Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20864). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p107 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	197	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Illustration - Dhāsādhāgā sānisāmāni. Mānidhāmāgā. Gāmādhāni. Dhāmāmāgā.	main via surya_layout
4	Ninidhādhā. Lalitā [ix]	editorial_bracket parent ligne 3 via heuristic_brackets
5	Niṣādavatikā<sup>25</sup> is said to be adorned with dhaivata as the initial and	main via surya_layout
6	concluding note, is a complete antara-bhāṣā and by others it is sung as being	main via surya_layout
7	devoid of ri (ṛṣabha).	main via surya_layout
8	(29)	annotation_inline parent ligne 7 via heuristic_height
9	Illustration - Dhāmāgāpā. Pāsāpāpā. Gamāmāpāni dhāpādhādhādhā.	main via surya_layout
10	Pāmādhāgāgā. Sanidhādhāpāpā. Dhāsāgamāgāpa nīdhādhānīsari	main via surya_layout
11	sāmāpānidhāpā māmāgāpa sadhānidhādhā. Niṣāḍavatī [x]	editorial_bracket parent ligne 10 via heuristic_brackets
12	Tumburu<sup>26</sup> is combined with dhaivata as the initial and concluding note,	main via surya_layout
13	is known to be hexatonic, is devoid of rşabha (and) is sung by the expounders	main via surya_layout
14	of Veda<sup>27</sup>	main via surya_layout
15	(30)	annotation_inline parent ligne 14 via heuristic_height
16	Illustration - Dhānisāgā gāmādhāpā māgani sanīdhādhā. Tumburu [xi]	editorial_bracket parent ligne 14 via heuristic_brackets
17	Gāndhāralalitā is complete, has madhyama as amśa and dhaivata as the	main via surya_layout
18	concluding note, is sung in the rituals associated with manes<sup>28</sup> (and) has	main via surya_layout
19	concert between şadja-dhaivata.	main via surya_layout
20	(31)	annotation_inline parent ligne 19 via heuristic_height
21	Illustration - Mādhāpā. Pāsāsāmaga sāsārīrī sānidhādhā sāsārigāmā	main via surya_layout
22	gāriri. Sāgarīsārī. Sādhā. Gāndhāralalitā [xii]	editorial_bracket parent ligne 21 via heuristic_brackets
23	.....................	annotation_inline parent ligne 21 via heuristic_height
24	Illustration - Dhādhādhāpā. Gariridhāpadhāninirigā papānidhādhā	main via surya_layout
25	rigarigadhāpadhā ripāgā rinidhā pādhādhā. Kalingā [xiii]	editorial_bracket parent ligne 24 via heuristic_brackets
26	The <i>bhāṣā</i> having <i>dhaivata</i> as the initial and concluding note, is <math>\acute{s}uddh\bar{a}</math>, <math>	main via surya_layout
27	dhaivata-madhyama (have concert?). It is a <math>m\bar{u}labh\bar{a}</math>ṣ<math>\bar{a}</math> sung by Nārada<math>^{3	main via surya_layout
28	others in bhinnaṣadja (rāga).	main via surya_layout
29	(32)	annotation_inline parent ligne 28 via heuristic_height

vol_II_p040 RIGHT — 42 lignes

L#	Texte OCR	Role auto
1	63	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	mā mā mā mā mā mā mā mā	table via surya_layout
4	(4)	table via surya_layout
5	dhā nī pā mapa dhā nī pā pā	table via surya_layout
6	(5)	table via surya_layout
7	(6)	table via surya_layout
8	mā pā mā dhani pā pā pā pā	table via surya_layout
9	(7)	table via surya_layout
10	rî gā mā pā pā pā mā pā	table via surya_layout
11	(8)	table via surya_layout
12	rī gā mā pā pā pā mā pā	table via surya_layout
13	(9)	table via surya_layout
14	pā pā pā pā pā pā pā pā	table via surya_layout
15	(10)	table via surya_layout
16	rī gā sā sā rī gā gā gā	table via surya_layout
17	(11)	table via surya_layout
18	gã gã pã dhama dhã nidha pã pã	table via surya_layout
19	(12)	table via surya_layout
20	mā pā mā pariga gā gā gā gā	table via surya_layout
21	Thus ends raktagāndhārī.	section_header via surya_layout
22	[4. Kaiśikī]	section_header via surya_layout
23	In kaiśikī, the svaras other than ṛṣabha are aṁśas. When ni and dha are the	main via surya_layout
24	amsas, then pancama alone is the nyāsa; otherwise the svaras with two śrutis	main via surya_layout
25	(gāndhāra-niṣāda) are known to be nyāsas. Others, on the other hand, know	main via surya_layout
26	niṣāda, gāndhāra and pañcama as nyāsas when niṣāda and dhaivata are amsas.	main via surya_layout
27	(11)	annotation_inline parent ligne 26 via heuristic_short
28	The hexatonic and pentatonic forms are known to come into being with	main via surya_layout
29	the omission of <i>rṣabha</i> and <i>rṣabha-dhaivata</i>. <i>Rṣabha</i> is sparse, there is the	main via surya_layout
30	abundance of niṣāda and pañcama. The amsas have mutual concert.	main via surya_layout
31	(12)	annotation_inline parent ligne 30 via heuristic_short
32	Pañcama and dhaivata are averse to the hexatonic and pentatonic forms	main via surya_layout
33	respectively. (The tāla) pañcapāṇi and the like are as in ṣāḍjī. The mūrchanā	main via surya_layout
34	beginning with gāndhāra obtains.	main via surya_layout
35	(13)	annotation_inline parent ligne 34 via heuristic_short
36	The application is (prescribed) in the dhruvā pertaining to the fifth act.	main via surya_layout
37	Gāndhāra, pancama and niṣāda are nyāsas in this (jāti). Six svaras excepting	main via surya_layout
38	rṣabha or seven svaras are apanyāsas. The prastāra is thus -	main via surya_layout
39	(1)	table via surya_layout
40	pā dhani pā dhani gā gā gā gā	table via surya_layout
41	pā pā mā nidha nidha pā pā pā	table via surya_layout
42	(2)	table via surya_layout

vol_II_p003 RIGHT — 69 lignes

L#	Texte OCR	Role auto
1	Park to the	unknown via fallback
2	<b>CONTENTS</b>	section_header via surya_layout
3	Introduction	table via surya_layout
4	ν	table via surya_layout
5	xvii	table via surya_layout
6	<b>Abbreviations</b>	table via surya_layout
7	Bṛhaddeśī of Srī Mataṅga Muni	table via surya_layout
8	(Text and Translation)	table via surya_layout
9	CHAPTER II	table via surya_layout
10	Jātis	table via surya_layout
11	3	page_number via heuristic_pagenum
12	1. Their number, nomenclature and types	table via surya_layout
13	Number and nomenclature	table via surya_layout
14	3	page_number via heuristic_pagenum
15	3	page_number via heuristic_pagenum
16	The jātis of ṣaḍjagrāma	table via surya_layout
17	3	page_number via heuristic_pagenum
18	The jātisof madhyamagrāma	table via surya_layout
19	5	page_number via heuristic_pagenum
20	Sādhāraņakṛtā Jātis	table via surya_layout
21	5	page_number via heuristic_pagenum
22	2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis	table via surya_layout
23	9	page_number via heuristic_pagenum
24	3. General definition of jāti	table via surya_layout
25	4. The tenfold lakṣaṇas or characteristics	table via surya_layout
26	The definition of graha	table via surya_layout
27	13	page_number via heuristic_pagenum
28	The definition of amśa	table via surya_layout
29	2.	table via surya_layout
30	The definition of apanyāsa	table via surya_layout
31	13	page_number via heuristic_pagenum
32	forming part of that of amsa	table via surya_layout
33	The definition of sammyāsa	table via surya_layout
34	forming part of that of amśa	table via surya_layout
35	13	page_number via heuristic_pagenum
36	The definition of vinyāsa	table via surya_layout
37	15	page_number via heuristic_pagenum
38	forming part of that of anisa	table via surya_layout
39	15	page_number via heuristic_pagenum
40	The definition of tara	table via surya_layout
41	3.	table via surya_layout
42	17	page_number via heuristic_pagenum
43	The definition of mandra	table via surya_layout
44	4.	table via surya_layout
45	17	page_number via heuristic_pagenum
46	5. The definition of sāḍava	table via surya_layout
47	19	page_number via heuristic_pagenum
48	The definition of audava	table via surya_layout
49	6.	table via surya_layout
50	21	page_number via heuristic_pagenum
51	The definition of alpatva	table via surya_layout
52	7.	table via surya_layout
53	21	page_number via heuristic_pagenum
54	The definition of bahutva	table via surya_layout
55	8.	table via surya_layout
56	21	page_number via heuristic_pagenum
57	The definition of <i>nyāsa</i>	table via surya_layout
58	9.	table via surya_layout
59	23	page_number via heuristic_pagenum
60	10. The definition of apanyāsa	table via surya_layout
61	5. Optional and alternative prescription of amśa	table via surya_layout
62	23	page_number via heuristic_pagenum
63	and the like in jātis	table via surya_layout
64	31	page_number via heuristic_pagenum
65	6. Indication of the gaņas or groups of the jātis	table via surya_layout
66	7. Prescription regarding the performance of jātis	table via surya_layout
67	33	page_number via heuristic_pagenum
68	35	page_number via heuristic_pagenum
69	8. The ṣāḍava and auḍava formation of jātis	table via surya_layout

vol_II_p079 RIGHT — 24 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	141	page_number via heuristic_pagenum
3	Illustration - Sāgāgapā. Pāmapāmagāmāmā rīgasāsā sāsamāgapāpā.	main via surya_layout
4	Pādhanidhā. Mapāpāmapāmāmāmagāsa sīvidhānisīsī sadhānīgāvīgāmāpāganisā	main via surya_layout
5	nīgārīnisāsā-. Nidhāpāmāgārīgāsā . Mānīdhanīdhāsā. Chevāţī [iv]	editorial_bracket parent ligne 4 via heuristic_brackets
6	Having ṣadja as its nyāsa, niṣāda as its amsa, being weak in pancama, there	main via surya_layout
7	being the concert of ṣadja-gāndhāra and similarly ṣadja-madhyama, this bhāṣā	main via surya_layout
8	should be known as hexatonic. Mālavesarī bears the name mūlā.	main via surya_layout
9	(44)	annotation_inline parent ligne 8 via heuristic_height
10	Illustration - Nīdhāninī sarisāsāgāmāgādhārisamāmāsā gāsārisāsāgadharisā.	main via surya_layout
11	Gāmādhāmā māgādhāgā. Sāsāsā. Mālavesarī [v]	editorial_bracket parent ligne 10 via heuristic_brackets
12	Gūrjarī is well- known as a deśa-bhāṣā (regional melodic variety); it is	main via surya_layout
13	immensely lustrous, has niṣāda as amśa , ṛṣabha and ṣaḍja as its concluding	main via surya_layout
14	notes, and is complete. The concert<sup>17</sup> of sadja-madhyama and similarly	main via surya_layout
15	pañcama-ṛṣabha should be known there.	annotation_inline parent ligne 14 via heuristic_height
16	(45)	annotation_inline parent ligne 14 via heuristic_height
17	Illustration - Nisāsānipāpānīdhānīnī sānīsāsā. Sārīsāriri. Sāmāgā. Riri.	main via surya_layout
18	Nīnīnī. Pāpāpā. Nidhāni. Nigāsā. Gūrjarī [vi]	editorial_bracket parent ligne 17 via heuristic_brackets
19	This bhāṣā, saurāṣṭrī bearing the name deśī (regional) has niṣāda as its	main via surya_layout
20	amsa, sadja as its concluding note, is always complete and is sung by people.	main via surya_layout
21	(46)	annotation_inline parent ligne 20 via heuristic_height
22	Illustration - Ninidhāninisāsā nirigāsāsā sāgāgāsā dhaninini dhāmāmānini	main via surya_layout
23	ninidhāsāsā gāsāsāgāsāsadhāni dhānidhāmāmāmārigāsāsā gāsanīsāsāsā.	main via surya_layout
24	Saurāstrī [vii]	editorial_bracket parent ligne 23 via heuristic_brackets

vol_I_p027 LEFT — 28 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDEŚ</b>I	page_header via surya_layout
2	36	page_number via heuristic_pagenum
3	[ अनु. २३ ]	section_header via surya_layout
4	अनुवादित्वं च पुनरेकश्रुत्यन्तरहीनत्वेन स्यात्। ननु किं तदनुवादित्वम्?	main via surya_layout
5	<sup>20</sup>श्रुतिहीनत्वेन	main via surya_layout
6	21त्ववनु	annotation_inline parent ligne 5 via heuristic_short
7	यत् संवादिना रागस्य रागत्वं सम्पादितं तत्प्रतिपादकत्वं नामानुवादित्वम्।	main via surya_layout
8	22,द वादिना	annotation_inline parent ligne 7 via heuristic_short
9	₀दक	annotation_inline parent ligne 7 via heuristic_markers
10	अनुवादिमण्डलं यथा-	main via surya_layout
11	स	annotation_inline parent ligne 10 via heuristic_height
12	नि	unknown via surya_layout
13	रि	unknown via surya_layout
14	घ	annotation_inline parent ligne 10 via heuristic_height
15	म	annotation_inline parent ligne 10 via heuristic_height
16	4	page_number via heuristic_pagenum
17	॥ इति षड्जग्रामे ] अनुवादिमण्डलम्॥	caption via surya_layout
18	[ अनु. २४ ]	section_header via surya_layout
19	अनुवादिप्रयोगो यथा—षड्जस्थाने ऋषभ ऋषभस्थाने	main via surya_layout
20	षड्जः	annotation_inline parent ligne 19 via heuristic_short
21	प्रयुज्यमानः स्वरूपं भजन् जातिरागहा न भवति । पञ्चमस्य स्थाने	main via surya_layout
22	॰धैवतः प्रयुज्यमानो धैवतस्य स्थाने पञ्चमः प्रयुज्यमानो २३[ जाति- ]	editorial_bracket parent ligne 21 via heuristic_brackets
23	रागहा न भवेत् । षड्जस्थाने धैवतः प्रयुज्यमानो धैवतस्थाने षड्जः	main via surya_layout
24	प्रयुज्यमानो जातिरागविनाशकरो न भवति। पञ्चमस्थान ऋषभः	main via surya_layout
25	प्रयुज्यमान ऋषभस्थाने पञ्चमः प्रयुज्यमानो जातिरागहा न भवेत् ।	main via surya_layout
26	24 मध्यमस्थान ऋषभ ऋषभस्थाने च मध्यमस्तथा धैवतस्थाने	main via surya_layout
27	मध्यमो मध्यमस्थाने च धैवतः प्रयुज्यमानो जातिरागनाशको न	main via surya_layout
28	भवति।	main via surya_layout

192 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p107 RIGHT — 29 lignes

vol_II_p040 RIGHT — 42 lignes

vol_II_p003 RIGHT — 69 lignes

vol_II_p079 RIGHT — 24 lignes

vol_I_p027 LEFT — 28 lignes