Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20757). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p052 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	87	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Şāḍava, pañcama, similarly kaiśikamadhyama, cokṣasādhārita and similarly,	main via surya_layout
4	also cokṣakaiśika, these should be known as cokṣa (pure). Now listen about	main via surya_layout
5	the bhinnaones.	annotation_inline parent ligne 4 via heuristic_height
6	(293)	annotation_inline parent ligne 4 via heuristic_height
7	Bhinnaṣadja ,(bhinna-) tāna, bhinnakaiśikamadhyama, the one named	main via surya_layout
8	bhinnapañcama, and the fifth is bhinnakaiśika.	main via surya_layout
9	(294)	annotation_inline parent ligne 8 via heuristic_height
10	One is gaudapañcama, gaudakaiśika and also gaudakaiśika madhyama, are	main via surya_layout
11	said to be the three gaudas.	main via surya_layout
12	(295)	annotation_inline parent ligne 11 via heuristic_height
13	Ţakkarāga, similarly sauvīra, mālavapancama, ṣāḍava and boṭṭarāga, similarly	main via surya_layout
14	the other one is hindolaka, ţakkakaiśika has thus been said, similarly	main via surya_layout
15	mālavakaišika - these rāgas (pertaining to the rāgagīti) have been spoken of	main via surya_layout
16	by their names, by the excellent munis.	main via surya_layout
17	<math>(296-297)</math>	annotation_inline parent ligne 16 via heuristic_height
18	Narta, the one named śaka, kakubha, similarly harmāṇapañcama and	main via surya_layout
19	itself, similarly gändhärapañcama and the one named	main via surya_layout
20	rūpasādhārita	annotation_inline parent ligne 19 via heuristic_height
21	ṣaḍjakaiśika are known as the seven sādhāraṇa (rāgas).	main via surya_layout
22	(298)	annotation_inline parent ligne 21 via heuristic_height
23	[Thus is the number and nomenclature of rāgas]	editorial_bracket parent ligne 21 via heuristic_brackets
24	[The specific description of ragas]	section_header via surya_layout
25	[A. Out of them śuddharagas]	section_header via surya_layout
26	Now he (the author) has spoken about the description of suddha (rāgas)-	main via surya_layout
27	Those that are in accordance with their 'own' jāti 31 (from which they are	main via surya_layout
28	born), without any reference to other jātis and those that are one out of the	main via surya_layout
29	many (individual forms) of their own jāti, they are called śuddha (rāgas).	main via surya_layout
30	(299)	annotation_inline parent ligne 29 via heuristic_height
31	[1. Suddhaşādava]	section_header via surya_layout
32	[Anu. 164]	editorial_bracket parent ligne 31 via heuristic_brackets
33	Why is sadava so called? Is it because it is sung with six svaras and is hence	main via surya_layout
34	ṣāḍava or is it ṣāḍava on account of being prominent among the six rāgas?	main via surya_layout

vol_I_p057 LEFT — 49 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	96	page_number via heuristic_pagenum
3	निधधनि २२धपपध पममप	page_header via surya_layout
4	मगगम गरिरिंग रिसंसरि [ इति ]	page_header via surya_layout
5	सनिनिस	page_header via surya_layout
6	अथवा—	page_header via surya_layout
7	१६ \|	page_header via surya_layout
8	प्रसादः ।	page_header via surya_layout
9	\| अन्₀ ८६ \|	page_header via surya_layout
10	द्वौ द्वौ स्वरौ द्विकलौ २३सञ्चरन्तावारोहक्रमेणावरोहाच्चोद्वाहितः । [ यथा— ]	page_header via surya_layout
11	वि॰	page_header via surya_layout
12	∙डु	page_header via surya_layout
13	<sup>21</sup>सरि रिंग गम मप पध धनि निस सनि निध धप पम मग गरि रिस [ इति ]	page_header via surya_layout
14	उद्वाहितः।	page_header via surya_layout
15	\| १७ \|	page_header via surya_layout
16	अनु₀ ८७	page_header via surya_layout
17	द्विरभ्यस्तैरुपलोलकः। यथा—सरिसरि रिगरिग	page_header via surya_layout
18	अयमेव	page_header via surya_layout
19	गमगम	page_header via surya_layout
20	मपमप	page_header via surya_layout
21	पधपध	page_header via surya_layout
22	धनिधनि निसनिस सनिसनि निधनिध धपधप पमपम मगमग गरिगरि रिसरिस	page_header via surya_layout
23	[ १८ ]	page_header via surya_layout
24	<b>इति । उपलोलकः।</b>	page_header via surya_layout
25	। अनु₀ ८८ ।	page_header via surya_layout
26	एकादिक्रमेणान्तरस्वरेष्वारुह्य	page_header via surya_layout
27	पुनरवरोहणक्रमण	page_header via surya_layout
28	स्थायिन	page_header via surya_layout
29	स्वर	page_header via surya_layout
30	गत्वा	page_header via surya_layout
31	प्रस्तारक्रमेणैव एकैकाभिवृद्ध्या यत्र स्वरा उच्चार्यन्ते तत्र स क्रमः। अयमेकरूपत्वात्	page_header via surya_layout
32	परिवा	page_header via surya_layout
33	प्रस्तारेण [न] भिद्यते। [ यथा ] सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस	page_header via surya_layout
34	्रगा	page_header via surya_layout
35	॰मा॰	page_header via surya_layout
36	ुपा	page_header via surya_layout
37	सरिगमपधधपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस-सनिधपमगरिस	page_header via surya_layout
38	्नीनी,	page_header via surya_layout
39	धा	page_header via surya_layout
40	क्रमः। अथवान्तरस्वरमारुह्य काकलीं गत्वा तेनैव क्रमेणावरुह्य स्थायिन्यागम्यते स	page_header via surya_layout
41	<sub>व</sub>के	page_header via surya_layout
42	क्रमः [ यथा - ] सगनिनिगस [ इति ] क्रमः।	page_header via surya_layout
43	[ १९ ]	page_header via surya_layout
44	[ अनु。 ८९ ]	editorial_bracket via heuristic_brackets
45	अाद्यं तृतीयं ततो द्वितीयं ततश्च चतुर्थमनेनैव क्रमेणान्यानप्यारुह्य मन्द्राव्निष्कृजितः।	unknown via fallback
46	₀रो₀	annotation_inline via heuristic_markers
47	कोहलमते च एकान्तरस्वरारोहान्निष्कूजितः । [ यथा - ] सग रिम गप मध पनि धस	editorial_bracket via heuristic_brackets
48	[ इति निष्कृजितः ]	editorial_bracket via heuristic_brackets
49	[ २० ]	editorial_bracket via heuristic_brackets

vol_II_p139 LEFT — 59 lignes

L#	Texte OCR	Role auto
1	grantening to the property of the	annotation_inline parent ligne 5 via heuristic_height
2	262	page_number via heuristic_pagenum
3	260	page_number via heuristic_pagenum
4	BRHADDEŚĪ	page_header via surya_layout
5	शुद्धपङ्	main via surya_layout
6	line of verse 305 also appears in p. t. within this portion, but it has been	main via surya_layout
7	omitted in order to avoid unnecessary repetition. Reconstruction based on	main via surya_layout
8	Kalā on SR. II.2.23-26, p.25.	main via surya_layout
9	54. c.r. in ibid.	annotation_inline parent ligne 8 via heuristic_short
10	55. cf.c.r. in ibid. विवादी चानुवादी च गृहीत: स्यादित्यनुपङ्ग: । शुद्धपाडवापेक्षया	main via surya_layout
11	भित्रपड्जभित्रपञ्चमयोः स्वरप्रयोगभेदात् स्वरभित्रम् ।	main via surya_layout
12	C. r. in ibid.	annotation_inline parent ligne 11 via heuristic_short
13	56. P.t. repeats ' şadjaḥ (?) '.	main via surya_layout
14	57. Reconstruction attempted in the closest possible approximation	main via surya_layout
15	to the confused reading of p.t.	main via surya_layout
16	भित्रपड्जो मानदैन्ये चैकान्ताजीवितस्य च ।	main via surya_layout
17	58. cf.	main via surya_layout
18	मन्यन्ते र	unknown via fallback
19	C.r. in Abhi. Bhā .XXIX. 9, p. 69.	main via surya_layout
20	ग्राममूर्छन	unknown via fallback
21	59. cf.	main via surya_layout
22	प्रसन्नान्तविभूषित: ।	main via surya_layout
23	SR 11.2.80b.	annotation_inline parent ligne 22 via heuristic_short
24	60. cf.(i)	main via surya_layout
25	चतुःश्रुतिस्वरं यत्र भिनक्ति (ति)त्रिश्रुतिस्वराः (रः)।	main via surya_layout
26	तथाहि तैः	annotation_inline parent ligne 25 via heuristic_short
27	अधिष्ठानं स एव स्याच्छुतिभिन्न: स मन्यते ॥	main via surya_layout
28	SamSi Bhā Ka, p. 33.	main via surya_layout
29	एवायामार	annotation_inline parent ligne 28 via heuristic_height
30	चतुःश्रुतिः स्वरो यत्र भिन्नो द्विश्रुतिको भवेत् ।	main via surya_layout
31	(ii)	annotation_inline parent ligne 30 via heuristic_short
32	<b>द्विश्रुति</b>प्यां	main via surya_layout
33	गान्धारो द्विश्वतिश्चैव श्रुतिभिन्न: स उच्यते ॥	main via surya_layout
34	इत्याचार्यद्व	unknown via fallback
35	इति भित्रतानरागे हि पङ्जस्य श्रुतिद्वयं गृह्मति निषादः । श्रुतिपूर्वन्यायेन पङ्जोऽपि चतुःश्रुतिरित्युच्यते, गान्धारस्तु	main via surya_layout
36	श्रुतिभिन्नत्वम् ।	annotation_inline parent ligne 35 via heuristic_short
37	8	page_number via heuristic_pagenum
38	C.r. in Kalā on SR II.2.23-26, p.26.	main via surya_layout
39	61. cf. (i)	annotation_inline parent ligne 38 via heuristic_short
40	मध्यमापञ्चमीजातः पञ्चमांशग्रहोऽल्परिः॥	main via surya_layout
41	8	page_number via heuristic_pagenum
42	रिहीनो वा मध्यमान्तो मध्यमाल्प: सकाकली ।	main via surya_layout
43	SR II. 2.35 c-36 b.	annotation_inline parent ligne 42 via heuristic_short
44	विहीन ऋषभेणाधो ऋषभाल्पतया युत:।	main via surya_layout
45	(ii)	annotation_inline parent ligne 44 via heuristic_short
46	मध्यमस्वरविश्राम: स्वल्पमध्यमकोऽथवा ॥	main via surya_layout
47	निषाददुर्वल: प्रोक्तो भवानीपतिदैवत: ॥	main via surya_layout
48	अत्र यद्गदितं तज्ज्ञैर्दुर्वलत्वं निषादिन: ।	main via surya_layout
49	तद्धेतुजातिजं चिन्त्यं रिदीर्बस्यं पुनर्व्धै:॥	main via surya_layout
50	तथाहि तैरा	annotation_inline parent ligne 49 via heuristic_short
51	S Rāj II.2.I.280, 282 cd, 283.	main via surya_layout
52	62. Verse 313 in our text mentions rṣabha and niṣāda as sparse,	main via surya_layout
53	whereas here in the prose portion madhyama and niṣāda are so mentioned.	main via surya_layout
54	SR mentions ṛṣabha and madhyama and S.Rāj mentions ṛṣabha, madhyama and	main via surya_layout
55	1	page_number via heuristic_pagenum
56	niṣāda. (See extracts in note 60).	main via surya_layout
57	63. cf.	annotation_inline parent ligne 56 via heuristic_short
58	धैवतीपड्जमध्याभूः स्वल्पपञ्चमसप्तमः ।	main via surya_layout
59	(vide)	annotation_inline parent ligne 58 via heuristic_height

vol_II_p116 RIGHT — 23 lignes

L#	Texte OCR	Role auto
1	215	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	[15. Hayalīlā]	section_header via surya_layout
4	Where the (first) half is sung with svaras, in turagalīla (tāla), (and the	main via surya_layout
5	latter) half is sung with birudas, that is known as hayalīlā.	main via surya_layout
6	(397)	main via surya_layout
7	[16. <i>Gajalīlā</i>]	section_header via surya_layout
8	That which is completely composed according to gajalīlā but where the tāla	main via surya_layout
9	is gajalīla, that should be known by the name gajalīlā.	main via surya_layout
10	(398)	main via surya_layout
11	[17. Simhalīlā]	section_header via surya_layout
12	Composed in simhalilā metre, combined with svara and tena, that which is	main via surya_layout
13	sung with birudas is sinihalīlaka.	main via surya_layout
14	(399)	main via surya_layout
15	[18. Śarabhalila]	section_header via surya_layout
16	Where eight feet are composed with svaras and pāṭas, that is held to be	main via surya_layout
17	śarabhalīla, having eight rāgas and tālas.	main via surya_layout
18	(400)	main via surya_layout
19	[19. Śukacańcu]	section_header via surya_layout
20	In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with	main via surya_layout
21	<math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various	main via surya_layout
22	regions, is named śukacańcu, that is dear to the people.	main via surya_layout
23	(401)	main via surya_layout

vol_II_p078 RIGHT — 27 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	139	page_number via heuristic_pagenum
3	Illustration - Māsāsāsā sānidhāni dhānī dhāgāsāsā. Dhānisāmā gāgāgāmā	main via surya_layout
4	sānidhāsāsāsāsāgāmādhānīdhādhāmārīgārīrīmarigāsāsānidhāsāsā. Nidhagāsās-	main via surya_layout
5	ānidhanimāmānidhāsāsā nidhāsagamāgāsā nīdhanīsā. Travaņā [i]	editorial_bracket parent ligne 4 via heuristic_brackets
6	That which has sadja as its concluding note, madhyama as its amsa, is	main via surya_layout
7	always abundant in gāndhāra, is devoid of pañcama; dhaivata and ṛṣabha are	main via surya_layout
8	profuse, (and) is always sankīrņā (mixed), this travaņodbhavā is hexatonic.	main via surya_layout
9	(40)	annotation_inline parent ligne 8 via heuristic_short
10	Illustration - Mānīnīnīsāsā. Sārīrīrīgāgāgamāmā māmārī. Garininidhā.	main via surya_layout
11	Dhādhā-māmagārigā. Sāmāgarī. Saninigāgā ninidhāsarigārīmā, Gāmāmānī	main via surya_layout
12	nīsasā. Travaņodbhavā [ii]	editorial_bracket parent ligne 11 via heuristic_brackets
13	Verañjikā should be known to have gandhāra as its amśa and weak	main via surya_layout
14	pañcama. It should be performed with ṣaḍja as its nyāsa, bringing about the	main via surya_layout
15	mutual movement of şadja-dhaivata and similarly gāndhāra-ṛṣabha. Thus	main via surya_layout
16	should be known (this) bhāṣā; it is said to be hexatonic.	main via surya_layout
17	<math>(41-42)</math>	main via surya_layout
18	Illustration-Gānigāgā dharimāmāgā māmāgārigāsasāsā nigārīninidhādhādha-	main via surya_layout
19	nigārīmāgārisanīdhāni. Sāsāgamāmādhāsāsaganigānigāniga dharīgarīrigārirīga	main via surya_layout
20	ma-mamadhamamamadharīgasāsāsā sanīgārīgā ninidhāmādhānidhāsanigā	main via surya_layout
21	rīmamarisā- nidhānisāsā. Verañjika [iii]	editorial_bracket parent ligne 20 via heuristic_brackets
22	Combined with sadja as the initial and concluding one (graha-nyāsa),	main via surya_layout
23	complete, brilliant 15 with madhyama, there being the mutual concert	main via surya_layout
24	(samvāda<sup>16</sup>) between sadja-madhyama and the (two) svaras comprised of two	main via surya_layout
25	śrutis each (gāndhāra and niṣāda), chevāṭī should be known by the	main via surya_layout
26	knowledgeable ones in music as <i>mūlabhāṣā</i>.	main via surya_layout
27	(43)	page_footer via surya_layout

192 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p052 RIGHT — 34 lignes

vol_I_p057 LEFT — 49 lignes

vol_II_p139 LEFT — 59 lignes

vol_II_p116 RIGHT — 23 lignes

vol_II_p078 RIGHT — 27 lignes