Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20865). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p040 RIGHT — 35 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	annotation_inline parent ligne 3 via heuristic_height
2	63	page_number via heuristic_pagenum
3	sa X ga ma pa dha ni	main via surya_layout
4	ni sa X ga ma pa dha	main via surya_layout
5	dha ni sa X ga ma pa	main via surya_layout
6	pa dha ni sa X ga ma	main via surya_layout
7	ma pa dha ni sa X ga	main via surya_layout
8	ga ma pa dha ni sa X	main via surya_layout
9	X ga ma pa dha ni sa	main via surya_layout
10	(Tānas) devoid of rṣabha.	main via surya_layout
11	sa ri ga ma X dha ni	main via surya_layout
12	ni sa ri ga ma X dha	main via surya_layout
13	dha ni sa ri ga ma X	main via surya_layout
14	X dha ni sa ri ga ma	main via surya_layout
15	ma X dha ni sa ri ga	main via surya_layout
16	ga ma X dha ni sa ri	main via surya_layout
17	ri ga ma X dha ni sa	main via surya_layout
18	(Tānas) devoid of pañcama.	main via surya_layout
19	sa ri ga ma pa dha X	main via surya_layout
20	X sa ri ga ma pa dha	main via surya_layout
21	dha X sa ri ga ma pa	main via surya_layout
22	pa dha X sa ri ga ma	main via surya_layout
23	ma pa dha X sa ri ga	main via surya_layout
24	ga ma pa dha X sa ri	main via surya_layout
25	ri ga ma pa dha X sa	main via surya_layout
26	(Tānas) devoid of niṣāda.	main via surya_layout
27	Thus end the sadava [ tanas ].	editorial_bracket parent ligne 26 via heuristic_brackets
28	X ri ga ma X dha ni	main via surya_layout
29	ni X ri ga ma X dha	annotation_inline parent ligne 28 via heuristic_short
30	dha ni X ri ga ma X	main via surya_layout
31	X dha ni X ri ga ma	annotation_inline parent ligne 30 via heuristic_short
32	ma X dha ni X ri ga	main via surya_layout
33	ga ma X dha ni X ri	annotation_inline parent ligne 32 via heuristic_short
34	ni ga ma X dha ni X	main via surya_layout
35	(Tānas) devoid of sa-pa.	main via surya_layout

vol_II_p036 RIGHT — 36 lignes

L#	Texte OCR	Role auto
1	55	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[8. Gändhārī]	section_header via surya_layout
4	Out of them, gāndhāra, ṣadja, madhyama, pañcama and niṣāda are grahas,	main via surya_layout
5	the same are amsas of gandhari. The tara extends upto five svaras. The mandra	main via surya_layout
6	, extends upto the nyāsa or upto the svara next to it. The sādava state is devoid	main via surya_layout
7	of rṣabha, the auduvita state is devoid of ṛṣabha, dhaivata. In the complete	main via surya_layout
8	state there is sparseness of rṣabha-dhaivata, and abundance of the remaining	main via surya_layout
9	ones. On account of being a svara-jāti<sup>72</sup>i.e. a jāti bearing the name of svara,	main via surya_layout
10	gāndhāra is the nyāsa. Ṣadja, pañcama are the two apanyāsas and there is	main via surya_layout
11	sangati (concert or to and fro movement) between dhaivata and ṛṣabha. That	main via surya_layout
12	is thus – when <math>g\bar{a}ndh\bar{a}r\bar{i}</math> is sung as complete then <math>m\bar{a}</math> - <math>dh\bar{a}<	main via surya_layout
13	prayoga (performance).	main via surya_layout
14	Thus is the performance. When it is sung with the omission of rṣabha then	main via surya_layout
15	while touching (lit. entering) the adhara 74 (lit. lower, but higher in pitch)	main via surya_layout
16	mā-dhā-dhā-gā, thus is the performance. When it is sung in its pentatonic	main via surya_layout
17	form then while touching the uttara 75 (lower svara) mā-gā dhā-thus is the	main via surya_layout
18	performance. Mā-pa-ri-dhā is never to be performed.	main via surya_layout
19	[Anu. 161]	editorial_bracket parent ligne 18 via heuristic_brackets
20	This is eleven-fold. There are eleven ainsas - there is one in the suddhā	main via surya_layout
21	state, five in the vikṛtā complete state, four are hexatonic (and) one is	main via surya_layout
22	pentatonic. The mūrchanā beginning with dhaivata obtains here. Caccatpuța	main via surya_layout
23	is the tālain the ekakalaform. In citra mārga, there is māgadhī (gītī), in dvikala	main via surya_layout
24	vārtika (mārga) there is sambhāvitā (gīti), in catuşkala dakṣiṇa (mārga), there	main via surya_layout
25	is pṛthulā (gīti), karuṇa (pathos) is the rasa. It is used in the singing of dhruvā	main via surya_layout
26	in the third act of a drama.	annotation_inline parent ligne 25 via heuristic_height
27	[9. Raktagāndhāri]	section_header via surya_layout
28	[Anu. 162]	editorial_bracket parent ligne 27 via heuristic_brackets
29	Ṣadja, madhyama, pañcama, gândhāra and niṣāda are the grahasand aṁśas	main via surya_layout
30	of raktagāndhārī. Tāra extends up to five svaras (from the amśa), mandra	main via surya_layout
31	extends up to the nyāsa or the svara next to it. The hexatonic form is devoid	main via surya_layout
32	of rṣabha and the pentatonic one is devoid of rṣabha-dhaivata. There is the	main via surya_layout
33	paucity of rṣabha and dhaivata in the complete form. The remaining (svaras)	main via surya_layout
34	have abundance. On account of niṣāda being the amśa, its abundance is	main via surya_layout
35	indicated. Its non-abundance comes about on account of the stated	main via surya_layout
36	prescription. Dhaivata being non-aniśa, its sparseness is indicated, its	main via surya_layout

vol_II_p116 RIGHT — 23 lignes

L#	Texte OCR	Role auto
1	215	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	[15. Hayalīlā]	section_header via surya_layout
4	Where the (first) half is sung with svaras, in turagalīla (tāla), (and the	main via surya_layout
5	latter) half is sung with birudas, that is known as hayalīlā.	main via surya_layout
6	(397)	main via surya_layout
7	[16. <i>Gajalīlā</i>]	section_header via surya_layout
8	That which is completely composed according to gajalīlā but where the tāla	main via surya_layout
9	is gajalīla, that should be known by the name gajalīlā.	main via surya_layout
10	(398)	main via surya_layout
11	[17. Simhalīlā]	section_header via surya_layout
12	Composed in simhalilā metre, combined with svara and tena, that which is	main via surya_layout
13	sung with birudas is sinihalīlaka.	main via surya_layout
14	(399)	main via surya_layout
15	[18. Śarabhalila]	section_header via surya_layout
16	Where eight feet are composed with svaras and pāṭas, that is held to be	main via surya_layout
17	śarabhalīla, having eight rāgas and tālas.	main via surya_layout
18	(400)	main via surya_layout
19	[19. Śukacańcu]	section_header via surya_layout
20	In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with	main via surya_layout
21	<math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various	main via surya_layout
22	regions, is named śukacańcu, that is dear to the people.	main via surya_layout
23	(401)	main via surya_layout

vol_I_p077 LEFT — 45 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	136	page_number via heuristic_pagenum
3	22. C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
4	23. Added according to C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
5	24. Portion added according to C.r. in S R I Sudhā, p. 95.	list_item via surya_layout
6	25. P.t. adds 'pañcama' before 'ṛṣabhaḥ' which is unwarranted.	list_item via surya_layout
7	26. P.t. combines sapta-svarāķ etc. and that has led to a misunderstanding	list_item via surya_layout
8	among scholars to the effect that Matanga has accepted the 'samvāda' of seven-	list_item via surya_layout
9	sruti interval in addition to that of nine and thirteen-sruti interval. (cf. IMJ,	list_item via surya_layout
10	No. 11-12, p. 57, article by P.L.S. on Matanga's Brhaddess ). Actually sapta is	list_item via surya_layout
11	related to 'svarāḥ'; hence a full-stop has been added after sapta and that clears	list_item via surya_layout
12	the whole confusion.	list_item via surya_layout
13	27. The ed. states that the text is broken here; the missing portion has been	list_item via surya_layout
14	taken by us from S R I Sudhā, p. 121.	list_item via surya_layout
15	28. Missing portion (verse 55-60) taken from C.r. in S R I Kalā, p. 79-81.	list_item via surya_layout
16	The cited verses are interspersed by Kallinatha with prose sentences of his own,	list_item via surya_layout
17	but they have been omitted by us.	list_item via surya_layout
18	29. C.r. in S R I Kalā, p. 81.	list_item via surya_layout
19	30. Sam S Sā, p. 14 and C.r. in S R I Kalā, p. 81.	list_item via surya_layout
20	31. This portion is missing in the MSS, it has been paraphrased in S R I Kalā,	list_item via surya_layout
21	p. 81 and cited in ibid. Sudhā, p. 97.	list_item via surya_layout
22	32. cf. व्हाजाती समी जेयी रिधी क्षत्रियजातिको ।	list_item via surya_layout
23	निर्गा वैश्याविति प्रौक्तौ पञ्चमः शूद्रजातिकः ॥	list_item via surya_layout
24	( Sam Mak I. 29 )	main via surya_layout
25	33. C.r. in S R I Sudhā, p. 97 and Sam Cû, p. 71.	list_item via surya_layout
26	34. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
27	35. Reading suggested by the ed.	list_item via surya_layout
28	36. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
29	37. C.r. in Sam Cu, p. 72.	list_item via surya_layout
30	38. C.r. in S R I Sudhā, p. 98.	list_item via surya_layout
31	39. cf. स्वराः सरिगमाश्चैव चत्वारो राक्षसाः स्मृताः ।	list_item via surya_layout
32	पधौ मानुषसज्ञौ च निपाद दैवत विदुः ॥	list_item via surya_layout
33	(Sam Mak I. 1.46)	main via surya_layout
34	40. After this P.t. has the following half-verse –	main via surya_layout
35	शृद्धजातिसमृत्पन्नी तौ काकल्यन्तरी स्वरी ।	main via surya_layout
36	This is redundant and misplaced because verse 61 d has already spoken of	main via surya_layout
37	kākali and antara svaras being śūdra and this line does not fit into the context	main via surya_layout
38	after verse 72; hence it has been omitted by us.	main via surya_layout
39	41. cf. Nā Ši I.4.1,2 and Gītālankāra, p. 50.	list_item via surya_layout
40	42. cf. Nā Ši I.5.14-18.	list_item via surya_layout
41	43. The reading 'hara' suggested by the ed. in the place of 'bhi' of MSS.	list_item via surya_layout
42	44. cf. Nā Ši 1.5.12-14.	list_item via surya_layout
43	पर्जाञ्चतर्वारी च ऋषभस्य च गंद्रकः ।	list_item via surya_layout
44	45. cf.	list_item via surya_layout
45	गान्धारस्य च शान्त च हास्यास्य मध्यमस्य च ॥	list_item via surya_layout

vol_I_p010 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	(朝:)	page_header via surya_layout
2	श्रीमतङ्गमुनिप्रणीता	section_header via surya_layout
3	बृहद्देशी	section_header via surya_layout
4	प्रथमोऽध्यायः	table via surya_layout
5	[देशी-प्रकरणम्]	table via surya_layout
6	..............	table via surya_layout
7	---------------------------------------	table via surya_layout
8	- 11	table via surya_layout
9	[ तत्र ध्वनेर्देशीत्वम् ]	table via surya_layout
10	[ मतङ्ग उवाच ]	table via surya_layout
11	नानाविधेषु देशेषु जन्तूनां सुखदो भवेत्	table via surya_layout
12	- 1	table via surya_layout
13	ततः प्रभृति लोकानां नरेन्द्राणां यदृच्छया ॥१॥	table via surya_layout
14	देशे देशे प्रवृत्तोऽसौ ध्वनिर्देशीति संज्ञितः ।	table via surya_layout
15	[ ग्रन्थकृत्वचनम् ]	table via surya_layout
16	मतङ्गस्य वचः श्रुत्वा नारदो मुनिरब्रवीत् ॥२॥	table via surya_layout
17	[ नारद उवाच ]	table via surya_layout
18	ननु ध्वनेस्तु देशीत्वं कथं जातं महामुने ।	table via surya_layout
19	अमूर्तत्वाच्च तस्येति सत्यं मे वक्तुमर्हसि ॥३॥	table via surya_layout
20	2 तेषां हि इति	table via surya_layout
21	मतङ्ग उवाच	table via surya_layout
22	यथादेशानुभूतत्वाद् ध्वनेः स्थानानुगत्वतः ॥४॥	table via surya_layout
23	<sup>3</sup> ₀नुभूतदेशाञ्च	table via surya_layout
24	³<sub>०</sub>गादपि	table via surya_layout
25	---------------------------------------	table via surya_layout
26	11	page_number via heuristic_pagenum
27	-------	table via surya_layout
28	ततो बिन्दुस्ततो नादस्ततो मात्रास्त्वनुक्रमात् ॥५॥	table via surya_layout
29	वर्णास्तु मातृकोद्भूता मातृका द्विविधा मताः ।	table via surya_layout
30	स्वर-व्यञ्जनरूपेण जगज्ज्योतिरिहोच्यते ॥६॥	table via surya_layout
31	इ्वर्यते देशभाषायां कादिक्षान्तं यथाविधि ।	table via surya_layout
32	५ यामादि,	table via surya_layout
33	तेन स्वराः समाख्याता अन्ये षड्जादयः स्वराः ॥७॥	table via surya_layout

172 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p040 RIGHT — 35 lignes

vol_II_p036 RIGHT — 36 lignes

vol_II_p116 RIGHT — 23 lignes

vol_I_p077 LEFT — 45 lignes

vol_I_p010 LEFT — 33 lignes