Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20730). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p070 RIGHT — 36 lignes

L#	Texte OCR	Role auto
1	Electric and the	annotation_inline parent ligne 4 via heuristic_height
2	123	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	[Anu. 208]	section_header via surya_layout
5	Its meaning is thus - Rūpasādhārita is related to şadjagrāma on account of	main via surya_layout
6	being born of şadjamadhyamā and niṣādavatī. Şadja is its graha and amśa.	main via surya_layout
7	Madhyama is the nyāsa. There is the sparseness of pañcama and ṛṣabha.	main via surya_layout
8	Niṣāda is kākalī here and this (rāga) is complete. It is used in vīra and karuņa	main via surya_layout
9	(rasas). Vīra and the like is the rasa84 The mūrchanā begininng with ṣaḍja	main via surya_layout
10	obtains. Arohin is the varna. Prasannamadhya is the alankāra. The kalā is	main via surya_layout
11	formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the	main via surya_layout
12	kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs	main via surya_layout
13	comprised of svara and pada.	main via surya_layout
14	(338)	main via surya_layout
15	[6. Gāndhārapañcama]	section_header via surya_layout
16	Gāndhārapañcama isborn of gāndhārī and raktagāndhārī (jātis). Gāndhāra is	main via surya_layout
17	its <i>amśa</i> and <i>gāndhāra</i> alone is <i>nyāsa</i>.	main via surya_layout
18	[Anu. 209]	section_header via surya_layout
19	Itsmeaning is thus-gāndhārapañcama is related to madhyamagrāma on account	main via surya_layout
20	of being born of gāndhārī and raktagāndhārī jātis. Although it is born of dhaivatī	main via surya_layout
21	(jāti) in the opinion of Durgaśakti, yet on account of pañcama being comprised	main via surya_layout
22	of three śrutis, it is related to madhyama (grāma) alone in spite of being born of	main via surya_layout
23	jātis belonging to both the grāmas. Gāndhāra is its graha, amśa and nyāsa. With	main via surya_layout
24	relevance to the performer, gāndhāra may become dhaivata.85 Niṣāda is	main via surya_layout
25	kākalī here and this (rāga) is complete. Its application is prescribed in	main via surya_layout
26	adbhuta, vismaya<sup>86</sup> and hāsya (rasas). Karuṇa is the rasa<sup>87</sup> The mūrchanā	main via surya_layout
27	beginning with gāndhāra obtains. Sañcārin is the varņa. Prasannamadhya is	main via surya_layout
28	the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in	main via surya_layout
29	the vārtika(mārga) and the kalā prevails in the citra (mārga). A tāla like	main via surya_layout
30	caccatputa obtains in the songs comprised of svara and pada.	main via surya_layout
31	[7.Şadjakaisika]	section_header via surya_layout
32	***************	annotation_inline parent ligne 31 via heuristic_height
33	[8. Pañcamaṣāḍava]	section_header via surya_layout
34	Pañcamaṣāḍavaisborn of dhaivatī and ārṣabhī jātis. It is combined with ṛṣabha	main via surya_layout
35	as the amśa and madhyama alone is the nyāsa.	main via surya_layout
36	(339)	main via surya_layout

vol_II_p021 RIGHT — 40 lignes

L#	Texte OCR	Role auto
1	٠.	annotation_inline parent ligne 4 via heuristic_height
2	25	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	Ārṣabhī has niṣāda, ṛṣabha and dhaivata as amsas. The ṣāḍava and auḍuvita	main via surya_layout
5	(forms) come into being by the omission of sadja and (sadja) pañcama	main via surya_layout
6	respectively.	annotation_inline parent ligne 5 via heuristic_short
7	(213)	main via surya_layout
8	In dhaivatī, ṛṣabha and dhaivata have been spoken of as amśas by the gurus.	main via surya_layout
9	These two alongwith madhyama are apanyāsas and the two(ṣāḍava and	main via surya_layout
10	auduvita) are, as spoken of before, (in ārṣabhī) through the respective	main via surya_layout
11	omission of (ṣadja and ṣadja-pañcama).	main via surya_layout
12	(214)	annotation_inline parent ligne 11 via heuristic_short
13	In niṣādavatī (or naiṣādī), the svaras having two śrutis each (viz. gāndhāra,	main via surya_layout
14	niṣāda) alongwith ṛṣabha are the amśas. The rest is as in dhaivatī, the nyāsa	main via surya_layout
15	is the svara (niṣāda) from which this jāti derives its name.	main via surya_layout
16	(215)	annotation_inline parent ligne 15 via heuristic_short
17	In ṣaḍja-kaiśikī, ṣaḍja, gāndhāra and pañcama are aṁśas and they themselves	main via surya_layout
18	are the apanyāsas, adding niṣāda and omitting gāndhāra.	main via surya_layout
19	(216)	annotation_inline parent ligne 18 via heuristic_short
20	Rṣabhais of sparse usage and gāndhārais desired to be the nyāsa. And this	main via surya_layout
21	(jāti) is said by the ācāryas to be always pūrņasvarā (with complete svaras i.e.	main via surya_layout
22	there is no omission).	main via surya_layout
23	(217)	annotation_inline parent ligne 22 via heuristic_short
24	Şadjodicyavatī is (formed) with şadja, madhyama, dhaivata and niṣāda as	main via surya_layout
25	amśas, sadja and dhaivata should be known as two apanyāsas.	main via surya_layout
26	(218)	annotation_inline parent ligne 25 via heuristic_short
27	It is devoid of rṣabha and if two (svaras) have to be omitted then it is devoid	main via surya_layout
28	also of pañcama. There is the abundance of mandra gandhara and madhyama	main via surya_layout
29	is the <i>nyāsa</i>.	main via surya_layout
30	(219)	annotation_inline parent ligne 29 via heuristic_short
31	Şadja-madhyamā has all the svaras as amśa and its nyāsa is on the two svaras	main via surya_layout
32	from which it derives its name (viz. şadja and madhyama). Nişāda and	main via surya_layout
33	gāndhāra are the two svaras that bring about hīnatva (the state of being bereft	main via surya_layout
34	i.e. the omission of niṣāda brings about its ṣāḍava form and that of niṣāda,	main via surya_layout
35	gāndhāra, its audava form).	main via surya_layout
36	(220)	annotation_inline parent ligne 35 via heuristic_short
37	The sañcara (to and fro movement of svaras) is left to one's will, it has to	main via surya_layout
38	be so as not to violate the grāma.<sup>41</sup> These seven are in sadja-grāma, the	main via surya_layout
39	remaining (eleven) are the jātis of madhyama (grāma).	main via surya_layout
40	(221)	main via surya_layout

vol_II_p107 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	197	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Illustration - Dhāsādhāgā sānisāmāni. Mānidhāmāgā. Gāmādhāni. Dhāmāmāgā.	main via surya_layout
4	Ninidhādhā. Lalitā [ix]	editorial_bracket parent ligne 3 via heuristic_brackets
5	Niṣādavatikā<sup>25</sup> is said to be adorned with dhaivata as the initial and	main via surya_layout
6	concluding note, is a complete antara-bhāṣā and by others it is sung as being	main via surya_layout
7	devoid of ri (ṛṣabha).	main via surya_layout
8	(29)	annotation_inline parent ligne 7 via heuristic_height
9	Illustration - Dhāmāgāpā. Pāsāpāpā. Gamāmāpāni dhāpādhādhādhā.	main via surya_layout
10	Pāmādhāgāgā. Sanidhādhāpāpā. Dhāsāgamāgāpa nīdhādhānīsari	main via surya_layout
11	sāmāpānidhāpā māmāgāpa sadhānidhādhā. Niṣāḍavatī [x]	editorial_bracket parent ligne 10 via heuristic_brackets
12	Tumburu<sup>26</sup> is combined with dhaivata as the initial and concluding note,	main via surya_layout
13	is known to be hexatonic, is devoid of rşabha (and) is sung by the expounders	main via surya_layout
14	of Veda<sup>27</sup>	main via surya_layout
15	(30)	annotation_inline parent ligne 14 via heuristic_height
16	Illustration - Dhānisāgā gāmādhāpā māgani sanīdhādhā. Tumburu [xi]	editorial_bracket parent ligne 14 via heuristic_brackets
17	Gāndhāralalitā is complete, has madhyama as amśa and dhaivata as the	main via surya_layout
18	concluding note, is sung in the rituals associated with manes<sup>28</sup> (and) has	main via surya_layout
19	concert between şadja-dhaivata.	main via surya_layout
20	(31)	annotation_inline parent ligne 19 via heuristic_height
21	Illustration - Mādhāpā. Pāsāsāmaga sāsārīrī sānidhādhā sāsārigāmā	main via surya_layout
22	gāriri. Sāgarīsārī. Sādhā. Gāndhāralalitā [xii]	editorial_bracket parent ligne 21 via heuristic_brackets
23	.....................	annotation_inline parent ligne 21 via heuristic_height
24	Illustration - Dhādhādhāpā. Gariridhāpadhāninirigā papānidhādhā	main via surya_layout
25	rigarigadhāpadhā ripāgā rinidhā pādhādhā. Kalingā [xiii]	editorial_bracket parent ligne 24 via heuristic_brackets
26	The <i>bhāṣā</i> having <i>dhaivata</i> as the initial and concluding note, is <math>\acute{s}uddh\bar{a}</math>, <math>	main via surya_layout
27	dhaivata-madhyama (have concert?). It is a <math>m\bar{u}labh\bar{a}</math>ṣ<math>\bar{a}</math> sung by Nārada<math>^{3	main via surya_layout
28	others in bhinnaṣadja (rāga).	main via surya_layout
29	(32)	annotation_inline parent ligne 28 via heuristic_height

vol_II_p042 RIGHT — 50 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	67	page_number via heuristic_pagenum
3	sā pā nī mā pā pā gā gā	table via surya_layout
4	<b>(7)</b>	table via surya_layout
5	mā pā mā nidha nī nī sā sā	table via surya_layout
6	(8)	table via surya_layout
7	pā pā mā dhani pā pā pā pā	table via surya_layout
8	(9)	table via surya_layout
9	mā pā mā riga gā gā gā gā	table via surya_layout
10	(10)	table via surya_layout
11	gā pā mā pā nī nī nī nī	table via surya_layout
12	(11)	table via surya_layout
13	mā pā mā pariga gā gā gā gā	table via surya_layout
14	(12)	table via surya_layout
15	gā gā gā mā mā nidha nī nī	table via surya_layout
16	(13)	table via surya_layout
17	nī nī dhapa mā nidha nidha pā pā	table via surya_layout
18	(14)	table via surya_layout
19	rī gā sā sā mā nidhani nī nī	table via surya_layout
20	(15)	table via surya_layout
21	nī nī dhā pā dhā pā mā mā	table via surya_layout
22	(16)	table via surya_layout
23	Thusends<i>inadhyamodīcyavā</i>.	section_header via surya_layout
24	[6. Kārmāravi]	section_header via surya_layout
25	In kārmāravī, niṣāda, ṛṣabha, pañcama and dhaivata become the ainśas.	main via surya_layout
26	(16)	annotation_inline parent ligne 25 via heuristic_short
27	Many (svaras) are said to be non-amsas on account of antara-marga.	main via surya_layout
28	Gāndhāra is excessively abundant. There is concert among all the amśa	main via surya_layout
29	svaras.	annotation_inline parent ligne 28 via heuristic_height
30	(17)	main via surya_layout
31	Caccatpuța (is the tāla), there are sixteen kalās. The mūrchanā beginning	main via surya_layout
32	with şadja obtains. The application is (prescribed) in the dhruvā of the fifth	main via surya_layout
33	act.	annotation_inline parent ligne 32 via heuristic_short
34	(18)	main via surya_layout
35	Pañcama is the nyāsa in this (jāti). The amsás themselves are apanyāsas.	main via surya_layout
36	The prastāra is thus-	main via surya_layout
37	ri ri ri ri ri ri ri ri	table via surya_layout
38	(1)	table via surya_layout
39	mā gā sā gā sā nī nī nī	table via surya_layout
40	(2)	table via surya_layout
41	nī mā nī mā pā pā gā gā	table via surya_layout
42	(3)	table via surya_layout
43	gā pā mā pā nī nī nī nī	table via surya_layout
44	(4)	table via surya_layout
45	rī gā sā nī rī gā rī gā	table via surya_layout
46	(5)	table via surya_layout
47	rī gā rī sā nī dhani pā pā	table via surya_layout
48	(6)	table via surya_layout
49	mā pā mā pariga gā gā gā gā	table via surya_layout
50	<b>(7)</b>	table via surya_layout

vol_I_p077 LEFT — 45 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	136	page_number via heuristic_pagenum
3	22. C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
4	23. Added according to C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
5	24. Portion added according to C.r. in S R I Sudhā, p. 95.	list_item via surya_layout
6	25. P.t. adds 'pañcama' before 'ṛṣabhaḥ' which is unwarranted.	list_item via surya_layout
7	26. P.t. combines sapta-svarāķ etc. and that has led to a misunderstanding	list_item via surya_layout
8	among scholars to the effect that Matanga has accepted the 'samvāda' of seven-	list_item via surya_layout
9	sruti interval in addition to that of nine and thirteen-sruti interval. (cf. IMJ,	list_item via surya_layout
10	No. 11-12, p. 57, article by P.L.S. on Matanga's Brhaddess ). Actually sapta is	list_item via surya_layout
11	related to 'svarāḥ'; hence a full-stop has been added after sapta and that clears	list_item via surya_layout
12	the whole confusion.	list_item via surya_layout
13	27. The ed. states that the text is broken here; the missing portion has been	list_item via surya_layout
14	taken by us from S R I Sudhā, p. 121.	list_item via surya_layout
15	28. Missing portion (verse 55-60) taken from C.r. in S R I Kalā, p. 79-81.	list_item via surya_layout
16	The cited verses are interspersed by Kallinatha with prose sentences of his own,	list_item via surya_layout
17	but they have been omitted by us.	list_item via surya_layout
18	29. C.r. in S R I Kalā, p. 81.	list_item via surya_layout
19	30. Sam S Sā, p. 14 and C.r. in S R I Kalā, p. 81.	list_item via surya_layout
20	31. This portion is missing in the MSS, it has been paraphrased in S R I Kalā,	list_item via surya_layout
21	p. 81 and cited in ibid. Sudhā, p. 97.	list_item via surya_layout
22	32. cf. व्हाजाती समी जेयी रिधी क्षत्रियजातिको ।	list_item via surya_layout
23	निर्गा वैश्याविति प्रौक्तौ पञ्चमः शूद्रजातिकः ॥	list_item via surya_layout
24	( Sam Mak I. 29 )	main via surya_layout
25	33. C.r. in S R I Sudhā, p. 97 and Sam Cû, p. 71.	list_item via surya_layout
26	34. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
27	35. Reading suggested by the ed.	list_item via surya_layout
28	36. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
29	37. C.r. in Sam Cu, p. 72.	list_item via surya_layout
30	38. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
31	39. cf. स्वराः सरिगमाश्चैव चत्वारो राक्षसाः स्मृताः ।	list_item via surya_layout
32	पधौ मानुषसज्ञौ च निपाद दैवत विदुः ॥	list_item via surya_layout
33	(Sam Mak I. 1.46)	main via surya_layout
34	40. After this P.t. has the following half-verse –	main via surya_layout
35	शृद्धजातिसमृत्पन्नी तौ काकल्यन्तरी स्वरी ।	main via surya_layout
36	This is redundant and misplaced because verse 61 d has already spoken of	main via surya_layout
37	kākali and antara svaras being śūdra and this line does not fit into the context	main via surya_layout
38	after verse 72; hence it has been omitted by us.	main via surya_layout
39	41. cf. Nā Ši I.4.1,2 and Gītālankāra, p. 50.	list_item via surya_layout
40	42. cf. Nā Ši I.5.14-18.	list_item via surya_layout
41	43. The reading 'hara' suggested by the ed. in the place of 'bhi' of MSS.	list_item via surya_layout
42	44. cf. Nā Ši 1.5.12-14.	list_item via surya_layout
43	पर्जाञ्चतर्वारी च ऋषभस्य च गंद्रकः ।	list_item via surya_layout
44	45. cf.	list_item via surya_layout
45	गान्धारस्य च शान्त च हास्यास्य मध्यमस्य च ॥	list_item via surya_layout

200 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p070 RIGHT — 36 lignes

vol_II_p021 RIGHT — 40 lignes

vol_II_p107 RIGHT — 29 lignes

vol_II_p042 RIGHT — 50 lignes

vol_I_p077 LEFT — 45 lignes