Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20826). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p116 RIGHT — 23 lignes

L#	Texte OCR	Role auto
1	215	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	[15. Hayalīlā]	section_header via surya_layout
4	Where the (first) half is sung with svaras, in turagalīla (tāla), (and the	main via surya_layout
5	latter) half is sung with birudas, that is known as hayalīlā.	main via surya_layout
6	(397)	main via surya_layout
7	[16. <i>Gajalīlā</i>]	section_header via surya_layout
8	That which is completely composed according to gajalīlā but where the tāla	main via surya_layout
9	is gajalīla, that should be known by the name gajalīlā.	main via surya_layout
10	(398)	main via surya_layout
11	[17. Simhalīlā]	section_header via surya_layout
12	Composed in simhalilā metre, combined with svara and tena, that which is	main via surya_layout
13	sung with birudas is sinihalīlaka.	main via surya_layout
14	(399)	main via surya_layout
15	[18. Śarabhalila]	section_header via surya_layout
16	Where eight feet are composed with svaras and pāṭas, that is held to be	main via surya_layout
17	śarabhalīla, having eight rāgas and tālas.	main via surya_layout
18	(400)	main via surya_layout
19	[19. Śukacańcu]	section_header via surya_layout
20	In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with	main via surya_layout
21	<math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various	main via surya_layout
22	regions, is named śukacańcu, that is dear to the people.	main via surya_layout
23	(401)	main via surya_layout

vol_II_p136 RIGHT — 53 lignes

L#	Texte OCR	Role auto
1	PĂŢĦAVIMARŚA	page_header via surya_layout
2	255	page_number via heuristic_pagenum
3	170. Ibid.adds asyāḥ before ‘prastāraḥ’.	list_item via surya_layout
4	171. Reading in SR I. 7. 94.	list_item via surya_layout
5	172. SR I. 7. p. 242 adds 'raktagāndhāryām 'after 'asyām'.	list_item via surya_layout
6	173. Ibid.adds 'asyāḥ 'before 'prastāraḥ'.	list_item via surya_layout
7	174. SR I. 7. p. 245 adds ‘gāndhārapañcamyāṁ ’ after ‘ asyāṁ ’.	list_item via surya_layout
8	175. Ibid.adds ‘asyāḥ ’before ‘ prastāraḥ’.	list_item via surya_layout
9	176. SR. I. 7. p. 253 adds 'madhyamodīcyavāyām' after 'asyām'.	list_item via surya_layout
10	177. Ibid.adds ' asyāḥ ' before ' prastāraḥ '.	list_item via surya_layout
11	178. SR 1. 7. p. 253 adds ‘ kārmāravyāṁ ’ after ‘ asyāṁ ’.	list_item via surya_layout
12	179. Ibid.adds ‘ asyāḥ ’ before ‘ prastāraḥ ’.	list_item via surya_layout
13	180. SR1. 7.104 reads ‘sūribhiḥ’ but SRĀ I.7.103 reads ‘sū (bhū) ribhiḥ’.	list_item via surya_layout
14	181. SR 1.7. p.257 adds ‘gāndhārapañcamyām’ after ‘asyām’.	list_item via surya_layout
15	182. Ibid.adds ‘ asyāḥ ’ before ‘prastāraḥ ’.	list_item via surya_layout
16	183. Reading in SR I. 7. 105.	list_item via surya_layout
17	184. Reading in SR I.7.106.	list_item via surya_layout
18	185. Reading in SR 1.7.106; SRĀ 1.7.106 and Sudhā on the same, p.	list_item via surya_layout
19	260 read 'tāla' which fits the context.	list_item via surya_layout
20	186. SR I. 7, p.261 adds 'āndhryam' after 'asyām'.	list_item via surya_layout
21	187. Ibid.adds ' asyāḥ ' before ' prastāraḥ '.	list_item via surya_layout
22	188. Reading in SR I. 7.109.	list_item via surya_layout
23	189. SR I. 7, p. 264 adds ‘ nandayantyām’ after ‘ asyām’.	list_item via surya_layout
24	190. Ibid.adds asyāḥ before prastāraḥ.	list_item via surya_layout
25	191. P.t. adds 'sa' or 'ma' after each jātiprastāra in this interpolated	list_item via surya_layout
26	portion; the significance is not clear.	list_item via surya_layout
27	192. The jātis described in this interpolated portion do not complete	list_item via surya_layout
28	the number eighteen because of two repetitions as follows-	list_item via surya_layout
29	Jätis left out	table via surya_layout
30	Jātis described in the	table via surya_layout
31	Jātis described	table via surya_layout
32	interpolated portion	table via surya_layout
33	in the prose portion	table via surya_layout
34	1. Madhyamā	table via surya_layout
35	1.Şadjamadhyamā	table via surya_layout
36	1. Şādjī	table via surya_layout
37	2. Pañcami	table via surya_layout
38	2. Gändhärodicyavā	table via surya_layout
39	2. Arşabhī	table via surya_layout
40	3. Raktagāndhārī	table via surya_layout
41	3. Dhaivatī	table via surya_layout
42	4. Kaišikī	table via surya_layout
43	4. Naisādī	table via surya_layout
44	5. Madhyamodicyavā	table via surya_layout
45	5. Şadjakaisikī	table via surya_layout
46	6. Kārmāravī	table via surya_layout
47	6. Şadjodicyavā	table via surya_layout
48	7. Gändhärapañcamī	table via surya_layout
49	7.Şadjamadlıyrunā	table via surya_layout
50	8. Āndhrī	table via surya_layout
51	8. Gändhäri	table via surya_layout
52	9. Nandayanti	table via surya_layout
53	9. Raktagāndhārī	table via surya_layout

vol_II_p162 RIGHT — 41 lignes

L#	Texte OCR	Role auto
1	<b>VIMARŚA</b>	annotation_inline parent ligne 3 via heuristic_height
2	307	page_number via heuristic_pagenum
3	52. The word gamaka seems to stand for shake here.	list_item via surya_layout
4	53. Dānavīra is one of the four varieties of vīra, the other three being	list_item via surya_layout
5	dharmavīra, yuddhavīra and dayāvīra.	list_item via surya_layout
6	54. The import seems to be that śuddha-bhinna has an independent	list_item via surya_layout
7	form and that it is not the modified form of a suddharaga.	list_item via surya_layout
8	55. Here the distinction of a bhinna raga is established only on the	list_item via surya_layout
9	basis of giti or distinctive tonal rendering.	list_item via surya_layout
10	56. Syasthāna is a word used in SR III.140 and III.191-192 in the	list_item via surya_layout
11	context of sthāya and ālapti respectively; it stands for the sections of rāgālapti	list_item via surya_layout
12	formed on the basis of the units of tonal range within an octave, the first unit	list_item via surya_layout
13	being formed in the range from the tonic and from below it upto the svara	list_item via surya_layout
14	preceding the fourth, the second unit touching the fourth, the third	list_item via surya_layout
15	reaching below the octave and the fourth touching the octave.	list_item via surya_layout
16	57. 'Leaving the svasthana' seems to imply that the lower register will	list_item via surya_layout
17	be used in this rāga, as distinct from śuddhakaiśika which is performed with	list_item via surya_layout
18	tāra svaras. Here svasthāna does not seem to signify the units of tonal range	list_item via surya_layout
19	described in note 56 above, rather it appears to mean ' the own sthana or	list_item via surya_layout
20	register' of a raga.	list_item via surya_layout
21	58. "Niṣāda taking up the two śrutis of pañcama" is a prima facie	list_item via surya_layout
22	fallacious statement because pañcama is not adjacent to niṣāda. But there	list_item via surya_layout
23	could be a hidden meaning, taking the two grāmas together, as follows -	list_item via surya_layout
24	Şadjagrāma sa - ri- antaraga - ma - pa - dha - ni.	main via surya_layout
25	Madhyamagrāma ma - pa - dha - ni - sa - ri - ga.	main via surya_layout
26	Niṣāda of madhyamagrāma is adjacent to pañcama of ṣadjagrāma. The	main via surya_layout
27	above statement could be valid in terms of the two grāmas taken together.	main via surya_layout
28	59. The 'omission' of pancama comprised of three śrutis in	list_item via surya_layout
29	ṣaḍjagrāma actually means that this pañcama is not admissible in ṣaḍjagrāma.	list_item via surya_layout
30	60. 'Mature' karuṇa rasa is a notable expression.	list_item via surya_layout
31	61. Our text mentions ohāṭī for the second time here. SR (II.1.4,5)	list_item via surya_layout
32	also mentions it while describing the gaudi gita and defines it as the	list_item via surya_layout
33	"Sound combining 'ha' and 'o' produced b, placing the chin on the chest."	list_item via surya_layout
34	62. There is a striking contradiction between the viniyoga or	list_item via surya_layout
35	application in terms of śringāra and the rasas mentioned separately, viz.	list_item via surya_layout
36	bībhatsa and bhayānaka that are incompatible to śṛṅgāra.	list_item via surya_layout
37	63. Here again the viniyoga is given in terms of karuņa and the rasa	list_item via surya_layout
38	is mentioned as vīra in accordance with the amśa that is ṣaḍja.	list_item via surya_layout
39	64. 'Rāga' is another name for vesarā gīti; this alternative name is also	list_item via surya_layout
40	mentioned in later texts like SR II.1.6. The basis of this alternative name as	list_item via surya_layout
41	cited in the name of Kasyapa seems to be that the ragas that are not	list_item via surya_layout

vol_II_p050 RIGHT — 34 lignes

L#	Texte OCR	Role auto
1	83	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[3. Gaudī giti and its component ohāțī]	section_header via surya_layout
4	The svaras of gaudi are beautiful and are attractive with ohāṭī. Ohāṭiī is said	main via surya_layout
5	to consist of a combination of the sound 'ha' and 'o'.	main via surya_layout
6	(277)	annotation_inline parent ligne 5 via heuristic_height
7	Ohāţī belongs to the low (register); (it is produced) by placing the chin on	main via surya_layout
8	the chest. It is to be made fast and faster, being pressed with the shake 15 of	main via surya_layout
9	svara.	annotation_inline parent ligne 8 via heuristic_height
10	(278)	annotation_inline parent ligne 8 via heuristic_height
11	And ohāţī is also beautiful with seen and unseen actions; it comprises of	main via surya_layout
12	actions <math>^{16}</math> in the three registers and is confounded (<math>\bar{a}kula^{17}</math>) with movements	main via surya_layout
13	in the three registers.	annotation_inline parent ligne 12 via heuristic_height
14	(279)	annotation_inline parent ligne 12 via heuristic_height
15	Similarly, ohāţī has to be used by the knowledgeable ones in vocal music	main via surya_layout
16	in a four-fold manner, viz. samākṣara (with even syllables), sama 18 (smooth),	main via surya_layout
17	in ascent and in descent. Ohāṭī is obtained in performance as being born in	main via surya_layout
18	the low (register) with shakes 19 of sound.	main via surya_layout
19	(280)	annotation_inline parent ligne 18 via heuristic_height
20	Gaudī gīti is said to subsist without rest in the three registers.	main via surya_layout
21	(281)	annotation_inline parent ligne 20 via heuristic_height
22	[4. Rāga giti]	section_header via surya_layout
23	Rāgagīti is said to be with attractive gamakas,20 with variegated low	main via surya_layout
24	(prasanna)<sup>21</sup> (svaras) pertaining to the chest-region, even, colourful or	main via surya_layout
25	delightful arrangements of svaras.	main via surya_layout
26	(282)	annotation_inline parent ligne 25 via heuristic_height
27	The rāgas (melodic configurations) are so called because the beautiful	main via surya_layout
28	rāga (colourfulness or delightfulness) that comes about in all the four varņas	main via surya_layout
29	is seen in them in its completeness.	main via surya_layout
30	(283)	annotation_inline parent ligne 29 via heuristic_height
31	[5. Sādhāraṇī gīti]	section_header via surya_layout
32	(This gīti) should be made with straight, attractive, somewhat minute and	main via surya_layout
33	large, properly audible, slightly fast, similarly soft, attractive, 22 smooth (or	main via surya_layout
34	soft<sup>23</sup>) and minute<sup>24</sup> prayogas<sup>25</sup> (melodic phrases?) that are well combined	main via surya_layout

vol_I_p027 LEFT — 28 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDEŚ</b>I	page_header via surya_layout
2	36	page_number via heuristic_pagenum
3	[ अनु. २३ ]	section_header via surya_layout
4	अनुवादित्वं च पुनरेकश्रुत्यन्तरहीनत्वेन स्यात्। ननु किं तदनुवादित्वम्?	main via surya_layout
5	<sup>20</sup>श्रुतिहीनत्वेन	main via surya_layout
6	21त्ववनु	annotation_inline parent ligne 5 via heuristic_short
7	यत् संवादिना रागस्य रागत्वं सम्पादितं तत्प्रतिपादकत्वं नामानुवादित्वम्।	main via surya_layout
8	22,द वादिना	annotation_inline parent ligne 7 via heuristic_short
9	₀दक	annotation_inline parent ligne 7 via heuristic_markers
10	अनुवादिमण्डलं यथा-	main via surya_layout
11	स	annotation_inline parent ligne 10 via heuristic_height
12	नि	unknown via surya_layout
13	रि	unknown via surya_layout
14	घ	annotation_inline parent ligne 10 via heuristic_height
15	म	annotation_inline parent ligne 10 via heuristic_height
16	4	page_number via heuristic_pagenum
17	॥ इति षड्जग्रामे ] अनुवादिमण्डलम्॥	caption via surya_layout
18	[ अनु. २४ ]	section_header via surya_layout
19	अनुवादिप्रयोगो यथा—षड्जस्थाने ऋषभ ऋषभस्थाने	main via surya_layout
20	षड्जः	annotation_inline parent ligne 19 via heuristic_short
21	प्रयुज्यमानः स्वरूपं भजन् जातिरागहा न भवति । पञ्चमस्य स्थाने	main via surya_layout
22	॰धैवतः प्रयुज्यमानो धैवतस्य स्थाने पञ्चमः प्रयुज्यमानो २३[ जाति- ]	editorial_bracket parent ligne 21 via heuristic_brackets
23	रागहा न भवेत् । षड्जस्थाने धैवतः प्रयुज्यमानो धैवतस्थाने षड्जः	main via surya_layout
24	प्रयुज्यमानो जातिरागविनाशकरो न भवति। पञ्चमस्थान ऋषभः	main via surya_layout
25	प्रयुज्यमान ऋषभस्थाने पञ्चमः प्रयुज्यमानो जातिरागहा न भवेत् ।	main via surya_layout
26	24 मध्यमस्थान ऋषभ ऋषभस्थाने च मध्यमस्तथा धैवतस्थाने	main via surya_layout
27	मध्यमो मध्यमस्थाने च धैवतः प्रयुज्यमानो जातिरागनाशको न	main via surya_layout
28	भवति।	main via surya_layout

179 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p116 RIGHT — 23 lignes

vol_II_p136 RIGHT — 53 lignes

vol_II_p162 RIGHT — 41 lignes

vol_II_p050 RIGHT — 34 lignes

vol_I_p027 LEFT — 28 lignes