Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20694). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p006 RIGHT — 36 lignes

L#	Texte OCR	Role auto
1	xiii	page_header via surya_layout
2	INTRODUCTION	page_header via surya_layout
3	A word about the translation. It has been my attempt to bring the original to	main via surya_layout
4	the reader with its flavour and nuances; if in this attempt the idiom of the	main via surya_layout
5	English language has been violated, I owe an apology. My only submission	main via surya_layout
6	would be that this is not a transcreation of creative literature, this is a	main via surya_layout
7	presentation of 'scientific' literature in a different language. Hence the criteria	main via surya_layout
8	of judgement should be different from those applied to translation of creative	main via surya_layout
9	literature.	annotation_inline parent ligne 8 via heuristic_height
10	Technical terms have not been translated because that is virtually impossible;	main via surya_layout
11	rough equivalents have generally been given in paranthesis and if an equivalent	main via surya_layout
12	has been found adequate, the original word has been given in paranthesis in	main via surya_layout
13	order to help the reader in indentifying the equivalence.	main via surya_layout
14	The indebtedness to Dr. Anil Bihari Beohar, Lecturer in Musicology, Indira	main via surya_layout
15	KalaSangitaVishwavidyalaya,Khairagarh(M.P.,) has been acknolwedged in the	main via surya_layout
16	title page. Once again, I acknowledge with affection his labour and patience	main via surya_layout
17	with the onerous task undertaken by him. To Dr. Kapila Vatsyayan, I owe a	main via surya_layout
18	deep debt of gratitude for her constant inspiration and encouragement. My	main via surya_layout
19	sincere apologies are due to her for the delay in completing this work, caused	main via surya_layout
20	by both personal and professional reasons. To Dr. Bettina Bäumer, Hony.	main via surya_layout
21	Co-ordinator, Kalākoša office of I.G.N.C.A. in Varanasi, goes my heartfelt	main via surya_layout
22	gratitude for her constant support, both moral and material. My younger sister	main via surya_layout
23	Dr. Urmila Sharma has provided valuable assistance in reading the proofs; I	main via surya_layout
24	express my loving gratitude to her. My affectionate thanks go to Dr. N.	main via surya_layout
25	Ramanathan, Reader, Department of Music, Madras University, my former	main via surya_layout
26	student, for going through the first half of the press-copy (upto the section on	main via surya_layout
27	grāma-mūrchanā) in 1988, while I was at Khairagarh.	main via surya_layout
28	I thank Dr. C.B. Pandey, Editor, and Dr. (Smt.) Advaitavadini Kaul, Asstt.	main via surya_layout
29	Editor, for seeing the book through the Press.	main via surya_layout
30	Prem Lata Sharma.	annotation_inline parent ligne 29 via heuristic_height
31	Vasanta Pañcami	annotation_inline parent ligne 29 via heuristic_height
32	'Āmnāya', Karaundi,	annotation_inline parent ligne 29 via heuristic_height
33	Magha Sukla 5, V.S. 2048	annotation_inline parent ligne 29 via heuristic_height
34	Varanasi-221 005	annotation_inline parent ligne 29 via heuristic_height
35	<b>Feburary 8, 1992</b>	annotation_inline parent ligne 29 via heuristic_height
36	The second of the second of the second of the second of the second of the second of the second of the second of the seco	annotation_inline parent ligne 29 via heuristic_height

vol_II_p156 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	VIMARŚA	page_header via surya_layout
2	295	page_number via heuristic_pagenum
3	becoming an adjective of vidhi and the total meaning being 'general rule'.	main via surya_layout
4	Utsarga and apavāda is another pair that is commonly used in Pūrva	main via surya_layout
5	Mīmāmsā, meaning general rule and exception respectively. Here 'utsarga'	main via surya_layout
6	has been used in isolation, the compound utsarga-vidhi being implicit.	main via surya_layout
7	'Vidhi' meaning rule or injunction has been used with the adjective samvādī	main via surya_layout
8	-anuvādī in a compound, meaning the rule pertaining to the samvādin and	main via surya_layout
9	anuvādin svaras.	annotation_inline parent ligne 8 via heuristic_height
10	14. This phrase or piece of notation does not occur in SR in the	list_item via surya_layout
11	prastāra of ṣāḍjī, nor in Bha Bhā in the prastāra of pancamāmśa ṣāḍjī.	list_item via surya_layout
12	15. 'Svasthāna' is known to stand for a section of 'ālapti' or	list_item via surya_layout
13	improvised elaboration of a rāga (cf. SR III. 192-195); it has been used here	list_item via surya_layout
14	in jāti which is a prototype of rāga. It is not improbable that our text is using	list_item via surya_layout
15	this word in a different meaning, which could, perhaps, be graha.	list_item via surya_layout
16	16. The purport is that amsa is the regulator of graha, apanyasa,	list_item via surya_layout
17	vinyāsa, samnyāsa and nyāsa on account of being the point of reference both	list_item via surya_layout
18	in intervallic and melodic organisation.	list_item via surya_layout
19	17,18. Gīta is melodic rendering and pada is a unit of text or melody	list_item via surya_layout
20	or text-cum-melody, as the case may be, i.e., gīta could stand for melodic	list_item via surya_layout
21	rendering with or without text and 'pada' could stand for self-contained	list_item via surya_layout
22	units of text (meaningful or otherwise) or of melody or of text-cum-melody.	list_item via surya_layout
23	Apanyāsa operates within the splittings (vidārīs) of gīta or pada i.e., it is the	list_item via surya_layout
24	pause between one vidārī and another.	list_item via surya_layout
25	19. 'Pāda', literally meaning foot is used both in the context of	list_item via surya_layout
26	textual metre and musical composition.	list_item via surya_layout
27	20. 'Peśī', literally meaning muscle suggests the conception of the	list_item via surya_layout
28	'body' of a musical structure on the model of the human body. SR IV. 12a	list_item via surya_layout
29	speaks of the dhātus (lit. humours) of prabandha that are so called because	list_item via surya_layout
30	of upholding the 'body' of prabandha and again in 13b speaks of the	list_item via surya_layout
31	'prabandha-puruşa' that has six angas or limbs. The word peśī has also been	list_item via surya_layout
32	used in Datti. 142 for a vidārī of gīta or pada; thus this word has a history going	list_item via surya_layout
33	much earlier than our text.	list_item via surya_layout
34	21. NS. XXVIII.68, 69 has reading variants in all the editions; the	list_item via surya_layout
35	citation in our text has proximity to c.r. in Kalā. It is notable that the name	list_item via surya_layout
36	of Bharata does not occur in the introduction to the citation.	list_item via surya_layout
37	22. The octave of the amsa is implied here; that is the beginning of	list_item via surya_layout
38	tāra (high).	list_item via surya_layout
39	23. The 23rd kalā or vidārī (sub-section) of the prastāra of nandayantī	list_item via surya_layout
40	in SR reads - sā sā dhani dhā, there is a vertical stroke on the two 'sās'	list_item via surya_layout
41	indicating their tara position.	list_item via surya_layout

vol_II_p037 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	¶ Visi	annotation_inline parent ligne 4 via heuristic_height
2	57	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	abundance comes about on account of the stated prescription. In the	main via surya_layout
5	hexatonic form, there is the non-abundance of dhaivata but it is never so in	main via surya_layout
6	the case of ṛṣabha. In the auduvita form, sparseness does not obtain in the	main via surya_layout
7	case of any svara on acount of all of them being amsas. In this way there is	main via surya_layout
8	the abundance of all the svaras. Nyāsa is gāndhāra alone. Apanyāsa is	main via surya_layout
9	madhyama alone. There is the sancāra 76 or to and fro movement of sadja	main via surya_layout
10	and gändhära.	main via surya_layout
11	[Anu. 163]	section_header via surya_layout
12	It is ten-fold. There are ten amsas - five pertain to the complete state, four	main via surya_layout
13	to the hexatonic state, on account of there being an exception when pañcama	main via surya_layout
14	is the ainsa. One pertains to the auduvita state. The mūrchanā beginning	main via surya_layout
15	with ṛṣabha obtains here. Karuṇa is the rasa. Pañcapāṇi is the tāla. In the	main via surya_layout
16	ekakala citra (mārga), māgadhī is the gīti. In the dvikala vārtika (mārga),	main via surya_layout
17	sambhāvitā is the gīti. In the catuṣkala dakṣiṇa (mārga), pṛthulā is the gīti. It	main via surya_layout
18	is applied in the dhruva gana in the third act.	main via surya_layout
19	. . . . . . . . . . . . . . . . . . . .	annotation_inline parent ligne 18 via heuristic_height
20	[12. 77 Description of nine jātis in the interpolated portion]	section_header via surya_layout
21	٠	page_number via heuristic_pagenum
22	[1.Şadjamadhyamā]	section_header via surya_layout
23	Seven svaras are amśas in şadjamadhyamā and they have mutual to and fro	main via surya_layout
24	movement. Niṣāda is sparse excepting when gāndhāra is the aniśa; (in other	main via surya_layout
25	words) except the vādin state of (gāndhāra).	main via surya_layout
26	(1)	annotation_inline parent ligne 25 via heuristic_height
27	The hextatonic and pentatonic states are known to be when niṣāda and	main via surya_layout
28	niṣāda-gāndhāra are omitted. The two-śruti svaras (niṣāda and gāndhāra) are	main via surya_layout
29	the adversaries of the hexatonic and pentatonic states.	main via surya_layout
30	(2)	annotation_inline parent ligne 29 via heuristic_height
31	The gīta, tāla, kalā etc. are like those in ṣāḍjī, and the mūrchanā is that which	main via surya_layout
32	፥	annotation_inline parent ligne 31 via heuristic_height
33	begins with madhyama and the viniyoga is as (prescribed) before.	main via surya_layout
34	(3)	annotation_inline parent ligne 33 via heuristic_height
35	Ṣadja (and) madhyama are nyāsas in this. Seven svaras are apanyāsas. The	main via surya_layout
36	prastāra is thus -	main via surya_layout
37	ı	annotation_inline parent ligne 36 via heuristic_height
38	(1)	annotation_inline parent ligne 36 via heuristic_height
39	mā gā saga pā dhapa mā nidha nima	main via surya_layout
40	(2)	annotation_inline parent ligne 39 via heuristic_height
41	mā mā sā riga maga nidha padha pā	main via surya_layout

vol_II_p077 LEFT — 32 lignes

L#	Texte OCR	Role auto
1	* 1	annotation_inline parent ligne 4 via heuristic_height
2	BRHADDEŚĪ	page_header via surya_layout
3	136	page_number via heuristic_pagenum
4	साधारिता तृतीया तु गान्धारी च चतुर्थिका ।	main via surya_layout
5	एवं ज्ञेयाश्चतस्रो हि भाषा: सौवीरकोद्भवा: ॥३१॥	main via surya_layout
6	भाषा सैन्यविकी ज्ञेया ज्ञेया: <sup>१४</sup>	main via surya_layout
7	शुद्धिभन्ना तु वाराटी तथा धैवतभूषिता ।	main via surya_layout
8	न्हो	annotation_inline parent ligne 7 via heuristic_height
9	ক্ট	annotation_inline parent ligne 7 via heuristic_height
10	१५विशाला च तत: प्रोक्ता भित्रपञ्चमसम्भवा: ॥३२॥	main via surya_layout
11	वराटी	annotation_inline parent ligne 10 via heuristic_height
12	माङ्गल्याख्या तु या भाषा बोट्टरागोद्भवा तु सा ।	main via surya_layout
13	TPo	annotation_inline parent ligne 12 via heuristic_height
14	मालवपञ्चमे जाता भाविनी लोकभाविनी<sup>र६</sup>॥३३॥	main via surya_layout
15	टक्ककैशिकजा ज्ञेया मालवा <sup>१७</sup>भित्रवालिका ।	main via surya_layout
16	तृतीया वेगमध्यमा	annotation_inline parent ligne 15 via heuristic_height
17	तृतीया द्राविडी तत्र भाषा लक्षितलक्षणा ॥३४॥	main via surya_layout
18	मालवा भित्रवालीका ++++++	annotation_inline parent ligne 17 via heuristic_height
19	बाह्यषाडवनादाख्ये जाते वेसरषाडवे ।	main via surya_layout
20	•पाडनदाख्या	annotation_inline parent ligne 19 via heuristic_height
21	तानोद्भवा तु विज्ञेया भित्रताने व्यवस्थिता ॥३५॥	main via surya_layout
22	गान्धारपञ्चमे ह्येका भाषा गान्धारिका मता ।	main via surya_layout
23	गान्धारी <sup>१८</sup>बहुगान्धारा पञ्च[मे?]लोकरञ्जिका ॥	editorial_bracket parent ligne 22 via heuristic_brackets
24	+++++	annotation_inline parent ligne 22 via heuristic_height
25	१९रेवगुप्ते शकाख्यैका प्रोक्ता पञ्चमषाडवे ॥३६॥	main via surya_layout
26	इत्येता: प्रकटा भाषा: प्रजायन्ते ह्यनेकश: ।	main via surya_layout
27	सोदाहरणमेतासां लक्षणं चाधुना शृणु ॥३७॥	main via surya_layout
28	[भाषाणां लक्षणानि]	editorial_bracket parent ligne 27 via heuristic_brackets
29	[१.अथ टकरागे]	editorial_bracket parent ligne 27 via heuristic_brackets
30	मध्यमांशा तु षड्जा[न]ता पञ्चमेन विवर्जिता ।	editorial_bracket parent ligne 27 via heuristic_brackets
31	धैवतस्य निषादस्य <sup>२०</sup>षड्जधैवतयोस्तथा ॥३८॥	main via surya_layout
32	<del>व्</del>तरेश	page_footer via surya_layout

vol_II_p108 LEFT — 17 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	198	page_number via heuristic_pagenum
3	उदाहरणम् - .....शुद्धा । [१४]	page_header via surya_layout
4	[.....]<sub>&o</sub>	page_header via surya_layout
5	उदाहरणम् – धापा निनिसा निधानिगामा पापारिपापा धानिनि । धानीगारी गासागासा सा -	page_header via surya_layout
6	सासापा पामापापा । गमसानिगागमसा गासाधामागामामा । मध्यमा [१५]	page_header via surya_layout
7	पञ्चमांशा पार्वती[स्याद्]धैवतान्ता च देशजा ।	editorial_bracket parent ligne 9 via heuristic_brackets
8	तु पार्धत्या	annotation_inline parent ligne 9 via heuristic_height
9	४१क्षत्रपरिषदि गीता पूर्णा षड्जसमुद्भवा ॥३३॥	main via surya_layout
10	हृष्टा क्षत्रपरिषदि गीयते पूर्ण क्सु (?)	main via surya_layout
11	उदाहरणम् - पापापागा मारिरिनिरिमधा पापापा सारिमा । पागारिरिसनि धापापाधा । पार्वती । [१६]	editorial_bracket parent ligne 10 via heuristic_brackets
12	॥ इति शार्दूलमते [भित्रषड्जस्य] भाषा: षोडश समाप्ता: ॥	editorial_bracket parent ligne 10 via heuristic_brackets
13	लक्ष्यलक्षणसंयुक्ताः प्रस्तारेण समन्विताः ।	main via surya_layout
14	उक्ता भाषा: समीचीना विभाषाभिर्विभूषिता: ॥३४॥	main via surya_layout
15	•(पि? भि)॰	annotation_inline parent ligne 14 via heuristic_markers
16	॥ इति भाषालक्षणं समाप्तम् ॥	editorial_bracket parent ligne 14 via heuristic_brackets
17	[॥ इति चतुर्थोऽध्याय:॥]	editorial_bracket parent ligne 14 via heuristic_brackets

167 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p006 RIGHT — 36 lignes

vol_II_p156 RIGHT — 41 lignes

vol_II_p037 RIGHT — 41 lignes

vol_II_p077 LEFT — 32 lignes

vol_II_p108 LEFT — 17 lignes