Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20770). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p145 RIGHT — 41 lignes

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1 PĀŢHAVIMARŚA page_header
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2 273 page_number
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3 याष्ट्रिकेन मुनिनात्र पञ्चमे, भाषितेति कथितात्र सैन्धवी । main
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4 81. cf. annotation_inline
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5 सैव गीतपरमार्थवेदिना सैन्धवी निगदिताङ्गसंज्ञया ॥ main
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6 S Rāj II.2.3.21, annotation_inline
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7 Saindhavī is mentioned here as a bhāṣāṅga rāga. main
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8 82. Kalā (appendix) on SR II, p. 135 reads pagrahāmšikā. describing main
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9 'pa' as the graha and amśa. S. Rāj. 11.2.1.868 cd reads - main
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10 .....मधनोस्वरभूयसी । main
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11 83. Kalā (appendix) on SR II, p. 135 and S Rāj II.2.1.868, 869 b treat main
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12 it as a bhāṣā. S. Rāj. 869 cd says - main
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13 इमामेव विभाषेति मुनिराचष्ट याष्टिक:। main
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14 84. SR II.2.151b reads - 'grahāniśa- nyāsa- dhaivatā ', describing list_item
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15 dhaivata as the graha, amsa and nyāsa. list_item
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16 85. This line seems to be misplaced here. list_item
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17 86. SR II.2.150 c, 15I c and S Rāj II.2.1, 849, 850 treat is as a bhāṣā. list_item
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18 87. Verse 27 d of our text reads 'āndhrī' in the enumeration (uddeśa). list_item
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19 Kalā (appendix) on SR II, p. 116 and S. Rāj II.2.1. 872 read it as āndhrī, list_item
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20 treating it as a bhāṣā with a description bearing similarity to that in our text list_item
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21 here. Andhālī, treated as a vibhāṣā in SR II.2.151d-153b and S Rāj II.2.1.890, list_item
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22 891 bears a different description. In S Rāj (ibid) Yāṣṭika is cited as the list_item
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23 authority, while giving the viniyoga (application). list_item
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24 मांशाल्पपञ्चमा पान्ता सङ्कीर्णा धमसङ्गता । main
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25 88. cf. annotation_inline
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26 तानोद्भवा पञ्चमस्य भाषा प्रवलपञ्चमा ॥ main
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27 Kalā (Appendix) on SR II, p.136. main
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28 याष्ट्रिके त्रावणी भाषा पञ्चमस्य ग्रहांशता । main
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29 89. cf. (i) annotation_inline
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30 पान्ता सरिपमैर्भूरिसङ्गतद्विश्रुतिर्मता ॥ main
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31 एषा भाषाङ्गमन्येषां भ्रग्रहांशा निपोन्झिता । main
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32 अतारा प्रार्थने मन्द्रधगन्यातोरुमध्यमा ॥ main
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33 SR II.2.186,187. annotation_inline
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34 निषादांशग्रहा न्यासपञ्चमा गनिसंयुता । main
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35 (ii) annotation_inline
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36 याष्टिकस्य मते चेयं पड्जांशा पञ्चमान्तिका ॥ main
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37 केपाञ्चिदेषा भाषाङ्गं धग्रहांशा रिपोन्झिता । main
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38 आतारमन्द्रधा गाल्पा प्रार्थने चोरुमध्यमा ॥ main
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39 S Rāj II.2.1.881 ab,884, 886. main
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40 90. SR 11.2.170 c reads 'panyāsāmśagrahā' describing 'pa' as the amśa, main
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41 graha and nyāsa and S Rāj. H.2.1.861 has a similar reading. In our text the main
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vol_II_p003 RIGHT — 69 lignes

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1 Park to the unknown
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2 <b>CONTENTS</b> section_header
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3 Introduction table
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4 ν table
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5 xvii table
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6 <b>Abbreviations</b> table
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7 Bṛhaddeśī of Srī Mataṅga Muni table
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8 (Text and Translation) table
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9 CHAPTER II table
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10 Jātis table
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11 3 page_number
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12 1. Their number, nomenclature and types table
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13 Number and nomenclature table
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14 3 page_number
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15 3 page_number
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16 The jātis of ṣaḍjagrāma table
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17 3 page_number
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18 The jātisof madhyamagrāma table
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19 5 page_number
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20 Sādhāraņakṛtā Jātis table
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21 5 page_number
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22 2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis table
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23 9 page_number
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24 3. General definition of jāti table
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25 4. The tenfold lakṣaṇas or characteristics table
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26 The definition of graha table
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27 13 page_number
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28 The definition of amśa table
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29 2. table
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30 The definition of apanyāsa table
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31 13 page_number
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32 forming part of that of amsa table
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33 The definition of sammyāsa table
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34 forming part of that of amśa table
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35 13 page_number
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36 The definition of vinyāsa table
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37 15 page_number
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38 forming part of that of anisa table
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39 15 page_number
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40 The definition of tara table
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41 3. table
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42 17 page_number
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43 The definition of mandra table
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44 4. table
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45 17 page_number
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46 5. The definition of sāḍava table
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47 19 page_number
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48 The definition of audava table
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49 6. table
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50 21 page_number
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51 The definition of alpatva table
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52 7. table
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53 21 page_number
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54 The definition of bahutva table
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55 8. table
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56 21 page_number
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57 The definition of <i>nyāsa</i> table
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58 9. table
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59 23 page_number
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60 10. The definition of apanyāsa table
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61 5. Optional and alternative prescription of amśa table
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62 23 page_number
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63 and the like in jātis table
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64 31 page_number
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65 6. Indication of the gaņas or groups of the jātis table
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66 7. Prescription regarding the performance of jātis table
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67 33 page_number
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68 35 page_number
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69 8. The ṣāḍava and auḍava formation of jātis table
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vol_II_p063 LEFT — 27 lignes

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1 BRHADDEŚĪ page_header
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2 108 page_number
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3 [घ. रागगीतिगता वेसरागीतिगता वा रागा:] section_header
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4 [अनु॰ १९०] section_header
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5 नन् वेसराणां कथं रागशब्द: प्रवर्तते ? आसोपदेशात् । तथा चाह कश्यप: - main
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6 आ(टो?प्तो)फ annotation_inline
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7 <sup>६७</sup> ‘चतुर्णामपि वर्णानां यो राग: शोभनो भवेत् । main
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8 योगा राग:+शोभना(?) annotation_inline
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9 स सर्वो दृश्यते येषु तेन रागा इति स्मृता: ॥'' main
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10 [अनु॰ १९१] section_header
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11 दुर्गशक्तिमते रागा एव वेसरा गण्यन्ते । तथा चाह दुर्गशक्ति: - main
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12 ६८‘‘स्वरा: सरन्ति यद्वेगात् तस्माद् वेसरका: स्मृता: ।’’ main
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13 दुर्गशक्तिमते वेसरषाडव एव मुख्य:, षाडवत्वेन क्रमायातत्वात् । कश्यपमते तु टक्कराग main
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14 एव मुख्य:, लक्ष्मीप्रीतिकरत्वात् । तद्यथा - main
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15 [१. टक्करागः] section_header
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16 <sup>६९</sup>षड्जांशन्याससंयुक्तष्टक्करागोऽल्पपञ्चम: । main
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17 कारणं चास्य निर्दिष्टे धैवतीषड्जमध्यमे ॥३२०॥ main
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18 कार(णा?णं चा)स्य annotation_inline
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19 [अनु॰ १९२] section_header
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20 अस्यार्थः - टक्करागः षड्जग्रामसम्बन्धः , धैवतीषड्जमध्यमासमुत्पत्रत्वात् । षड्जोऽस्य main
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21 ग्रहोंऽशश्च न्यासश्च। निषादपञ्चमयोरत्राल्पत्वम् <sup>७९</sup> निषादगान्धारावत्र काकल्यन्तरौ। पूर्णश्चायम् । main
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22 युद्धवीरेऽस्य प्रयोग: । वीराद्धुतौ रसौ । षड्जादिमूर्छना । वर्ण: सञ्चारी । प्रसन्नान्तोऽलङ्कार: । main
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23 शुद्ध annotation_inline
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24 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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25 [२. सौवीर:] section_header
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26 अंशश्च षड्जो न्यासश्च कारणं षड्जमध्यमा । main
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27 सौवीरकस्य गान्धारो निषादश्चापि दुर्बल: ॥३२१॥ main
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vol_II_p100 RIGHT — 22 lignes

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1 183 page_number
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2 <b>TRANSLATION</b> page_header
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3 15. Now the bhāṣās in pañcamaṣāḍava section_header
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4 Having ṛṣabha as amśa, madhyama as the concluding note, this śakabhāṣā is main
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5 said to be complete (and) having abundant gändhära-pañcama. The profusion main
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6 of dhaivata-ṛṣabha is seen again and again. (This) bhāṣā (subsists) in main
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7 pancamaṣāḍava, being born of śakarāga. 71 main
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8 (142-143) annotation_inline
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9 Illustration - Ririsānini. Pānīririri [ . . . ma ]. Šakabhāṣā. editorial_bracket
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10 [Thus in pañcamaṣāḍava] section_header
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11 Thus are the bhāṣās manifested in (this)world, that are known to be main
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12 accepted by many. That <math>(bh\bar{a}s\bar{a})</math> is so modified as it is performed by one.<sup>72</sup> main
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13 (144) annotation_inline
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14 Similarly, (a bhāṣā) should be sung in accordance with its lakṣaṇas, with all main
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15 effort. It should always be listened to by the singers in the context of wit and main
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16 humour and whatever is seen in fighting or sacrifice (yajña), all that is shown main
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17 by that (bhāṣā). Bhāṣās are obtained everywhere in grāmarāgas. main
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18 <math>(145-146)</math> annotation_inline
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19 Thus ends in sarvāgamasamhita the fourth chapter dealing with bhāṣā- main
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20 lakṣaṇa where Yāṣṭika is the leader. main
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21 [ B. Bhāṣās according to Śārdūla] section_header
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22 After this I shall speak of the description of bhāṣā according to Śārdūla. main
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vol_II_p059 RIGHT — 37 lignes

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1 101 page_number
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2 TRANSLATION page_header
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3 [Anu. 180] editorial_bracket
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4 This means-leaving the other jāti and taking up its own root i.e. bedecked main
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5 with its own jāti and kula (is formed the śuddhabhinna).54 main
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6 [4. Bhinnakaisika] section_header
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7 [Anu. 181] editorial_bracket
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8 The description of śuddha (kaiśika) applies in its totality also to bhinnakaiśika. main
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9 What is then the difference? The difference is formed by gīti. Śuddhakaiśika main
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10 is sung in the <math>\acute{s}uddh\~{a}</math> <math>g\~{i}ti</math>, whereas <math>bhinnakai\acute{s}ika</math> is sung main
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11 This is being said - annotation_inline
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12 The svasthāna<math>^{56}</math> (unit of tonal range) with which the rāga is elaborated in main
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13 śuddhakaiśika, the rāga is not elaborated with the same svasthāna in main
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14 bhinnakaisika. And its description is thus - main
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15 Bhinnakaiśika is known by the knowledgeable ones in svara to have a form main
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16 similar to that of śuddhakaiśika. It has ṣaḍja as its aṁśa, pañcama as its nyāsa main
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17 (and) is complete with the seven svaras. main
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18 (311) annotation_inline
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19 [Anu. 182] editorial_bracket
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20 This means - bhinnakaiśika is related to madhyamagrāma on account of being main
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21 born of kaiśikī and kārmāravī jātis. Şadja is the graha and amśa. Pañcama is the main
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22 nyāsa, niṣāda is kākalī here and it is complete. Although this rāga is like main
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23 śuddhakaiśika, yet there is a difference. This has abundance of mandra (low main
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24 notes). The svasthāna with which svara - ālāpa (tonal elaboration) is done in main
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25 śuddhakaiśika, ālāpa has to be done with the same svaras (here), leaving that main
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26 svasthāna<sup>57</sup> In śuddhakaiśika, ālāpa should be done with tāra (high) svaras and main
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27 thus it becomes distinct on account of difference in form. Its application is main
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28 prescribed in dānavīra (heroism in charity). Vīra, raudra and the like are the rasas. main
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29 The mūrchanā beginning with ṣadja obtains. Sañcārinis the varņa. Prasannādi is main
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30 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the main
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31 vṛtii (mārga) and the kalā prevails in the citra (mārga). A tālalike caccatpuṭa obtains main
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32 in the songs comprised of svara and pada. main
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33 (Śruti-bhinna) section_header
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34 Now he (the author) has spoken of the definition of śruti-bhinna - main
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35 Where the svara comprised of four śrutis is modified by the one comprised of two main
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36 śrutis and gāndhāra is comprised of only two śrutis, that is called śruti-bhinna. main
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37 (312) annotation_inline
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196 lignes a valider — change uniquement les roles incorrects.