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TRANSLATION
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When it (ṣāḍjī) is sung as hexatonic, then the sparseness<sup>59</sup> of ṛṣabha has to
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be brought about, (and) there is abundance of the remaining svaras.
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[ Anu. 147]
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And it has ten amsas. That is thus - one suddha, five vikṛtas in the complete
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state and four ṣāḍavas, because when gāndhāra is amśa, it excludes the
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formation of ṣāḍava. The amśas have been written as such so that they
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become clear.
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There is the state of śuddhā with ṣadja as the amśa and ṣadja is the apanyāsa.
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In its sampūrņa state there are eight-fold lakṣaṇas (ṣāḍava and auḍava being
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irrelevant). In the sadava state (they are) nine-fold (auduvita being
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irrelevant). Ṣādjī should be known as four-fold in its vikṛtā (modified) state,
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excluding (its) šuddhā (form).
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And it has the <math>m\bar{u}rchan\dot{a}^{60}</math> beginning with dhaivata. (The <math>t\bar{a}la</math>) ekakala
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pañcapāṇi61 (known also as uttara and satpitāputraka) in the citra
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(mārga) (operates alongwith) māgadhī gīti. Dvikala pancapāņi in the vārtika
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mārga (operates alongwith) sambhāvitā gīti. In dakṣiṇa mārga, catuṣkala
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pañcapāṇi (operates alongwith) pṛthulā gīti. (The corresponding pattern of
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tāla and gīti) should be known for all the jātis in this order. Vīra, raudra and
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adbluta rasas should be evoked (lit. made). Its application (viniyoga) 62 is
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(prescribed) in the singing of dhruvā(s) in the first scene (or act).
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[2. Ārşabhī]
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[Anu. 148]
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(În ārṣabhī) ṛṣabha, dhaivata (and) niṣāda are the grahas, (they) themselves
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are the amsas. They alone are apanyāsas. Niṣāda63 (?) is (the limit of the
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extension of) tāra upto five svaras. Ŗṣabha is the nyāsa. Mandra extends upto
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nyāsa or upto the svara next to nyāsa. There is sangati (concert) of şadja-
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dhaivata and ṛṣabha-gāndhāra. Ṣāḍava is devoid of ṣaḍja and auḍuvita is
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devoid of șadja-pañcama. In its complete state there is the sparseness of șadja,
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gandhara and pancama. In the auduvita form, there is the sparseness of
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gāndhāra and madhyama and the profusion of the remaining (svaras).
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[Anu. 149]
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And it (ārṣabhī) is ten-fold i.e., there are ten amśas. Śuddhā (is one), vikṛtās
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in the complete state are three, in the sadava state are three and in the
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auduva state are (also) three, thus in the complete state are three, in the
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ṣāḍava state are three, thus (they are ten). The mūrchanā 64 beginning with
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pañcama obtains (here). Caccatpuța is the tāla. With the ekakala (tāla) in the
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