Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20792). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p083 RIGHT — 46 lignes

L#	Texte OCR	Role auto
1	149	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	As for the distinction between vowel and musical note, Abhinavagupta has	main via surya_layout
4	made a remarkable contribution in the conception of the autonomy of musical	main via surya_layout
5	note; this will be dealt with under the definition of svara in our text.	main via surya_layout
6	16. In language vyañjana, consonant ( lit. the act or instrument of mani-	list_item via surya_layout
7	festation ) is the phonetic unit that brings about specificity, but it can be	list_item via surya_layout
8	pronounced only with the help of vowel, otherwise it is impotent or ineffective.	list_item via surya_layout
9	Hence svara has been identified here with the śakti (supreme energy or power)	list_item via surya_layout
10	that lends the state of Siva to vyanjana (cf. Gandharva Tantra, IX. 17 and	list_item via surya_layout
11	Garland of Letters, p. 260). The underlying idea is that Siva obtains His state	list_item via surya_layout
12	only from the association with Sakti, otherwise it is like Sava (a dead body).	list_item via surya_layout
13	Sakti is identified with ikāra ( the vowel 'i' ). ( cf. citation from Saktikāgama in	list_item via surya_layout
14	Sabdakalpadruma Pt. V, p. 5)	list_item via surya_layout
15	17. Svarūpa (lit. own form) means the phonetic form of word and	list_item via surya_layout
16	sentence without reference to meaning. The whole world being a manifestation	list_item via surya_layout
17	of dhvani (sound), the very form of word and sentence without reference to	list_item via surya_layout
18	meaning, delineates or 'paints' the world because this form itself is a stage of	list_item via surya_layout
19	manifestation that in itself is the basis of further manifestation.	list_item via surya_layout
20	18. The sentence is the basic semantic unit, the 'word' becomes meaningful	list_item via surya_layout
21	when it forms part of a sentence. This is the point of view of grammar ( vyākaraņa )	list_item via surya_layout
22	which is mentioned here.	list_item via surya_layout
23	19. Pada is defined by Pāṇini (Aṣṭā I, 4.14) as that which combines the	list_item via surya_layout
24	suffix sup or tin (nominal or verbal suffixes), it is not just a combination of	list_item via surya_layout
25	syllables.	list_item via surya_layout
26	20, 21. Kāraka is not co-extensive with 'case'. It is instrumental in bringing	list_item via surya_layout
27	about the action denoted by verb (Monier Williams), Kāraka is the hetu or	list_item via surya_layout
28	nimitta (cause) of kriyā (action). There are six Kārakas according to Pāņini,	list_item via surya_layout
29	viz. kartṛ, karman, karaṇa, sampradāna, apādāna and adhikaraṇa. The sambandha	list_item via surya_layout
30	(genitive case) is not accepted to be a Kāraka, because 'it ordinarily expresses	list_item via surya_layout
31	the relation of two nouns to each other, but not the relation of a noun and a	list_item via surya_layout
32	verb.' ( Monier Williams )	list_item via surya_layout
33	The sentence is formed with padas that have sup or tin suffixes combined	main via surya_layout
34	with nouns and verbs respectively, standing, in turn, for kāraka and kriyā.	main via surya_layout
35	22. Mahāvākya has four primary connotations as follows -	list_item via surya_layout
36	(a) An aggregation of sentences where the apprehension of the meaning of	list_item via surya_layout
37	the individual components (sentences) leads to the apprehension of the total	list_item via surya_layout
38	meaning of the aggregate, just as in the aggregate of five components in the	list_item via surya_layout
39	nyāya-vākya used for inference. This is the view of nyāya.	list_item via surya_layout
40	(b) An aggregate of sentences where one sentence is primary and the others	list_item via surya_layout
41	are secondary. This is the view of Mimāmsā.	list_item via surya_layout
42	(c) A sentence that expresses deep philosophical meaning. This is the view	list_item via surya_layout
43	of Vedanta where sentences like tattvamasi (thou art That) aham brahmasmi (I	list_item via surya_layout
44	am brahman ) etc. are accepted as mahā-vākyas.	list_item via surya_layout
45	(d) A simple aggregate of sentences as in Rāmāyaņa, Mahābhārata or any	list_item via surya_layout
46	literary composition.	list_item via surya_layout

vol_II_p077 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	137	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	Sauvīrī should be known as the first one, vega-madhyamā the second,	main via surya_layout
4	sādhāritā is the third one and gāndhārī the fourth. Thus should be known the	main via surya_layout
5	four <i>bhāṣās</i> born of <i>sauvīraka</i>.	main via surya_layout
6	<math>(30c-31)</math>	main via surya_layout
7	Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said	main via surya_layout
8	to be born of <i>bhinnapañcama</i>.	main via surya_layout
9	(32)	annotation_inline parent ligne 8 via heuristic_short
10	The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born	main via surya_layout
11	bhāvinī, the one that is beautiful for the people.	main via surya_layout
12	(33)	annotation_inline parent ligne 11 via heuristic_short
13	Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika,	main via surya_layout
14	and drāvidī is the third bhāṣā there that is described with characteristics	main via surya_layout
15	(lakṣaṇas).	annotation_inline parent ligne 14 via heuristic_short
16	(34)	main via surya_layout
17	The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava.	main via surya_layout
18	Tānodbhavā should be known as being assigned to bhinnatāna.	main via surya_layout
19	(35)	annotation_inline parent ligne 18 via heuristic_height
20	In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted.	main via surya_layout
21	Gāndhārī is with profuse gāndhāra and is delightful to the people in	main via surya_layout
22	pañcama (gāndhārapañcama). In revagupta<sup>13</sup> (?) śakākhyā is the one	main via surya_layout
23	spoken of in <i>pañcamaṣāḍav</i>a.	main via surya_layout
24	(36)	annotation_inline parent ligne 23 via heuristic_short
25	Thus are obvious the bhāṣās that are born in manifold ways. Now listen	main via surya_layout
26	to their description alongwith illustration for each one.	main via surya_layout
27	(37)	main via surya_layout
28	[The description of bhāṣās]	section_header via surya_layout
29	[1. Bhāṣās in ṭakka-rāga]	section_header via surya_layout
30	It has madhyama as its amśa, şadja as its concluding note, is devoid of	main via surya_layout
31	pañcama and there is to be seen here again and again the mutual	main via surya_layout
32	movement<sup>14</sup> of dhaivata-niṣāda and similarly ṣadja - dhaivata. This should	main via surya_layout
33	be known as hexatonic. Travaņā should bear the name mūlā.	main via surya_layout
34	(38-39)	annotation_inline parent ligne 33 via heuristic_height

vol_I_p044 RIGHT — 27 lignes

L#	Texte OCR	Role auto
1	71	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Thus end names of the tanas devoid of şadja in madhyamagrama.	main via surya_layout
4	Agnicit, dvādašāha, upāmšu and soma itself, asvapratigraha, barhi and also	main via surya_layout
5	(109)	annotation_inline parent ligne 4 via heuristic_height
6	abhyudaya.	annotation_inline parent ligne 4 via heuristic_height
7	Thus end the names of tanas devoid of rşabha.	main via surya_layout
8	Sarvasvadakşiņa, dīkṣā, soma, the one named samidha, svāhākāra, tanūnapāt	main via surya_layout
9	(110)	annotation_inline parent ligne 8 via heuristic_short
10	and then godohana.	main via surya_layout
11	Thus end the names of tanas devoid of gandhara.	main via surya_layout
12	Thus end the twenty-one names of şāḍava tānas in madhyamagrāma.	main via surya_layout
13	Thus end the names of forty-nine (sadava) tanas seated in the two gramas.	main via surya_layout
14	Idā, puruşamedha, syena, vajra and işu, angirāh and the one named kanka	main via surya_layout
15	(111)	annotation_inline parent ligne 14 via heuristic_height
16	are the audava (tānas) in şadjagrāma.	main via surya_layout
17	Thus end the names of tanas devoid of şadja and pancama.	main via surya_layout
18	J	annotation_inline parent ligne 17 via heuristic_height
19	Agnistoma and then darsa, nāndī, paurņamāsika, asva-pratigraha, rātri and	main via surya_layout
20	(112)	annotation_inline parent ligne 19 via heuristic_height
21	saubharaka is known.	main via surya_layout
22	Thus end the names of tanas devoid of gandhara and nisada.	main via surya_layout
23	Saubhāgyakṛt, Kārīrī, śāntikṛt, puṣṭikṛt and vainateya is definitely there (and	main via surya_layout
24	(113)	annotation_inline parent ligne 23 via heuristic_short
25	then), uccățana and vasikțt.	main via surya_layout
26	Thus end the name of tanas that are devoid of pancama and mabha.	main via surya_layout
27	Thus end the twenty-one names of audavita tānas in sadjagrāma.	main via surya_layout

vol_I_p078 LEFT — 44 lignes

L#	Texte OCR	Role auto
1	(vide)	unknown via fallback
2	138	page_number via heuristic_pagenum
3	<b>BRHADDES!</b>	page_header via surya_layout
4	19. This sentence has been repeated in the MSS; the ed. has put it in	list_item via surya_layout
5	paranthesis with a sign of interrogation.	list_item via surya_layout
6	20. MS A reading as recorded by the ed.	list_item via surya_layout
7	21. Verses 102 and 103 are both in the āryā metre, but they have been	list_item via surya_layout
8	treated as prose in the P.t.	list_item via surya_layout
9	22. P.t. gives the first two sets of hexatonic tanas in the descending order like	list_item via surya_layout
10	ni-dha-pa-ma-ga-ri etc. These have been changed by us into the ascending order;	list_item via surya_layout
11	the crosses indicating the omitted svaras have also been added by us for the sake	list_item via surya_layout
12	of clarity.	list_item via surya_layout
13	23. cf. (a) ननु कथ मूर्छनातानयोर्भेदः प्रतिपादितः, उच्यते ।	list_item via surya_layout
14	आरोहाबरोहक्रमयुक्तः स्वरसमुदायो मूर्छनेत्युच्यते ।	list_item via surya_layout
15	तानस्तु आरोहक्रमेण भवतीति भेदः ।	list_item via surya_layout
16	( Saṃ S Sā, p. 18 )	main via surya_layout
17	(b) यद्यपि मूर्छना एव शुद्धास्तानाः स्युरित्युक्तौ तानेष्वारोहावरोहत्व प्रतीयते, तथापि मतङ्गमतेनारोह एव	main via surya_layout
18	तान इति जेयम्। तथा च मतङ्गः —ननु कथ मूर्छनातानयोर्भेद ? उच्यते। आरोहावरोहक्रमयुक्तः स्वरसमुदायो	main via surya_layout
19	मुर्छनेत्युच्यते, तानस्त्वारोहण भवतीति भेदः ।	main via surya_layout
20	( Rā Vi, p. 31 )	main via surya_layout
21	24. C.r. in S R I Sudhā, p. 114.	list_item via surya_layout
22	25. C.r. in Bha Ko, p. 502.	list_item via surya_layout
23	26. C.r. ( as in no. 24 ).	list_item via surya_layout
24	27. C.r. in Bha Ko, p. 502 adds 'bharatasya' in the beginning of the sentence.	list_item via surya_layout
25	28. C.r. in S R I Sudhā, p. 114 reads -	list_item via surya_layout
26	ननु कथ मूर्छनातानयोर्भेदः ? वूमः ।	main via surya_layout
27	29. Portion added from Sam S Sa, p. 18; S R I Sudha, p. 114 and Ra Vi, p.	list_item via surya_layout
28	31.	list_item via surya_layout
29	30. P.t. modified on the basis of ibid.	list_item via surya_layout
30	31. P.t. adds 'svarasystih?' after this, but it is totally out of context.	list_item via surya_layout
31	32,33,34. Our reconstruction is based on S R I, 4. 74.	list_item via surya_layout
32	35. Our reconstruction is based on S. Raj II, 1.1.457. The chart illustrating	list_item via surya_layout
33	these tānas in S. Rāj I, p. 133 reads 'balabhṛt' and 'nāgayakşa'; S R I,4.76 reads	list_item via surya_layout
34	balabhinnāgapakṣakaḥ.	list_item via surya_layout
35	36,37,38. Our reconstruction is based on S R I, 4.77.	list_item via surya_layout
36	39. S R I, 4.77.	list_item via surya_layout
37	40,41,42. Our reconstruction is based on S R I, 4.79.	list_item via surya_layout
38	43. ibid., verse 80.	list_item via surya_layout
39	44. Reconstruction based on S R I, 4.82 and S. Rāj II, 1.1.465.	list_item via surya_layout
40	45,46. Reconstruction based on S R I, 4. 83 and S. Rāj II, 1.1.467.	list_item via surya_layout
41	47. Reading in S R I, 4.84 and S. Rāj II, 1.1.468.	list_item via surya_layout
42	48. ibid.	list_item via surya_layout
43	49. Reconstruction based on ibid.	list_item via surya_layout
44	50. Reconstruction based on S R I, 4.85 and S. Rāj II, 1.1.469.	list_item via surya_layout

vol_I_p098 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	179	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	20. Rāga, in general, as colour or delightfulness could increase due to	list_item via surya_layout
4	mūrchanā because the latter gives rise to variety of scalar forms that would in	list_item via surya_layout
5	turn, bring into existence variety in melodic structures.	list_item via surya_layout
6	21, 22. Both ascent and descent and unimpaired original order of svaras as	list_item via surya_layout
7	well as use of seven svaras without any omission are the three conditions for	list_item via surya_layout
8	mūrchanā. The omission of svaras gives rise to tāna.	list_item via surya_layout
9	23. BṛD is the first known text to speak of 12-svara-mūrchanā. Kumbhā has	list_item via surya_layout
10	vehemently criticised this type of mūrchanā (vide S Raj II, 1.1.352-364).	list_item via surya_layout
11	24. When hexatonic and pentatonic scales are accepted as murchana, the	list_item via surya_layout
12	condition of using all the seven svaras is violated. ( see glossary )	list_item via surya_layout
13	25. Svarasamyutāh of the text has been translated as 'filled' with svaras.	list_item via surya_layout
14	26. It is notable that the starting points of murchanas follow the descending	list_item via surya_layout
15	order i.e. after the murchana beginning with sadja comes the one beginning	list_item via surya_layout
16	with niṣāda, and not ṛṣabha.	list_item via surya_layout
17	27. The beginning svara of each mūrchanā has been put in the locative case,	list_item via surya_layout
18	implying, perhaps that a mūrchanā subsists there.	list_item via surya_layout
19	28. Here the instrumental case has been used in order to meet the requirement of	list_item via surya_layout
20	metre.	list_item via surya_layout
21	29. Tārakādi is a gaņa of Pāņini (V.2.36, Gaņaratnamahodadhi, 388-391, vide	list_item via surya_layout
22	Monier Williams).	list_item via surya_layout
23	30. Itac is a suffix.	list_item via surya_layout
24	31. This derivation occurs for the first time in BrD.	list_item via surya_layout
25	32. This is the total number of hexatonic tanas in both the gramas.	list_item via surya_layout
26	33. This is the total number of pentatonic tānas in both the grāmas.	list_item via surya_layout
27	34,35. All the omitted pairs are samvādins except ri-dha in madhyamagrāma	list_item via surya_layout
28	which is anuvādin.	list_item via surya_layout
29	36. Prastāra literally means elaboration; here it means notational presentation.	list_item via surya_layout
30	37. If the author is referring to a recapitulatory verse in Viśākhila's work we	list_item via surya_layout
31	have no way of verification because that work is lost. It is not improbable that he	list_item via surya_layout
32	is referring to NS XXVIII, 32 where mūrchanās have been said to be made of all	list_item via surya_layout
33	the seven svaras and tanas have been said to be hexatonic and pentatonic.	list_item via surya_layout
34	38. This distinction between murchana and tana as the former being with	list_item via surya_layout
35	ascent and descent and the latter being only with ascent is a new point made in	list_item via surya_layout
36	BrD which does not seem to be valid. ( see glossary )	list_item via surya_layout
37	39. BrD is the first text to assign yajña names to tānas. Some later texts have	list_item via surya_layout
38	reproduced these names (cf. SR I,4.72 cd 90 ab and SRāj II,1.1.453-474).	list_item via surya_layout
39	S Rāj also attempts to justify this assignment of Yajña-names (vide ibid. 476-493.	list_item via surya_layout
40	ab). ( see glossary )	list_item via surya_layout
41	40. This statement of BrD to the effect that sādhāraņa mūrchanās begin with antara	list_item via surya_layout
42	and kākalī is in contradiction of the postulation of NS XXVIII, p. 82 that kākalī (and	list_item via surya_layout
43	by implication antara also ) is anamsa ( non-amsa i.e. is not the progenitor of a	list_item via surya_layout

194 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p083 RIGHT — 46 lignes

vol_II_p077 RIGHT — 34 lignes

vol_I_p044 RIGHT — 27 lignes

vol_I_p078 LEFT — 44 lignes

vol_I_p098 RIGHT — 43 lignes