parent ligne 5
via heuristic_height
8 भूतपूर्वन्यायेन चतुः श्रुतिरुच्यते । यथा भित्रकैशिकरागे त्रिश्रुतिपञ्चमस्य च[तुः] श्रुतित्वमाश्रित्य लोपः editorial_bracket
parent ligne 5
via heuristic_brackets
9 कृतः पड्जग्रामे, एवमत्रापि भविष्यतीति न दोषः । लक्षणं चास्य तद्यथा - main
via surya_layout
10 [५. भिन्नतान:] editorial_bracket
parent ligne 9
via heuristic_brackets
11 <sup>६र</sup>तानस्तु मध्यमन्यासः पञ्चमांशोऽल्पसप्तमः । main
via surya_layout
12 मध्यमापञ्चमीजात्योर्ऋषभेण तु दुर्बल: ॥ ३१३॥ main
via surya_layout
13 [अनु॰ १८४] editorial_bracket
parent ligne 12
via heuristic_brackets
14 अस्यार्थः - भिन्नतानो मध्यमग्रामसम्बन्धः मध्यमापञ्चमीजात्युत्पन्नत्वात् । main
via surya_layout
15 पञ्चमो annotation_inline
parent ligne 14
via heuristic_height
16 भित्रनासिका(?) annotation_inline
parent ligne 14
via heuristic_height
17 ग्रहोंऽशश्च। मध्यमो न्यास:। मध्यमनिषादयोरल्पत्वम् [?]<sup>६२</sup>। निषादोऽत्र काकली। पूर्णश्चायम editorial_bracket
parent ligne 14
via heuristic_brackets
18 प्रौढकरुणेऽस्य प्रयोग:। पञ्चमादिमूर्छना।सञ्चारी वर्ण:।प्रसन्नादिरलङ्कार;।दक्षिणे कला, वार्तिके main
via surya_layout
19 कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल:। main
via surya_layout
20 [भिन्नरागाणां ग्रामविभागः] section_header
via surya_layout
21 [अनु॰ १८५] editorial_bracket
parent ligne 20
via heuristic_brackets
22 भित्रानां ग्रामविभागस्तु काश्यपेनोक्त:। तथा च - main
via surya_layout
23 ‘‘भित्रषड्जस्तु षड्जे स्याद् भिन्नकैशिकमध्यम:। main
via surya_layout
24 पञ्चम: कैशिकस्तानो मध्यमग्रामसंश्रित: ॥'' main
via surya_layout
25 <b>ल्स्ता</b>ने annotation_inline
parent ligne 24
via heuristic_height
26 इति भित्रा: समाख्याता गौडकाञ् शृणु साम्प्रतम् ॥ ३१४॥ main
via surya_layout
180 lignes a valider — change uniquement les roles incorrects.