Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)
5 demi-pages random (seed 20699). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p018 LEFT — 36 lignes

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1 18 page_number
via heuristic_pagenum
2 BRHADDESI page_header
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3 [ श्रुति-स्वर-सम्बन्धमधिकृत्य पञ्च विकल्पाः, तेषां दूषणं च ] editorial_bracket
parent ligne 4
via heuristic_brackets
4 इदानी श्रुतीनां तादात्म्यादिविकल्पः कथ्यते— main
via surya_layout
5 तादातम्यं च विवर्तत्वं कार्यत्वं परिणामिता। main
via surya_layout
6 अभिव्यञ्जकता चापि श्रुतीनां परिकथ्यते ॥२८॥ main
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7 57कल्प्यते annotation_inline
parent ligne 6
via heuristic_short
8 इदानीमेतदेव विवृणोति— main
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9 विशेषस्पर्शशून्यत्वाच्छ्रवणेन्द्रियग्राह्ययोः 58। main
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10 <sup>59</sup>गम्य ०ताः main
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11 स्वरश्रुत्योस्तु तादात्म्यं जातिव्यक्त्योरिवानयोः ॥२९॥ main
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12 <del>هُ (10</del> annotation_inline
parent ligne 11
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13 नराणां च मुखं यद्वद्दर्पणे तु विवर्तितम्। main
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14 614 page_number
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15 ुते6≥ annotation_inline
parent ligne 13
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16 प्रतिभाति स्वरस्तद्वच्छुतिष्वेव विवर्तितः॥३०॥ main
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17 ०न्ति<sup>63</sup> ०रा<sub>०</sub>64 main
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18 65 ल : annotation_inline
parent ligne 17
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19 स्वराणां श्रुतिकार्यत्वमिति केचिद् वदन्ति हि। main
via surya_layout
20 श्रुतीना annotation_inline
parent ligne 19
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21 मृत्पिण्डदण्डकार्यत्वं घटंस्येह यथा भवेत्।।३१।। main
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22 व67 annotation_inline
parent ligne 21
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23 श्रुतयः स्वररूपेण परिणमन्ति न संशयः । main
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24 68परिणाम annotation_inline
parent ligne 23
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25 व्रजन्ति हि main
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26 भजन्ति ५९ annotation_inline
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27 परिणमेद्यथा क्षीरं दिधरूपेण सर्वथा।।३२।। main
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28 षड्जादयः स्वराः सप्त व्यज्यन्ते श्रुतिभिः सदा। main
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29 अन्धकारस्थिता यद्वत् प्रदीपेन घटादयः ॥ ३३॥ main
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30 इति तावन्मया प्रोक्तं श्रुतीनां च विकल्पनम्। main
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31 इदानी संप्रवक्ष्यामि विकल्पस्य च दूषणम्।।३४।। main
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32 भेदः ७०स्वलक्षणानां सामान्येनान्यवस्तुवत् सिद्धः।। main
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33 स्वर् annotation_inline
parent ligne 32
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34 तिद्धं विशेषैः शून्यं भवति नभःपुष्पसङ्काशम्॥३५॥ main
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35 <sup>71</sup>विशेषस्तु भवति पुनः main
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36 स₀ annotation_inline
parent ligne 35
via heuristic_markers

vol_I_p029 RIGHT — 22 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 41 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 The vadi-maṇḍala in madhyama-grāma is thus - ma pa dha ni sa ri ga. main
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4 The samvādi-mandala in madhyama-grāma is thus- main
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5 ma unknown
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6 pa unknown
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7 ga unknown
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8 Γi unknown
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9 dha unknown
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10 ni unknown
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11 sa unknown
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12 annotation_inline
parent ligne 4
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13 The anuvādi-maṇḍala in madhyama-grāma is thus - main
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14 ŧ annotation_inline
parent ligne 13
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15 ma unknown
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16 pa unknown
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17 ga unknown
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18 <math>\vec{\Pi}</math> unknown
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19 dha unknown
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20 . annotation_inline
parent ligne 13
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21 ni unknown
via surya_layout
22 sa unknown
via surya_layout

vol_II_p123 RIGHT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 229 page_number
via heuristic_pagenum
3 [2. Kāmalekhā] section_header
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4 Kāmalekhā is that where there are twenty-two<sup>60</sup> (dviguņita-rudra) mātrās in the main
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5 first (foot) and in the foot bearing an even number (second) the same (number main
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6 of mātrās) obtains, in the foot of odd number (third) there are twenty (mātrās). main
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7 (445) main
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8 [3. Bāṇalekhā] section_header
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9 If in all the three feet, in a uniform manner there are double the number main
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10 of mātrās (obtaining in kāmalekhā) (and) where they are composed in main
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11 bāṇagaṇas,61 that is bāṇalekhā. main
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12 (446) main
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13 [4. Candralekhā] section_header
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14 Where there are three above forty (forty-three) mātrās in a couple of feet main
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15 i.e. the first two feet (and where) the number of mātrās is less by one (forty- main
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16 two) in the foot bearing an odd number (third foot), that is candralekhā. main
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17 (447) main
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18 Thus ends the fourfold mātrailā. section_header
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19 [C. The varieties of <i>Varnailā</i>] section_header
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20 There is no regulation of <i>tāla</i> here, none of <i>msa</i> and none of <i>rāga</i>; there is only main
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21 the regulation of syllables <math>^{62}</math> (in their number); hence it is called <i>varyailā</i>. main
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22 (448) annotation_inline
parent ligne 21
via heuristic_short
23 Madanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) main
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24 kusumavatī, these seven are the elās regulated on the basis of varņa (syllable). main
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25 (449) annotation_inline
parent ligne 24
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26 Beginning with eleven syllables and ending with seventeen (syllables in main
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27 each foot), these seven are sung in sequence, by the gandharvas with main
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28 beautiful padas (textual units) (and) good sounds. main
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29 (450) main
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30 [1. Madanavatī 2. Šašilekhā 3. Prabhāvatī] section_header
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31 That madanavatī is composed of non-short (alaghu) gaṇas 63 i.e., has all main
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32 long (guru) syllables, śaśilekhā is with short (laghu) gaṇas, prabhāvatī is always main
via surya_layout
33 profuse with long (guni) gaṇas (and) mālatī and lalitā (will be described now). main
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34 (451) main
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vol_II_p123 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĨ page_header
via surya_layout
2 228 page_number
via heuristic_pagenum
3 [२. कामलेखा] section_header
via surya_layout
4 द्विगुणितरुद्रा प्रथमे, मात्रा युजि सम्भवन्ति ता एव । main
via surya_layout
5 विंशतिश्चासमे चरणे, यस्या: सा कामलेखेति ३६॥४४५॥ main
via surya_layout
6 विंशति विषमे annotation_inline
parent ligne 5
via heuristic_height
7 (?)चरमे annotation_inline
parent ligne 5
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8 [३. बाणलेखा] section_header
via surya_layout
9 द्विगुणितकला यदि स्युर्मात्रा: पादत्रयेऽप्यविशिष्टा: । main
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10 (電?) annotation_inline
parent ligne 9
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11 ऽपि+(विशिष्टम्) annotation_inline
parent ligne 9
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12 [ता]बाणगणोपेता यस्यां सा बाणलेखेति ३७॥ ४४६॥ editorial_bracket
parent ligne 9
via heuristic_brackets
13 न्त annotation_inline
parent ligne 9
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14 [४. चन्द्रलेखा] section_header
via surya_layout
15 चत्वारिशत् त्र्यधिका मात्रासंख्याऽङ्घ्रियुग्मेषु main
via surya_layout
16 एकोना सा विषमे यस्यां सा चन्द्रलेखेति ३८॥ ४४७॥ main
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17 ॥ इति मात्रैलाचतुष्टयम् ॥ editorial_bracket
parent ligne 16
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18 [ग. वर्णेलाप्रकारा:] section_header
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19 नैवात्र तालनियमो रसनियमो रागनियमस्तु । main
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20 भवति[खल्]वर्णनियमो वर्णेला कथ्यते तस्मात् ॥४४८॥ editorial_bracket
parent ligne 19
via heuristic_brackets
21 ++ annotation_inline
parent ligne 19
via heuristic_height
22 मदनवती शशिलेखा प्रभावती मालती तथा[ललिता] । editorial_bracket
parent ligne 19
via heuristic_brackets
23 (च)तथा annotation_inline
parent ligne 19
via heuristic_height
24 हेमवती ३९कुसुमवती वर्णनिबन्धा भवन्ति सप्तैला:॥४४९॥ main
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25 एकादशादिवर्णै: सप्तदशान्तै: क्रमेण सप्तैता: । main
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26 गीयन्ते गन्धर्वैर्लिलतपदैर्जगित सन्नादै: ॥ ४५०॥ main
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27 [१. मदनवती २. शशिलेखा ३. प्रभावती] editorial_bracket
parent ligne 26
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28 ४० अलघुगणोपेता [सा] मदनवती लघुगणेन शशिलेखा । editorial_bracket
parent ligne 26
via heuristic_brackets
29 अलिलतनामोपेता annotation_inline
parent ligne 26
via heuristic_height
30 गुरुगणबहुला [नित्यं]प्रभावती <sup>४१</sup>मालती तथा ललिता ॥ ४५१॥ editorial_bracket
parent ligne 26
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31 ....भवति रम्यतरा annotation_inline
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via heuristic_height

vol_II_p158 RIGHT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA page_header
via surya_layout
2 299 page_number
via heuristic_pagenum
3 Sixth or third below table
via surya_layout
4 <b>Gändhāra</b> table
via surya_layout
5 Şadja table
via surya_layout
6 Madhyama table
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7 Fifth or fourth below table
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8 Şadja table
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9 Fourth or fifth below table
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10 Pañcama table
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11 Şadja table
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12 Dhaivata table
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13 Third or sixth below table
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14 Şadja table
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15 It is obvious that when a svara other than sadja becomes the amsa, then main
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16 it will be necessary to search a path for sparseness and abundance. The main
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17 identity of sadjī will establish with this path and with nyasa. The paryayamsas main
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18 of ṣāḍjī also become amsás in many other jātis. In view of this, the distinct main
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19 identity of each jāti cannot be established on the basis of amśa because one main
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20 and the same intervals will obtain in many jātis. Hence, the distinct identity main
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21 of each jāti will depend on sparseness and abundance alone. main
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22 The above is true of the seven jātis bearing svara names. In samsargajā main
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23 vikṛtā jātis, the situation would be all the more complex because they involve main
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24 the mixture of more than one jāti in each case. The sparseness-abundance main
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25 of the jātis that are mixed in a given combination would emerge from time main
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26 to time. This is a more complex form of antara-mārga. main
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27 Abhi adds with regard to antara-mārga that sometimes a non-amśa svara main
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28 also is not sparse. For example, in kārmāravī, gāndhāra has concert (sangati) main
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29 with all svaras and thus, it has profuse usage in antara-mārga. main
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30 The citation from Bharata occurring after Anu. 129 says that nyāsa and main
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31 antara-mārga, the special use of sparseness and abundance, is responsible for main
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32 manifesting the identity of jātis. This statement appears to apply only to main
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33 samsargajā jātis. The weakness (abala) of a sparse svara and the abundance main
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34 of the balavan(strong) svara has also been mentioned in the description of main
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35 sparseness and abundance. main
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36 39. The description of kārmāravī is available only in the interpolated main
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37 portion (from SR) in our text. The line cited here occurs in NS XXVIII. as main
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38 the second half of verse 136. The interpolated portion from SR says - main
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39 "Many(svaras) are said to be non-amsas on account of antara-marga. main
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40 Gāndhāra is excessively abundant...... main
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41 (17) annotation_inline
parent ligne 40
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42 Thus gāndhāra is said to be abundant, inspite of its being non-amśa, on main
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43 account of antaramārga. main
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44 The use of future tense in our text, in relation to the description of main
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45 kārmāravī in NS is apparently somewhat queer, as it befits a commentary on main
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46 NS rather than an independent work. Incidentally, this line of our text main
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47 containing the use of future tense is found in Abhi Bhā on NŚ referred to main
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48 in note 38. main
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171 lignes a valider — change uniquement les roles incorrects.