Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20732). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p051 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	<b>g</b>.,	annotation_inline parent ligne 4 via heuristic_height
2	85	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	with minute<sup>26</sup> kākus.<sup>27</sup> Thus sādhāraņī should be known to be the abode of	main via surya_layout
5	all gitis.	annotation_inline parent ligne 4 via heuristic_short
6	<math>(284 - 285)</math>	main via surya_layout
7	[6. Bhāṣā gīti]	section_header via surya_layout
8	This bhāṣā gīti is described by the experts in gīti as consisting of prayogas	main via surya_layout
9	(melodic phrases?) that are rendered by the body (voice), are smooth,	main via surya_layout
10	colourful with kākus, well composed, shaken, soft, brilliant, combined with	main via surya_layout
11	mālavīkāku<sup>28</sup> attractive, and graceful. It is performed in the manner that	main via surya_layout
12	delights the people.	main via surya_layout
13	<math>(286 - 287)</math>	main via surya_layout
14	[7. Vibhāṣā gīti]	section_header via surya_layout
15	Vibhāṣā gīti should be composed with gamakas<sup>29</sup> that are attractive,	main via surya_layout
16	numerous, brilliant, shaken, pertaining to the chest region, even, high and	main via surya_layout
17	very high, smooth, in which madhyama shines forth in between, that are	main via surya_layout
18	delightful to the ear and are attractive. This process of composition should	main via surya_layout
19	be spontaneous and should take the course that delights the people.	main via surya_layout
20	(288-289)	annotation_inline parent ligne 19 via heuristic_short
21	[ Thus ends the description of gitis.]	editorial_bracket parent ligne 19 via heuristic_brackets
22	[ The number and nomenclature of ragas ]	section_header via surya_layout
23	The lakṣaṇa (description) of gītis has been spoken of; now the number of	main via surya_layout
24	rāgas is being stated. Five cokṣa (śuddha, pure rāgas) have been spoken of, the	main via surya_layout
25	bhinna ones are of the same number. Gauda (rāgas) have been said to be	main via surya_layout
26	three and rāgas (pertaining to rāga-gīti) have been said to be eight. Seven-	main via surya_layout
27	sādhāraņa (rāgas) have been spoken of and here bhāṣās are sixteen. Vibhāṣās	main via surya_layout
28	are only twelve and (now) know their names.	main via surya_layout
29	<math>(290 - 292)</math>	main via surya_layout

vol_II_p132 LEFT — 50 lignes

L#	Texte OCR	Role auto
1	246	page_number via heuristic_pagenum
2	BRHADDEŚĪ	section_header via surya_layout
3	Verse No.	table via surya_layout
4	Reading	table via surya_layout
5	Reading	table via surya_layout
6	BrD	table via surya_layout
7	Datti	table via surya_layout
8	BŗD	table via surya_layout
9	Datti	table via surya_layout
10	193	page_number via heuristic_pagenum
11	49	page_number via heuristic_pagenum
12	पड्जायाधैव	table via surya_layout
13	पड्जायास्त्वथ	table via surya_layout
14	194	page_number via heuristic_pagenum
15	सधैवत्यो:	table via surya_layout
16	सधैवत्ये *	table via surya_layout
17	50	page_number via heuristic_pagenum
18	*This reading is there in the Trivandrum edition of Datti which has been	main via surya_layout
19	changed by Mukund Lath to sadhaivatyoh.	main via surya_layout
20	12. Both p.t. and Datti read'tatha', but we have replaced it with	list_item via surya_layout
21	'tābhyām' because 'tathā' does not relate gāndhārī and pañcamī to gāndhāra-	list_item via surya_layout
22	pañcami as its components or progenitors.	list_item via surya_layout
23	13. cf. NŚ XXVIII 49-53 for verses 199-203 of our text.	list_item via surya_layout
24	14. The portion in square brackets has been added from	list_item via surya_layout
25	NŚ XXVIII.55, 56.	list_item via surya_layout
26	15. Reading in NŚ XXVIII. 57.	list_item via surya_layout
27	l 6. cf(i) श्रुतिस्वरग्रामसमूहाज्जायन्त इति जातय:, अथवा जायते रसप्रतीतिराभ्य इति जातय:,यद्वा सकलस्य	list_item via surya_layout
28	रागादेर्जन्महेतुत्वाज्जातयः, अथवा यथा नराणां ब्राह्मणत्वादयो जातयः, शुद्धा विकृताश्च, एवमेता अपीति जातयः।	list_item via surya_layout
29	C.r. in Sudhā on SR 1.7.3. p. 171.	unknown via fallback
30	ŧ	annotation_inline parent ligne 28 via heuristic_height
31	(ii) निर्हेतौ समवायात् श्रुतिस्वरग्रहादिसमूहाद्यतो जायन्ते ततो जातय इति निर्वचनम् ।	list_item via surya_layout
32	Abhi Bhā on NŚ XXVIII. p. 37.	list_item via surya_layout
33	17.cf. अंशग्रहादिशतयोजनाया जायन्त इति जातय इत्यन्ये । जाते रसं प्रति आभ्य(जायते रसप्रतीतिराभ्य)इति	list_item via surya_layout
34	वा सकलस्य रागादेर्जन्महेतुर्जातिरिति टीकाकार:।	list_item via surya_layout
35	Abhi Bhā on NŠ XXVIII.p.38.	main via surya_layout
36	18. Reconstruction based on BhaKo, p. 227.	list_item via surya_layout
37	Reconstruction based on Sudhā on SR I. 7.3 p. 171,	list_item via surya_layout
38	cf. शुद्धाश्च विकृताश्चैवमत्रापि जातिलक्षणम् । जातिर्द्धिधा शुद्धा विकृता च । शुद्धा सप्तविधा । विकृता एकादशविधा ।	list_item via surya_layout
39	BhaKo p. 227.	list_item via surya_layout
40	20. 'Viścṣa' or specified 'lakṣaṇa' relates to the description of each	list_item via surya_layout
41	<i>jāti</i>, hence this word has been replaced by us with ‘ <i>daśavidha</i> ’ (tenfold) .	list_item via surya_layout
42	ग्रहांशी तारमन्द्री च पाडवीडुविते क्रमात् । अल्पत्वं च बहुत्वं च न्यासोऽपन्यास एव च ॥	list_item via surya_layout
43	21. cf.(i)	list_item via surya_layout
44	<b>Datti.</b> 55,	unknown via fallback
45	ग्रहांशी तारमन्द्री च न्यासोऽपन्यास एव च ।	list_item via surya_layout
46	(ii)	list_item via surya_layout
47	अल्पत्वं च बहुत्वं च पाडवौडुविते तथा ॥	list_item via surya_layout
48	NŠ XXVIII.66.	main via surya_layout
49	22. Reading of MS B as recorded by the ed.	list_item via surya_layout
50	23. Datti 56 reads <i>evametadyathājāti </i>.	list_item via surya_layout

vol_I_p054 LEFT — 38 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDESI</b>	main via surya_layout
2	90	page_number via heuristic_pagenum
3	(२४) परिवर्तकः (२५) उद्घट्टितः (२६) आक्षेप्तकः	main via surya_layout
4	आवर्तकः	annotation_inline parent ligne 3 via heuristic_short
5	(२३)	main via surya_layout
6	(२७) संप्रदानः (२८) हसितः (२९) हुंकारः (३०) सन्धिप्रच्छादनः (३१) विध्तः	main via surya_layout
7	(धिन ? धुतः)	annotation_inline parent ligne 6 via heuristic_short
8	(३२) उद्गीतः (३३) गात्रवर्णश्चेति।	main via surya_layout
9	[ अनु₀ ७० ]	editorial_bracket parent ligne 8 via heuristic_brackets
10	इदानीमेतेषामलङ्काराणां लक्षणमुच्यते। तद्यथा— मन्द्रादारभ्य कि ो मेणारोहणं	main via surya_layout
11	oसाo	annotation_inline parent ligne 10 via heuristic_height
12	यावदसौ प्रसन्नादिः। मन्द्रशब्देन प्रसन्नध्वनिरुच्यते। यथा—सा री गा मा पा धा	main via surya_layout
13	तारगति	annotation_inline parent ligne 12 via heuristic_short
14	१	page_number via heuristic_pagenum
15	नी सा इति प्रसन्नादिः।	main via surya_layout
16	[ अनु₀ ७१ ]	editorial_bracket parent ligne 15 via heuristic_brackets
17	तारादारभ्यावरोहक्रमेण [ ममन्द्रपर्यन्तं ] प्रसन्नान्तः। यथा—सानीधापामागारीसा	editorial_bracket parent ligne 15 via heuristic_brackets
18	\| २ \|	main via surya_layout
19	इति प्रसन्नान्तः।	annotation_inline parent ligne 18 via heuristic_short
20	[ अनु॰ ७२ ]	editorial_bracket parent ligne 18 via heuristic_brackets
21	यत्राद्यन्तयोः प्रसन्नः, मध्ये च तारः स भ्यप्रसन्नाद्यन्तः। यथा— सारीगामापाधानीसा	main via surya_layout
22	सरिगमधन(सा)	annotation_inline parent ligne 21 via heuristic_short
23	[ ३ ]	editorial_bracket parent ligne 21 via heuristic_brackets
24	सानी धापामागारी सा इति प्रसन्नाद्यन्तः ।	main via surya_layout
25	निध प म गरि	annotation_inline parent ligne 24 via heuristic_height
26	अनु₀ ७३	editorial_bracket parent ligne 24 via heuristic_brackets
27	🕦 यत्र मन्द्रो मध्ये आद्यन्तयोश्च तारः, स प्रसन्नमध्यः। यथा—	main via surya_layout
28	सा नी धा पा मा गा री सा, सा री गा मा पा धा नी सा इति प्रसन्नमध्यः 14 । [ ४ ]	editorial_bracket parent ligne 27 via heuristic_brackets
29	4	page_number via heuristic_pagenum
30	ग	annotation_inline parent ligne 27 via heuristic_height
31	[ अनु₀ ७४ ]	editorial_bracket parent ligne 27 via heuristic_brackets
32	स्थानत्रयेऽपि सदृशध्विनः सप्तस्वरोच्चारणः समः। एतदुक्तं भवति— यस्य यावत्यः	main via surya_layout
33	श्रुतयः स स्थानित्रतयेषु तावच्छूतिक एव कार्यः। यथा— सरिगमपधनीति [ अथवा ]	editorial_bracket parent ligne 32 via heuristic_brackets
34	स्व	annotation_inline parent ligne 32 via heuristic_height
35	द्वयोर्द्वयोः स्वरयोः संवादिनोरुच्चारणात् समः। तद्यथा— सम सप रिधा गनी [ ति ]	editorial_bracket parent ligne 32 via heuristic_brackets
36	<b>15ग्रामभेदे तु सम रिप गनीति विशेषः। इति समः ।</b>	main via surya_layout
37	। ५ ।	annotation_inline parent ligne 36 via heuristic_short
38	मध्यमग्रामे	annotation_inline parent ligne 36 via heuristic_height

vol_II_p106 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	(vide)	annotation_inline parent ligne 6 via heuristic_height
2	BRHADDEŚĪ	page_header via surya_layout
3	194	page_number via heuristic_pagenum
4	.....मालवी । [३]<sup>२४</sup>	editorial_bracket parent ligne 6 via heuristic_brackets
5	.....गुर्जरी । [४]<sup>२५</sup>	editorial_bracket parent ligne 6 via heuristic_brackets
6	मध्यामांशा २६धैवतान्ता षाडवा ऋषभोज्झिता ।	main via surya_layout
7	ऋषभान्विता	annotation_inline parent ligne 6 via heuristic_height
8	गीयते यज्ञकाले या सा ख्याता बाह्यषाडवा ॥ २४॥	main via surya_layout
9	उदाहरणम् - माधा । मानिनि पामापाधाधा । माधामागा गागागामा ममनिधा मापापानिधा-	main via surya_layout
10	धाधा । बाह्यषाडवा । [५]	editorial_bracket parent ligne 9 via heuristic_brackets
11	निषादांशा धैवतान्ता षाडवा स्याद्रिवर्जिता<sup>२७</sup>।	main via surya_layout
12	षद्द्जवर्जिता	annotation_inline parent ligne 11 via heuristic_short
13	कौसली देशसम्भूता प्रतीहारेषु गीयते ॥ २५॥	main via surya_layout
14	कौसलदेश॰	annotation_inline parent ligne 13 via heuristic_markers
15	उदाहरणम् – निनिधा । पामामा । मागमा । सासासासासा । मागमानिधाधा । कौसली । [६]	editorial_bracket parent ligne 13 via heuristic_brackets
16	गान्धारांशा मध्यमान्ता गान्धारी मध्यमाश्रिता<sup>२८</sup>।	main via surya_layout
17	(श?शा)	annotation_inline parent ligne 16 via heuristic_height
18	एकान्तवासिभिर्गीता मूलभाषा तु षड्जगा ॥ २६॥	main via surya_layout
19	उदाहरणम् - गामापानीसासा । निधाधामा मामागामाधा । निसारी । सापामामा । धानीसारी ।	main via surya_layout
20	गारीसानी । धामामा । गान्धारी । [७]	editorial_bracket parent ligne 19 via heuristic_brackets
21	२९धैवताद्यन्तसंयुक्ता रिहीना षाडवस्वरा ।	main via surya_layout
22	॰ पह्जर्पभहीना	annotation_inline parent ligne 21 via heuristic_markers
23	स्वरविवितका एषा गीयते दृढमानसै: ॥ २७॥	main via surya_layout
24	+ + बलितगा	annotation_inline parent ligne 23 via heuristic_height
25	उदाहरणम् - धाधामापा । गागामाधा निसानिधाधा पापागामा धासनिधानिसासागामा पापा-	main via surya_layout
26	धाधा । मधापामामा गधगामधानिसासा। निसानिगागा मासानीधा धापमामागाधा । सामाधा-	main via surya_layout
27	नी ससाधापामाधाधा । स्वरवलिता । [८]	editorial_bracket parent ligne 26 via heuristic_brackets
28	धैवताद्यन्तललिता पञ्चमर्षभवर्जिता ।	main via surya_layout
29	षह्जपश्चम ॰	annotation_inline parent ligne 28 via heuristic_markers
30	३॰पञ्चस्वरा तु गीयेत प्रकृष्टा सा मता क्रमात् ॥ २८॥	annotation_inline parent ligne 28 via heuristic_markers
31	- Paragraphy (Fig. 25) Apply (Head Co. 19) Apply (The Section 25) (25)	annotation_inline parent ligne 28 via heuristic_height
32	All the second second second second second second second second second second second second second second second second	annotation_inline parent ligne 28 via heuristic_height
33	والمراجع والمراكب والمراكب والمراجع والمراجع والمراجع والمراجع والمناكب	annotation_inline parent ligne 28 via heuristic_height

vol_I_p047 RIGHT — 37 lignes

L#	Texte OCR	Role auto
1	1	page_number via heuristic_pagenum
2	77	page_number via heuristic_pagenum
3	<b>TRANSLATION</b>	page_header via surya_layout
4	(Anu. 51)	annotation_inline parent ligne 5 via heuristic_height
5	But if the indication of murchanas is done with the middle heptad, then why	main via surya_layout
6	has it been said to be (done) with madhyama svara? Truly has this been said.	main via surya_layout
7	The use of singular number is in relation with the jāti (species) of svara. The	main via surya_layout
8	purport is that the 'murchana' should be made in the kanthya svara (the tonal	main via surya_layout
9	range of the voice). The inclusion of the adjective vaina 46 (pertaining to viņā)	main via surya_layout
10	(for svara) is in order to encompass the sthana (register or range) that could	main via surya_layout
11	not be described in the body (human voice).	main via surya_layout
12	(Anu. 52)	annotation_inline parent ligne 11 via heuristic_height
13	But when the (process of) sādavita and auduvita is being undertaken, then	main via surya_layout
14	does the recognition of the (original) murchana exist or does it not exist? The	main via surya_layout
15	recognition of the (original) mūrchanā is certainly there. Similarly has said	main via surya_layout
16	Dattila -	annotation_inline parent ligne 15 via heuristic_height
17	"When the tana is made in this manner (by omission of the prescribed	main via surya_layout
18	svaras), the knowledgeable one should ascertain, by counting the perishable	main via surya_layout
19	(omitted) (svara), that this murchana is this-manieth."	main via surya_layout
20	[ Dattilam 37 ]	editorial_bracket parent ligne 19 via heuristic_brackets
21	(Anu. 53)	annotation_inline parent ligne 19 via heuristic_height
22	But when şadja is omitted in the first and seventh mūrchanā, both take an	main via surya_layout
23	identical form viz. ri-ga-ma-pa-dha-ni, there the distinction (between the two) is	main via surya_layout
24	not evident. True, there is no difference. If the components are counted, there	main via surya_layout
25	surely is a difference; the difference is created by mandra and tara.47	main via surya_layout
26	(Anu. 54)	annotation_inline parent ligne 25 via heuristic_height
27	This distinction of murchana and tana has been spoken of merely for the	main via surya_layout
28	sake of the convenience of the performer and the listener.48 The objective of	main via surya_layout
29	tāna has also been said to be for the sake of the attainment of the three	main via surya_layout
30	registers.	annotation_inline parent ligne 29 via heuristic_height
31	(Anu. 55)	annotation_inline parent ligne 29 via heuristic_height
32	But mūrchanās are useful in jātis and rāgas, hence their treatment is justified,	main via surya_layout
33	where are the tanas to be used? It is being answered. The tanas are useful for	main via surya_layout
34	the sake of bringing out the difference between jatis and ragas of both the	main via surya_layout
35	grāmas (i.e. between those of one grāma and the other).49 Or, the use of tānas is	main via surya_layout
36	for the sake of the demonstration of the number of nașța (lit. lost) and uddișța	main via surya_layout
37	(lit. enumerated) (varieties of tānas).50	annotation_inline parent ligne 36 via heuristic_height

187 lignes a valider — change uniquement les roles incorrects.

Legende des roles

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