Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20635). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p138 LEFT — 41 lignes

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1 1. ***** annotation_inline
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2 258 page_number
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3 BRHADDEŚĨ page_header
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4 38. Reconstuction based on the reading found in all subsequent list_item
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5 rāgas. list_item
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6 39. P.t. breaks here. Ākṣiptikā is thus defined in SR list_item
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7 चच्चत्पुटादितालेन मार्गत्रयविभूपिता। list_item
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8 आक्षिप्तिका स्वरपदग्रथिता कथिता बुधै: ॥ list_item
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9 SR II.2.25 cd, 26 ab. main
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10 स्वरपदग्रधिता, पड्जादिस्वरोपेतै: पदै: पदार्थवाचकै: शब्दैग्रंथिता रचिता main
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11 पदतालाद्याक्षिप्तत्वादाक्षिप्तिकेत्यर्था । वुधैर्मतङ्गादिभि: कथिता । main
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12 Kalā on ibid, p. 22. main
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13 40. P.t. breaks here. The following extracts would be pertinent - main
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14 मध्यमापञ्चमीजात्यो: सम्भूत: शुद्धपञ्चम: । main
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15 अंशोऽस्य पञ्चमो न्यास: स्वल्पद्विश्रुतिकस्वर:॥ main
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16 BhaKo, p. 666, ascribed to Kaśyapa. main
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17 यदि पञ्चमो विरमते गान्धारधान्तरस्वरो भवति । main
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18 ऋपभो निपादसहितस्तं पञ्चममीदृशं विद्यात् ॥ main
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19 Nā Śi 1.4.6. annotation_inline
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20 मध्यमापञ्चमीजातः काकल्यन्तरसंयुतः ॥ main
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21 पञ्चमांशग्रहन्यासो मध्यसप्तकपञ्चम:। main
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22 <b>इ</b>ष्यकामूर्च्छनोपेतो ज्ञेय: कामादिदैवत: ॥ main
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23 चारुसञ्चारिवर्णश्च ग्रीप्मेऽहः प्रहरेऽग्रिमे । main
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24 शृङ्गारहास्ययो: सन्धाववमर्शे प्रयुज्यते ॥ main
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25 SR.II.2. 148c-150. main
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26 41. Reconstruction based on the succeeding prose portion, where list_item
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27 the omission of rṣabha and pañcama is prescribed. list_item
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28 42. The 'jātyoḥ' of p.t. could be taken to be the dual number of the list_item
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29 genitive or locative case, though locative would be more appropriate list_item
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30 according to the context. We have changed it to the dual number of the list_item
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31 ablative case which was felt to be more idiomatic, but the locative case is not list_item
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32 misplaced. list_item
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33 43. This sentence has been cited by Kallinātha in Kalā on SR II. 2.30- list_item
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34 32, p. 29 for refuting the opinion that the rāga śuddhakaiśikamadhyama list_item
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35 belongs to two grāmas. list_item
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36 पड्जांशो मध्यमन्यासः कैशिकीजातिसम्भवः। list_item
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37 44. cf. list_item
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38 तथा कार्मारवीजात: सम्पूर्ण इति कैशिक: ॥ list_item
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39 BhaKo p. 149, ascribed to Matanga. main
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40 45. ' Pañcamo nyāsaḥ 'of p.t. has been changed to pañcamanyāsaḥ in main
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41 order to make a compound matching ' ṣadjāmśaḥ '. main
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1 241 page_number
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2 TRANSLATION page_header
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3 [43. Varņasvara] section_header
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4 That which is composed with pāṭas of the hand and is again combined with main
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5 tenakas, is combined with svaras, padas, pāṭas and tenakas (and) is sung in main
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6 combination with tāla, that is known as varņasvara. main
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7 (486) annotation_inline
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8 [44. Muktāvalī] section_header
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9 (That which) is sung with charming padas having anuprāsa (and where main
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10 there) is the name of the object of description, that is known as muktāvalī. main
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11 (487) annotation_inline
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12 [45. Pratāpavardhana] section_header
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13 Well combined with pāṭas generating enthusiasm and also with svaras, main
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14 tenakas (and) where singing is accomplished with the birudas of the object of main
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15 description, that is said to be the prabandha pratāpavardhana. main
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16 (488) annotation_inline
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17 Thus eight above forty 92 (48) beautiful prabandhas are clearly to be seen. main
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18 (489) annotation_inline
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19 [The blemishes of gita] section_header
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20 One should avoid (the song) that is defective by the standard of the people main
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21 (loka),93 defective by śāstraic94 (critical) standard, repetitive, defective in main
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22 metre and vulgar or indecent, embodying deviation from proper order, main
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23 devoid of meaning, 95 having dubious text and meaning, indulging in main
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24 violation of (kalās 96 and) split.97 main
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25 (490) annotation_inline
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vol_II_p116 RIGHT — 23 lignes

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1 215 page_number
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2 <b>TRANSLATION</b> page_header
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3 [15. Hayalīlā] section_header
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4 Where the (first) half is sung with svaras, in turagalīla (tāla), (and the main
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5 latter) half is sung with birudas, that is known as hayalīlā. main
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6 (397) main
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7 [16. <i>Gajalīlā</i>] section_header
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8 That which is completely composed according to gajalīlā but where the tāla main
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9 is gajalīla, that should be known by the name gajalīlā. main
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10 (398) main
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11 [17. Simhalīlā] section_header
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12 Composed in simhalilā metre, combined with svara and tena, that which is main
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13 sung with birudas is sinihalīlaka. main
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14 (399) main
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15 [18. Śarabhalila] section_header
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16 Where eight feet are composed with svaras and pāṭas, that is held to be main
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17 śarabhalīla, having eight rāgas and tālas. main
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18 (400) main
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19 [19. Śukacańcu] section_header
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20 In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with main
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21 <math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various main
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22 regions, is named śukacańcu, that is dear to the people. main
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23 (401) main
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vol_II_p037 RIGHT — 41 lignes

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1 ¶ Visi annotation_inline
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2 57 page_number
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3 TRANSLATION page_header
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4 abundance comes about on account of the stated prescription. In the main
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5 hexatonic form, there is the non-abundance of dhaivata but it is never so in main
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6 the case of ṛṣabha. In the auduvita form, sparseness does not obtain in the main
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7 case of any svara on acount of all of them being amsas. In this way there is main
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8 the abundance of all the svaras. Nyāsa is gāndhāra alone. Apanyāsa is main
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9 madhyama alone. There is the sancāra 76 or to and fro movement of sadja main
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10 and gändhära. main
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11 [Anu. 163] section_header
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12 It is ten-fold. There are ten amsas - five pertain to the complete state, four main
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13 to the hexatonic state, on account of there being an exception when pañcama main
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14 is the ainsa. One pertains to the auduvita state. The mūrchanā beginning main
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15 with ṛṣabha obtains here. Karuṇa is the rasa. Pañcapāṇi is the tāla. In the main
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16 ekakala citra (mārga), māgadhī is the gīti. In the dvikala vārtika (mārga), main
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17 sambhāvitā is the gīti. In the catuṣkala dakṣiṇa (mārga), pṛthulā is the gīti. It main
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18 is applied in the dhruva gana in the third act. main
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19 . . . . . . . . . . . . . . . . . . . . annotation_inline
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20 [12. 77 Description of nine jātis in the interpolated portion] section_header
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21 ٠ page_number
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22 [1.Şadjamadhyamā] section_header
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23 Seven svaras are amśas in şadjamadhyamā and they have mutual to and fro main
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24 movement. Niṣāda is sparse excepting when gāndhāra is the aniśa; (in other main
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25 words) except the vādin state of (gāndhāra). main
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26 (1) annotation_inline
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27 The hextatonic and pentatonic states are known to be when niṣāda and main
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28 niṣāda-gāndhāra are omitted. The two-śruti svaras (niṣāda and gāndhāra) are main
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29 the adversaries of the hexatonic and pentatonic states. main
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30 (2) annotation_inline
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31 The gīta, tāla, kalā etc. are like those in ṣāḍjī, and the mūrchanā is that which main
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32 ፥ annotation_inline
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33 begins with madhyama and the viniyoga is as (prescribed) before. main
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34 (3) annotation_inline
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35 Ṣadja (and) madhyama are nyāsas in this. Seven svaras are apanyāsas. The main
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36 prastāra is thus - main
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37 ı annotation_inline
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38 (1) annotation_inline
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39 mā gā saga pā dhapa mā nidha nima main
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40 (2) annotation_inline
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41 mā mā sā riga maga nidha padha pā main
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vol_I_p007 RIGHT — 81 lignes

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1 CONTENTS section_header
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2 ix table
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3 Foreword by Kapila Vatsyayan table
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4 XI table
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5 Introduction table
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6 xvii table
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7 <b>Abbreviations</b> table
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8 Brhaddesi of Śri Matanga Muni table
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9 3 page_number
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10 <b>Text and Translation</b> table
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11 3 page_number
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12 Section I: Deśī table
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13 3 page_number
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14 The desi nature of Dhvani table
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15 5 page_number
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16 The definition of desi and marga table
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17 7 page_number
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18 Section II: Nāda table
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19 7 page_number
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20 The glory, origin, definition and kinds of Nāda table
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21 9 page_number
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22 Section III: Sruti table
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23 9 page_number
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24 The definition of śruti and its numeration table
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25 Five alternatives in the relationship between sruti and svara table
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26 19 page_number
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27 The demonstration of visual representation of srutis by table
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28 25 page_number
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29 Mandala-prastāra table
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30 <b>29</b> table
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31 Section IV: Svara table
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32 29 page_number
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33 The laksana of svara table
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34 The fourfoldness of svaras according to kinds beginning table
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35 33 page_number
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36 with vādin table
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37 35 page_number
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38 The samvādi-mandala in sadjagrāma table
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39 37 page_number
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40 The anuvādi-maṇḍala in ṣaḍjagrāma table
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41 39 page_number
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42 The vivādi-maṇḍala in ṣaḍjagrāma table
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43 41 page_number
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44 The saṃvādi-maṇḍala in madhyama-grāma table
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45 41 page_number
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46 The anuvādi-maṇḍala in madhyama-grāma table
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47 43 page_number
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48 The vivādi-maṇḍala in madhyama-grāma table
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49 The sevenfold combination of svaras according to the table
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50 43 page_number
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51 types beginning with arcika table
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52 43 page_number
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53 The etymology of svara-names table
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54 45 page_number
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55 The castes of svaras table
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56 45 page_number
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57 The drawing out of svara signs as contained in agama table
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58 47 page_number
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59 Assignment of community, colour and the like to svaras table
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60 51 page_number
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61 Section V: Grāma-mūrchanā table
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62 51 page_number
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63 The treatment of grāma table
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64 <b>53</b> table
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65 The treatment of mūrchanā table
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66 57 page_number
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67 Mūrchanā-maṇḍala table
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68 67 page_number
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69 The distinction between Mürchanā and tāna table
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70 69 page_number
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71 The yajña-names of tanas table
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72 <b>73</b> table
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73 The performance of tanas table
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74 83 page_number
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75 The mūrchanā of twelve svaras table
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76 85 page_number
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77 Section VI: Varņas and Alankāras table
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78 85 page_number
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79 The Varnas table
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80 89 page_number
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81 The Alankaras table
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211 lignes a valider — change uniquement les roles incorrects.