Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)
5 demi-pages random (seed 20735). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p022 RIGHT — 27 lignes

page vol_I_p022 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 27 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Now I shall speak of the śruti-maṇḍala of madhyama (- grāma). This Madhyama main
via surya_layout
4 (having four śrutis) should be known (located), having transgressed three main
via surya_layout
5 (48) annotation_inline
parent ligne 4
via heuristic_short
6 (śrutis). main
via surya_layout
7 Having transgressed two śrutis (on the third śruti) should be (located) main
via surya_layout
8 pañcama. Thence having transgressed three (srutis) (on) the fourth (śruti) is main
via surya_layout
9 (49) annotation_inline
parent ligne 8
via heuristic_short
10 dhaivata. main
via surya_layout
11 Having transgressed one (śruti) niṣāda is known on the second (śruti). main
via surya_layout
12 Having transgressed three śrutis then is (located) şadja on the fourth (śruti). main
via surya_layout
13 (50) annotation_inline
parent ligne 12
via heuristic_short
14 Rṣabha is later (on) the third (śruti), leaving two (śrutis). Having main
via surya_layout
15 (51) annotation_inline
parent ligne 14
via heuristic_short
16 transgressed one śruti, (on) the second (śruti) is gāndhāra. main
via surya_layout
17 The śruti-maṇḍala of madhyama-grāma is thus— main
via surya_layout
18 ma annotation_inline
parent ligne 17
via heuristic_height
19 pa unknown
via surya_layout
20 ga unknown
via surya_layout
21 гi unknown
via surya_layout
22 dha unknown
via surya_layout
23 ni annotation_inline
parent ligne 17
via heuristic_height
24 sa annotation_inline
parent ligne 17
via heuristic_height
25 (Anu. 14) main
via surya_layout
26 Bharata, on the other hand, has shown śruti-maṇḍala (in ṣaḍja-grāma) main
via surya_layout
27 beginning with rṣabha.65 What is the reason? It is being said. In order to main
via surya_layout

vol_II_p019 RIGHT — 32 lignes

page vol_II_p019 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 21 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [7. The definition of alpatva] section_header
via surya_layout
4 [Anu. 128] editorial_bracket
parent ligne 3
via heuristic_brackets
5 Now I speak of alpatva (sparseness) and bahutva (abundance). Out of main
via surya_layout
6 these, alpatva comes into being on account of the sparse use of svaras and main
via surya_layout
7 bahutva is on account of (their) abundant use. Alpatva and bahutva are main
via surya_layout
8 twofold each, one operating in samnyāsa and the like and the other through main
via surya_layout
9 antaramārga. 38 The definition of antaramārga is thus—sometimes in jātis even main
via surya_layout
10 the svara that is not an amsa (anamsa) is not sparse (alpa). Similarly in main
via surya_layout
11 Kārmāravī, gāndhāra (which is not an amśa), is used in antaramārga with main
via surya_layout
12 abundance through concert (saigati) with all the other svaras; thus will be main
via surya_layout
13 said-39 annotation_inline
parent ligne 12
via heuristic_short
14 "Specially gāndhāra has movement towards all (svaras)." main
via surya_layout
15 (NŚ XXVIII.136) main
via surya_layout
16 [8. The definition of bahutva] section_header
via surya_layout
17 [ Anu. 129 ] editorial_bracket
parent ligne 16
via heuristic_brackets
18 After this he (the author) spoke (speaks) of bahutva. Bahutva is like main
via surya_layout
19 alpatva; it is to be perceived, thus is the special implication of the said main
via surya_layout
20 statement (about bahutva). How is that? Thus spoke (speaks) he (the main
via surya_layout
21 author), the inversion of strong and weak, i.e. the weak one is sparse (by main
via surya_layout
22 rule), in the case of inversion it becomes strong, thus is understood the main
via surya_layout
23 characteristic of strong (svara). Hence it has been said - main
via surya_layout
24 "The sparseness in jātis is always manifested through their svaras. There main
via surya_layout
25 is sañcāra (to and fro movement) among the amsas and the strong svaras. main
via surya_layout
26 Sparseness occurs in those jātis which have weak (svaras). Antaramārga main
via surya_layout
27 (inversion of strength and weakness) and nyāsa brings about the manifestation main
via surya_layout
28 of jātis." annotation_inline
parent ligne 27
via heuristic_height
29 (Cf. NŚ XXVIII 74cd, 75) main
via surya_layout
30 [9. The definition of nyasa] section_header
via surya_layout
31 [ Anu. 130 ] editorial_bracket
parent ligne 30
via heuristic_brackets
32 Now he (the author) spoke (speaks) of nyāsa - that (svara) on which or main
via surya_layout

vol_II_p041 LEFT — 48 lignes

page vol_II_p041 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 धा नी सां सा रीं रीं रीं रीं table
via surya_layout
4 (३) table
via surya_layout
5 सां सां सां री गा मा मा मा table
via surya_layout
6 (8) table
via surya_layout
7 मां धां नीं धां मां धां मां पां table
via surya_layout
8 (4) table
via surya_layout
9 गारी साधित रीरीरीरी table
via surya_layout
10 (६) table
via surya_layout
11 गां रीं सां सां पा धा मा मा table
via surya_layout
12 (v) table
via surya_layout
13 गा गा गा मा पा निधनि नी नी table
via surya_layout
14 (८) table
via surya_layout
15 गा गा नी नी गा गा गा गा table
via surya_layout
16 (९) table
via surya_layout
17 गा गा नी नी निध पा पा पा table
via surya_layout
18 (१०) table
via surya_layout
19 मां पो मो पो पो मो मो table
via surya_layout
20 (११) table
via surya_layout
21 सा मा गा निध नी नी गा गा table
via surya_layout
22 (१२) table
via surya_layout
23 ॥ [इति] कैशिकी ॥ table
via surya_layout
24 1 म ॥ annotation_inline
parent ligne 25
via heuristic_height
25 [५. मध्यमोदीच्यवा] section_header
via surya_layout
26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
via surya_layout
27 ंपञ्च(मा: ? मां) annotation_inline
parent ligne 26
via heuristic_short
28 [मता] editorial_bracket
parent ligne 26
via heuristic_brackets
29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
via surya_layout
30 (म्) annotation_inline
parent ligne 29
via heuristic_short
31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
via surya_layout
32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
via heuristic_markers
33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
via surya_layout
34 ্ক annotation_inline
parent ligne 33
via heuristic_height
35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
via surya_layout
36 अस्या annotation_inline
parent ligne 35
via heuristic_height
37 पा धनि नी नी मा मा नी पा table
via surya_layout
38 (१) table
via surya_layout
39 री री री गा सा रिग गा गा table
via surya_layout
40 (२) table
via surya_layout
41 नी नी नी नी नी नी नी table
via surya_layout
42 (3) table
via surya_layout
43 नी नी धप मा निध निध पा पा table
via surya_layout
44 (8) table
via surya_layout
45 पांपारी री री री री री table
via surya_layout
46 (4) table
via surya_layout
47 मा रिग सा सधं नीं नीं नीं नीं table
via surya_layout
48 <b>(६)</b> table
via surya_layout

vol_II_p053 RIGHT — 36 lignes

page vol_II_p053 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 89 page_number
via heuristic_pagenum
3 The first alternative does not hold good. Why? Because of this rāga being main
via surya_layout
4 complete (with seven svaras). Hence the second alternative alone is main
via surya_layout
5 stronger. Why is it said to be prominent among the six rāgas? Because of main
via surya_layout
6 the statement that śuddhaṣāḍava should be used in the pūrvaraiga. On main
via surya_layout
7 account of its abundant usage in pūrvaranga, this śuddhaṣāḍava has been main
via surya_layout
8 indicated in the beginning. main
via surya_layout
9 Suddhaṣāḍava is born of the modified madhyamā jāti. main
via surya_layout
10 Its <i>nyāsa</i> is annotation_inline
parent ligne 9
via heuristic_height
11 madhyama, which is also the amśa and gāndhāra is weak in it. main
via surya_layout
12 (300) annotation_inline
parent ligne 11
via heuristic_height
13 [ Anu. 165 ] section_header
via surya_layout
14 This means - suddhaṣāḍava is related to madhyamagrāma. Tāra (high) main
via surya_layout
15 madhyama is its graha. Madhyama is the amśa and nyāsa and there is the main
via surya_layout
16 sparseness of gāndhāra. Niṣāda and gāndhāra are kākalī and antara (here).33 main
via surya_layout
17 It is endowed with all the svaras. It is used in the pūrvaranga. Madhyama is main
via surya_layout
18 the vādin and ṣaḍja is the samvādin. Ŗṣabha and pañcama are the anuvādins. main
via surya_layout
19 There is no vivādin. Śṛṅgāra and hāsya are the rasas. The mūrchanā main
via surya_layout
20 beginning with madhyama obtains here. The avarohin (descending) varņa,34 main
via surya_layout
21 prevails. Prasannānta is the alankāra. It is sung in the three mārgas 36 of tāla main
via surya_layout
22 The kalā<sup>37</sup> (time-unit) comes about in the dakṣiṇa (mārga), the kalā obtains main
via surya_layout
23 in the vṛtti (mārga), the kalā prevails in the citra mārga. A tāla like caccatpuṭa 38 main
via surya_layout
24 obtains in the svaras and padas (units of text). main
via surya_layout
25 Ākṣiptikā..... table
via surya_layout
26 [2. Suddhapañcama] table
via surya_layout
27 ********* table
via surya_layout
28 [ Anu. 166 ] table
via surya_layout
29 Šuddhapancama is known to be born of şadjodicyavatī jāti. table
via surya_layout
30 --------------------------------------- table
via surya_layout
31 [3. Šuddhasādhārita] section_header
via surya_layout
32 It is with sadja as amsa, madhyama as nyāsa, the svaras with two śrutis main
via surya_layout
33 (gāndhāra and niṣāda) are sparse and similarly, born of ṣaḍjamadhyamā jāti main
via surya_layout
34 is the śuddhasādhārita. annotation_inline
parent ligne 33
via heuristic_height
35 (301) annotation_inline
parent ligne 33
via heuristic_height
36 A Section of the second section of the section of the section of the section of the section of the section of the sectio annotation_inline
parent ligne 33
via heuristic_height

vol_II_p065 RIGHT — 37 lignes

page vol_II_p065 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 113 page_number
via heuristic_pagenum
3 [5. Boţţa-rāga] section_header
via surya_layout
4 Boṭṭarāgashould be known to be born of ṣaḍjamadhyamājāti and pancamī, main
via surya_layout
5 has pañcama as its amsa and madhyama as the concluding note. main
via surya_layout
6 (324) annotation_inline
parent ligne 5
via heuristic_height
7 [Anu. 196] section_header
via surya_layout
8 This means-bottarāga is related to ṣaḍjagrāma on account of being born of main
via surya_layout
9 şadjamadhyamā and pancamī jātis. Although it is born of two jātis arising out main
via surya_layout
10 of the two grāmas, yet it is related to sadjagrāma because of pañcama being main
via surya_layout
11 comprised of four śrutis. Pañcama is the graha and aniśa, madhyama the nyāsa. main
via surya_layout
12 There is sparseness of niṣāda and gāndhāra. Niṣāda is kākalī here and this main
via surya_layout
13 (rāga) is complete in svaras. Its application is prescribed in festivities. main
via surya_layout
14 Śānta<sup>69</sup> and the like is the rasa. The mūrchanā beginning with paūcama main
via surya_layout
15 obtains. Ārohin is the varņa. Prasannānta is the alankāra. The kalā is formed main
via surya_layout
16 in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga), and the kalā main
via surya_layout
17 prevails in the citra (mārga). A tāla like caccatpuţa obtains in songs comprised main
via surya_layout
18 of svara and pada. annotation_inline
parent ligne 17
via heuristic_height
19 [6. Hindola] section_header
via surya_layout
20 Hindolais combined with ṣaḍja as amśa and nyāsa, is devoid of dhaivata and main
via surya_layout
21 ṛṣabha and is formed with jātis excepting dhaivatī and ārṣabhī, in drama. main
via surya_layout
22 (325) annotation_inline
parent ligne 21
via heuristic_height
23 [Anu. 197] section_header
via surya_layout
24 This means -hindolaka is related to madhyamagrāma. (Contention) Its main
via surya_layout
25 relation with the two grāmas alone is proper on account of its being born of main
via surya_layout
26 all the jātis (of both the grāmas) bearing the names of svaras excluding main
via surya_layout
27 dhaivatī and ārṣabhī and carrying the residue of relationship with ṣaḍjagrāma. main
via surya_layout
28 Why is it said to be based on madhyamagrāma? (Answer) On account of its main
via surya_layout
29 being devoid of dhaivata and ṛṣabha, its relation with madhyamagrāma alone main
via surya_layout
30 is justified because authorities like Bharata and Kohala have treated the main
via surya_layout
31 omission of dhaivata and ṛṣabha in ṣadjagrāma as undesirable.70 main
via surya_layout
32 Some hold that it is based in sadjagrāma alone because pañcama comprised main
via surya_layout
33 of four śrutis is obtained here. The inomissibility of dhaivata should be main
via surya_layout
34 viewed only with respect to tāna and does not hold good everywhere. This main
via surya_layout
35 is improper. If this be so, then there would be no distinction between grāma main
via surya_layout
36 and mürchanā<sup>71</sup> annotation_inline
parent ligne 35
via heuristic_height
37 , annotation_inline
parent ligne 35
via heuristic_height
180 lignes a valider — change uniquement les roles incorrects.