Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20818). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 #1 unknown
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2 60 page_number
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3 BRHADDEŚĪ page_header
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4 गा गम पा पध मा धनि पा पा table
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5 (৩) table
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6 री गा सा सध नी नी धा धा table
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7 (८) table
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8 गा रिंग सा सनि गा रिंग सा सा table
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9 (9) table
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10 सा सा सा मा मिन धिन नी नी table
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11 (१०) table
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12 मां मां मां परिंग गो गो सो सो table
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13 (११) table
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14 गों सी गों सी मी पी मी पेरिने table
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15 (१२) table
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16 गा गा गा गा गा सा सा table
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17 (१३) table
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18 नी नी पो धो नी गो गो गो table
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19 (१४) table
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20 नी नी धा पा धा पा मा पा table
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21 (१५) table
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22 धा पा मा मा मा मा मा मा table
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23 (१६) table
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24 ॥ [इति] गान्धारोदीच्यवती ॥ editorial_bracket
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25 । मा annotation_inline
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26 [३.रक्तगान्धारी] section_header
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27 अंशा: स्यू रक्तगान्धार्या पञ्च धर्षभवर्जिता:। main
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28 (म ?घ)पंभ(पूजि ? वर्जि)ताः main
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29 रिमतिक्रम्य सगयो: कार्ये सित्रिधिमेलने ॥ ७॥ main
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30 री(रि) annotation_inline
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31 रिलोपरिधलोपाभ्यां षाडवौडुविमष्यते । main
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32 बहुत्वं निधयोरंश: पञ्चमो द्वेष्टि षाडवम् ॥ ८॥ main
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33 द्विषन्त्यौडुवितं षड्जनिमपा: सङ्गतौ सगौ। main
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34 द्विप(जो ? नयौ) द्ववितं main
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35 पञ्चपाण्यादि षाङ्जीवद् ऋषभादिस्तु मूर्छना ॥ ९॥ main
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36 तृतीयप्रेक्षणगतं ध्रुवायां विनियोजनम् ॥१०॥ main
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37 <sup>१७१</sup>ंगतघुवायां main
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38 <sup>१७२</sup>अस्यां गान्धारो न्यास:, मध्यमोऽपन्यास:। <sup>१७३</sup>प्रस्तार: - main
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39 (तस्या ?)तस्या annotation_inline
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40 (न्यास:, मध्यमोऽ) main
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41 पा नी सा सा गा सा पा नी main
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42 (१) annotation_inline
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43 सां सां पा पा मा मा गा गा main
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44 (२) annotation_inline
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45 मा पा धा पा मा पा धप मग main
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46 (3) unknown
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1 INTRODUCTION section_header
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2 Bṛhaddeśi and more so its Puranic author Matanga Muni have been well main
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3 known in Sangītasāstra for more than one millenium. The text has been main
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4 profusely quoted in texts of Sangītaśāstra upto the 17th century. But for two or main
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5 three centuries it had gone into oblivion. There was no access to it in the main
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6 nineteenth century and the first quarter of the present century, until Pt. K. main
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7 Sāmbaśiva Śāstrī edited and published it in the Anantaśayana Granthāvalī No. 94 main
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8 (Trivandrum Sanskrit Series) in 1928. The following excerpts from his main
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9 introduction would throw light on the MSS retrieved by him. main
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10 "I would add, before concluding, that the present work though incomplete main
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11 has been published on account of its rare merit and that the manuscript of this main
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12 work was Travancore's contribution to the exhibition held at the All India main
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13 Conference of Scholars and Artists at Indore in 1921. main
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14 "The edition of the work is based on two palm-leaf manuscripts in Malayalam main
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15 characters obtained from the poonjar Raja, North Travancore. One of these main
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16 manuscripts marked as ka is exceedingly worn out; it is about four centuries old main
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17 and wanting in the first leaf as well as four leaves from the 41st. The other main
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18 manuscript marked as kha is fragmentary, ending with a portion of the main
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19 Jātiprakaraņa*. annotation_inline
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20 "The work ends abruptly saying इदानीं कथियध्यामि बाह्यस्य निर्णयो यथा (p. 154) and so we main
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21 conclude that there are subsequent parts of the text yet to be discovered." main
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22 The text, available to Pt. K. Sāmbaśiva Śāstrī, is incomplete and it has not main
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23 been possible to discover another manuscript in the last seventy years, that main
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24 could accord access to the complete text. main
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25 In 1980 I suggested to my student Sri Anil Bihari Beohar to take up a critical main
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26 study of Brhaddesi including reconstruction of the text on the basis of citations main
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27 or references available in various texts from Abhinava-Bhāratī of Abhinavagupta main
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28 to Rāga-Vibodha of Somanātha. He took up this subject for his doctoral research main
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29 and started collecting and collating citations and references. As his supervisor, main
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30 I continued to struggle and grapple with the problems of reconstruction of the main
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31 text on the basis of the material collected by him, in collation with the main
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32 Trivandrum edition. Sri Beohar was awarded the Ph.D. degree in 1986. Almost main
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33 immediately after this Dr. Kapila Vatsyayan, Member Secretary of the Indira main
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34 Gandhi National Centre for the Arts, New Delhi, conceived the publication of main
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35 a series of Kalāmūlaśāstra (Fundamental Texts on the Arts). It was decided that main
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36 so far as Sangītasāstra was concerned, Dattilam and Brhaddesī should be in the main
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37 first priority. annotation_inline
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38 *We have recorded the reading of these two MSS on the testimony of the editor of the footnote
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39 Trivandrum edition referring to them as MS A and MS B for ka and kha respectively. footnote
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1 programme. annotation_inline
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2 BRHADDEŠĪ page_header
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3 164 page_number
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4 ऋषभांशा पञ्चमान्ता विज्ञेया षड्जदुर्बला । main
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5 প্লা annotation_inline
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6 निषादकाकलीरूपा कर्तव्या सा तु नित्यशः॥ ९७॥ main
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7 साधारणकृता ह्येषा विभाषा गीतवेदिभि:। main
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8 ८७अन्थाली विश्रुता लोके कित्रराणां च वल्लभा ॥ ९८॥ main
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9 अमाली annotation_inline
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10 उदाहरणम् - रीमापापाधाधाधाधापा धाधासापापापा धानिनिपा। पासापाधापापापा मरिमरि- main
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11 धाधापधपसाधाधापापा धधपधपापाधापा। पामारिरिसाधापापापा मपधममारिरिधाधपपाप। main
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12 मामाधपपापममरिरिमपापा धपापापधपधसासारिगरिधपापापा । अन्धाली। [७] editorial_bracket
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13 अल्पर्षभा मध्यमांशा पञ्चमन्याससंयुता । main
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14 मध्यमांशाल्पऋपभा annotation_inline
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15 मध्यधैवतसंवादो बाहुल्यं पञ्चमस्य तु ॥ main
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16 ॰वादस्तुल्यं स्यात् annotation_inline
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17 मध्यमः annotation_inline
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18 ८८ सम्पूर्णा पञ्चमाच्चेयं भाषा तानोद्भवा भवेत् ॥ ९९॥ main
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19 सम्पूर्णपाड(वा) चेयं annotation_inline
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20 उदाहरणम् - मामामगासारिरिनिसागरि । सानिनिगागागसानिपापा पासानिसासासानिसानि - main
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21 निधधनिनिसा। गरिसासासानिनिसाधानिपापा धानिनिगगसासासासासागासानीधामापापा । main
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22 तानोद्भवा। [८] editorial_bracket
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23 त्रावणी पञ्चमन्यासा पञ्चमर्षभदुर्बला । main
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24 त्रापणी annotation_inline
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25 द्विश्रुतीनां स्वरूपेण गमनं तत्प्रयोक्तृभि: ॥ १००॥ main
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26 तु annotation_inline
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27 षड्जमध्यमबाहुल्यं पञ्चमर्षभयोस्तथा । main
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28 साधारणकृता होषा त्रावणी देशसम्भवा ८९॥१०१॥ main
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29 उदाहरणम् -सासासापापापा धाधाधाधानीनीनीसासानिधानिधाधारिसासा नीधानीधासाममरि main
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30 मारिमागागारिसा सनिपापापा निधानिसासनिसनिमधधसनिधामागामाधानीसासाधानीसामधा - main
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31 मागामाधानीसास। सससनिसासानिगासनिधामामाधारीसासा सधानीधापा । त्रावणी । [९] editorial_bracket
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32 त्रापणी annotation_inline
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1 161 page_number
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2 VIMARŚA page_header
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3 commenting on NS XXVIII, 1. He says there that even if an untrained person main
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4 'hits' a mūrchita (tuned) vīṇā, the sound produced will be musical (in tune) main
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5 i.e. svara will be attained. Since the tuning has to take effect only in one of the main
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6 mūrchanās, the name mūrchanā for tuning is justified. Kālidāsa (Megha. 84) has main
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7 used the word murchana in the same sense when he says for the Yakşi that again main
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8 and again she forgets the mūrchanā made by herself. main
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9 30. This prescription of establishing the two viņās in sadjagrāma immediately main
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10 after the mention of murchana appears to be rather queer, but the apparent main
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11 repetition could be justified if the mention of 'mūrchanā' is taken to refer to main
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12 equality in tuning, pure and simple and the later mention of sadjagrāma is main
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13 accepted as the specification of tuning. The construction of the sentence main
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14 implying that equal tuning is to be done first and then the viņās have to be main
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15 established in sadjagrāma which itself is a tuning, will have to be ignored as the main
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16 initial reference to tuning is a part of the general prescription about perfect main
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17 equality between the two viņās and the second reference relates to special main
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18 tuning. annotation_inline
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19 31,32. The qualification of śruti as şadjagrāmiki and madhyamagrāmiki could main
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20 be interpreted in two ways, viz.- main
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21 (a) 'Sruti' could be taken here as standing for sound in general; accordingly, main
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22 the total tuning of each grāma could be referred to as śruti in singular number. main
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23 (b) The interval of sruti perceived through apakarşa (lowering) of pañcama main
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24 is madhyamagrāmikī śruti and the same interval being perceived through the main
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25 utkarșa (augmentation) of pañcama is called șadjagrāmiki. It is to be noted that main
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26 the utkarşa of pañcama is not actual but only 'resultant' because it comes into main
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27 . annotation_inline
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28 being when all the other svaras are lowered in accordance with the lowering of main
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29 pañcama so that the samvada of şadja-pañcama that was disturbed on account of main
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30 the lowering of pañcama is restored. main
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31 33. In the mention of the restoration of sadjagrāma, the process i.e. the main
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32 'utkarşa' (augmentation) of pancama is implicit. In NS (XXVIII, p. 20) it is main
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33 made explicit by the expression pañcamasyotkarşa-vasat i.e. by reason of the main
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34 augmentation of pañcama. annotation_inline
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35 34. The idea is that all the svaras on the mobile (cala) viņā are lowered by main
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36 one śruti, but this process does not prove the interval of any svaras in terms of main
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37 śruti since there is no svara in this system, that manifests on consecutive śrutis; main
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38 the gap or interval of one śruti is indispensable. main
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39 35. The word 'tadvat' has raised a big controversy among modern scholars. list_item
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40 It has been generally interpreted to mean "in the same manner" literally, giving list_item
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41 the sense that the second step of this process of demonstration of śrutis has to list_item
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42 begin again with the lowering of pañcama. Three opinions are notable in this list_item
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43 context. list_item
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44 (i) V.N. Bhatkhande (cf. Hindustani Sangita Paddhati, Hindi translation, list_item
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45 Vol. IV, p. 37). He has inferred that since all the four steps start with the list_item
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46 lowering of pañcama, the value (in pitch) of all the four lowerings is identical list_item
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47 and hence all śrutis are identical according to Bharata. list_item
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48 (ii) Omkarnath Thakur (cf. Praņava-Bhāratī, p. 61-86) has accepted that all main
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1 264 page_number
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2 BRHADDEŚĪ section_header
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3 101. cf. (i) annotation_inline
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4 मार्गप्रष्टेऽध बीभत्से नीचे भम्माणपञ्चम:। main
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5 Cited in the name of Kasyapa in Abhi main
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6 Bhā on NŚ XXIX. 13, p. 77. main
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7 पथि भ्रष्टे वनभ्रान्ते विनियुक्तः शिवप्रियः। main
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8 (ii) annotation_inline
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9 SR II.2.62 ab. main
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10 102.cf. annotation_inline
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11 अवरोोहाँण वर्णे स्यात् ..... main
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12 SR 11.2.57a. annotation_inline
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13 103.cf. annotation_inline
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14 अस्यापि धैवतीजातिजन्यत्वं षड्जसंश्रयम् । main
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15 यस्य त्रिश्रुतितायोगाद् दुर्गशक्तिरभाषत ॥ main
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16 भरतादिकसम्मत्या ब्रह्मशैलाधिप: पुन: । main
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17 मध्यमग्रामसम्बन्धमाचप्टे शास्त्रमोदनात् ॥ unknown
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18 S Rāj II.2. 1.551, 552. main
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19 104.cf. annotation_inline
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20 गान्धारांशग्रहन्यासः क्वचिद् वां(द्धां)शग्रहान्तभाक्। main
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21 S Rāj II.2.1.548 cd. main
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22 105. Reconstruction based on SR II.2.105 ab. main
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23 106. This rāga has been mentioned in the initial enumeration as well main
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24 as in the assignment of rāgas to grāmas, but its description is not to be found main
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25 in the text. The following extract from SR would be useful - main
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26 पड्जर्पभांशग्रह: स्यात् कैशिकीजातिसम्भव:॥ main
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27 ऋषभोऽल्पो निगन्यासो मन्द्रगान्धारषङ्जकः। main
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28 प्रसन्नाद्यवरोहिभ्यां युक्तः षड्जादिमूर्छनः ॥ main
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29 वीररौद्राद्भुतरसः शाम्भवः षड्जकैशिकः। main
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30 SR II.2.65c - 67b. annotation_inline
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31 107. cf.(i) main
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32 मध्यमग्रामसम्बन्धो .... annotation_inline
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33 SR II.2.86 c. annotation_inline
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34 षड्जग्रामेण सम्बन्धो...... main
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35 (ii) annotation_inline
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36 S Rāj II.2.1.639 a. main
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37 108.Reconstruction based on- main
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38 तथाह मतङ्गः - प्रयोक्तृवशात् क्वचिन्मध्यमोऽशोऽपि न्यासश्च । main
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39 C.r. in Kalā on SR II.86-88 p. 76. main
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40 109.cf. annotation_inline
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41 मतङ्गो रेवगुप्तं च टक्कसैन्धवमेव च। main
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42 साधारणेषु निक्षिप्य न च तान(य) ब्रवीदथ ॥ main
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43 ग्रामरागानगणयद द्वात्रिंशदिति तद्युजै:। main
via surya_layout
44 पञ्चैव चोपरागान् स विना पञ्चमषाडवम् ॥ main
via surya_layout
45 ग्रामरागेषु निक्षिप्य कश्चित् पञ्चमपाडवम् । main
via surya_layout
46 त्रयस्त्रिंशदिति प्राह न तदाचार्यसम्मतम् ॥ main
via surya_layout
47 S Rāj II.2.1.62-64. annotation_inline
parent ligne 46
via heuristic_short
48 110. P.t. adds the following after this, which is out of place here and main
via surya_layout
49 has, therefore, been omitted by us; the ed. has put it in square brackets. main
via surya_layout
50 • annotation_inline
parent ligne 49
via heuristic_height
51 [इदानीं साधारणानां ग्रामविभाग: प्रदर्श्यते - editorial_bracket
parent ligne 49
via heuristic_brackets
52 ---- annotation_inline
parent ligne 49
via heuristic_height
217 lignes a valider — change uniquement les roles incorrects.