Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20636). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p128 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 , annotation_inline
parent ligne 4
via heuristic_height
2 TRANSLATION page_header
via surya_layout
3 239 page_number
via heuristic_pagenum
4 [37. Dhvanikuṭṭanī] section_header
via surya_layout
5 Here there are <i>mātr</i>ās of even number and there is <i>dhvuni</i>, sometimes there is main
via surya_layout
6 a pause after that. If there are two tālas in this, then that is dhvanikuṭṭanī. main
via surya_layout
7 (480) main
via surya_layout
8 [38.<i>Dheńki</i>] section_header
via surya_layout
9 Where <math>n\bar{a}da_{*}^{86}</math> synthesised with syllable is taken up at will without <math>t\bar{a}la</math> and main
via surya_layout
10 then there is tāla, that is said to be <i>dhenkikā</i>. main
via surya_layout
11 (481) main
via surya_layout
12 [39. Ekatālī] section_header
via surya_layout
13 Where there is alliteration without break <math>^{87}</math> (and) where yati is formed in each main
via surya_layout
14 druta<sup>88</sup>(?), that is known to be ekatālikā by those knowledgeable in the essence main
via surya_layout
15 of music. annotation_inline
parent ligne 14
via heuristic_short
16 (482) main
via surya_layout
17 [40. <i>Mātṛkā</i>] section_header
via surya_layout
18 Where the letters of the alphabet are taken up one by one and are sung main
via surya_layout
19 in combination with the desired meaning, that is called mātṛkā.89 main
via surya_layout
20 (483) main
via surya_layout
21 [41. Svarārtha] section_header
via surya_layout
22 Where the song is properly accomplished with the svaras (solfa syllables) main
via surya_layout
23 yielding the desired meaning, that is known as svarārtha among the songs made main
via surya_layout
24 of vastu. annotation_inline
parent ligne 23
via heuristic_short
25 (484) main
via surya_layout
26 [42. <i>Karana</i>] section_header
via surya_layout
27 Where two sections are composed of svaras alone without any break, that has main
via surya_layout
28 been said here to be karaṇa, being (endowed) with the yati named karaṇa (?).91 main
via surya_layout
29 (485) main
via surya_layout

vol_II_p164 RIGHT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 311 page_number
via heuristic_pagenum
2 VIMARŠA page_header
via surya_layout
3 22,23. Nāga and kinnara are names of ethnic groups. Our text is the list_item
via surya_layout
4 first one to mention ethnic names in the context of music. list_item
via surya_layout
5 24. Paurāla is not a known geographical name. One approximate list_item
via surya_layout
6 name is paurava, "a country on the eastern bank of the jhelam including the list_item
via surya_layout
7 Gujrat district, the original seat of the Purus, the kingdom of Porus who list_item
via surya_layout
8 fought with Alexander " (Nando Lal De). Purālī was an ancient name of list_item
via surya_layout
9 Travancore (ibid). list_item
via surya_layout
10 25. Harşapūra is not known as a geographical name. list_item
via surya_layout
11 26. <math>\bar{A}bh\bar{i}ra</math> is both a geographical and ethnic name. It is identified as list_item
via surya_layout
12 "the south-eastern portion of Gujrat about the mouths of the Narmada" list_item
via surya_layout
13 (Nando Lal De). list_item
via surya_layout
14 27. 'Samyoga' is another expression for sancara or sangati. list_item
via surya_layout
15 28. Kāmboja is identified as Afghanistan (Nando Lal De). list_item
via surya_layout
16 29. Sātavāhana or Sātavāha is "the name of a king fabled to have been list_item
via surya_layout
17 discovered, when a child, riding a Gandharva called Sāta, who, according to list_item
via surya_layout
18 one legend, was changed into a lion" (Monier Williams). Also known as list_item
via surya_layout
19 Sālivāhana, the Śaka ruler who founded the Śaka era i.e samvat. list_item
via surya_layout
20 30. Gāndhāra and niṣāda are implied. list_item
via surya_layout
21 31. Chāyā is used while describing the resemblance of one rāga with list_item
via surya_layout
22 another at a given point. list_item
via surya_layout
23 32. Kākalī is prescribed to be always sparse in the grāma system. The list_item
via surya_layout
24 prescription here of kākalī being frequent is a notable departure. list_item
via surya_layout
25 33. Again the ethnic name kinnara appears here. See notes 22,23. list_item
via surya_layout
26 34. The basic name is hindola or hindolaka meaning a swing; its list_item
via surya_layout
27 synonym is sometimes used to meet the exigency of metre. list_item
via surya_layout
28 35. See note 26. list_item
via surya_layout
29 36. Gāndharva is a rigorously guarded tradition. The inclusion of list_item
via surya_layout
30 bhāṣā in this corpus is incongruous, unless gāndharva is taken to stand for list_item
via surya_layout
31 music in general. list_item
via surya_layout
32 37. "Mangala - called also Mangali or Mangalapura, the capital of list_item
via surya_layout
33 Udyāna, identified by Wilford with Mangora or Manglora. Cunningham list_item
via surya_layout
34 thought it could be identified with Minglaur (Mangalore) " (Nando Lal list_item
via surya_layout
35 De). list_item
via surya_layout
36 38. The word samvāda has been used here again for sancara or sangati. list_item
via surya_layout
37 39. The origin of this vibhāṣā is traced directly to pañcama rāga, where list_item
via surya_layout
38 as it should really be related to a bhāṣā of that rāga. It is treated as a bhāṣā list_item
via surya_layout
39 in SR and S Rāj. list_item
via surya_layout
40 40. Gändhärapañcama has been mentioned here under pañcama. list_item
via surya_layout
41 41. "Dākṣiṇātya is identified with Deccan; that part of India that lies list_item
via surya_layout

vol_II_p039 RIGHT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 61 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 gā gama pā padha mā dhani pā pā table
via surya_layout
5 <b>(7)</b> table
via surya_layout
6 rī gā sā sadha nī nī dhā dhā table
via surya_layout
7 (8) table
via surya_layout
8 gā riga sā sani gā riga sā sā table
via surya_layout
9 (9) table
via surya_layout
10 sã sã sã mã mani dhani nĩ nĩ table
via surya_layout
11 (10) table
via surya_layout
12 (11) table
via surya_layout
13 mā pā mā pariga gā gā sā sā table
via surya_layout
14 gã sã gã sã mã pã mã pariga table
via surya_layout
15 (12) table
via surya_layout
16 gã gã gã gã gã gã sã table
via surya_layout
17 (13) table
via surya_layout
18 ni ni pā dhā ni gā gā gā table
via surya_layout
19 (14) table
via surya_layout
20 ni ni dhā pā dhā pā mā pā table
via surya_layout
21 (15) table
via surya_layout
22 (16) table
via surya_layout
23 dhã pã mã mã mã mã mã mã table
via surya_layout
24 Thus ends gändhärodīcyavatī. section_header
via surya_layout
25 [3. Raktagāndhārī] section_header
via surya_layout
26 Five svaras excepting dhaivata and ṛṣabha are amśas in raktagāndhārī. The main
via surya_layout
27 proximity and combination of șadja and gāndhāra is brought about by main
via surya_layout
28 leaping over rşabha. main
via surya_layout
29 (7) annotation_inline
parent ligne 28
via heuristic_short
30 The hexatonic and pentatonic forms are said to come into being with the main
via surya_layout
31 omission of rşabha and rşabha-dhaivata respectively. There is the abundance main
via surya_layout
32 of niṣada and dhaivata. Pañcama as amsa is averse to the hexatonic form. main
via surya_layout
33 (8) annotation_inline
parent ligne 32
via heuristic_short
34 Ṣaḍja, niṣāda, madhyama and pañcama are averse to the pentatonic form. main
via surya_layout
35 Ṣaḍja and gāndhāra are in concert. (The tāla) paūcapāṇi and the like are as main
via surya_layout
36 in şādjī. The mūrchanā beginning with rṣabha obtains. main
via surya_layout
37 (9) annotation_inline
parent ligne 36
via heuristic_short
38 The application is (prescribed) in the dhruvā pertaining to the third main
via surya_layout
39 act. annotation_inline
parent ligne 38
via heuristic_height
40 (10) main
via surya_layout
41 Gāndhāra is the nyāsa in this (jāti). Madhyama is the apanyāsa. The prastāra main
via surya_layout
42 is thus – main
via surya_layout
43 pā nī sā sā gā sā pā nī table
via surya_layout
44 (1) table
via surya_layout
45 sã sã pã pã mã mã gã gã table
via surya_layout
46 (2) table
via surya_layout
47 mã pã dhã pã mã pã dhapa maga table
via surya_layout
48 (3) table
via surya_layout

vol_II_p020 LEFT — 33 lignes

page vol_II_p020 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 別は必要であった。 annotation_inline
parent ligne 6
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 · 22 page_header
via surya_layout
4 एकविंशतिसंख्य इति । तद्यथा - षड्जाया एक[:] षड्जो नाम न्यास: । एवमादि बोद्धव्या editorial_bracket
parent ligne 6
via heuristic_brackets
5 बोद्धव्यम् annotation_inline
parent ligne 6
via heuristic_height
6 अष्टादशजातिषु च न्यासा:। ५८अङ्गसमाप्तौ कार्य इत्यर्थ:। main
via surya_layout
7 अंश: annotation_inline
parent ligne 6
via heuristic_height
8 ५९[१०. अपन्यासलक्षणम्] section_header
via surya_layout
9 [अनु॰ १३१] editorial_bracket
parent ligne 8
via heuristic_brackets
10 इदानीमपन्यासमाह - ६०अपन्यासोऽन्ते [न] । प्रयोग[ा]समाप्तौ अपन्यास: । स च editorial_bracket
parent ligne 8
via heuristic_brackets
11 षट्पञ्चाशद्भेदभिन्नो भवति, गीतानां मध्ये बोद्धव्यः । यथा यत्र समाप्तमिव गीतं प्रतिभासते main
via surya_layout
12 सोऽपन्यासः । स च विदारीमध्ये भवति । गीतशरीरमध्य<sup>६१</sup> इत्यर्थः । यथा – main
via surya_layout
13 ॰ मध्यम annotation_inline
parent ligne 12
via heuristic_markers
14 षड्जग्रामे षड्जमध्याया: सप्तापन्यासा भवन्ति । षड्जोदीच्यवायाश्च द्वौ , पञ्चानां प्रत्येकं main
via surya_layout
15 (ति ? नित) annotation_inline
parent ligne 14
via heuristic_height
16 त्रयं त्रयमिति चतुर्विंशति:।शेषास्तु मध्यमग्रामे।तथा चाह भरत: - main
via surya_layout
17 ‘‘न्यासो ह्यङ्गसमाप्तौ स चैकविंशतिविधो विधातव्य:। main
via surya_layout
18 ह्यंश annotation_inline
parent ligne 17
via heuristic_height
19 षट्पञ्चाशत्संख्यो भवेदपन्याससंज्ञोऽसौ ॥'' main
via surya_layout
20 [तुल॰ ना॰ शा॰ २८.७२] editorial_bracket
parent ligne 19
via heuristic_brackets
21 ॥ दशविधजातिलक्षणमिति ॥ main
via surya_layout
22 [५. जातीनामंशादिविकल्पनम्] section_header
via surya_layout
23 ६२ अंशा: स्यु: पञ्च षड्जायां निषादर्षभवर्जिता: । main
via surya_layout
24 •या<sup>६</sup>३ annotation_inline
parent ligne 23
via heuristic_short
25 अपन्यासस्तु गान्धार: पञ्चमश्चाथ सङ्गति: ॥२११॥ main
via surya_layout
26 स(ङ्गी?ङ्ग) annotation_inline
parent ligne 25
via heuristic_height
27 (रा?रः) annotation_inline
parent ligne 25
via heuristic_height
28 षड्जगान्धारयोस्तु स्यात् षड्जधैवतयोस्तथा । main
via surya_layout
29 स्याद् annotation_inline
parent ligne 28
via heuristic_height
30 षाडवं च निषादे स्यात्रास्यामौडुवितं भवेत् ॥२१२॥ main
via surya_layout
31 •क्स्वं<sup>६४</sup> main
via surya_layout
32 °दौ• annotation_inline
parent ligne 31
via heuristic_markers
33 প্ৰ annotation_inline
parent ligne 31
via heuristic_height

vol_II_p118 RIGHT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 219 page_number
via heuristic_pagenum
3 [26. Kalahaṁsa] section_header
via surya_layout
4 Where, having sung one foot first, then svaras are sung, that is kalahamsa, main
via surya_layout
5 combined with tālas like jhampā. main
via surya_layout
6 (407) main
via surya_layout
7 [27. <i>Ghața</i>] section_header
via surya_layout
8 Where one-half is full of tenaka, that is ghata, like dvipadī. main
via surya_layout
9 (408) main
via surya_layout
10 [28. Cakravāla] section_header
via surya_layout
11 That which is sung with repetition, taking the last pada (textual-cum- main
via surya_layout
12 melodic unit of the preceding sub-section), being bedecked with the state main
via surya_layout
13 of yamaka, is said to be cakravāla.25 main
via surya_layout
14 (409) main
via surya_layout
15 [29. Tripadī or Şaţpadī] section_header
via surya_layout
16 Performed with any of the tālas and (rendered) exclusively with birudas, main
via surya_layout
17 that which is sung in a two-fold way....? main
via surya_layout
18 (410) main
via surya_layout
19 [30. Bandhakarana] section_header
via surya_layout
20 That which is sung by the gandharvas <math>^{26}</math> in karana tāla, with svaras coupled with main
via surya_layout
21 the akṣaras (syllables) of muraja (drum-variety), isagain, known as bandhakarana?7 main
via surya_layout
22 (411) unknown
via fallback
23 [31. Pāṭakaraṇa] section_header
via surya_layout
24 ٠ page_number
via heuristic_pagenum
25 The karaṇa (prabandha) named pāṭa is composed of pāṭas (syllables) of the main
via surya_layout
26 hands<sup>28</sup> (on a drum) main
via surya_layout
27 (412) main
via surya_layout
28 [32. <i>Kaivāţa</i>] section_header
via surya_layout
29 That which is sung properly with <i>pāṭas</i> alone, should be known by the main
via surya_layout
30 gandharvas as kaivāṭa, combined with tāla. main
via surya_layout
31 (413) main
via surya_layout
182 lignes a valider — change uniquement les roles incorrects.