Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20868). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p128 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	,	annotation_inline parent ligne 4 via heuristic_height
2	TRANSLATION	page_header via surya_layout
3	239	page_number via heuristic_pagenum
4	[37. Dhvanikuṭṭanī]	section_header via surya_layout
5	Here there are <i>mātr</i>ās of even number and there is <i>dhvuni</i>, sometimes there is	main via surya_layout
6	a pause after that. If there are two tālas in this, then that is dhvanikuṭṭanī.	main via surya_layout
7	(480)	main via surya_layout
8	[38.<i>Dheńki</i>]	section_header via surya_layout
9	Where <math>n\bar{a}da_{*}^{86}</math> synthesised with syllable is taken up at will without <math>t\bar{a}la</math> and	main via surya_layout
10	then there is tāla, that is said to be <i>dhenkikā</i>.	main via surya_layout
11	(481)	main via surya_layout
12	[39. Ekatālī]	section_header via surya_layout
13	Where there is alliteration without break <math>^{87}</math> (and) where yati is formed in each	main via surya_layout
14	druta<sup>88</sup>(?), that is known to be ekatālikā by those knowledgeable in the essence	main via surya_layout
15	of music.	annotation_inline parent ligne 14 via heuristic_short
16	(482)	main via surya_layout
17	[40. <i>Mātṛkā</i>]	section_header via surya_layout
18	Where the letters of the alphabet are taken up one by one and are sung	main via surya_layout
19	in combination with the desired meaning, that is called mātṛkā.89	main via surya_layout
20	(483)	main via surya_layout
21	[41. Svarārtha]	section_header via surya_layout
22	Where the song is properly accomplished with the svaras (solfa syllables)	main via surya_layout
23	yielding the desired meaning, that is known as svarārtha among the songs made	main via surya_layout
24	of vastu.	annotation_inline parent ligne 23 via heuristic_short
25	(484)	main via surya_layout
26	[42. <i>Karana</i>]	section_header via surya_layout
27	Where two sections are composed of svaras alone without any break, that has	main via surya_layout
28	been said here to be karaṇa, being (endowed) with the yati named karaṇa (?).91	main via surya_layout
29	(485)	main via surya_layout

vol_II_p041 RIGHT — 47 lignes

L#	Texte OCR	Role auto
1	TRANSLATION	page_header via surya_layout
2	65	page_number via heuristic_pagenum
3	dhā nī sā sā rī rī rī rī	table via surya_layout
4	(3)	table via surya_layout
5	sā sā sā rī gā mā mā mā	table via surya_layout
6	(4)	table via surya_layout
7	mā dhā nī dhā mā dhā mā pā	table via surya_layout
8	.	annotation_inline parent ligne 24 via heuristic_height
9	<b>(5)</b>	table via surya_layout
10	gā rī sā dhani rī rī rī rī	table via surya_layout
11	(6)	table via surya_layout
12	gā rī sā sā pā dhā mā mā	table via surya_layout
13	(7)	table via surya_layout
14	gā gā gā mā pā nidhani nī nī	table via surya_layout
15	(8)	table via surya_layout
16	gã gã nĩ nĩ gã gã gã gã	table via surya_layout
17	(9)	table via surya_layout
18	gā gā nī nī nidha pā pā pā	table via surya_layout
19	(10)	table via surya_layout
20	mā pā mā pā pā pā mā mā	table via surya_layout
21	(11)	table via surya_layout
22	sā mā gā nidha nī nī gā gā	table via surya_layout
23	(12)	table via surya_layout
24	Thus ends <i>Kaišikī</i>.	section_header via surya_layout
25	[5. Madhyamodicyavā]	section_header via surya_layout
26	Madhyamodīcyavā is known to be always complete and having pañcama as	main via surya_layout
27	amsa.	annotation_inline parent ligne 26 via heuristic_short
28	(14)	main via surya_layout
29	The remaining lakṣaṇa should be known to be as in gāndhārodīcyavā. The	main via surya_layout
30	mūrchanā beginning with madhyama obtains. Caccatpuța is known as the	main via surya_layout
31	(prescribed) <i>tāla</i>.	main via surya_layout
32	(15)	annotation_inline parent ligne 31 via heuristic_short
33	The application is (prescribed) in the dhruvā of the fourth act.	main via surya_layout
34	Madhyama is the nyāsa in this jāti. Ṣadja and dhaivata are the apanyāsas. The	main via surya_layout
35	prastāra is thus –	main via surya_layout
36	pā dhani nī nī mā mā nī pā	table via surya_layout
37	(1)	table via surya_layout
38	rī rī rī gā sā riga gā gā .	table via surya_layout
39	(2)	table via surya_layout
40	nī nī nī nī nī nī nī nī	table via surya_layout
41	(3)	table via surya_layout
42	nī nī dhapa mā nidha nidha pā pā	table via surya_layout
43	<b>(4)</b>	table via surya_layout
44	pā pā rī rī rī rī rī rī	table via surya_layout
45	(5)	table via surya_layout
46	mā riga sā sadha nī nī nī nī	table via surya_layout
47	(6)	table via surya_layout

vol_I_p098 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	179	page_number via heuristic_pagenum
2	VIMARŚA	page_header via surya_layout
3	20. Rāga, in general, as colour or delightfulness could increase due to	list_item via surya_layout
4	mūrchanā because the latter gives rise to variety of scalar forms that would in	list_item via surya_layout
5	turn, bring into existence variety in melodic structures.	list_item via surya_layout
6	21, 22. Both ascent and descent and unimpaired original order of svaras as	list_item via surya_layout
7	well as use of seven svaras without any omission are the three conditions for	list_item via surya_layout
8	mūrchanā. The omission of svaras gives rise to tāna.	list_item via surya_layout
9	23. BṛD is the first known text to speak of 12-svara-mūrchanā. Kumbhā has	list_item via surya_layout
10	vehemently criticised this type of mūrchanā (vide S Raj II, 1.1.352-364).	list_item via surya_layout
11	24. When hexatonic and pentatonic scales are accepted as murchana, the	list_item via surya_layout
12	condition of using all the seven svaras is violated. ( see glossary )	list_item via surya_layout
13	25. Svarasamyutāh of the text has been translated as 'filled' with svaras.	list_item via surya_layout
14	26. It is notable that the starting points of murchanas follow the descending	list_item via surya_layout
15	order i.e. after the murchana beginning with sadja comes the one beginning	list_item via surya_layout
16	with niṣāda, and not ṛṣabha.	list_item via surya_layout
17	27. The beginning svara of each mūrchanā has been put in the locative case,	list_item via surya_layout
18	implying, perhaps that a mūrchanā subsists there.	list_item via surya_layout
19	28. Here the instrumental case has been used in order to meet the requirement of	list_item via surya_layout
20	metre.	list_item via surya_layout
21	29. Tārakādi is a gaņa of Pāņini (V.2.36, Gaņaratnamahodadhi, 388-391, vide	list_item via surya_layout
22	Monier Williams).	list_item via surya_layout
23	30. Itac is a suffix.	list_item via surya_layout
24	31. This derivation occurs for the first time in BrD.	list_item via surya_layout
25	32. This is the total number of hexatonic tanas in both the gramas.	list_item via surya_layout
26	33. This is the total number of pentatonic tānas in both the grāmas.	list_item via surya_layout
27	34,35. All the omitted pairs are samvādins except ri-dha in madhyamagrāma	list_item via surya_layout
28	which is anuvādin.	list_item via surya_layout
29	36. Prastāra literally means elaboration; here it means notational presentation.	list_item via surya_layout
30	37. If the author is referring to a recapitulatory verse in Viśākhila's work we	list_item via surya_layout
31	have no way of verification because that work is lost. It is not improbable that he	list_item via surya_layout
32	is referring to NS XXVIII, 32 where mūrchanās have been said to be made of all	list_item via surya_layout
33	the seven svaras and tanas have been said to be hexatonic and pentatonic.	list_item via surya_layout
34	38. This distinction between murchana and tana as the former being with	list_item via surya_layout
35	ascent and descent and the latter being only with ascent is a new point made in	list_item via surya_layout
36	BrD which does not seem to be valid. ( see glossary )	list_item via surya_layout
37	39. BrD is the first text to assign yajña names to tānas. Some later texts have	list_item via surya_layout
38	reproduced these names (cf. SR I,4.72 cd 90 ab and SRāj II,1.1.453-474).	list_item via surya_layout
39	S Rāj also attempts to justify this assignment of Yajña-names (vide ibid. 476-493.	list_item via surya_layout
40	ab). ( see glossary )	list_item via surya_layout
41	40. This statement of BrD to the effect that sādhāraņa mūrchanās begin with antara	list_item via surya_layout
42	and kākalī is in contradiction of the postulation of NS XXVIII, p. 82 that kākalī (and	list_item via surya_layout
43	by implication antara also ) is anamsa ( non-amsa i.e. is not the progenitor of a	list_item via surya_layout

vol_II_p123 LEFT — 31 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĨ	page_header via surya_layout
2	228	page_number via heuristic_pagenum
3	[२. कामलेखा]	section_header via surya_layout
4	द्विगुणितरुद्रा प्रथमे, मात्रा युजि सम्भवन्ति ता एव ।	main via surya_layout
5	विंशतिश्चासमे चरणे, यस्या: सा कामलेखेति ३६॥४४५॥	main via surya_layout
6	विंशति विषमे	annotation_inline parent ligne 5 via heuristic_height
7	(?)चरमे	annotation_inline parent ligne 5 via heuristic_height
8	[३. बाणलेखा]	section_header via surya_layout
9	द्विगुणितकला यदि स्युर्मात्रा: पादत्रयेऽप्यविशिष्टा: ।	main via surya_layout
10	(電?)	annotation_inline parent ligne 9 via heuristic_height
11	ऽपि+(विशिष्टम्)	annotation_inline parent ligne 9 via heuristic_height
12	[ता]बाणगणोपेता यस्यां सा बाणलेखेति ३७॥ ४४६॥	editorial_bracket parent ligne 9 via heuristic_brackets
13	न्त	annotation_inline parent ligne 9 via heuristic_height
14	[४. चन्द्रलेखा]	section_header via surya_layout
15	चत्वारिशत् त्र्यधिका मात्रासंख्याऽङ्घ्रियुग्मेषु	main via surya_layout
16	एकोना सा विषमे यस्यां सा चन्द्रलेखेति ३८॥ ४४७॥	main via surya_layout
17	॥ इति मात्रैलाचतुष्टयम् ॥	editorial_bracket parent ligne 16 via heuristic_brackets
18	[ग. वर्णेलाप्रकारा:]	section_header via surya_layout
19	नैवात्र तालनियमो रसनियमो रागनियमस्तु ।	main via surya_layout
20	भवति[खल्]वर्णनियमो वर्णेला कथ्यते तस्मात् ॥४४८॥	editorial_bracket parent ligne 19 via heuristic_brackets
21	++	annotation_inline parent ligne 19 via heuristic_height
22	मदनवती शशिलेखा प्रभावती मालती तथा[ललिता] ।	editorial_bracket parent ligne 19 via heuristic_brackets
23	(च)तथा	annotation_inline parent ligne 19 via heuristic_height
24	हेमवती ३९कुसुमवती वर्णनिबन्धा भवन्ति सप्तैला:॥४४९॥	main via surya_layout
25	एकादशादिवर्णै: सप्तदशान्तै: क्रमेण सप्तैता: ।	main via surya_layout
26	गीयन्ते गन्धर्वैर्लिलतपदैर्जगित सन्नादै: ॥ ४५०॥	main via surya_layout
27	[१. मदनवती २. शशिलेखा ३. प्रभावती]	editorial_bracket parent ligne 26 via heuristic_brackets
28	४० अलघुगणोपेता [सा] मदनवती लघुगणेन शशिलेखा ।	editorial_bracket parent ligne 26 via heuristic_brackets
29	अलिलतनामोपेता	annotation_inline parent ligne 26 via heuristic_height
30	गुरुगणबहुला [नित्यं]प्रभावती <sup>४१</sup>मालती तथा ललिता ॥ ४५१॥	editorial_bracket parent ligne 26 via heuristic_brackets
31	....भवति रम्यतरा	annotation_inline parent ligne 26 via heuristic_height

vol_II_p096 LEFT — 30 lignes

L#	Texte OCR	Role auto
1	BRHADDEŠĪ	page_header via surya_layout
2	174	page_number via heuristic_pagenum
3	.....साधारिता । [३]	editorial_bracket parent ligne 4 via heuristic_brackets
4	निषादांशा तु षड्जान्ता गान्धारी पूर्णसुस्वरा ।	main via surya_layout
5	भाषा सौवीरके ह्येषा गीयते करुणे सदा ११३॥ १२३॥	main via surya_layout
6	उदाहरणम् – निनिगागापामामानिसामागानी । धासासासा<sup>११४</sup>। गान्धारी । [४]	editorial_bracket parent ligne 5 via heuristic_brackets
7	॥ [इति]सौवीरकभाषा: समाप्ता: ॥	editorial_bracket parent ligne 5 via heuristic_brackets
8	८. अतःपरं भिन्नपञ्चमस्य भाषाः कथ्यन्ते	main via surya_layout
9	॰पञ्चमेऽस्य	annotation_inline parent ligne 8 via heuristic_markers
10	धैवतांशा तदन्ता च ११५सम्पूर्णा शुद्धभित्रका ।	main via surya_layout
11	धैवतर्षभसंवाद: षड्जमध्यमयोस्तथा ॥ १२४॥	main via surya_layout
12	भित्रपञ्चमजा होषा शुद्धभित्रा प्रकीर्तिता ।	main via surya_layout
13	लोकस्य रञ्जनं दृष्ट्वा किन्नरैर्गीयते सदा ॥ १२५॥	main via surya_layout
14	रञ्जकं	annotation_inline parent ligne 13 via heuristic_height
15	उदाहरणम्-धानिधानिससधा नीधानीसागासनिगानिधा पापानिनिमपामापापमाधा	main via surya_layout
16	धापाधापा	annotation_inline parent ligne 15 via heuristic_height
17	धापाधाधा । शुद्धभिन्ना । [१]	editorial_bracket parent ligne 15 via heuristic_brackets
18	मध्यमांशा धैवतान्ता ऋषभेण तु दुर्बला ।	main via surya_layout
19	षड्जधैवतसंवादो द्विश्रुतीनां सधैवतम् ॥ १२६॥	main via surya_layout
20	भाषा तु षाडवा ह्येषा बहुधैवतमध्यमा ।	main via surya_layout
21	वराटी चेति विख्याता गीता विद्याधरै: किल<sup>११६</sup>॥ १२७॥	main via surya_layout
22	उदाहरणम् - माधासधानिधा पानिमामागासासागामागा साधानीधा।	main via surya_layout
23	धाधाधाधासाधा	annotation_inline parent ligne 22 via heuristic_height
24	नीपापामागासासागामा[धाधा] । वराटी । [२]	editorial_bracket parent ligne 22 via heuristic_brackets
25	(वराटी)	annotation_inline parent ligne 22 via heuristic_height
26	मन्द्रेऽत्र ऋषभः कार्यो [धैवतश्च] मुहुर्मुहुः ॥ १२८॥	editorial_bracket parent ligne 22 via heuristic_brackets
27	स्फुरितं तत्र कर्तव्यं द्रुतमध्यविलम्बितम् ।	main via surya_layout
28	तारमन्द्रगतिं कुर्यात् तथारोहावरोहकम् ॥	main via surya_layout
29	तारं म(न्त्र?न्द्र)	annotation_inline parent ligne 28 via heuristic_height
30	तथा भाषा च विज्ञेया भित्रपञ्चमसम्भवा १९७॥ १२९॥	unknown via fallback

180 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p128 RIGHT — 29 lignes

vol_II_p041 RIGHT — 47 lignes

vol_I_p098 RIGHT — 43 lignes

vol_II_p123 LEFT — 31 lignes

vol_II_p096 LEFT — 30 lignes