Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20709). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p098 RIGHT — 43 lignes

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1 179 page_number
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2 VIMARŚA page_header
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3 20. Rāga, in general, as colour or delightfulness could increase due to list_item
via surya_layout
4 mūrchanā because the latter gives rise to variety of scalar forms that would in list_item
via surya_layout
5 turn, bring into existence variety in melodic structures. list_item
via surya_layout
6 21, 22. Both ascent and descent and unimpaired original order of svaras as list_item
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7 well as use of seven svaras without any omission are the three conditions for list_item
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8 mūrchanā. The omission of svaras gives rise to tāna. list_item
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9 23. BṛD is the first known text to speak of 12-svara-mūrchanā. Kumbhā has list_item
via surya_layout
10 vehemently criticised this type of mūrchanā (vide S Raj II, 1.1.352-364). list_item
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11 24. When hexatonic and pentatonic scales are accepted as murchana, the list_item
via surya_layout
12 condition of using all the seven svaras is violated. ( see glossary ) list_item
via surya_layout
13 25. Svarasamyutāh of the text has been translated as 'filled' with svaras. list_item
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14 26. It is notable that the starting points of murchanas follow the descending list_item
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15 order i.e. after the murchana beginning with sadja comes the one beginning list_item
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16 with niṣāda, and not ṛṣabha. list_item
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17 27. The beginning svara of each mūrchanā has been put in the locative case, list_item
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18 implying, perhaps that a mūrchanā subsists there. list_item
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19 28. Here the instrumental case has been used in order to meet the requirement of list_item
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20 metre. list_item
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21 29. Tārakādi is a gaņa of Pāņini (V.2.36, Gaņaratnamahodadhi, 388-391, vide list_item
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22 Monier Williams). list_item
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23 30. Itac is a suffix. list_item
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24 31. This derivation occurs for the first time in BrD. list_item
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25 32. This is the total number of hexatonic tanas in both the gramas. list_item
via surya_layout
26 33. This is the total number of pentatonic tānas in both the grāmas. list_item
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27 34,35. All the omitted pairs are samvādins except ri-dha in madhyamagrāma list_item
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28 which is anuvādin. list_item
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29 36. Prastāra literally means elaboration; here it means notational presentation. list_item
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30 37. If the author is referring to a recapitulatory verse in Viśākhila's work we list_item
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31 have no way of verification because that work is lost. It is not improbable that he list_item
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32 is referring to NS XXVIII, 32 where mūrchanās have been said to be made of all list_item
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33 the seven svaras and tanas have been said to be hexatonic and pentatonic. list_item
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34 38. This distinction between murchana and tana as the former being with list_item
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35 ascent and descent and the latter being only with ascent is a new point made in list_item
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36 BrD which does not seem to be valid. ( see glossary ) list_item
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37 39. BrD is the first text to assign yajña names to tānas. Some later texts have list_item
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38 reproduced these names (cf. SR I,4.72 cd 90 ab and SRāj II,1.1.453-474). list_item
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39 S Rāj also attempts to justify this assignment of Yajña-names (vide ibid. 476-493. list_item
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40 ab). ( see glossary ) list_item
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41 40. This statement of BrD to the effect that sādhāraņa mūrchanās begin with antara list_item
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42 and kākalī is in contradiction of the postulation of NS XXVIII, p. 82 that kākalī (and list_item
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43 by implication antara also ) is anamsa ( non-amsa i.e. is not the progenitor of a list_item
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vol_I_p008 RIGHT — 73 lignes

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1 <b>ABBREVIATIONS</b> section_header
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2 Abhinava Bhāratī, Abhinavagupta's commentary on Nāṭya- main
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3 Abhi Bhā annotation_inline
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4 Sāstra G.O.S., Baroda edition main
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5 Anuccheda, comparable to paragraph main
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6 Anu. annotation_inline
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7 Anūpa Sangīta Ratnākara of Bhāva Bhaṭṭa main
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8 Anū Saṃ R annotation_inline
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9 Anūpa Sangīta Vilāsa of Bhāva Bhaţţa main
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10 Anū Saṃ Vi annotation_inline
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11 Aşţādhyāyī of Pāņini main
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12 Aşţā annotation_inline
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13 Bharata Kośa of M.R. Kavi main
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14 Bha Ko annotation_inline
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15 Bṛhaddeśī of Matanga Muni main
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16 BŗD annotation_inline
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17 Brhadāranyaka Upanisad main
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18 Brh Up annotation_inline
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19 Caraka Samhitā main
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20 Car Sam annotation_inline
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21 Cited reading main
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22 C.r. annotation_inline
parent ligne 21
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23 Dhrupad Annual main
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24 DA annotation_inline
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25 Dattilam main
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26 Datti annotation_inline
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27 Pt. K. Sāmbaśiva Śāstrī, editor of Bṛhaddeśi, published in main
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28 Ed. annotation_inline
parent ligne 27
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29 Anantasayana Sanskrit Granthāvali No. 94 (Trivandrum main
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30 Sanskrit Series) in 1928 main
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31 Gobhila Smrti annotation_inline
parent ligne 30
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32 Gobh Smr main
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33 Indian Music Journal main
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34 IMI annotation_inline
parent ligne 33
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35 Kalānidhi commentary of Kallinātha on Sangīta-Ratnākara main
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36 Kalā annotation_inline
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37 Kausitaki Upanisad main
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38 Kauş Up annotation_inline
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39 Literally main
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40 Lit. annotation_inline
parent ligne 39
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41 Mārkandeya Purāņa main
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42 Mark Pur annotation_inline
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43 Matsya Purāņa main
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44 Mat Pur annotation_inline
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45 Mahābhārata main
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46 <b>MBh</b> annotation_inline
parent ligne 45
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47 Mīmāṃsā Sūtra main
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48 Mim Sū annotation_inline
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49 Nāradīya-Šikṣā main
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50 Nā Śi annotation_inline
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51 Nātya Śāstra, G.O.S., Baroda edition, unless otherwise main
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52 NŚ annotation_inline
parent ligne 51
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53 indicated main
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54 Nātya Śāstra, Chaukhambha, Varanasi edition main
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55 NŚ Chau annotation_inline
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56 Nātya Sāstra, Kāvya-Mālā edition. main
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57 NS Kā Mā annotation_inline
parent ligne 56
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58 Pāṇini-Śikṣā main
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59 Pā śi annotation_inline
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60 Prem Lata Sharma main
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61 P.L.S. annotation_inline
parent ligne 60
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62 Printed text of Bṛhaddeśī, Trivandrum edition main
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63 P.t. annotation_inline
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64 Rāga Vibodha of Somanātha main
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65 Rā Vi annotation_inline
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66 Sangīta Cūdāmaņi of Jagadekamalla main
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67 Sam Cū annotation_inline
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68 Sangīta-Samaya-Sāra of Pārśvadeva main
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69 Sam S Sā annotation_inline
parent ligne 68
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70 Sangita-Ratnākara of Śārngadeva (Adyar edition) main
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71 SR annotation_inline
parent ligne 70
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72 Sangītarāja of Rāņā Kumbhā Vol. 1 main
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73 S. Raj main
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vol_II_p058 LEFT — 30 lignes

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1 BRHADDEŚĪ page_header
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2 98 page_number
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3 [ जातिभिन्न:] section_header
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4 इदानीं जातिभिन्नस्य लक्षणमाह - main
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5 जातीनामंशक: स्थाप्य: स्वल्पकस्तु बहुस्तथा । main
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6 ॰कं स्थाय(?) annotation_inline
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7 अल्पत्वं च बहुत्वं च प्रयोगाल्पबहुत्वतः ॥ main
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8 सूक्ष्मातिसूक्ष्मैर्वक्रैश्च जातिभिन्नः स उच्यते ॥ ३०८॥ main
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9 [अनु॰ १७८] editorial_bracket
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10 अस्यार्थ: - शुद्धकैशिकमध्यमो हि कैशिकीषड्जमध्यमाजात्योर्जात:।भित्रकैशिकमध्य [म]स्तु editorial_bracket
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11 <b>र्जात(य?):</b> annotation_inline
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12 न्मध्यो annotation_inline
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13 पड्जमध्यमाजातेर्जातत्वात् तदंशग्राहित्वेन स्थायिवर्णग्राहित्वेन च सूक्ष्मातिस्क्ष्मै: प्रयोगैश्च main
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14 (ति) annotation_inline
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15 जातिभिन्नो भवेदित्यर्थ:। लक्षणं चास्य यथा - main
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16 (दि) annotation_inline
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17 [३.भिन्नकैशिकमध्यमः] section_header
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18 स्यात् षड्जमध्यमाजातेभित्रकैशिकमध्यमः। main
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19 (तै?ते) main
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20 षङ्जांशो मध्यमन्यासो मन्द्रैस्तु गमकैर्युत: ॥३०९॥ unknown
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21 [अन्॰ १७९] editorial_bracket
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22 [अस्यार्थ:-] भित्रकैशिकमध्यमः षड्जग्रामसम्बन्धः षड्जमध्यमाजातेरुत्पन्नत्वात् । editorial_bracket
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23 षङ्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यासः । मन्द्रगमकश्च । निषादोऽत्र काकली । पूर्णश्चायम् । दानवीर main
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24 पह्(जॉऽश ? जो)स्य annotation_inline
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25 चास्य प्रयोगः । वीररौद्रादिको रसः । षड्जादिमूर्छना । वर्णः सञ्चारी । प्रसन्नादिरलङ्कारः । दक्षिणे main
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26 कला, वार्तिके कला, चित्रे कला। [स्वरपदगीते] चच्चत्पुटादिताल:। editorial_bracket
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27 [शुद्धभिनः] section_header
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28 [इदानी]शुद्धभित्रस्य लक्षणमाह - section_header
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29 परित्यजन्नन्यजातिं स्वजातिकुलभूषणः। main
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30 स्वकं कुलं तु संगृह्धन् शुद्धभित्रः प्रकीर्तितः ॥३१०॥ main
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vol_I_p049 RIGHT — 37 lignes

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1 81 page_number
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2 TRANSLATION page_header
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3 krama as sa - ri - ga. Vyutkramas (permutations) are five beginning with ga - ri main
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4 - <math>sa</math>; <math>ga - sa - ri</math>, <math>ri - ga - sa</math>, <math>[ri - sa - ga]</math> <math>sa - ga - ri< editorial_bracket
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5 <math>k\bar{u}_{l}a</math>-tanas formed by vyutkrama (permutation or change of order). Thus there main
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6 are six tanas of gandhara (along with the preceding two svaras viz. sa - n). main
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7 Similarly, there is only one krama (original order) of madhyama (added to main
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8 the preceding three svaras) as sa - ri - ga - ma; there are twenty-three utkramas main
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9 beginning with ma - ga - ri - sa. That is thus - ma - ga - ri - sa, ma - ga sa - main
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10 ri, ma - ri - ga - sa, ma - ri - sa - ga, ma - sa - ga - ri, ma - sa - ri - ga main
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11 thus are the six tānas beginning with madhyama, formed by vyutkrama. Similarly, main
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12 there are six tānas, each beginning with gāndhāra, ṛṣabha and ṣadja and taken main
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13 together they are twenty-four. annotation_inline
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14 Similarly, there is only one krama (original order) of pañcama (along with its main
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15 four preceding svaras). The kūṭa-tānas beginning with pa - ma - ga - ri - sa main
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16 (formed by) vyutkrama are one hundred and nineteen. That is thus - sa - ni - main
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17 ga - ma - pa, pa - ma - ga - ri - sa. Each one of pa - ma - ga - ri - sa has main
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18 twenty-four (varieties beginning with it), taken together they become one main
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19 hundred and twenty. Similarly, dhaivata has one krama (original order along main
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20 with its preceding five svaras) as sa - ni - ga - ma - pa - dha, dha - pa - ma - main
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21 ga - ni - sa, this is the vyutkrama (reverse order). Each one of dha - pa - ma - main
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22 ga - ni - sa becomes [one hundred] and twenty (through kūļa-tānas); taken editorial_bracket
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23 together (the kūṭa-tānas) become seven hundred and twenty. Similarly, there is main
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24 only one krama of niṣāda (alongwith its six preceding svaras) as sa - ri - ga - main
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25 ma - pa - dha - ni. Ni - dha - pa - ma - ga - ri - sa is the vyutkrama. Each main
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26 one of ni - dha - pa - ma - ga - ni - sa becomes seven hundred and twenty main
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27 (through <math>k\bar{u}ta</math>-tānas); taken together they become five thousand and forty. main
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28 (Anu. 59) annotation_inline
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29 Thus the tāna-vidhāna (performance of tānas) of svaras is found on the main
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30 (viṇās having) sixty-six strings or hundred strings. The measurements of these main
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31 two (<math>vin\bar{a}s</math>) are middle and the like (?)<sup>57</sup>. Here the demonstration of these <math>k\bar{u}t main
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32 tānas has not been made on these (viņās) in order to avoid a digression; by this main
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33 order itself, it (the demonstration) should be understood by the wise ones on main
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34 their own. annotation_inline
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35 (Anu. 60) annotation_inline
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36 The objective of these tanas has been said to be for the sake of the main
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37 attainment of [ sthānas (registers) ]. Sthānas (registers) are said to be three in editorial_bracket
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vol_II_p056 RIGHT — 39 lignes

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1 95 page_number
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2 TRANSLATION page_header
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3 prescribed; ṣāḍava is in pūrvaranga, but in the citra (pūrvaranga?)comprised of main
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4 eighteen aigas (components), kaišikamadhyama (is performed) in the end. main
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5 This is the application of śuddha rāgas prescribed by Brahmā." main
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6 [NS as quoted in Kalā on SR II.2.30-32] editorial_bracket
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7 [B. Bhinna rāgas] section_header
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8 Now he (the author) has spoken of the description of bhinna rāgas. main
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9 Bhinna (modified) 45 on account of śruti, bhinna on account of jāti, bhinna main
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10 on account of śuddha (rāga) similarly having (bhinna) svara, it (this category main
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11 of rāgas) is called bhinnaka because it is modified in respect of (the above) main
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12 four. annotation_inline
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13 (304) annotation_inline
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14 [Anu. 172] editorial_bracket
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15 (Contention) Whatisstated by the word 'bhinna?' Does the word bhinnamean main
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16 that which is split or does it mean 'this is distinct from that'? This should not be main
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17 said. 'Bhinna' here is said to be vikṛta (modified). The state of being vikṛta is main
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18 according to the prescription given before in terms of śruti-bhinna and the like. main
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19 [Svarabhinna] section_header
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20 [Anu. 173] editorial_bracket
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21 Now for the sake of elucidating the aforesaid description of bhinna (rāgas), main
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22 the definition of svarabhinna (out of the four) is being spoken of in the main
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23 beginning - annotation_inline
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24 When the <math>v\bar{a}din^{46}</math> is upheld (as the initial note) and the <math>sainv\bar{a}din</math> or <math>anu main
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25 or vivādin is released (as the finale), that is called svara-bhinna. main
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26 (305) annotation_inline
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27 [Anu. 174] editorial_bracket
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28 This means – the madhyama that is the graha and amsa of suddha-sādava main
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29 (rāga) that belongs to madhyamagrāma, is replaced with dhaivata that is taken main
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30 up as being vivādin or anuvādin. When the samvādin of the svara madhyama main
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31 is treated as a point of release (tyāga) or placement (nyāsa), then it is called main
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32 svara-bhinna. In bhinna-ṣaḍja, dhaivata is vādin on account of 'speaking out' main
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33 (vadana) and it is again of abundant usage. main
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34 (Contention) Out of the five (bhinna) rāgas, why is bhinna -ṣaḍja being main
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35 described in the beginning itself? Truly has it been said, on account of its main
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36 prominence. Its prominence is thus-just as in the (rāgas of) śuddhagīti, there is main
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37 the prominence of śuddha ṣāḍava, similar is the case of bhinna ṣaḍjain the (rāgas main
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38 of) bhinna gīti, on account of this (bhinna-ṣadja) being a variety of that (śuddha main
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39 sādava).<sup>47</sup> main
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222 lignes a valider — change uniquement les roles incorrects.