Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20795). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p105 RIGHT — 20 lignes

L#	Texte OCR	Role auto
1	VIMARŚA	page_header via surya_layout
2	193	page_number via heuristic_pagenum
3	Mārga	main via surya_layout
4	Threefold duration of kalā represented by corresponding mārgas	main via surya_layout
5	Daksiņa	annotation_inline parent ligne 4 via heuristic_short
6	8, 4, 2 dakşina, vartika and citra	main via surya_layout
7	Vārtika or Vṛtti	annotation_inline parent ligne 6 via heuristic_short
8	4, 2, 1 vārtika, citrā and dhruva.	main via surya_layout
9	Citra	annotation_inline parent ligne 8 via heuristic_short
10	2, 1, 1/2 Citra, dhruva and śūnya.	main via surya_layout
11	The introduction of sunya paves the way for the unit druta (1/2 mātrā) in	main via surya_layout
12	desi tālas. It is notable that the notational sign for druta in later texts is 0 that	main via surya_layout
13	represents zero or śūnya. (cf. SRV, section on deśi tālas)	main via surya_layout
14	•	annotation_inline parent ligne 13 via heuristic_height
15	-	annotation_inline parent ligne 13 via heuristic_height
16	.	annotation_inline parent ligne 13 via heuristic_height
17	•	annotation_inline parent ligne 13 via heuristic_height
18	•	unknown via fallback
19	•	annotation_inline parent ligne 13 via heuristic_height
20	•	annotation_inline parent ligne 13 via heuristic_height

vol_II_p107 LEFT — 35 lignes

L#	Texte OCR	Role auto
1	(vide)	annotation_inline parent ligne 4 via heuristic_height
2	BRHADDEŠĪ	page_header via surya_layout
3	196	page_number via heuristic_pagenum
4	उदाहरणम् – धासाधागा सानिसामानि । मानिधामागा । गामाधानी । धामामागा । निनि-	main via surya_layout
5	R	annotation_inline parent ligne 4 via heuristic_height
6	धाधा। ललिता। [९]	editorial_bracket parent ligne 4 via heuristic_brackets
7	३५निषादवतिका ख्याता धैवताद्यन्तरा[जिता]।	editorial_bracket parent ligne 4 via heuristic_brackets
8	॰पतरख्याता(?)	annotation_inline parent ligne 4 via heuristic_markers
9	सम्पूर्णाऽन्तरभाषा च गीताऽन्यैश्च रिवर्जिता<sup>३२</sup> ॥ २९॥	main via surya_layout
10	गीतान्येन विवर्जिता	annotation_inline parent ligne 9 via heuristic_short
11	+ + + म्या	annotation_inline parent ligne 9 via heuristic_height
12	उदाहरणम् – धामागापा । पासापापा । गमामापानि धापाधाधा । पामाधागागा । सनिधाधापापा	main via surya_layout
13	धासा-	annotation_inline parent ligne 12 via heuristic_short
14	गमागाप निधाधानीसरि सामापानिधापा मामागाप सधानिधाधा । निषादवती । [१०]	editorial_bracket parent ligne 12 via heuristic_brackets
15	धैवताद्यन्तसंयुक्ता षाडवा ३३तुम्बुरु [:] स्मृता ।	editorial_bracket parent ligne 12 via heuristic_brackets
16	ऋषभेण विहीना तु गीयते <sup>३४</sup> ब्रह्मवादिभिः ॥ ३०॥	main via surya_layout
17	उदाहरणम् - धानिसागा गामाधापा मागनि सनीधाधा । तुम्बुरु[:]। [११]	editorial_bracket parent ligne 16 via heuristic_brackets
18	३५गान्धारललिता पूर्णा <sup>३६</sup>मध्यमांशा[ऽ]न्तधैवता ।	editorial_bracket parent ligne 16 via heuristic_brackets
19	ल्पधैयता	annotation_inline parent ligne 16 via heuristic_height
20	गीयते पितृकार्येषु ३७षड्जधैवतसङ्गतिः ॥ ३१॥	main via surya_layout
21	॰मक्रमात्	annotation_inline parent ligne 20 via heuristic_markers
22	उदाहरणम्-माधापा । पासासामग सासारीरी सानिधाधा सासारिगामा गारिरि सागरीसारी ।	main via surya_layout
23	॰का॰	annotation_inline parent ligne 22 via heuristic_markers
24	साधा । गान्धारललिता । [१२]	editorial_bracket parent ligne 22 via heuristic_brackets
25	<b>•प</b>िलता	annotation_inline parent ligne 22 via heuristic_height
26	.....	main via surya_layout
27	उदाहरणम्- धाधाधापा । गरिरिधापधानिनिरिगा पपानिधाधा रिगरिगधापधा रिपागा रिनिधा	main via surya_layout
28	॰नि	annotation_inline parent ligne 27 via heuristic_markers
29	पाधाधा । कलिङ्गा । [१३]	editorial_bracket parent ligne 27 via heuristic_brackets
30	oth	annotation_inline parent ligne 27 via heuristic_height
31	धैवताद्यन्तभाषा [स्याच्छुद्धा] धैवतमध्यमौ<sup>३९</sup>[?]।	editorial_bracket parent ligne 27 via heuristic_brackets
32	॰मा शुभा	annotation_inline parent ligne 27 via heuristic_markers
33	धैवतान्तरः	annotation_inline parent ligne 27 via heuristic_height
34	मूलभाषा भिन्नषड्जे गीयते नारदादिभिः॥ ३२॥	main via surya_layout
35	नारदतुम्बुरू(?)	main via surya_layout

vol_II_p159 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	301	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	52. The word 'yatah' in this verse seems to imply that because the	main via surya_layout
4	svaras have to match the angahāras performed in the order of āsārita, the	main via surya_layout
5	formation or variation of amsas should be done in the text of the	main via surya_layout
6	vardhamāna. Āsārita and vardhamāna have identical temporal dimensions	main via surya_layout
7	with slight variation in splitting (shown below). These are the two gītakas	main via surya_layout
8	alongwith which the performance of dance is prescribed in NS XXXI -	main via surya_layout
9	<math>16 + 17 + 32 = 65 \text{ Kalās}</math>	annotation_inline parent ligne 8 via heuristic_height
10	Asārita	annotation_inline parent ligne 8 via heuristic_height
11	<math>9 + 8 + 16 + 32 = 65 \text{ Kalās}</math>	annotation_inline parent ligne 8 via heuristic_height
12	Vardhamāna	annotation_inline parent ligne 8 via heuristic_height
13	53. 'Not exceptional' means those svaras, the operation of which	main via surya_layout
14	in the formation of pentatonic varieties is not hindered by the rule of	main via surya_layout
15	samvāda.	annotation_inline parent ligne 14 via heuristic_height
16	54. The strict prohibition of the omission of madhyama seems to	main via surya_layout
17	be based on the fact that this svara is the link between gandharva and	main via surya_layout
18	sāman, it being the tonic in sāman and the connecting point between the	main via surya_layout
19	two triads of the heptad.	main via surya_layout
20	55,56.The words utsarga and apavada are borrowed from	main via surya_layout
21	Pūrvamimāmsā. The former stands for the general rule and the latter for	main via surya_layout
22	the exception to the same.	main via surya_layout
23	57. The import is not clear from here to the end of the Anu.	main via surya_layout
24	58. 'Sangati' stands for to and fro movement between two svaras in a	main via surya_layout
25	jāti. NŚ uses 'paraspara-sañcāra' (mutual to and fro movement) and 'paras-	main via surya_layout
26	paragamana '(mutual movement i.e. each of the two given svaras reaching	main via surya_layout
27	out to the other) for this melodic phenomenon (cf.NŚ XXVIII. 96, 107). The	main via surya_layout
28	word sangati is used even to-day in the oral tradition in the same meaning.	main via surya_layout
29	It is notable that this relationship between any two svaras is purely melodic	main via surya_layout
30	phenomenon; it does not depend on the acoustic relationship of samvāda.	main via surya_layout
31	It is interesting to note that the word samvada has been used in our text in	main via surya_layout
32	the place of sangati several times in the section on ragas.	main via surya_layout
33	59. Omission, in ancient thought, is not something absolute, rather	main via surya_layout
34	it is the extreme state of sparseness. The svara that is omissible in a jāti is	main via surya_layout
35	sparse in its complete state.	main via surya_layout
36	60. NŚ does not mention the mūrchanās of jātis. Matanga does this	main via surya_layout
37	the first time. This innovation seems to be necessitated by the	main via surya_layout
38	for	annotation_inline parent ligne 37 via heuristic_height
39	introduction of fretted viņās (see Glossary).	main via surya_layout
40	61. Pañcapāṇi is another name of the tāla called ṣaṭpitāputraka, the	main via surya_layout
41	third name being uttara.	main via surya_layout

vol_I_p030 RIGHT — 28 lignes

L#	Texte OCR	Role auto
1	,	annotation_inline parent ligne 4 via heuristic_height
2	43	page_number via heuristic_pagenum
3	TRANSLATION	page_header via surya_layout
4	The vivādi-maṇḍala in madhyama-grāma is thus —	main via surya_layout
5	ma	annotation_inline parent ligne 4 via heuristic_height
6	pa	annotation_inline parent ligne 4 via heuristic_height
7	ga	unknown via surya_layout
8	ц	unknown via surya_layout
9	dha	unknown via surya_layout
10	ni	annotation_inline parent ligne 4 via heuristic_height
11	sa	annotation_inline parent ligne 4 via heuristic_height
12	[The sevenfold combination of svaras according to the types beginning with	editorial_bracket parent ligne 4 via heuristic_brackets
13	ārcika]	editorial_bracket parent ligne 4 via heuristic_brackets
14	(Anu. 28)	main via surya_layout
15	Now the names of the sevenfold combination of svaras are being spoken of -	main via surya_layout
16	ārcika,45 gāthika,46 sāmika,47 svarāntara,48 auduva,49 şādava50 and sampūrņa.51	main via surya_layout
17	Nārada has said so -	main via surya_layout
18	"Ārcika, gāthika, sāmika, svarāntara, auduva, sādava and the seventh is	main via surya_layout
19	sampūrņa. That which (involves) the use of one svara is called ārcika. Gāthika	main via surya_layout
20	should be known as being comprised of two svaras, the (combination of) three	main via surya_layout
21	svaras itself is sāmika. The use of four svaras is spoken of as svarāntara. Auduva is	main via surya_layout
22	with five (svaras), şāḍava is with six svaras and sampūrņa is known with seven	main via surya_layout
23	(svaras) by the designers (yoktṛns) of gīta 52 (music)."	main via surya_layout
24	[The etymology of svara-names]	section_header via surya_layout
25	ŧ	annotation_inline parent ligne 24 via heuristic_height
26	The producer of six svaras, or the one produced by six svaras, or that which	main via surya_layout
27	(55)	annotation_inline parent ligne 26 via heuristic_short
28	is born of six angas is called sadja.53	main via surya_layout

vol_II_p146 RIGHT — 46 lignes

L#	Texte OCR	Role auto
1	PÄŢĦĄVIMARŚĄ	page_header via surya_layout
2	275	page_number via heuristic_pagenum
3	as the graha, amśa and nyāsa.	main via surya_layout
4	101. Ibid.corroborates this as - 'ripavarjitā' (182 d).	list_item via surya_layout
5	102. P.t. adds (सैन्धवी ?) which is redundant.	list_item via surya_layout
6	103. Kalā (appendix) on SR II, p.140 treats it as a <i>bhāṣā</i> and also as	list_item via surya_layout
7	vibhāṣā on p. 141. S Rāj II.2.1.1076 gives an antarabhāṣā named kaliṅgajā	list_item via surya_layout
8	bearing almost the same description as Kālindī.	list_item via surya_layout
9	या भित्रपड्जे कालिङ्गी याष्ट्रिकेन पुरोदिता ।	main via surya_layout
10	104. cf.	annotation_inline parent ligne 9 via heuristic_short
11	सैव भाषाङ्गममला परिणाममुपेयुपी ॥	main via surya_layout
12	S Rāj II.2.106.	main via surya_layout
13	105. Reconstruction based on Kalā (appendix) on SR II, p. 140,	list_item via surya_layout
14	reading 'sāntā dhāmśā'.	list_item via surya_layout
15	106. Reconstruction based on ibid-reading - ‘sadhyoḥ samayoryuktā’.	list_item via surya_layout
16	107. The prose sentence of p.t. has been reconstructed by us as two feet	list_item via surya_layout
17	of the metre anustup in view of similar concluding statements in this chapter	list_item via surya_layout
18	of our text.	list_item via surya_layout
19	108. Reconstruction based on S Raj II.2.11.662f reading	list_item via surya_layout
20	'ṣadjapañcamabhūyasī'. SR II.2.122 d reads 'bahulamadhyamā'. BhaKo p. 743	list_item via surya_layout
21	cites Bhattamādhava, reading 'alpamadhyamā'.	list_item via surya_layout
22	सौवीरे याष्ट्रिकेनोक्ता सौवीरी यात्र भाषिका ।	main via surya_layout
23	109. cf.	annotation_inline parent ligne 22 via heuristic_short
24	सैव भाषाङ्गमित्युक्ता भाषामर्मविदां वरै: ॥	main via surya_layout
25	S Rāj II.2.3.121.	main via surya_layout
26	110. Kalā (appendix ) on SR II, p. 132 reads-‘sagrahāntā, madhyamāinsā,’	list_item via surya_layout
27	describing şadjaas the graha and concluding note (nyāsa) and madhyama as the	list_item via surya_layout
28	amśa, thus corroborating our text.	list_item via surya_layout
29	111. cf. ibid which reads 'sa-pa-sangatā' describing a 'sangati' (concert)	list_item via surya_layout
30	between 'sa-pa'. S Rāj. II.2.1.661 c reads-'sangatyāmapayoryuktā', describing	list_item via surya_layout
31	a 'sangati' (concert) between ma-pa.	list_item via surya_layout
32	112. The text seems to break here. The lost portion could thus be seen	list_item via surya_layout
33	in other texts so far as the description (lakṣaṇa) is concerned; the illustrative	list_item via surya_layout
34	notation is not found in them.	list_item via surya_layout
35	रिमयो: समयोर्युक्तगमका सकलस्वरा ।	list_item via surya_layout
36	(i)	list_item via surya_layout
37	Kalā (appendix) on SR II, p. 132.	main via surya_layout
38	पड्जधैवतसंवादा गान्धारपंभसङ्गता ।	main via surya_layout
39	(ii)	annotation_inline parent ligne 38 via heuristic_short
40	S. Rāj II. 2.1.657 cf.	main via surya_layout
41	निषादांशग्रहा पद्जन्यासाल्पर्पभनिस्वना ।	main via surya_layout
42	113. cf.	annotation_inline parent ligne 41 via heuristic_short
43	बहमध्यमगान्यारा सौवीरकसमुद्भवा ॥	main via surya_layout
44	भाषा गान्धारिका नाम पूर्णा स्यात् करुणे रसे ॥	main via surya_layout
45	Ibid. 659.	annotation_inline parent ligne 44 via heuristic_short
46	114. Rṣabha is totally absent in this illustration and hence the same	main via surya_layout

170 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p105 RIGHT — 20 lignes

vol_II_p107 LEFT — 35 lignes

vol_II_p159 RIGHT — 41 lignes

vol_I_p030 RIGHT — 28 lignes

vol_II_p146 RIGHT — 46 lignes