Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20852). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p144 LEFT — 51 lignes

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1 2"-WH - - * annotation_inline
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2 270 page_number
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3 BRHADDEŚĪ page_header
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4 54. Reconstruction based on Kalā (appendix) on SR II, p. 139, list_item
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5 reading sa-ri-sangatā. list_item
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6 55. Both S Rāj II.2.1.999 c and Kalā (appendix) on SR, p.119 read list_item
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7 khañjanī. list_item
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8 56. S Rāj II.2.1.999b reads 'gāndhāreņa vivarjitā', thus describing it list_item
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9 as being devoid of 'gāndhāra'. list_item
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10 57. Gūrjarī is described as complete in S Rāj II.2.1.1001f and Kalā list_item
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11 (appendix) on SR II, p. 138, hence our reconstruction. list_item
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12 ककुभे मध्यमग्रामभाषा धैवतविश्रमा। main
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13 58. cf. annotation_inline
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14 मध्यमांशग्रहा पूर्णा सङ्कीर्णा रिधसङ्गता ॥ main
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15 S. Rāj II. 2. 1. 683. main
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16 59. Bha Bhā Vol. II,VII, 47 c reads śalavāhinī, enumerating it under the list_item
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17 five antarabhāṣās of ṣadjagrāma. S. Rāj II.2.1.123a reads sālavāhanī under the list_item
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18 uddeśa(enumeration) of the bhāṣās of kakubha and ibid 686 f reads śātavāhanī list_item
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19 while giving its lakṣaṇa (description). It also reads śālavāhanī while enumerating list_item
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20 it in verse 79 d as an <i>antarabhāṣā</i> of <i>kakubha</i>. Kalā (appendix) on SR II, p. 134 list_item
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21 reads śālavāhanī while describing it as an antarabhāṣā of kakubha. list_item
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22 60. Kalā (appendix) on SR II, p.134 reads ri-ga-sangatā, describing a list_item
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23 concert between rṣabha and gāndhāra. list_item
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24 विभाषा ककुभे भोगवर्धनी तारमन्द्रगा ॥ list_item
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25 61. cf. (i) list_item
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26 धैवतांशग्रहन्यासा मापन्यासा रिवर्जिता । list_item
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27 धनिभ्यां गमपैभृंरिवैराग्ये विनियुज्यते ॥ list_item
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28 SR II. 2. 112 c-113. main
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29 (ii) annotation_inline
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30 निषादांशग्रहा भाषा ककुभे भोगवर्धनी । main
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31 स्वल्पर्पभसमायुक्ता धैवतन्यासभूपिता ॥ main
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32 निगयोर्गपयोर्युक्ता सङ्गत्या गानमाश्रिता । main
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33 षड्जग्रामे .....॥ annotation_inline
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34 S Rāj II.2.1.690,691.c. main
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35 तथैव याष्टिकेनोक्ता विभाषा भोगवर्धनी । main
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36 (iii) annotation_inline
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37 पङ्जग्रामेण सम्बद्धा ककुभे तारमन्द्रगा ॥ main
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38 धैवतांशग्रहन्यासा ऋषभेण विवर्जिता । main
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39 षड्जान्यस्वरभूयिष्ठा गापन्यासा, नियोजिता ॥ main
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40 वैराग्येऽप्यथवा संन्यासे .....ं। main
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41 Ibid. 707, 708.c. annotation_inline
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42 मधुरी ककुभोद्भूता सांशा धान्ताखिल स्वरा। main
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43 62. cf. (i) annotation_inline
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44 गपयोर्निपयोर्युका सङ्कीर्णा याष्ट्रिकोदिता ॥ main
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45 Kalā (appendix) on SR II,p.133. main
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46 Carl man Carlo man a March and unknown
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47 · 西西州市，1920年11日，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年 annotation_inline
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48 2012/09/09 8:44 annotation_inline
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49 (vide) annotation_inline
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50 -0.0 annotation_inline
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51 . . . . . . . . . . . . . . . . . . . . annotation_inline
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vol_II_p109 RIGHT — 41 lignes

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1 [Chapter V] section_header
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2 [Desī rāgas] section_header
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3 [Propitiation] section_header
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4 I make obeisance to the Devīl who bears a red hue like that of the bandhūka main
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5 (flower), has three eyes, wears a crest of the kalā (part) of the one having rays main
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6 of ampta (nectar) (crescent moon), wears red clothes, is bent with the weight main
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7 of breasts that are becoming plump and elevated, is conventionally associated main
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8 with the begininning of youth, is adorned with all ornaments, has abode in main
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9 the lotus, whose body bears association with the citron fruit, whose (two) main
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10 hands hold the snare (pāśa) (and) hook (ankuśa) (and the other two) hands main
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11 are held in the abhaya (granting of freedom from fear) and vara (granting main
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12 of boons) gestures and who is the yoni (origin, birth-place) of the universe. main
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13 (345) annotation_inline
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14 [Threefold desi ragās] section_header
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15 After this I shall speak of the group of desī rāgas, which embodies the main
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16 combination of practice (laksya) and theory (laksana) and is threefold4; viz. main
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17 rāgānga, bhāṣānga and kriyānga as the third one. main
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18 (346, 347) annotation_inline
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19 I shall speak of the description of each of them one after another. main
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20 (348) annotation_inline
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21 All rāgāngas are so called by the experts in music because they bear only main
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22 a reflection or shadow (chāyā) of the grāmarāgas that have been spoken of. main
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23 (349) annotation_inline
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24 Bhāṣāṅgas are so called by the singers devoted to the rendering of main
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25 panegyrics because they are based on the reflection or shadow (châyā) of main
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26 bhāṣās<sup>7</sup> and hence become similar to the same (bhāṣās). main
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27 (350) annotation_inline
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28 Kriyāngas are so called because they are born of the kriyā<math>^8</math> (special way of main
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29 rendering), born of karuna (pathos), utsāha 9 (enthusiasm) and the like. main
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30 (351) annotation_inline
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31 The set of regulations prescribed earlier for the mārga-rāgas, could main
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32 sometimes become otherwise in desī-rāgas, bhāṣās and the like. main
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33 (352) annotation_inline
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34 [Bhāṣāṅgarāgas<sup>10</sup>] editorial_bracket
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35 [1. Kacchelli] section_header
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36 Kacchelli 11 is known to have madhyama as amsa, graha (and) nyāsa, main
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37 has low(mandra) ri (rṣabha) (and) has leaning towards high (tāra), is devoid main
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38 of ga-dha (gāndhāra-dhaivata) and should be known to have profuse main
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39 movement of pa-ri (pañcama-ṛṣabha). main
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40 (353) annotation_inline
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41 (vide) annotation_inline
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vol_II_p134 RIGHT — 41 lignes

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1 251 page_number
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2 PĂŢHAVIMARŚA page_header
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3 88. ८ि. जात्यंशगतानि यानि दशकरूपाणि ताञ्चशणान्युकानि तत्सङ्कीर्णतया यन् मिश्रम् । गेयं ग्रामरागादिलक्षणम् । तद्यदि main
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4 कस्योपि जात्यंशकस्य सम्बन्ध्यंशोऽन्यस्य न्यासोऽन्यदीयोऽपन्यास इत्यादि बहुतरवैचित्र्यम् । तदेवम्भूतं यन्मिश्रगेयं तदस्या main
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5 जातेरर्थितमिति यत्रियम्यते मतङ्गनन्दिकश्यपयाष्टिकादिभिस्तद्धिकेन रूपबाहुल्येन । तथा(विहि)तं पानकमिदमिति न तु main
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6 क्रममिश्रितम्। annotation_inline
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7 Abhi Bhā on NŚ XXVIII. 141, p. 63. main
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8 89. cf. इति त्रिपष्टिरंशा: स्युस्तेपामेकैकशोंऽशता । main
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9 C.r. in Sudhā on SR I. 7.59-63. main
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10 Verses 251-256 of our text tally with Datti 90b-95. main
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11 90. P.t. adds here a confused reading after 'madhye' - list_item
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12 ये अनंशास्तेषामनंशानां list_item
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13 91. The order of ṛṣabha-dhaivata has been changed by us to dhaivata- list_item
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14 rṣabha in order to correct the respective order of kaiśikī and pañcamī. list_item
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15 92. C.r. in Sudhā on SR I.7.24-28, p.180. list_item
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16 P.t. reads the following after kriyamaņe in the first line of Anu. 139, which main
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17 is redundant- annotation_inline
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18 सप्तधिकश्चैवं चत्वारिशच्च पाडवे अस्यार्थविधौ क्रियमाणे । main
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19 93. C. r. in Sudhā on SR 1.7.24-28, p.180, reads - list_item
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20 सप्तचत्वारिंशदंशा भवन्ति । कथम् ? चतसृणां etc. list_item
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21 94. C. r. in ibid. list_item
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22 95.cf. c.r. in ibid - list_item
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23 पड्जमध्यमा पाड्जी पड्जोदोच्यवा कैशिकी रक्तगान्धारीत्यासां सप्तांशा अपवादभूता: पातनीया: । main
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24 P.t. adds the following portion after verse 257, which is out of place and has, main
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25 therefore, been omitted by us- main
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26 सगमपर्धः स्मृता +++++++ । main
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27 नन्दयन्ती भवेत् पागा गान्धारोदीच्यवासमा ॥ main
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28 96. C.r. in Sudhā on SR I. 7.24-28, p.180. list_item
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29 97. Reading in NS Chau. XXVIII. 93. list_item
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30 98. Reading in NS XXVIII. 58. list_item
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31 99. Ibid. list_item
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32 100. Reading in NS Chau. XXVIII.63. list_item
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33 101. P.t. reads - 'tadvaddhaivatahīnatā'. Reconstruction based on NŠ list_item
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34 XXVIII. 59. list_item
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35 102. Reading in NS Chau. XXVIII. 63. list_item
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36 103. Reading in NS XXVIII. 59 and NS Chau. XXVIII. 64. Recon- list_item
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37 struction of 'pañcamaḥ'as 'pañcamam 'based on NŚ Chau. XXVIII. 64. list_item
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38 104, 105.Reading in NS XXVIII. 60. list_item
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39 106, 107. Reading in NS Chau. XXVIII .64. list_item
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40 108. Reading in NŚ XXVIII. 61. list_item
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41 109. Added on the basis of NS XXVIII. 61. list_item
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1 1.50 4 1 annotation_inline
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2 TRANSLATION page_header
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3 115 page_number
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4 [Anu. 198] editorial_bracket
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5 Ṣaḍjais its graha, amśa and nyāsa. Niṣādais kākalī here. It is pentatonic with main
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6 the omission of dhaivata and ṛṣabha. Its application is prescribed in sambhoga- main
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7 śṛṅgāra (love in union). Vīra<sup>72</sup> and the like are the rasas. The mūrchanā main
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8 beginning with sadja obtains. Ārohin is the varņa. Prasannādi is the alankāra. main
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9 The kalāis formed in the dakṣiṇa (mārga), the kalā obtains in the vṛtti (mārga) main
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10 and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in main
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11 songs comprised of svara and pada. main
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12 [7. Ţakkakaiśika] section_header
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13 Ţakkakaiśika is born of dhaivatī and madhyamā jātis, has dhaivata as its amśa main
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14 and concluding note and is weak in the svaras comprised of two śrutis each main
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15 (gāndhāra and niṣāda). main
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16 (326) annotation_inline
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17 [Anu. 199] editorial_bracket
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18 Takkakaišika is related to sadjagrāma. (Contention) This rāga is born of main
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19 jātis related to both the grāmas, how is it proper to say that it is related to main
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20 șadjagrāma? [Answer] În its performance pañcama related to four śrutis is editorial_bracket
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21 obtained. Pañcama and dhaivata are the two that bring about a distinction main
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22 between the two grāmas. Hence, this rāga is related to sadjagrāma alone on main
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23 account of pañcama being comprised of four śrutis. Dhaivata is the graha, main
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24 amśa and nyāsa. Niṣāda and gāndhāra are kākalī and antara here. This (rāga) main
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25 is complete in svaras. In the opinion of Kasyapa it becomes auduvita main
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26 (pentatonic) with the omission of <i>niṣāda</i> and <i>gāndhāra</i>. Its application is main
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27 prescribed in passionate acting (or dance) and in the entry of a love-lorn one main
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28 and his kañcukin (attendant of the female apartments). <math>\dot{B}\bar{\imath}bhatsa^{73}</math> and the main
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29 like are the rasas. The mūrchanā beginning with dhaivata obtains. Ārohin is main
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30 the varna. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the main
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31 vṛtti (mārga) and the kalā prevails in the citra (mārga). A tāla like caccatpuṭa main
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32 obtains in songs comprised of svara and pada. main
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33 [8. Mālavakaisika] section_header
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34 The rāga mālavakaišika is born of kaišikī jāti, is combined with ṣaḍja as amša main
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35 and nyāsa and is weak in dhaivata. main
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36 (327) annotation_inline
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37 Some prefer pancama for the function of nyāsa in it and others prefer main
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38 găndhāra, but that is not seen in practice. main
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39 (328) main
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1 <b>BRHADDES!</b> page_header
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2 38 page_number
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3 [ अनु. २५ ] editorial_bracket
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4 इदानीं गान्धारनिषादयोरेकश्रुत्यन्तरहीनत्वेनानुवादित्वे प्राप्ते main
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5 द्वचन्तरत्वाद् विवादित्वमुक्तम्। किं तद् विवादित्वं नाम ? वाद्यादिभिः main
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6 स्वरैर्यद्रागस्य वादित्वं संवादित्वमनुवादित्वं प्राप्तं, तद्विनाशकत्वं नाम main
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7 विवादित्वम्। विवादिमण्डलं यथा— main
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8 स annotation_inline
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9 नि annotation_inline
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10 रि annotation_inline
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11 ध annotation_inline
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12 4 page_number
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13 Ŧ annotation_inline
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14 ॥ इति [ षड्जग्रामे ] विवादिमण्डलम् ॥ editorial_bracket
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15 ` annotation_inline
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16 [ अनु. २६ ] editorial_bracket
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17 विवादिप्रयोगो यथा—ऋषभस्थाने गान्धारः प्रयुज्यमानो गान्धारस्थान main
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18 25ऋषभः प्रयुज्यमानो जातिरागहानिकरो भवेत्। धैवतस्थाने निषादः main
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19 प्रयुज्यमानो [ निषादस्थाने धैवतः प्रयुज्यमानो ] जातिरागहानिकरो editorial_bracket
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20 भवेत् ॥ इति षड्जग्रामे ॥ editorial_bracket
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21 [ अनु. २७ ] editorial_bracket
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22 इदानी मध्यमग्रामे वादित्वं संवादित्वमनुवादित्वं [ विवादित्वम् ] च editorial_bracket
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23 तत्र वादिनो मध्यमादिस्वराः सप्त²६। नवकत्रयोदशान्ताः main
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24 प्रदश्यते । annotation_inline
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25 संवादिनः। एकश्रुत्यन्तरहीनत्वादनुवादिनः। द्वचन्तरौ तु स्वरौ main
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26 विवादिनौ । annotation_inline
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27 ___ •नादनुः ____ main
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199 lignes a valider — change uniquement les roles incorrects.