Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20673). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p032 RIGHT — 38 lignes

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1 47 page_number
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2 TRANSLATION page_header
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3 When it (ṣāḍjī) is sung as hexatonic, then the sparseness<sup>59</sup> of ṛṣabha has to main
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4 be brought about, (and) there is abundance of the remaining svaras. main
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5 [ Anu. 147] editorial_bracket
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6 And it has ten amsas. That is thus - one suddha, five vikṛtas in the complete main
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7 state and four ṣāḍavas, because when gāndhāra is amśa, it excludes the main
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8 formation of ṣāḍava. The amśas have been written as such so that they main
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9 become clear. annotation_inline
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10 There is the state of śuddhā with ṣadja as the amśa and ṣadja is the apanyāsa. main
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11 In its sampūrņa state there are eight-fold lakṣaṇas (ṣāḍava and auḍava being main
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12 irrelevant). In the sadava state (they are) nine-fold (auduvita being main
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13 irrelevant). Ṣādjī should be known as four-fold in its vikṛtā (modified) state, main
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14 excluding (its) šuddhā (form). main
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15 And it has the <math>m\bar{u}rchan\dot{a}^{60}</math> beginning with dhaivata. (The <math>t\bar{a}la</math>) ekakala main
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16 pañcapāṇi61 (known also as uttara and satpitāputraka) in the citra main
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17 (mārga) (operates alongwith) māgadhī gīti. Dvikala pancapāņi in the vārtika main
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18 mārga (operates alongwith) sambhāvitā gīti. In dakṣiṇa mārga, catuṣkala main
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19 pañcapāṇi (operates alongwith) pṛthulā gīti. (The corresponding pattern of main
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20 tāla and gīti) should be known for all the jātis in this order. Vīra, raudra and main
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21 adbluta rasas should be evoked (lit. made). Its application (viniyoga) 62 is main
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22 (prescribed) in the singing of dhruvā(s) in the first scene (or act). main
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23 [2. Ārşabhī] section_header
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24 [Anu. 148] editorial_bracket
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25 (În ārṣabhī) ṛṣabha, dhaivata (and) niṣāda are the grahas, (they) themselves main
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26 are the amsas. They alone are apanyāsas. Niṣāda63 (?) is (the limit of the main
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27 extension of) tāra upto five svaras. Ŗṣabha is the nyāsa. Mandra extends upto main
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28 nyāsa or upto the svara next to nyāsa. There is sangati (concert) of şadja- main
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29 dhaivata and ṛṣabha-gāndhāra. Ṣāḍava is devoid of ṣaḍja and auḍuvita is main
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30 devoid of șadja-pañcama. In its complete state there is the sparseness of șadja, main
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31 gandhara and pancama. In the auduvita form, there is the sparseness of main
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32 gāndhāra and madhyama and the profusion of the remaining (svaras). main
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33 [Anu. 149] editorial_bracket
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34 And it (ārṣabhī) is ten-fold i.e., there are ten amśas. Śuddhā (is one), vikṛtās main
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35 in the complete state are three, in the sadava state are three and in the main
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36 auduva state are (also) three, thus in the complete state are three, in the main
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37 ṣāḍava state are three, thus (they are ten). The mūrchanā 64 beginning with main
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38 pañcama obtains (here). Caccatpuța is the tāla. With the ekakala (tāla) in the main
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1 BRHADDESI page_header
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2 60 page_number
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3 पञ्चस्वरमौडुवितं पञ्चधा लक्षणं स्मृतम्। main
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4 पञ्चित्रशच्च संख्यं हि आचार्यैर्यदुदाहृतम्।।१०१।। main
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5 [ अनु. ४२ ] editorial_bracket
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6 षड्जर्षभपञ्चमनिषादैः षड्जग्रामिकाः षाडवाः। षड्जर्षभगान्धारैर्हीना मध्यमग्रामे main
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7 षाडवाः। main
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8 [ अनु. ४३ ] section_header
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9 संवादिलोपादौडुवितत्विमिति वचनात् संवादिस्वराभ्यामौडुवितत्वं main
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10 प्राप्तमिति प्रायिकम्। कदाचिदनुवादिस्वराभ्यामौडुवितत्वं प्राप्तमिति प्रायिकम्। १९ main
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11 कदाचिदनुवादिस्वराभ्यामौड्वितं भवत्येव। यथा पञ्चमर्षभयोः षड्जग्रामे, main
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12 मध्यमग्रामे धैवतर्षभयोरिति। main
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13 पञ्चमषड्जविहीना द्विश्रुतिकाभ्यां तथा विहीनाम्च। main
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14 <del>्षि</del> 20 annotation_inline
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15 ुनो annotation_inline
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16 पञ्चमर्षभविहीनाश्चौडुविता भवन्ति षड्जग्रामे21।।१०२।। main
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17 तो annotation_inline
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18 ुन annotation_inline
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19 धैवतर्षभविहीना द्विश्रुतिकाभ्यां विहीना [ स् ] ता ज्ञेयाः। editorial_bracket
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20 ्ने annotation_inline
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21 ₀नो annotation_inline
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22 पञ्चस्वरकास्ताना भवन्ति खलु मध्यमग्रामे ॥१०३॥ main
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23 <b>, मस्वरकर्ता स्थाना ( ? )</b> main
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24 [अनु. ४४] section_header
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25 इदानीमेतदेव प्रस्तारेण दर्शयति। तद् यथा- main
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26 [षड्जग्रामे] section_header
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27 X रिगमपध नि<sup>22</sup> main
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28 नि x रिगमपध annotation_inline
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29 धनि x रिगमप main
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30 पधनि X रिगम annotation_inline
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31 म प ध नि 🗶 रि ग main
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32 गमपधनि 🗙 रि annotation_inline
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33 ्रिगमपधनि 🗴 main
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34 षड्जहानाः। main
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1 23 page_number
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2 <b>TRANSLATION</b> page_header
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3 (Anu. 12) annotation_inline
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4 (Objection) But the twenty-two-fold nature of śrutis does not also stand reason main
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5 (or is not amenable), because of the non-perception of srutis and the parts of main
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6 śruli. annotation_inline
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7 It has been said— annotation_inline
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8 "How can the perception or apprehension of this (śruti) take place? The main
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9 nabhas (ether, space) cannot become disturbed (vyākulita) in the beginning main
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10 (before svara); śruti has imperceptible parts and hence it does not appear as main
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11 being composed of parts. annotation_inline
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12 (Objection continued) annotation_inline
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13 "(If it be accepted that) they do exist, then how many are they in relation to main
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14 mātṛkās 59 (subtle bases)? If they are twenty-two, what is their process by krama main
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15 (straight order) and utkrama (reverse order)? main
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16 "If the infinity or singularity of śrutis becomes unavoidable, (then) there main
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17 would be a doubtless state of those mātṛkās. Mātṛkās themselves are not there, main
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18 how (why) should there be their vikalpana (assumption, imagination)? main
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19 "The wise say that the existence (sattā) of dharmas (attributes) <math>^{60}</math> is there main
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20 when the dharmin (the one to whom the attributes belong) is there. When the main
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21 dharmins are not there, the dharmas are (also) not there, so say the wise. The main
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22 sattva (existence) and asattva (non-existence) of gunas and dosas are there main
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23 when (the same occur in respect of) gunins (those to whom the gunas belong). main
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24 "If the respective śrutis become the cause (of svaras) without themselves main
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25 having a cause, then their origin (or) cause should not be sought. main
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26 "Moreover, if in spite of there being equal tangibility (of śruti and mātṛkā) main
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27 through pramāņa (means of valid perception), mātṛkās are concealed (denied), main
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28 then it would be very difficult also to save śrutis (i.e. śruti will also have to be main
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29 denied)." annotation_inline
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30 Now is being said (in answer)— annotation_inline
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31 Srutis that are the cause of the manifestation of svara are grasped by main
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32 arthāpatti (negative inference) anumāna (inference) or pratyakṣa-jñāna 61 main
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33 (perception) (43) annotation_inline
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vol_I_p051 RIGHT — 43 lignes

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1 85 page_number
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2 <b>TRANSLATION</b> page_header
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3 Aśvākrāntā (6) main
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4 ma-pa-dha-ni-sa-ri-ga-ma-pa-dha-ni-sa main
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5 Abhirudgatā (7) annotation_inline
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6 pa-dha-ni-sa-ri-ga-ma-pa-dha-ni-sa-ri main
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7 Thus end (the mūrchanās with twelve svaras) in şadjagrāma. main
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8 (Anu. 63) annotation_inline
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9 In madhyamagrāma also, it is the same; the mūrchanās beginning with ma-pa- main
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10 dha-ni-sa-ri-ga begin with ni-sa-ri-ga-ma-pa-dha (when they are formed with 12 main
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11 svaras). During the performance of raga, murchanas should be known to be main
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12 composed of twelve svaras. They should be known to be included in the main
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13 mūrchanās of şadjagrāma (?).64 main
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14 That is thus - annotation_inline
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15 Sauvīrī (1) annotation_inline
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16 ni-sa-ri-ga-ma-pa-dha-ni-sa-ri-ga-ma. main
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17 Hariņāśvā (2) annotation_inline
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18 sa-ri-ga-ma-pa-dha-ni-sa-ri-ga-ma-pa. main
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19 Kalopanatā (3) annotation_inline
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20 ri-ga-ma-pa-dha-ni-sa-ri-ga-ma-pa-dha. main
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21 Suddhamadhyā (4) annotation_inline
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22 ga-ma-pa-dha-ni-sa-ri-ga-ma-pa-dha-ni. main
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23 Mārgī (5) annotation_inline
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24 ma-pa-dha-ni-sa-ri-ga-ma-pa-dha-ni-sa. main
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25 Pauravi (6) annotation_inline
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26 pa-dha-ni-sa-ri-ga-ma-pa-dha-ni-sa-ri. main
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27 Hṛṣyakā (7) annotation_inline
parent ligne 26
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28 dha-ni-sa-ri-ga-ma-pa-dha-ni-sa-ri-ga. main
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29 Thus end (the mūrchanās with twelve svaras) in madhyamagrāma. main
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30 [Thus ends the section on grāma-mūrchanā] editorial_bracket
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31 VI [Section on Varņas and Alankāras] section_header
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32 [The Varnas] section_header
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33 After this (now) are demonstrated the varnas 1 (patterns of melodic main
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34 movement) that are verily four only; viz. sthāyin (steady), sancārin (circulatory), main
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35 (118) annotation_inline
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36 ārohin (ascending) and avarohin (descending). main
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37 (Anu. 64) annotation_inline
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38 (Contention) what is spoken of by the word varna? (Answer) The act of main
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39 singing<sup>2</sup> is spoken of by the word varņa. Where svaras are equal<sup>3</sup> and stay main
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40 unimpeded4, the gita5 (melodic rendering) born out of them, that is the main
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41 manifestor of varņa (unit of melodic movement) in a given pada6 (textual main
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42 unit), that varņa is called sthāyin (steady). Just as sāsāsāsā in the ṣāḍjī (jātī) and main
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43 māmāmāmā in the madhyamā (jāti). main
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vol_II_p101 LEFT — 38 lignes

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1 -- 1 annotation_inline
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2 History of the State of the State of the State of the State of the State of the State of the State of the State of the S annotation_inline
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3 184 page_number
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4 BRHADDEŚĪ section_header
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5 [१. अथ टके] section_header
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6 पञ्चमांशा तु षड्जान्ता रभाषा टक्के प्रयोजयेत्। main
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7 ..(ता? न्ता) annotation_inline
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8 भाषे annotation_inline
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9 <sup>३</sup>देवालवर्धनी पूर्णा भाषा चासामनुक्रमात् ॥ १॥ main
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10 चैषा ॰ annotation_inline
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11 उदाहरणम् - पापानीसासा । नीसारीरीघापापामामा मामाधासासासनिसरिरिरि रीनिधमागापा main
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12 धासासानीधानीधा[सा सा]। देवालवर्धनी । [१] editorial_bracket
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13 मध्यमांशा तु षड्जान्ता पौराली देशसम्भवा । main
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14 सम्पूर्णा गीयते नित्यं भाषा वै टक्करागजा ॥ २॥ main
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15 उदाहरणम् - मामामामा गारीरीरी सारिमारि गागारिगरिग सासा निधामा धामामाधा धनि- main
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16 सानिगागागागानिधानिसा सामानी गमापधानी निधापधानि धापाममामा मामागामागारिरिगा- main
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17 सानिसा। पौराली । [२] editorial_bracket
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18 धैवतांशा तु षड्जान्ता पञ्चमर्षभवर्जिता । main
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19 (वैध ? धैव) annotation_inline
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20 टक्कभाषा त्वौडुविता त्रावणी कामिनीषु च ॥ ३॥ main
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21 शकभाषा annotation_inline
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22 उदाहरणम् – धामगाधा मागमामाग धानिसासा । गागामधामागसासा । मागा सागा । गामा- main
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23 माधमागसासासा । त्रावणी । [३] editorial_bracket
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24 मध्यमांशा तु षड्जान्ता तानवलितिकाऽपि वा । main
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25 विपा annotation_inline
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26 मान annotation_inline
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27 विभाषा टक्करागस्य गीयते ४मध्यमाश्रिता ॥ ४॥ main
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28 ॰रागस्यैपा annotation_inline
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29 मूढलालिता annotation_inline
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30 उदाहरणम् – मापाधापामासा पधानीधापापामामागरिसा धामाधाधामाधामाधानीसासा । main
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31 रिरिधारिरिमागामारीसासा । साधाधनिसासा । तानवलितिका । [४] editorial_bracket
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32 तानल॰ annotation_inline
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33 भगान्धारांशा तु षड्जान्ता दोह्या पञ्चस्वरा शृभा । main
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34 साधारणा तु पङ्जांशान्ता main
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35 पञ्चमर्षभहीना तु देशाख्या टक्करागजा ॥ ५॥ main
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36 <b>ल्होनं</b> annotation_inline
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37 স্ত(?) annotation_inline
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38 1 A STATE OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE PARTY OF THE annotation_inline
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186 lignes a valider — change uniquement les roles incorrects.