Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20869). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p105 LEFT — 30 lignes

page vol_II_p105 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESĪ page_header
via surya_layout
2 192 page_number
via heuristic_pagenum
3 उदाहरणम् - मामपामा पापानिधाधा निपापानिपमा रिसानिधापामा सामाधानि धापापापा main
via surya_layout
4 सः annotation_inline
parent ligne 3
via heuristic_height
5 सापानिगारिसा निनीसानिसानिधामा मानिधापापा । आन्ध्री । [५] editorial_bracket
parent ligne 3
via heuristic_brackets
6 गान्धारांशा तु गान्धारी सम्पूर्णा पञ्चमान्तिमा । main
via surya_layout
7 विभाषा र॰सानुरो[हे च] गीयते मालपञ्चमे ॥ १९॥ editorial_bracket
parent ligne 6
via heuristic_brackets
8 (?) मालवपञ्चमे annotation_inline
parent ligne 6
via heuristic_height
9 सानुना annotation_inline
parent ligne 6
via heuristic_height
10 उदाहरणम् - गागानिनिधा धाधानिरिरिगा पमागरि रिसनीसासा । धाधासाधानी । सागासा main
via surya_layout
11 निधापापा । गान्धारी । [६] editorial_bracket
parent ligne 10
via heuristic_brackets
12 ॥ इति शार्दुलमते[मालव] पञ्चमभाषा: समाप्ता: ॥ editorial_bracket
parent ligne 10
via heuristic_brackets
13 [४. अथ भित्रपड्जे] section_header
via surya_layout
14 त्रावणी षड्जभाषा च मालवी गुर्जरी तथा । main
via surya_layout
15 बाह्यषाडवकौसल्यौ गान्धारी स्वरविक्रता ॥ २०॥ main
via surya_layout
16 ॰(पौढकौसन्थ्ये ? पाडवकौसल्यौ) परवन्दिता annotation_inline
parent ligne 15
via heuristic_markers
17 लिलता निषादवती तुम्बुरुगिन्धारलिलता । main
via surya_layout
18 निषादवत्या च स्वरगान्धारवर्जिता annotation_inline
parent ligne 17
via heuristic_height
19 [कलिङ्गा चैव शुद्धा च मध्यमा पार्वती तथा] ॥ २१॥ editorial_bracket
parent ligne 17
via heuristic_brackets
20 देशाख्या त्रावणी चैव धैवतान्ताऽल्पषड्जिकारा॥ २२॥ main
via surya_layout
21 नीपोम्प च (?) गीयते annotation_inline
parent ligne 20
via heuristic_short
22 उदाहरणम् - रिरिधाधाधनी नीधाधा । मधानिरिधा धानिनिसानिनि धाधानिधामाधा । निरिधा main
via surya_layout
23 धामधा धानि रिरिनिगामागाधा मारीसानिधानिधा निधामामधा निनिरिधाधा । त्रावणी । [१] editorial_bracket
parent ligne 22
via heuristic_brackets
24 त्रीवणी annotation_inline
parent ligne 22
via heuristic_height
25 धैवताद्यन्तसंयुक्ता मूलभाषा सदुर्बला<sup>२२</sup>। main
via surya_layout
26 तु दुर्बलम् annotation_inline
parent ligne 25
via heuristic_height
27 देवताराधने गीता षड्जभाषा तु षट्स्वरा<sup>२३</sup> ॥ २३॥ main
via surya_layout
28 उदाहरणम् - धानिधाधा । सानिधाधा । समानिधा । मागागामा । निधाधा । गामागामा । main
via surya_layout
29 पा annotation_inline
parent ligne 28
via heuristic_height
30 गमाधाधा । गरिसानिधा । पमामा । पामाधानी । धाधा । षड्जभाषा । [२] editorial_bracket
parent ligne 28
via heuristic_brackets

vol_I_p041 LEFT — 36 lignes

page vol_I_p041 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDESI</b> page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 सरि 🗶 म प ध 🗶 main
via surya_layout
4 [ ४ सरि ४ म प ध ] editorial_bracket
parent ligne 3
via heuristic_brackets
5 ध 🗶 स रि 🗶 म प main
via surya_layout
6 पध X स रि X म annotation_inline
parent ligne 5
via heuristic_short
7 मपध X स रि X main
via surya_layout
8 [ хमपध editorial_bracket
parent ligne 7
via heuristic_brackets
9 निगहीनाः। main
via surya_layout
10 रि 🗶 म प ध 🗶 स unknown
via fallback
11 स 🗙 गम 🗶 ध नि main
via surya_layout
12 निस X ग म X ध annotation_inline
parent ligne 11
via heuristic_short
13 धनिस X गम X main
via surya_layout
14 [хधनसхगम]. editorial_bracket
parent ligne 13
via heuristic_brackets
15 म 🗶 ध नि स 🗶 ग main
via surya_layout
16 गम 🗶 ध नि स 🗶 annotation_inline
parent ligne 15
via heuristic_short
17 परिहीनाः। इत्यौडुवाः। योगाः। main
via surya_layout
18 [ 🗶 गम 🗶 ध निस ] editorial_bracket
parent ligne 17
via heuristic_brackets
19 [ अथ ] मध्यमग्रामे-- editorial_bracket
parent ligne 17
via heuristic_brackets
20 ٠ page_number
via heuristic_pagenum
21 मपधनि X रिग main
via surya_layout
22 गमपधनि 🗙 रि annotation_inline
parent ligne 21
via heuristic_short
23 रिगमपधनि X main
via surya_layout
24 [ x रिगमपधनि ] editorial_bracket
parent ligne 23
via heuristic_brackets
25 नि X रिगमपध main
via surya_layout
26 ध नि x रिगम प annotation_inline
parent ligne 25
via heuristic_short
27 षड्जहीनाः। main
via surya_layout
28 प ध नि X रि ग म unknown
via fallback
29 म प ध नि स X ग main
via surya_layout
30 गमपधनिस X annotation_inline
parent ligne 29
via heuristic_short
31 [ Xगमपधनिस] editorial_bracket
parent ligne 29
via heuristic_brackets
32 स X गमप ध नि main
via surya_layout
33 निस X गम प ध annotation_inline
parent ligne 32
via heuristic_short
34 ध निस X गमप main
via surya_layout
35 ारहानाः। annotation_inline
parent ligne 34
via heuristic_short
36 प ध नि स 🗶 ग म main
via surya_layout

vol_II_p090 RIGHT — 38 lignes

page vol_II_p090 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 163 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Māngālī has pancama as its concluding note and is said to have dhaivata main
via surya_layout
4 as amśa. There is concert between şadja-dhaivata and similarly madhyama- main
via surya_layout
5 ṛṣabha; it is held to be always complete and should be known to be born of main
via surya_layout
6 ٠ page_number
via heuristic_pagenum
7 deśa<sup>37</sup> (region). This bhāṣā is said to be born of pañcama (rāga) by the main
via surya_layout
8 knowledgeable ones in music. main
via surya_layout
9 <math>(92-93)</math> main
via surya_layout
10 Illustration-[Dhādhā] Sāsīsīsadhāsīriridhāsīriri[mari] dhāsādhāsīsīrimāri editorial_bracket
parent ligne 9
via heuristic_brackets
11 mämämadhamadhapāpādhāmapāpamāsānidhasī ririmāgarisāsūrimārimamam main
via surya_layout
12 adhamapapāpāpāmāpāpamasīsīnidhasīsīririgārimārisī dhāsīsadhamāsīsīsīsīma. main
via surya_layout
13 Pamāmāpāpā. Mārigālī [iii] editorial_bracket
parent ligne 12
via heuristic_brackets
14 Having pañcama as amsa and the same as the concluding note, being main
via surya_layout
15 complete and brilliant with pañcama, saindhavī has been known to be a main
via surya_layout
16 vibhāṣā born in the Sindhu region. Concert38 between ṣaḍja and pañcama main
via surya_layout
17 is seen again and again. main
via surya_layout
18 (94) annotation_inline
parent ligne 17
via heuristic_short
19 Illustration-Pāpādhasīrigāgāgarimāri. Sasānidhādhāsanidhādhāmasarigāgāgari main
via surya_layout
20 sādhādhamāpādhāpādhasīsīrigāripapxīrigāgārirīsīdhāvsīdhāpxīmāpxīpxīdhāpxī main
via surya_layout
21 māmāmāpā dhādhāsīrīrisīdhāpā māpāpā. Saindhavī [iv] editorial_bracket
parent ligne 20
via heuristic_brackets
22 Gūrjarī has gāndhāra as ani śa, pañcama as the concluding note and is with main
via surya_layout
23 sparse madhyama. It has concert between sadja and madhyama, (and) is main
via surya_layout
24 always complete. This vibhāṣā born of pañcama<sup>39</sup> (rāga) is said to be main
via surya_layout
25 complete. annotation_inline
parent ligne 24
via heuristic_short
26 (95) main
via surya_layout
27 Illustration-Gขากฉับฉบับละสำนักเสียลีpāpādādhānidhānāmāmādhāgārīnīswigarim- main
via surya_layout
28 ādhāmāpādhapadhanid hādhādhadhaparīrīsārimāgārimāmāmādhānīdharipa- main
via surya_layout
29 dhānīdhāpā pānīdhāmāmadhamadhamagārirīmāmārīsāsāgārīmāmāpādhā- main
via surya_layout
30 nismismidhāmapāpā. Gūrjari [v] editorial_bracket
parent ligne 29
via heuristic_brackets
31 Combined with pañcama as the initial and concluding note, dākṣiṇātyā is main
via surya_layout
32 beautiful. This is complete and is said to be born in gandharapancama. 40 It main
via surya_layout
33 should always be known as a vibhāṣā born of pañcama bearing a regional main
via surya_layout
34 name.41 annotation_inline
parent ligne 33
via heuristic_short
35 (96) main
via surya_layout
36 Illustration - Pāpānīrī. Nirigārigarimāmaririniniri. Dhāpāpāpapā niririgari- main
via surya_layout
37 garimagaririri. Dhanidhadhanidhādhanidhāpā pāniririgārigādhāmāgāvirisāniri main
via surya_layout
38 gāmāgārīnidhāpāpā. Dākṣiṇātyā [vi] editorial_bracket
parent ligne 37
via heuristic_brackets

vol_II_p120 RIGHT — 36 lignes

page vol_II_p120 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 223 page_number
via heuristic_pagenum
3 In the opinion of some, it (elā) is combined with the (name of the) object main
via surya_layout
4 of description (alone). Elā should be made full of charming qualities of main
via surya_layout
5 song, embodying the gaņas (textual units)<sup>31</sup> of metre (and) endowed with main
via surya_layout
6 alankāra and rasa, by the wise. main
via surya_layout
7 (422) annotation_inline
parent ligne 6
via heuristic_short
8 [The types of <i>Elā</i>] editorial_bracket
parent ligne 6
via heuristic_brackets
9 [A. Out of them the varieties of Gaṇailā] editorial_bracket
parent ligne 6
via heuristic_brackets
10 First, nādāvatī has been said, then is known hamsāvatī, nandāvatī is the main
via surya_layout
11 third and bhadrāvatī is known as the fourth. main
via surya_layout
12 (423) annotation_inline
parent ligne 11
via heuristic_short
13 Derived out of Rgveda and the like, 'coloured' with variegated sounds, main
via surya_layout
14 thus has elā been said to be fourfold by the wise, in accordance with the main
via surya_layout
15 'path'<math>^{32}</math> (order) of ganas. main
via surya_layout
16 (424) main
via surya_layout
17 [1. Nādāvatī] section_header
via surya_layout
18 The elā (named) nādāvatī is charming, bedecked with varņa (and) main
via surya_layout
19 alankāra, is sung with manthatāla (and) is full of nāda 33 in every foot. There main
via surya_layout
20 takkarāga becomes delightful to all. main
via surya_layout
21 (425) annotation_inline
parent ligne 20
via heuristic_short
22 (Its) colour should be known to be white and śṛṅgāra has been said to be main
via surya_layout
23 the rasa; kaišikī vṛtti<sup>34</sup> has been spoken of (and) pañcālī rīti<sup>35</sup> is accepted. main
via surya_layout
24 (426) annotation_inline
parent ligne 23
via heuristic_short
25 Bhāratī is its devatā (presiding deity) and the lineage of brāhmaņas prevails. main
via surya_layout
26 Where five candraganas 36 combined with one svargana 37 are there, that cla main
via surya_layout
27 is known to be nādāvatī, by the foregoing learned ones. main
via surya_layout
28 (427) main
via surya_layout
29 [2. Hamsāvatī] section_header
via surya_layout
30 Making movement like a swan, with nāda and pada, it is known as main
via surya_layout
31 hamsāvatī, because it proceeds smoothly. Dvitīyaka is the tāla there and (it) main
via surya_layout
32 is sung in <i>hindola (rāga</i>). main
via surya_layout
33 (428) annotation_inline
parent ligne 32
via heuristic_short
34 Red colour has been said to prevail. Caṇḍikā is the devatā (presiding main
via surya_layout
35 deity), ārabhaţī is the vṛtti<sup>38</sup> (and) lāṭīyā rīti<sup>39</sup> is accepted. main
via surya_layout
36 (429) main
via surya_layout

vol_I_p008 RIGHT — 73 lignes

page vol_I_p008 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 <b>ABBREVIATIONS</b> section_header
via surya_layout
2 Abhinava Bhāratī, Abhinavagupta's commentary on Nāṭya- main
via surya_layout
3 Abhi Bhā annotation_inline
parent ligne 2
via heuristic_short
4 Sāstra G.O.S., Baroda edition main
via surya_layout
5 Anuccheda, comparable to paragraph main
via surya_layout
6 Anu. annotation_inline
parent ligne 5
via heuristic_height
7 Anūpa Sangīta Ratnākara of Bhāva Bhaṭṭa main
via surya_layout
8 Anū Saṃ R annotation_inline
parent ligne 7
via heuristic_short
9 Anūpa Sangīta Vilāsa of Bhāva Bhaţţa main
via surya_layout
10 Anū Saṃ Vi annotation_inline
parent ligne 9
via heuristic_short
11 Aşţādhyāyī of Pāņini main
via surya_layout
12 Aşţā annotation_inline
parent ligne 11
via heuristic_short
13 Bharata Kośa of M.R. Kavi main
via surya_layout
14 Bha Ko annotation_inline
parent ligne 13
via heuristic_short
15 Bṛhaddeśī of Matanga Muni main
via surya_layout
16 BŗD annotation_inline
parent ligne 15
via heuristic_short
17 Brhadāranyaka Upanisad main
via surya_layout
18 Brh Up annotation_inline
parent ligne 17
via heuristic_short
19 Caraka Samhitā main
via surya_layout
20 Car Sam annotation_inline
parent ligne 19
via heuristic_short
21 Cited reading main
via surya_layout
22 C.r. annotation_inline
parent ligne 21
via heuristic_short
23 Dhrupad Annual main
via surya_layout
24 DA annotation_inline
parent ligne 23
via heuristic_height
25 Dattilam main
via surya_layout
26 Datti annotation_inline
parent ligne 25
via heuristic_short
27 Pt. K. Sāmbaśiva Śāstrī, editor of Bṛhaddeśi, published in main
via surya_layout
28 Ed. annotation_inline
parent ligne 27
via heuristic_short
29 Anantasayana Sanskrit Granthāvali No. 94 (Trivandrum main
via surya_layout
30 Sanskrit Series) in 1928 main
via surya_layout
31 Gobhila Smrti annotation_inline
parent ligne 30
via heuristic_short
32 Gobh Smr main
via surya_layout
33 Indian Music Journal main
via surya_layout
34 IMI annotation_inline
parent ligne 33
via heuristic_short
35 Kalānidhi commentary of Kallinātha on Sangīta-Ratnākara main
via surya_layout
36 Kalā annotation_inline
parent ligne 35
via heuristic_short
37 Kausitaki Upanisad main
via surya_layout
38 Kauş Up annotation_inline
parent ligne 37
via heuristic_short
39 Literally main
via surya_layout
40 Lit. annotation_inline
parent ligne 39
via heuristic_short
41 Mārkandeya Purāņa main
via surya_layout
42 Mark Pur annotation_inline
parent ligne 41
via heuristic_short
43 Matsya Purāņa main
via surya_layout
44 Mat Pur annotation_inline
parent ligne 43
via heuristic_short
45 Mahābhārata main
via surya_layout
46 <b>MBh</b> annotation_inline
parent ligne 45
via heuristic_short
47 Mīmāṃsā Sūtra main
via surya_layout
48 Mim Sū annotation_inline
parent ligne 47
via heuristic_short
49 Nāradīya-Šikṣā main
via surya_layout
50 Nā Śi annotation_inline
parent ligne 49
via heuristic_short
51 Nātya Śāstra, G.O.S., Baroda edition, unless otherwise main
via surya_layout
52 NŚ annotation_inline
parent ligne 51
via heuristic_short
53 indicated main
via surya_layout
54 Nātya Śāstra, Chaukhambha, Varanasi edition main
via surya_layout
55 NŚ Chau annotation_inline
parent ligne 54
via heuristic_short
56 Nātya Sāstra, Kāvya-Mālā edition. main
via surya_layout
57 NS Kā Mā annotation_inline
parent ligne 56
via heuristic_short
58 Pāṇini-Śikṣā main
via surya_layout
59 Pā śi annotation_inline
parent ligne 58
via heuristic_short
60 Prem Lata Sharma main
via surya_layout
61 P.L.S. annotation_inline
parent ligne 60
via heuristic_short
62 Printed text of Bṛhaddeśī, Trivandrum edition main
via surya_layout
63 P.t. annotation_inline
parent ligne 62
via heuristic_short
64 Rāga Vibodha of Somanātha main
via surya_layout
65 Rā Vi annotation_inline
parent ligne 64
via heuristic_short
66 Sangīta Cūdāmaņi of Jagadekamalla main
via surya_layout
67 Sam Cū annotation_inline
parent ligne 66
via heuristic_short
68 Sangīta-Samaya-Sāra of Pārśvadeva main
via surya_layout
69 Sam S Sā annotation_inline
parent ligne 68
via heuristic_short
70 Sangita-Ratnākara of Śārngadeva (Adyar edition) main
via surya_layout
71 SR annotation_inline
parent ligne 70
via heuristic_short
72 Sangītarāja of Rāņā Kumbhā Vol. 1 main
via surya_layout
73 S. Raj main
via surya_layout
213 lignes a valider — change uniquement les roles incorrects.