Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20662). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p062 LEFT — 42 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	106	page_number via heuristic_pagenum
3	विधुतो ३१ गात्रवर्णश्च उद्गीतोद्वाहितौ वेणुः।	main via surya_layout
4	₄ता	annotation_inline parent ligne 3 via heuristic_height
5	०धृ०	main via surya_layout
6	पञ्चैते चाप्यलङ्कारा विज्ञेयाश्चावरोहिणि॥१२९॥	main via surya_layout
7	₀णी	annotation_inline parent ligne 6 via heuristic_markers
8	प्रसन्नादिः प्रसन्नान्तो बिन्दुः कम्पितरेचितौ।	main via surya_layout
9	प्रेङ्कोलितस्तारमन्द्रो मन्द्रतारः समस्तथा।।१३०।।	main via surya_layout
10	सि्रवृत्तप्रवृत्तश्च उपलोलकवेणुकौ।	main via surya_layout
11	₀त्तः	annotation_inline parent ligne 10 via heuristic_markers
12	द्वादशैतेऽप्यलङ्काराः सर्ववर्णाश्रयाः स्मृताः ॥१३१॥	main via surya_layout
13	मन्द्रो मध्यश्च तारश्च अवलोकित एव च।	main via surya_layout
14	०मे०	annotation_inline parent ligne 13 via heuristic_short
15	(त?)	main via surya_layout
16	अपाङ्गाख्यस्तथोर्मिश्च सर्ववर्णगताः स्मृताः ॥१३२॥	main via surya_layout
17	•योभि•	annotation_inline parent ligne 16 via heuristic_short
18	৹ল৹	main via surya_layout
19	०मा०	annotation_inline parent ligne 18 via heuristic_short
20	सप्तरूपगता ज्ञेया अलङ्कारा बुधैरिमे।	main via surya_layout
21	৹ব৹	annotation_inline parent ligne 20 via heuristic_short
22	नैते सर्वे4० ध्रुवास्विष्टा 41अतिवर्णप्रकर्षणात्।।१३३।।	main via surya_layout
23	42列。	annotation_inline parent ligne 22 via heuristic_short
24	₀षा तु	annotation_inline parent ligne 22 via heuristic_markers
25	. <sup>43</sup>नेष्यन्ते हि <sup>43</sup>,स्वेते <sup>43</sup>जा。	main via surya_layout
26	44न हि वर्णप्रकर्षस्तु ध्रुवाणां सम्प्रशस्यते।	main via surya_layout
27	णा (?)	annotation_inline parent ligne 26 via heuristic_short
28	श्येनो वाऽप्यथवा बिन्दुर्ये चान्ये प्रतिकर्षणाः ॥१३४॥	main via surya_layout
29	सतेमा	annotation_inline parent ligne 28 via heuristic_short
30	₀न्दुःरे (?)	annotation_inline parent ligne 28 via heuristic_markers
31	45[ ते ध्रुवाणां प्रयोगेषु न कार्याः स्वप्रमाणतः।]	editorial_bracket parent ligne 28 via heuristic_brackets
32	ध्वाणां च प्रयोगे46ं तु कार्याश्चारोहिणः स्वराः ॥ १३५॥	main via surya_layout
33	स्ण₃	unknown via fallback
34	यस्मादर्थानुरूपा हि ध्रुवा कार्यार्थदर्शिका।	main via surya_layout
35	०भिः	annotation_inline parent ligne 34 via heuristic_short
36	गुरुः सा++++ भिर्पुवा	main via surya_layout
37	वर्णानां तु पुनः कार्यं कृशत्वं च ध्रुवास्वलम्।।१३६॥	main via surya_layout
38	(यः ? यं )	annotation_inline parent ligne 37 via heuristic_short
39	येऽत्र प्रयोगं47 गच्छन्ति तांश्च वर्णान् निबोधत।	main via surya_layout
40	०गे	annotation_inline parent ligne 39 via heuristic_short
41	यः	annotation_inline parent ligne 39 via heuristic_height
42	स्थायिवर्णादृते चैषां सम्प्रवक्ष्यामि लक्षणम्।।१३७।।	main via surya_layout

vol_II_p004 RIGHT — 103 lignes

L#	Texte OCR	Role auto
1	General Section	annotation_inline via heuristic_height
2	<b>CONTENTS</b>	table via surya_layout
3	ix	table via surya_layout
4	.	table via surya_layout
5	83	page_number via heuristic_pagenum
6	Sādhāraņīgīti	table via surya_layout
7	5.	table via surya_layout
8	85	page_number via heuristic_pagenum
9	6.	table via surya_layout
10	Bhāṣāgīti	table via surya_layout
11	85	page_number via heuristic_pagenum
12	Vibhāṣāgīti	table via surya_layout
13	7.	table via surya_layout
14	85	page_number via heuristic_pagenum
15	The number and nomenclature of ragas	table via surya_layout
16	87	page_number via heuristic_pagenum
17	The specific description of rāgas	table via surya_layout
18	87	page_number via heuristic_pagenum
19	A. Out of them <i>śuddha rāgas</i>	table via surya_layout
20	87	page_number via heuristic_pagenum
21	Suddhaşādava	table via surya_layout
22	1.	table via surya_layout
23	Śuddhapańcama	table via surya_layout
24	89	page_number via heuristic_pagenum
25	2.	table via surya_layout
26	89	page_number via heuristic_pagenum
27	Suddhasādhārita	table via surya_layout
28	3.	table via surya_layout
29	91	page_number via heuristic_pagenum
30	Suddhakaisikamadhyama	table via surya_layout
31	4.	table via surya_layout
32	91	page_number via heuristic_pagenum
33	Śuddhakaiśika	table via surya_layout
34	5.	table via surya_layout
35	93	page_number via heuristic_pagenum
36	The assignment of grāmas to śuddha rāgas	table via surya_layout
37	93	page_number via heuristic_pagenum
38	The application of <i>suddha rāgas</i>	table via surya_layout
39	95	page_number via heuristic_pagenum
40	B. Bhinna rāgas	table via surya_layout
41	95	page_number via heuristic_pagenum
42	Svara-bhinna	table via surya_layout
43	97	page_number via heuristic_pagenum
44	Bhinna-şadja	table via surya_layout
45	l.	table via surya_layout
46	97	page_number via heuristic_pagenum
47	Bhinna-pañcama	table via surya_layout
48	2.	table via surya_layout
49	99	page_number via heuristic_pagenum
50	Jāti-bhinna	table via surya_layout
51	99	page_number via heuristic_pagenum
52	3.	table via surya_layout
53	Bhinnakaisikamadhyama	table via surya_layout
54	99	page_number via heuristic_pagenum
55	Suddhabhinna	table via surya_layout
56	101	page_number via heuristic_pagenum
57	Bhinnakaisika	table via surya_layout
58	4.	table via surya_layout
59	101	page_number via heuristic_pagenum
60	Śruti-bhinna	table via surya_layout
61	103	page_number via heuristic_pagenum
62	Bhinnatāna	table via surya_layout
63	5.	table via surya_layout
64	103	page_number via heuristic_pagenum
65	The assignment of bhinna-rāgas to grāmas	table via surya_layout
66	105	page_number via heuristic_pagenum
67	C. Gauda rāgas	table via surya_layout
68	105	page_number via heuristic_pagenum
69	1. Gaudapañcama	table via surya_layout
70	105	page_number via heuristic_pagenum
71	Gaudakaisika	table via surya_layout
72	2.	table via surya_layout
73	107	page_number via heuristic_pagenum
74	Gaudakaisikamadhyama	table via surya_layout
75	3.	table via surya_layout
76	107	page_number via heuristic_pagenum
77	The assignment of gauda rāgas to grāmas	table via surya_layout
78	109	page_number via heuristic_pagenum
79	D. The rāgas pertaining to rāga-gīti or vesarā-gīti	table via surya_layout
80	109	page_number via heuristic_pagenum
81	1. Takkarāga	table via surya_layout
82	109	page_number via heuristic_pagenum
83	Sauvīra	table via surya_layout
84	2.	table via surya_layout
85	111	page_number via heuristic_pagenum
86	Mālavapancama	table via surya_layout
87	3.	table via surya_layout
88	111	page_number via heuristic_pagenum
89	Vesarașādava	table via surya_layout
90	4.	table via surya_layout
91	113	page_number via heuristic_pagenum
92	Botta-rāga	table via surya_layout
93	5.	table via surya_layout
94	113	page_number via heuristic_pagenum
95	Hindola	table via surya_layout
96	6.	table via surya_layout
97	115	page_number via heuristic_pagenum
98	Takkakaisika	table via surya_layout
99	7.	table via surya_layout
100	115	page_number via heuristic_pagenum
101	Mālavakaišika	unknown via fallback
102	8.	unknown via fallback
103	. .	unknown via fallback

vol_II_p052 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	87	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Şāḍava, pañcama, similarly kaiśikamadhyama, cokṣasādhārita and similarly,	main via surya_layout
4	also cokṣakaiśika, these should be known as cokṣa (pure). Now listen about	main via surya_layout
5	the bhinnaones.	annotation_inline parent ligne 4 via heuristic_height
6	(293)	annotation_inline parent ligne 4 via heuristic_height
7	Bhinnaṣadja ,(bhinna-) tāna, bhinnakaiśikamadhyama, the one named	main via surya_layout
8	bhinnapañcama, and the fifth is bhinnakaiśika.	main via surya_layout
9	(294)	annotation_inline parent ligne 8 via heuristic_height
10	One is gaudapañcama, gaudakaiśika and also gaudakaiśika madhyama, are	main via surya_layout
11	said to be the three gaudas.	main via surya_layout
12	(295)	annotation_inline parent ligne 11 via heuristic_height
13	Ţakkarāga, similarly sauvīra, mālavapancama, ṣāḍava and boṭṭarāga, similarly	main via surya_layout
14	the other one is hindolaka, ţakkakaiśika has thus been said, similarly	main via surya_layout
15	mālavakaišika - these rāgas (pertaining to the rāgagīti) have been spoken of	main via surya_layout
16	by their names, by the excellent munis.	main via surya_layout
17	<math>(296-297)</math>	annotation_inline parent ligne 16 via heuristic_height
18	Narta, the one named śaka, kakubha, similarly harmāṇapañcama and	main via surya_layout
19	itself, similarly gändhärapañcama and the one named	main via surya_layout
20	rūpasādhārita	annotation_inline parent ligne 19 via heuristic_height
21	ṣaḍjakaiśika are known as the seven sādhāraṇa (rāgas).	main via surya_layout
22	(298)	annotation_inline parent ligne 21 via heuristic_height
23	[Thus is the number and nomenclature of rāgas]	editorial_bracket parent ligne 21 via heuristic_brackets
24	[The specific description of ragas]	section_header via surya_layout
25	[A. Out of them śuddharagas]	section_header via surya_layout
26	Now he (the author) has spoken about the description of suddha (rāgas)-	main via surya_layout
27	Those that are in accordance with their 'own' jāti 31 (from which they are	main via surya_layout
28	born), without any reference to other jātis and those that are one out of the	main via surya_layout
29	many (individual forms) of their own jāti, they are called śuddha (rāgas).	main via surya_layout
30	(299)	annotation_inline parent ligne 29 via heuristic_height
31	[1. Suddhaşādava]	section_header via surya_layout
32	[Anu. 164]	editorial_bracket parent ligne 31 via heuristic_brackets
33	Why is sadava so called? Is it because it is sung with six svaras and is hence	main via surya_layout
34	ṣāḍava or is it ṣāḍava on account of being prominent among the six rāgas?	main via surya_layout

vol_II_p082 RIGHT — 26 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	147	page_number via heuristic_pagenum
3	of takkarāga is well-known as kolāhalī, being sung by the knowledgeable ones	main via surya_layout
4	in music.	annotation_inline parent ligne 3 via heuristic_short
5	<math>(56-57)</math>	main via surya_layout
6	Illustration - Sāmāsāmā. Māmāgādhāmāgārisāsā. Dhāsāgāgārisāsā.	main via surya_layout
7	Mādhasāsā-rirīrigāgāmāmāgārī gādhāmārīsāsā. Dhārīsāsāmādharīmādharīrī	main via surya_layout
8	dhādhāgarīgāsāsāsāmāgārīsāsā gārīmāgārīsā dhādhāmāgārīsā. Kolāhalī [xiv]	editorial_bracket parent ligne 7 via heuristic_brackets
9	The bhāṣā madhyamagrāmadehā<sup>21</sup> (madhyamagrāmikā) is known to be	main via surya_layout
10	always complete, has madhyama as amśa and sadja as the concluding note,	main via surya_layout
11	bears the concert between <i>ṣaḍja</i> and <i>madhyama</i>. This <i>bhāṣā</i> is always <i>saṅkīrṇā</i>	main via surya_layout
12	(mixed) and is placed in takkarāga.	main via surya_layout
13	(58)	annotation_inline parent ligne 12 via heuristic_short
14	Illustration - Mādhānī, Gādhānī, Sānīdhā, Māmāmādhānīmādhā	main via surya_layout
15	nīsāsāmādhānī. Mā. Dhānīnī. Dhāpāgārīgāsāsā. Gāsāsā. Nīnīsānī. Dhādhā.	main via surya_layout
16	Nidhāmāmāmādhānīdhāmāmā dhanīmādhānīsāsā. Madhyamadehā (xv)	main via surya_layout
17	Gāndhārapahācamī should be known to have dhaivata as amśa, sadja as the	main via surya_layout
18	concluding note, is embellished with the svara gandhara, has the combination	main via surya_layout
19	between ṣaḍja-madhyama, is complete and saṅkīrṇā (mixed), being sung by	main via surya_layout
20	the <i>Nāgas</i><sup>22</sup> and <i>Kinnaras</i>.<sup>23</sup>	main via surya_layout
21	(59)	annotation_inline parent ligne 20 via heuristic_short
22	Illustration - Dhadhāpāpādhāmāmā. Dhāpāmāmā dhāpāmāgārī. Gāgā.	main via surya_layout
23	Dhāpamāgāsā. Sāmāsānīdhādhā. Mādhānīsāsā. Sāgāgasāgāgadharidhā	main via surya_layout
24	māmādhārīgāgāmādhāpāmāgāsā nidhānisāsāpāsā. Gāndhārapancami [xvi]	editorial_bracket parent ligne 23 via heuristic_brackets
25	These are the sixteen (bhāṣās) of ṭakkarāga spoken of by Yāṣṭika.	main via surya_layout
26	(60)	page_footer via surya_layout

vol_I_p091 LEFT — 43 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	164	page_number via heuristic_pagenum
3	52. Abhivyañjakatā means the process of manifestation of something that is	list_item via surya_layout
4	already in existence. In Grammar Philosophy śabda is eternal and its subtle and	list_item via surya_layout
5	imperceptible element called sphota (lit. 'bursting' or flash on the mind) is	list_item via surya_layout
6	vyangya (object of vyanjanā). Matanga seems to be influenced by this line of	list_item via surya_layout
7	thought which later culminated in the dhvani theory in literature.	list_item via surya_layout
8	53. The visista dharma (specific quality or nature) i.e. the differentia of a	list_item via surya_layout
9	thing is svalakṣaṇa. This is understood at two levels, one is the specific nature of	list_item via surya_layout
10	a thing i.e. it is related to the <i>vyakti</i> or particular or individual, the other is the	list_item via surya_layout
11	dharma or nature that is common to many i.e. the generic nature or jāti. The	list_item via surya_layout
12	first one is according to the Bauddha system and the second one is according to	list_item via surya_layout
13	all those systems that accept jāti, e.g. Mīmāṃsā. Bauddha logic has given	list_item via surya_layout
14	elaborate treatment and discussion of svalakşana in the context of pratyakşa	list_item via surya_layout
15	(perception ). It does not seem probable that Matanga was influenced by this	list_item via surya_layout
16	system, because non-existence of a common quality or attribute or nature of a	list_item via surya_layout
17	thing accepted in majority of the schools of Bauddha logic could not perhaps be	list_item via surya_layout
18	congenial to the explanation of the perception of sruti and svara which would	list_item via surya_layout
19	require a 'continuity' of their common features.	list_item via surya_layout
20	54. Nabhaḥpuṣpa i.e. a flower grown in the sky is a classic example of an	list_item via surya_layout
21	absurdity or impossibility just like vandhyāputra, the son of a sterile woman.	list_item via surya_layout
22	55. Arthāpatti is one of the pramāņas i.e. means of valid knowledge	list_item via surya_layout
23	propounded specially by the mimāmsā system and accepted by Advaita Vedānta.	list_item via surya_layout
24	Nyāya includes it under anumāna. It has been defined as -	list_item via surya_layout
25	अर्थापतिरपि दृष्टः श्रुतो वाऽर्थः अन्यथा नोपपद्यते इत्यर्थकल्पना ।	main via surya_layout
26	( Śabarabhāṣya on Mīm Sū I, 1.5 )	main via surya_layout
27	When a seen or heard thing is not proved right in another way, then the	main via surya_layout
28	imagination of something is known as arthāpatti.	main via surya_layout
29	For example, if Devadatta is alive and is not at home, it is imagined that he	main via surya_layout
30	is outside, or, the classic example is that if Devadatta is fat, but does not eat	main via surya_layout
31	during the day, then it is imagined that he eats at night, because his fatness that	main via surya_layout
32	is seen could not be explained or proved through non-consumption of food.	main via surya_layout
33	Hence arthāpatti is translated as negative inference.	main via surya_layout
34	56. All the systems of Indian philosophy except the Carvaka system, accept	main via surya_layout
35	anumāna as a pramāņa. The Nyāya system has given its elaborate treatment. It	main via surya_layout
36	has to be preceded by perception ( pratyaksa ). One who has not seen the	main via surya_layout
37	concomitance of smoke and fire, could not infer fire on the basis of the	main via surya_layout
38	perception of smoke. The classic example of anumana is —	main via surya_layout
39	पर्वतोऽयं विश्वमान् धूमवत्त्वात् ।	main via surya_layout
40	This hill is fiery because of there being smoke. This inference presumes or	main via surya_layout
41	is preceded by vyāpti-graha (apprehension of universal concomitance) which is	main via surya_layout
42	thus expressed -	main via surya_layout
43	यत्र यत्र धूमस्तत्र तत्र बह्निः ।	unknown via fallback

248 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p062 LEFT — 42 lignes

vol_II_p004 RIGHT — 103 lignes

vol_II_p052 RIGHT — 34 lignes

vol_II_p082 RIGHT — 26 lignes

vol_I_p091 LEFT — 43 lignes