Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20836). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p092 RIGHT — 42 lignes

page vol_I_p092 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA annotation_inline
parent ligne 3
via heuristic_height
2 167 page_number
via heuristic_pagenum
3 be completed at niṣāda and there would be no place for kākalī niṣāda directly. main
via surya_layout
4 The word antara in the compound 'antara-mūrchanā' covers both antara main
via surya_layout
5 gāndhāra and kākalī niṣāda. Kākalī niṣāda could find a direct place in the main
via surya_layout
6 cycle only if the cycle ends with sadja so that the interval between nisāda and main
via surya_layout
7 şadja is covered; if the cycle begins with şadja then its interval from nişāda will main
via surya_layout
8 not be directly covered. The mandala (cycle) beginning with reabha in main
via surya_layout
9 sadjagrāma will cover both the grāmas in the following manner- main
via surya_layout
10 Madhyama-grama annotation_inline
parent ligne 9
via heuristic_height
11 pa annotation_inline
parent ligne 9
via heuristic_height
12 ma annotation_inline
parent ligne 9
via heuristic_height
13 Sadja-grama annotation_inline
parent ligne 9
via heuristic_height
14 ga annotation_inline
parent ligne 9
via heuristic_height
15 п annotation_inline
parent ligne 9
via heuristic_height
16 sa annotation_inline
parent ligne 9
via heuristic_height
17 an ga dha unknown
via surya_layout
18 an ga kā ni unknown
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19 ma ni annotation_inline
parent ligne 9
via heuristic_height
20 ga ni unknown
via surya_layout
21 kā ni unknown
via surya_layout
22 dha annotation_inline
parent ligne 9
via heuristic_height
23 pa annotation_inline
parent ligne 9
via heuristic_height
24 пі annotation_inline
parent ligne 9
via heuristic_height
25 sa annotation_inline
parent ligne 9
via heuristic_height
26 67, 68. Matanga has used the word grāmaņī ( leader of the village ) only main
via surya_layout
27 once. Sadja and madhyama are here said to be the grāmaņis (leaders) of sadja- main
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28 grāma and madhyama-grāma respectively. Other svaras are said to be their ( of main
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29 şadja and madhyama) agre-sara; this term could be explained in two ways main
via surya_layout
30 according to the association of agre with time and space. In the context of time main
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31 agre usually stands for 'later', e.g. agre vakṣyāmaḥ, "we shall speak of it later". In main
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32 the context of space it stands for 'in front' i.e. before. Other svaras come 'later' main
via surya_layout
33 than şadja and madhyama, because primarily şadja and madhyama have to be main
via surya_layout
34 established or accepted on an arbitrary sound and then the interval of rsabha- main
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35 pañcama could be shown. Thus the other svaras beginning with rşabha and main
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36 pañcama in the two grāmas come 'later'. In the context of space, the other svaras main
via surya_layout
37 come first, agre meaning in front. Monier Williams translates agre-sara as moving main
via surya_layout
38 in front or preceding; here preceding will have to be construed in terms of main
via surya_layout
39 space and not in terms of time. ni-ga-ma-pa-dha-ni are moving in front of 'sa' main
via surya_layout
40 and similarly pa-dha-ni-sa-ri-ga are moving in front of 'ma'; 'sa' and 'ma' are main
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41 'behind' in the sense that they have been accepted or supposed first. The 'first' main
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42 in time comes last in space; e.g. if some beeds are filled up in a bottle, those main
via surya_layout

vol_II_p116 RIGHT — 23 lignes

page vol_II_p116 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 215 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 [15. Hayalīlā] section_header
via surya_layout
4 Where the (first) half is sung with svaras, in turagalīla (tāla), (and the main
via surya_layout
5 latter) half is sung with birudas, that is known as hayalīlā. main
via surya_layout
6 (397) main
via surya_layout
7 [16. <i>Gajalīlā</i>] section_header
via surya_layout
8 That which is completely composed according to gajalīlā but where the tāla main
via surya_layout
9 is gajalīla, that should be known by the name gajalīlā. main
via surya_layout
10 (398) main
via surya_layout
11 [17. Simhalīlā] section_header
via surya_layout
12 Composed in simhalilā metre, combined with svara and tena, that which is main
via surya_layout
13 sung with birudas is sinihalīlaka. main
via surya_layout
14 (399) main
via surya_layout
15 [18. Śarabhalila] section_header
via surya_layout
16 Where eight feet are composed with svaras and pāṭas, that is held to be main
via surya_layout
17 śarabhalīla, having eight rāgas and tālas. main
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18 (400) main
via surya_layout
19 [19. Śukacańcu] section_header
via surya_layout
20 In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with main
via surya_layout
21 <math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various main
via surya_layout
22 regions, is named śukacańcu, that is dear to the people. main
via surya_layout
23 (401) main
via surya_layout

vol_II_p038 RIGHT — 51 lignes

page vol_II_p038 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 1 page_number
via heuristic_pagenum
2 59 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 (3) table
via surya_layout
5 mā gā rī gā mā mā sā sā table
via surya_layout
6 <b>(4)</b> table
via surya_layout
7 [mā magama mā mā nidha padha pama gamama] table
via surya_layout
8 (5) table
via surya_layout
9 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
10 (6) table
via surya_layout
11 nidha sā rī magama mā mā mā mā table
via surya_layout
12 (7) table
via surya_layout
13 mā mā magama madha dhapa padha pama gamaga table
via surya_layout
14 (8) table
via surya_layout
15 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
16 (9) table
via surya_layout
17 mā mā dhani dhasa dhapa mapa pā pā table
via surya_layout
18 (10) table
via surya_layout
19 mā magama mā nidha padha pamaga gā mā table
via surya_layout
20 (11) table
via surya_layout
21 dhā padha pari riga maga riga sadhasa sā table
via surya_layout
22 (12) table
via surya_layout
23 nidha sā rī magama mā mā mā mā table
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24 Thus ends <i>şadjamadhyamā</i>. section_header
via surya_layout
25 [2. Gāndhārodīcyavā] section_header
via surya_layout
26 In gāndhārodīcyavā, ṣadjaand madhyama are the two amśas. The hexatonic main
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27 is known to be with the omission of rşabha. In the state of completeness there main
via surya_layout
28 is the sparseness of svaras other than those that are anisas. main
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29 (4) annotation_inline
parent ligne 28
via heuristic_short
30 In the hexatonic form, niṣāda, dhaivata, pañcama and gāndhāra are said to main
via surya_layout
31 be sparse. Saigati (concert) between ṛṣabha and dhaivata should be known main
via surya_layout
32 and the mūrchanā beginning with dhaivata obtains. main
via surya_layout
33 (5) annotation_inline
parent ligne 32
via heuristic_short
34 The tāla should be known as caccatpuța. Sixteen kalās (time units) are said main
via surya_layout
35 to obtain. Its application (viniyoga) is accepted to be in the singing of dhruvā main
via surya_layout
36 in the fourth act. annotation_inline
parent ligne 35
via heuristic_short
37 (6) main
via surya_layout
38 Madhyamais the nyāsain this (jāti). Ṣaḍja and dhaivata are apanyāsas. The main
via surya_layout
39 prastāra is thus - main
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40 (1) table
via surya_layout
41 sā sā pā mā pā dhapa pā mā table
via surya_layout
42 (2) table
via surya_layout
43 dhā pā mā mā sā sā sā sā table
via surya_layout
44 (3) table
via surya_layout
45 dhã nĩ sã sã mã mã pã pã table
via surya_layout
46 (4) table
via surya_layout
47 ករី ករី ករី ករី ករី ករី ករី ករី table
via surya_layout
48 (5) table
via surya_layout
49 mã mã dhã nisa nĩ nĩ nĩ table
via surya_layout
50 (6) table
via surya_layout
51 mā pā mā pari gā gā sā sā table
via surya_layout

vol_II_p125 RIGHT — 30 lignes

page vol_II_p125 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 233 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [D. Once again the group of seven Varņailās] section_header
via surya_layout
4 Ramaņī, candrikā, lakṣmī, padminī, similarly rañjinī, mālatī and mohinī - main
via surya_layout
5 thus is the group of seven varņailās. main
via surya_layout
6 (459) main
via surya_layout
7 [1. <i>Ramaņi</i>] section_header
via surya_layout
8 Where there is samā yati<sup>68</sup> in the first and second foot and that which is main
via surya_layout
9 adorned with nāda in each foot, that satpadī 69 is ramaņī. main
via surya_layout
10 (460) main
via surya_layout
11 [2. Candrikā] section_header
via surya_layout
12 Where srotogată<sup>70</sup> and samā yati obtain in two feet and (that which) is main
via surya_layout
13 combined with bindu-gamakas, that is called candrini. main
via surya_layout
14 (461) main
via surya_layout
15 [3. Lakşmi] section_header
via surya_layout
16 Where gopucchā, 71 sumā and srotogatā (yatis) obtain in the three feet (respectively) main
via surya_layout
17 (and) there is mūrchanā <sup>72</sup> accompanied by nāda, that clā is known as laksmī. main
via surya_layout
18 (462) main
via surya_layout
19 [4. <i>Padminī</i> ] section_header
via surya_layout
20 (That) elä which is comprised of varņadhvani<sup>73</sup> in the first, second and main
via surya_layout
21 third and fourth foot, is said to be padminī. main
via surya_layout
22 (463) main
via surya_layout
23 [5. Rañjini] section_header
via surya_layout
24 (Where) there is samā (yati) in the first and second (feet) and gopucchā main
via surya_layout
25 (yati) in the third (foot) and that which is adorned with gamakas is rañjinī. main
via surya_layout
26 (464) main
via surya_layout
27 [6. Mālatī] section_header
via surya_layout
28 That elā which is composed with short and long syllables and with alliterations, main
via surya_layout
29 having four feet at will, i.e. of variable length, is held to be malati. main
via surya_layout
30 (465) main
via surya_layout

vol_II_p077 RIGHT — 34 lignes

page vol_II_p077 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 137 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 Sauvīrī should be known as the first one, vega-madhyamā the second, main
via surya_layout
4 sādhāritā is the third one and gāndhārī the fourth. Thus should be known the main
via surya_layout
5 four <i>bhāṣās</i> born of <i>sauvīraka</i>. main
via surya_layout
6 <math>(30c-31)</math> main
via surya_layout
7 Suddhabhinnā, vārāṭī, similarly dhaivatabhūṣitā and then viśālā are said main
via surya_layout
8 to be born of <i>bhinnapañcama</i>. main
via surya_layout
9 (32) annotation_inline
parent ligne 8
via heuristic_short
10 The bhāṣā called māṅgalī is born of boṭṭa-rāga. In mālavapañcama is born main
via surya_layout
11 bhāvinī, the one that is beautiful for the people. main
via surya_layout
12 (33) annotation_inline
parent ligne 11
via heuristic_short
13 Mālavā (and) bhinnavālikā should be known to be born of ṭakkakaiśika, main
via surya_layout
14 and drāvidī is the third bhāṣā there that is described with characteristics main
via surya_layout
15 (lakṣaṇas). annotation_inline
parent ligne 14
via heuristic_short
16 (34) main
via surya_layout
17 The two known as bāhyaṣāḍavā and nādākhyā are born in vesaraṣāḍava. main
via surya_layout
18 Tānodbhavā should be known as being assigned to bhinnatāna. main
via surya_layout
19 (35) annotation_inline
parent ligne 18
via heuristic_height
20 In gāndhārapañcama, gāndhārikā is the one bhāṣā that is accepted. main
via surya_layout
21 Gāndhārī is with profuse gāndhāra and is delightful to the people in main
via surya_layout
22 pañcama (gāndhārapañcama). In revagupta<sup>13</sup> (?) śakākhyā is the one main
via surya_layout
23 spoken of in <i>pañcamaṣāḍav</i>a. main
via surya_layout
24 (36) annotation_inline
parent ligne 23
via heuristic_short
25 Thus are obvious the bhāṣās that are born in manifold ways. Now listen main
via surya_layout
26 to their description alongwith illustration for each one. main
via surya_layout
27 (37) main
via surya_layout
28 [The description of bhāṣās] section_header
via surya_layout
29 [1. Bhāṣās in ṭakka-rāga] section_header
via surya_layout
30 It has madhyama as its amśa, şadja as its concluding note, is devoid of main
via surya_layout
31 pañcama and there is to be seen here again and again the mutual main
via surya_layout
32 movement<sup>14</sup> of dhaivata-niṣāda and similarly ṣadja - dhaivata. This should main
via surya_layout
33 be known as hexatonic. Travaņā should bear the name mūlā. main
via surya_layout
34 (38-39) annotation_inline
parent ligne 33
via heuristic_height
180 lignes a valider — change uniquement les roles incorrects.