1
TRANSLATION
page_header via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
2
89
page_number via heuristic_pagenum
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
3
The first alternative does not hold good. Why? Because of this rāga being
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
4
complete (with seven svaras). Hence the second alternative alone is
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
5
stronger. Why is it said to be prominent among the six rāgas? Because of
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
6
the statement that śuddhaṣāḍava should be used in the pūrvaraiga. On
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
7
account of its abundant usage in pūrvaranga, this śuddhaṣāḍava has been
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
8
indicated in the beginning.
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
9
Suddhaṣāḍava is born of the modified madhyamā jāti.
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
10
Its <i>nyāsa</i> is
annotation_inline parent ligne 9 via heuristic_height
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
11
madhyama, which is also the amśa and gāndhāra is weak in it.
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
12
(300)
annotation_inline parent ligne 11 via heuristic_height
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
13
[ Anu. 165 ]
section_header via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
14
This means - suddhaṣāḍava is related to madhyamagrāma. Tāra (high)
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
15
madhyama is its graha. Madhyama is the amśa and nyāsa and there is the
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
16
sparseness of gāndhāra. Niṣāda and gāndhāra are kākalī and antara (here).33
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
17
It is endowed with all the svaras. It is used in the pūrvaranga. Madhyama is
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
18
the vādin and ṣaḍja is the samvādin. Ŗṣabha and pañcama are the anuvādins.
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
19
There is no vivādin. Śṛṅgāra and hāsya are the rasas. The mūrchanā
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
20
beginning with madhyama obtains here. The avarohin (descending) varņa,34
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
21
prevails. Prasannānta is the alankāra. It is sung in the three mārgas 36 of tāla
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
22
The kalā<sup>37</sup> (time-unit) comes about in the dakṣiṇa (mārga), the kalā obtains
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
23
in the vṛtti (mārga), the kalā prevails in the citra mārga. A tāla like caccatpuṭa 38
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
24
obtains in the svaras and padas (units of text).
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
25
Ākṣiptikā.....
table via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
26
[2. Suddhapañcama]
table via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
27
*********
table via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
28
[ Anu. 166 ]
table via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
29
Šuddhapancama is known to be born of şadjodicyavatī jāti.
table via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
30
---------------------------------------
table via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
31
[3. Šuddhasādhārita]
section_header via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
32
It is with sadja as amsa, madhyama as nyāsa, the svaras with two śrutis
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
33
(gāndhāra and niṣāda) are sparse and similarly, born of ṣaḍjamadhyamā jāti
main via surya_layout
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
34
is the śuddhasādhārita.
annotation_inline parent ligne 33 via heuristic_height
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
35
(301)
annotation_inline parent ligne 33 via heuristic_height
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown
36
A Section of the second section of the section of the section of the section of the section of the section of the sectio
annotation_inline parent ligne 33 via heuristic_height
main
annotation_inline
editorial_bracket
footnote
page_header
page_footer
page_number
section_header
caption
list_item
table
verse_number
unknown