Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20811). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p025 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	33	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	(Anu. 18)	annotation_inline parent ligne 4 via heuristic_height
4	But why are (vowels) beginning with ākāra 21 accepted out of fourteen 22	main via surya_layout
5	svaras? Truly has this been said. These have been accepted because of their	main via surya_layout
6	uncommonness. Their uncommonness is because of their movement in upward	main via surya_layout
7	sound.23 Or, the svaratva of vyanjanas beginning with şadja has been spoken of.	main via surya_layout
8	But .... this is said to be only a sign 24 (by convention), that is to say, (the names	main via surya_layout
9	of svaras) are the paribhāṣā 25 (list of abbreviations or signs) used by ācāryas	main via surya_layout
10	(teachers).	annotation_inline parent ligne 9 via heuristic_height
11	[The fourfold-ness of svaras according to kinds beginning with vadin ]	editorial_bracket parent ligne 9 via heuristic_brackets
12	(Anu. 19)	section_header via surya_layout
13	Now I show the fourfold-ness of svaras, that befits the occasion or context.	main via surya_layout
14	That is thus -	annotation_inline parent ligne 13 via heuristic_height
15	Vādin 26 is so because of vadana 27 (speaking), like the master. The	main via surya_layout
16	saṃvādin<sup>28</sup> is so because of saṃvadana<sup>29</sup> (supportive speaking), like the minister.	main via surya_layout
17	The anuvādin<sup>50</sup> is so because of anuvadana<sup>51</sup> (following or obedient speaking)	main via surya_layout
18	like the attendants. Vivādin 52 is so because of vivadana 53 (opposite speaking),	main via surya_layout
19	like the enemy.	annotation_inline parent ligne 18 via heuristic_height
20	(Anu. 20)	section_header via surya_layout
21	But vadana and the like are the nature (dharma) of living beings, how are they	main via surya_layout
22	possible in insentient svaras? Truly has this been said. Vadana is here intended to	main via surya_layout
23	mean the exposition of raga 34 (melody-matrix), not talking. What does it (vadana	main via surya_layout
24	and the like) expound? It produces the ragatva 35 of raga.36 Those vadin svaras	main via surya_layout
25	are only seven. That vādin should be understood as tenfold like the amśa.57 The	main via surya_layout
26	vādi-maņdala (cycle of vādins) is thus - sa, ri, ga, ma, pa, dha, ni.	main via surya_layout
27	(Anu. 21)	section_header via surya_layout
28	The samvadins should again be understood according to the interval of	main via surya_layout
29	thirteen and nine śrutis, when there is sama-śrutikatva 38 (equal interval of the	main via surya_layout
30	two svaras concerned, in terms of number of śrutis). What indeed is that	main via surya_layout
31	samuāditua? The carrying forward or accomplishment<sup>59</sup> of the rāgatua of rāga	main via surya_layout
32	1	page_number via heuristic_pagenum
33	produced by the vādi-svara is indeed samvāditva (the nature of samvādin). The	main via surya_layout
34	samvādi-mandala is thus —	main via surya_layout

vol_I_p052 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	87	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	When in the gita (melodic rendering) the svaras move (to and fro) in	main via surya_layout
4	mutual7 (directions) along with the last one8 (of the preceding phrase forming	main via surya_layout
5	the beginning of the succeeding phrase), or two by two, that is known as the	main via surya_layout
6	(119)	annotation_inline parent ligne 5 via heuristic_height
7	sañcārin9 (circulatory) varņa.	annotation_inline parent ligne 5 via heuristic_height
8	(Anu. 65)	section_header via surya_layout
9	Just as in mālavakaišika-sāsā sanipa pani nipa nisā sādharīpā pani nini; in	main via surya_layout
10	various (phrases) like this, on account of mutual movement (the sañcārin varņa	main via surya_layout
11	is formed).	annotation_inline parent ligne 10 via heuristic_height
12	(Anu. 66)	section_header via surya_layout
13	Where the svaras of the gita ascend one by one or with intervening gaps,	main via surya_layout
14	that varņa is called ārohin (ascending). Just as in mālavapancama - pāpasa,	main via surya_layout
15	dharī sama ripa mapa mapadha māmā pasāri sāsama māpā rigā sā dhani pāri	main via surya_layout
16	mama dhani nini pāri mama dhani pādhani riripā — thus on account of	main via surya_layout
17	'mutual'10 (gapless) ascent or with a gap of one or two svaras the arohin	main via surya_layout
18	(ascending) varņa (comes into being).	main via surya_layout
19	Where the svaras descend in one order alone, that is called avarohin with	main via surya_layout
20	(120)	annotation_inline parent ligne 19 via heuristic_height
21	'equal' (gapless) svaras (or) with gaps.	annotation_inline parent ligne 19 via heuristic_height
22	pāma mamagā gaga mama mari riri ri pāmā mama papā papa pa māmama	main via surya_layout
23	nini dhadha papa pama gagā riri ninidhā pāpā — thus is avarohin varņa on	main via surya_layout
24	account of 'mutual' (gapless) descent or with a gap of one or two svaras.	main via surya_layout
25	Hence it has been said -	annotation_inline parent ligne 24 via heuristic_height
26	"These varnas ought to be known for the sake of the structuring" of	main via surya_layout
27	alankāras and the like, as being born of svaras produced by the human body 12	main via surya_layout
28	(and) adorned by repetition13 (in the) three registers." (NŚ XXIX. 17)	main via surya_layout
29	(Anu. 67)	section_header via surya_layout
30	How is varna brought about? It is being answered. When the svaras stretch	main via surya_layout
31	the syllable<sup>14</sup> due to the demand<sup>15</sup> of melodic rendering through (their)	main via surya_layout
32	steadiness, circulatory movement, ascent (and) descent, then varņa (pattern of	main via surya_layout
33	melodic movement) is effected.	annotation_inline parent ligne 32 via heuristic_height
34	Just as, in śādjī (jātī) the sthāyin (steady) varņa (is illustrated by) sāsāsā 16.	main via surya_layout
35	Sancārin (circulatory varņa) is there, as in dhaivatī (jātī) — dhā 17 dhā nidha	main via surya_layout
36	padha mā mā mā. Ārohin (ascending varņa) (is illustrated) in nandayantī	main via surya_layout
37	— 18 gā gā gā pā pā dhapa mā, dhā dhā dhā dhā nī sani nidha, pā pā	main via surya_layout
38	pā pā pā pā pā. Avarohin (descending varņa) is (illustrated) there itself (in	main via surya_layout
39	nandayanti) with svaras that are equal (gapless) or are having gaps — 19pā pā	main via surya_layout
40	pā pā pā pā pā pā, dhā nī mā pā gā gā gā.	main via surya_layout
41	These varņas obtain also in the wooden20 (viņā), just as they are	main via surya_layout

vol_I_p028 LEFT — 27 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDES!</b>	page_header via surya_layout
2	38	page_number via heuristic_pagenum
3	[ अनु. २५ ]	editorial_bracket parent ligne 4 via heuristic_brackets
4	इदानीं गान्धारनिषादयोरेकश्रुत्यन्तरहीनत्वेनानुवादित्वे प्राप्ते	main via surya_layout
5	द्वचन्तरत्वाद् विवादित्वमुक्तम्। किं तद् विवादित्वं नाम ? वाद्यादिभिः	main via surya_layout
6	स्वरैर्यद्रागस्य वादित्वं संवादित्वमनुवादित्वं प्राप्तं, तद्विनाशकत्वं नाम	main via surya_layout
7	विवादित्वम्। विवादिमण्डलं यथा—	main via surya_layout
8	स	annotation_inline parent ligne 7 via heuristic_height
9	नि	annotation_inline parent ligne 7 via heuristic_height
10	रि	annotation_inline parent ligne 7 via heuristic_height
11	ध	annotation_inline parent ligne 7 via heuristic_height
12	4	page_number via heuristic_pagenum
13	Ŧ	annotation_inline parent ligne 7 via heuristic_height
14	॥ इति [ षड्जग्रामे ] विवादिमण्डलम् ॥	editorial_bracket parent ligne 7 via heuristic_brackets
15	`	annotation_inline parent ligne 7 via heuristic_height
16	[ अनु. २६ ]	editorial_bracket parent ligne 7 via heuristic_brackets
17	विवादिप्रयोगो यथा—ऋषभस्थाने गान्धारः प्रयुज्यमानो गान्धारस्थान	main via surya_layout
18	25ऋषभः प्रयुज्यमानो जातिरागहानिकरो भवेत्। धैवतस्थाने निषादः	main via surya_layout
19	प्रयुज्यमानो [ निषादस्थाने धैवतः प्रयुज्यमानो ] जातिरागहानिकरो	editorial_bracket parent ligne 18 via heuristic_brackets
20	भवेत् ॥ इति षड्जग्रामे ॥	editorial_bracket parent ligne 18 via heuristic_brackets
21	[ अनु. २७ ]	editorial_bracket parent ligne 18 via heuristic_brackets
22	इदानी मध्यमग्रामे वादित्वं संवादित्वमनुवादित्वं [ विवादित्वम् ] च	editorial_bracket parent ligne 18 via heuristic_brackets
23	तत्र वादिनो मध्यमादिस्वराः सप्त²६। नवकत्रयोदशान्ताः	main via surya_layout
24	प्रदश्यते ।	annotation_inline parent ligne 23 via heuristic_short
25	संवादिनः। एकश्रुत्यन्तरहीनत्वादनुवादिनः। द्वचन्तरौ तु स्वरौ	main via surya_layout
26	विवादिनौ ।	annotation_inline parent ligne 25 via heuristic_short
27	___ •नादनुः ____	main via surya_layout

vol_I_p043 RIGHT — 30 lignes

L#	Texte OCR	Role auto
1	69	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	mūrchanā and tāna has been expounded in the recaptulatory verse (samgraha-	main via surya_layout
4	śloka).37 How is that (the difference)? The group of svaras that is arranged in	main via surya_layout
5	the ascending and descending order is spoken of as murchana, whereas tana is	main via surya_layout
6	with the ascending order, this is the distinction.58	main via surya_layout
7	[The Yajña-names of Tānas]	section_header via surya_layout
8	Now the yajña-names 59 of tanas are being spoken of—	main via surya_layout
9	Agnistoma, atyagnistoma, vājapeya, then sodasī, puņdarīka, ašvamedha and	main via surya_layout
10	(104)	annotation_inline parent ligne 9 via heuristic_short
11	rājasūya is the seventh one.	main via surya_layout
12	Thus are the names of sadava tanas devoid of sadja.	main via surya_layout
13	Svişţakrt, bahusauvarņa, gosava, mahāvrata, viśvajit, brahmayajña as well as	main via surya_layout
14	(105)	annotation_inline parent ligne 13 via heuristic_height
15	ртājāpatya.	annotation_inline parent ligne 13 via heuristic_height
16	Thus end the names of şāḍava tānas devoid of ṛṣabha.	main via surya_layout
17	Aśvakrānta, rathakrānta as well as viṣṇukrānta, sūryakrānta, gajakrānta, balibhit	main via surya_layout
18	(106)	annotation_inline parent ligne 17 via heuristic_height
19	(and) nāgayajāa.	annotation_inline parent ligne 17 via heuristic_height
20	Thus end the names of şādava tānas devoid of pañcama.	main via surya_layout
21	Cāturmāsya and then the one named samsthā, śastra and ukthaka, sautrāmaņi,	main via surya_layout
22	<math display="block">(107)</math>	annotation_inline parent ligne 21 via heuristic_height
23	citra and the seventh one is udbhidyaga.	main via surya_layout
24	Thus end the names of şādava tānas devoid of niṣāda.	main via surya_layout
25	١	page_number via heuristic_pagenum
26	Thus end the names of twenty-eight şādava tānas in şadjagrāma.	main via surya_layout
27	Sāvitrī, ardhasāvitrī and sarvatobhadra, [ the ayana (place, path, movement)	editorial_bracket parent ligne 26 via heuristic_brackets
28	of adityas, the ayana of cows ] the ayana of snakes is the sixth one and the ayana	editorial_bracket parent ligne 26 via heuristic_brackets
29	(108)	main via surya_layout
30	of kaunapas (demons) is the seventh one.	main via surya_layout

vol_I_p048 LEFT — 38 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDES!</b>	page_header via surya_layout
2	78	page_number via heuristic_pagenum
3	[ अनु₀ ५६ ]	editorial_bracket parent ligne 4 via heuristic_brackets
4	कूटतानानां सहस्राणि पञ्च त्रयस्त्रिंशदधिकानि निष्पद्यन्ते।	main via surya_layout
5	<sub>०</sub>मस्त्रिः	main via surya_layout
6	दत्तिलेनाप्युक्तम्—	annotation_inline parent ligne 5 via heuristic_short
7	<sup>83</sup>"पूर्णाः पञ्च सहस्राणि त्रयस्त्रिशच्च संख्यया।	main via surya_layout
8	ुर्णः,	annotation_inline parent ligne 7 via heuristic_short
9	मसत्,	main via surya_layout
10	कथयन्ति प्रतिग्राममुपायो गणनेऽधुना।"	main via surya_layout
11	नेधुनः दत्तिलम् ३९ ]	editorial_bracket parent ligne 10 via heuristic_brackets
12	पयोगेन	main via surya_layout
13	गणनाऽत्र परेण तानप्रयोगेण पूर्वस्तानप्रयोगो हन्यते। तथा चाह	main via surya_layout
14	₀मा₃	annotation_inline parent ligne 13 via heuristic_markers
15	दत्तिलः —	main via surya_layout
16	"हन्यादनन्तरायेण पूर्वा यस्य क्रमोत्क्रमात्।	main via surya_layout
17	गुणकारसमास्तत्र क्रमाः ध्ये शेषाः स्युरुत्क्रमाः।"	main via surya_layout
18	दित्तलम् ४० \|	unknown via fallback
19	माच्छे.	annotation_inline parent ligne 17 via heuristic_height
20	[ अनु<sub>०</sub> ५७ ]	editorial_bracket parent ligne 17 via heuristic_brackets
21	इदानी गुणनोपायं कथयति— द्वाभ्यां पराभ्यामेकः पूर्वो बऽहन्येत	main via surya_layout
22	J.	annotation_inline parent ligne 21 via heuristic_height
23	द्वावेव भवतः। तौ च द्वौ त्रिभिर्हतौ षड् भवतः । ते [ च षट् ]	editorial_bracket parent ligne 21 via heuristic_brackets
24	्रित	annotation_inline parent ligne 21 via heuristic_height
25	्रत्वा	annotation_inline parent ligne 21 via heuristic_height
26	चतुर्हताश्चतुर्विंशतिर्भवन्ति। सा चतुर्विंशतिः पञ्चभिर्हता शतं विंशत्यधिकं	main via surya_layout
27	भवति। विंशत्यधिकं शतं षड्भिर्हतं शतानि सप्त-विंशत्यधिकानि भवति।	main via surya_layout
28	्रन्ति	main via surya_layout
29	तानि सप्तभिर्हतानि पञ्चसहस्राणि चत्चारिंशदधिकानि भवन्ति।	unknown via fallback
30	अनु₀ ५८	editorial_bracket parent ligne 28 via heuristic_brackets
31	तत्र क्रमकृतास्तान् स्फोटयित्वा ह्युत्क्रमकृतानि कूटतानानां सप्त-	main via surya_layout
32	स्वरप्रयोगात् पञ्चसहस्राणि त्रयस्त्रिशदधिकानि भवन्ति।	main via surya_layout
33	प्रस्तारो	annotation_inline parent ligne 32 via heuristic_short
34	यथा—	main via surya_layout
35	तत्र षड्जस्वरस्य स इत्येकः क्रमः। ऋषभस्य सरीत्येक एव क्रमः। रिस	main via surya_layout
36	इति च व्युक्तमो द्वितीयः। गान्धारस्य सरिगेत्येकः क्रमः। गरिसेत्यादयो	main via surya_layout
37	ुम	annotation_inline parent ligne 36 via heuristic_height
38	ुत्यतः	annotation_inline parent ligne 36 via heuristic_height

170 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p025 RIGHT — 34 lignes

vol_I_p052 RIGHT — 41 lignes

vol_I_p028 LEFT — 27 lignes

vol_I_p043 RIGHT — 30 lignes

vol_I_p048 LEFT — 38 lignes