Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

vol_II_p123 LEFT — 31 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĨ	page_header via surya_layout
2	228	page_number via heuristic_pagenum
3	[२. कामलेखा]	section_header via surya_layout
4	द्विगुणितरुद्रा प्रथमे, मात्रा युजि सम्भवन्ति ता एव ।	main via surya_layout
5	विंशतिश्चासमे चरणे, यस्या: सा कामलेखेति ३६॥४४५॥	main via surya_layout
6	विंशति विषमे	annotation_inline parent ligne 5 via heuristic_height
7	(?)चरमे	annotation_inline parent ligne 5 via heuristic_height
8	[३. बाणलेखा]	section_header via surya_layout
9	द्विगुणितकला यदि स्युर्मात्रा: पादत्रयेऽप्यविशिष्टा: ।	main via surya_layout
10	(電?)	annotation_inline parent ligne 9 via heuristic_height
11	ऽपि+(विशिष्टम्)	annotation_inline parent ligne 9 via heuristic_height
12	[ता]बाणगणोपेता यस्यां सा बाणलेखेति ३७॥ ४४६॥	editorial_bracket parent ligne 9 via heuristic_brackets
13	न्त	annotation_inline parent ligne 9 via heuristic_height
14	[४. चन्द्रलेखा]	section_header via surya_layout
15	चत्वारिशत् त्र्यधिका मात्रासंख्याऽङ्घ्रियुग्मेषु	main via surya_layout
16	एकोना सा विषमे यस्यां सा चन्द्रलेखेति ३८॥ ४४७॥	main via surya_layout
17	॥ इति मात्रैलाचतुष्टयम् ॥	editorial_bracket parent ligne 16 via heuristic_brackets
18	[ग. वर्णेलाप्रकारा:]	section_header via surya_layout
19	नैवात्र तालनियमो रसनियमो रागनियमस्तु ।	main via surya_layout
20	भवति[खल्]वर्णनियमो वर्णेला कथ्यते तस्मात् ॥४४८॥	editorial_bracket parent ligne 19 via heuristic_brackets
21	++	annotation_inline parent ligne 19 via heuristic_height
22	मदनवती शशिलेखा प्रभावती मालती तथा[ललिता] ।	editorial_bracket parent ligne 19 via heuristic_brackets
23	(च)तथा	annotation_inline parent ligne 19 via heuristic_height
24	हेमवती ३९कुसुमवती वर्णनिबन्धा भवन्ति सप्तैला:॥४४९॥	main via surya_layout
25	एकादशादिवर्णै: सप्तदशान्तै: क्रमेण सप्तैता: ।	main via surya_layout
26	गीयन्ते गन्धर्वैर्लिलतपदैर्जगित सन्नादै: ॥ ४५०॥	main via surya_layout
27	[१. मदनवती २. शशिलेखा ३. प्रभावती]	editorial_bracket parent ligne 26 via heuristic_brackets
28	४० अलघुगणोपेता [सा] मदनवती लघुगणेन शशिलेखा ।	editorial_bracket parent ligne 26 via heuristic_brackets
29	अलिलतनामोपेता	annotation_inline parent ligne 26 via heuristic_height
30	गुरुगणबहुला [नित्यं]प्रभावती <sup>४१</sup>मालती तथा ललिता ॥ ४५१॥	editorial_bracket parent ligne 26 via heuristic_brackets
31	....भवति रम्यतरा	annotation_inline parent ligne 26 via heuristic_height

vol_I_p034 RIGHT — 35 lignes

L#	Texte OCR	Role auto
1	51	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	V (the Section on Grāma-mūrchanā)	section_header via surya_layout
4	[The treatment of grama]	section_header via surya_layout
5	(Anu. 30)	annotation_inline parent ligne 4 via heuristic_height
6	Then, what is spoken of by the word grāma? How many grāmas are there?	main via surya_layout
7	From where is grāma born? And what is its objective?	main via surya_layout
8	(84)	annotation_inline parent ligne 7 via heuristic_height
9	It is being answered.	annotation_inline parent ligne 7 via heuristic_height
10	The two grāmas stand for a group! composed of svara, śruti and the like.	main via surya_layout
11	(85)	annotation_inline parent ligne 10 via heuristic_height
12	Just as all members of families live together, (similarly) grāma? is known as	main via surya_layout
13	(86)	annotation_inline parent ligne 12 via heuristic_height
14	that by all the people where there is an abiding settlement.	main via surya_layout
15	Two grāmas named şadja and madhyama are definitely well-known. Nārada	main via surya_layout
16	speaks of gandhara (grama)3, but that is not 'sung' (used) by the mortals.	main via surya_layout
17	(87)	annotation_inline parent ligne 16 via heuristic_height
18	٠	page_number via heuristic_pagenum
19	Şvaras are born of Sāmaveda, grāma is born of svaras, and these (grāmas) are	main via surya_layout
20	known to be two5 characterised by (the names) şadja and madhyama.	main via surya_layout
21	(88)	annotation_inline parent ligne 20 via heuristic_height
22	(Anu. 31)	annotation_inline parent ligne 20 via heuristic_height
23	The objective is thus - the systematisation<sup>6</sup> of svara, śruti, mūrchanā, tāna, jāti	main via surya_layout
24	(and) rāga is indeed the objective.	main via surya_layout
25	(Anu. 32)	annotation_inline parent ligne 24 via heuristic_height
26	But why are the gramas named after the svaras sadja and madhyama? It is	main via surya_layout
27	being answered. Because of (their) uncommonness the grāmas are named after	main via surya_layout
28	them. And the uncommonness is on account of their being born of devakula?	main via surya_layout
29	(the community of gods).	main via surya_layout
30	The same has been said by Nārada -	main via surya_layout
31	"Ṣadja, gāndhāra" and madhyama are born of devakula. Brahmā, Viṣṇu and	main via surya_layout
32	Maheśvara should be known as their presiding deities."	main via surya_layout
33	Out of the two grāmas which one is known to be prominent? From the	main via surya_layout
34	statement by the muni (Bharata?), the prominence of şadja-(grāma)9 is known.	main via surya_layout
35	(89)	annotation_inline parent ligne 34 via heuristic_height

vol_II_p077 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	137	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	Sauvīrī should be known as the first one, vega-madhyamā the second,	main via surya_layout
4	sādhāritā is the third one and gāndhārī the fourth. Thus should be known the	main via surya_layout
5	four <i>bhāṣās</i> born of <i>sauvīraka</i>.	main via surya_layout
6	<math>(30c-31)</math>	main via surya_layout
7	Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said	main via surya_layout
8	to be born of <i>bhinnapañcama</i>.	main via surya_layout
9	(32)	annotation_inline parent ligne 8 via heuristic_short
10	The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born	main via surya_layout
11	bhāvinī, the one that is beautiful for the people.	main via surya_layout
12	(33)	annotation_inline parent ligne 11 via heuristic_short
13	Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika,	main via surya_layout
14	and drāvidī is the third bhāṣā there that is described with characteristics	main via surya_layout
15	(lakṣaṇas).	annotation_inline parent ligne 14 via heuristic_short
16	(34)	main via surya_layout
17	The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava.	main via surya_layout
18	Tānodbhavā should be known as being assigned to bhinnatāna.	main via surya_layout
19	(35)	annotation_inline parent ligne 18 via heuristic_height
20	In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted.	main via surya_layout
21	Gāndhārī is with profuse gāndhāra and is delightful to the people in	main via surya_layout
22	pañcama (gāndhārapañcama). In revagupta<sup>13</sup> (?) śakākhyā is the one	main via surya_layout
23	spoken of in <i>pañcamaṣāḍav</i>a.	main via surya_layout
24	(36)	annotation_inline parent ligne 23 via heuristic_short
25	Thus are obvious the bhāṣās that are born in manifold ways. Now listen	main via surya_layout
26	to their description alongwith illustration for each one.	main via surya_layout
27	(37)	main via surya_layout
28	[The description of bhāṣās]	section_header via surya_layout
29	[1. Bhāṣās in ṭakka-rāga]	section_header via surya_layout
30	It has madhyama as its amśa, şadja as its concluding note, is devoid of	main via surya_layout
31	pañcama and there is to be seen here again and again the mutual	main via surya_layout
32	movement<sup>14</sup> of dhaivata-niṣāda and similarly ṣadja - dhaivata. This should	main via surya_layout
33	be known as hexatonic. Travaņā should bear the name mūlā.	main via surya_layout
34	(38-39)	annotation_inline parent ligne 33 via heuristic_height

vol_I_p035 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	53	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	This has been said—	annotation_inline parent ligne 4 via heuristic_height
4	"Two grāmas named şadja and madhyama are well-known in the world."10	main via surya_layout
5	(Anu. 33)	annotation_inline parent ligne 4 via heuristic_height
6	But why are there only two grāmas? It is being answered; here two grāmas	main via surya_layout
7	have been formulated on account of (musical) performance being rooted in	main via surya_layout
8	the usage of two svaras.11	main via surya_layout
9	"The svaras have attained the state of grāma through jātis and śrutis."12	main via surya_layout
10	(Anu. 34)	annotation_inline parent ligne 9 via heuristic_height
11	"Through the jātis" means through śuddhās and vikṛtās (both types of jātis)	main via surya_layout
12	and through śrutis. Hence the svaras that are there in the śuddhā and vikṛtā	main via surya_layout
13	jātis, on account of disruption13 in their śrutis, (their) slight augmentation14 and	main via surya_layout
14	diminution and mixing up,15 (these) svaras have attained the state of grāma.	main via surya_layout
15	ṣaḍja - (grāma) is born of the śuddhā-(jātis) and madhyama (grāma) of the vikṛtās	main via surya_layout
16	and from the two (types of jātis) are born sankīrņās (jātis)16. From them (jātis) is	main via surya_layout
17	born rāga.17 On account of the change 18 of grāma the change in the jāti and	main via surya_layout
18	rāga occurs.	annotation_inline parent ligne 17 via heuristic_height
19	[ Thus ends the treatment of grāma ].	editorial_bracket parent ligne 17 via heuristic_brackets
20	[ The treatment of Mürchanā ]	section_header via surya_layout
21	(Anu. 35)	annotation_inline parent ligne 20 via heuristic_height
22	Now the murchanas that befit the occasion or context are being spoken of.	main via surya_layout
23	But what is the etymology of the word murchana and what is its lakşana	main via surya_layout
24	(definition)? It is being answered. The etymology of 'mūrchanā' is thus - (the	main via surya_layout
25	root) mūrch stands for moha (loss of consciousness, stupefaction, infatuation)	main via surya_layout
26	and samucchrāya 19 (increase, growth).	main via surya_layout
27	That through which raga 20 (colour, delightfulness) grows or increases, is	main via surya_layout
28	(90)	annotation_inline parent ligne 27 via heuristic_height
29	called mūrchanā.	annotation_inline parent ligne 27 via heuristic_height

vol_II_p009 RIGHT — 8 lignes

L#	Texte OCR	Role auto
1	Property.	annotation_inline parent ligne 2 via heuristic_height
2	श्रीमतङ्गमुनिप्रणीता	main via surya_layout
3	बृहद्देशी<br>BRHADDEŚĪ	main via surya_layout
4	)F	annotation_inline parent ligne 3 via heuristic_short
5	ŚRĪ MATANGA MUNI	main via surya_layout
6	(Volume II)	main via surya_layout
7	•	annotation_inline parent ligne 6 via heuristic_height
8	ι,	annotation_inline parent ligne 6 via heuristic_height

Legende des roles

vol_II_p123 LEFT — 31 lignes

vol_I_p034 RIGHT — 35 lignes

vol_II_p077 RIGHT — 34 lignes

vol_I_p035 RIGHT — 29 lignes

vol_II_p009 RIGHT — 8 lignes