Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 20929). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p126 RIGHT — 29 lignes

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1 235 page_number
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2 TRANSLATION page_header
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3 [7. Mohini] section_header
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4 Comprised of five padas, endowed with mūrchanā gamaka 74 (?) the main
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5 seventh varņailā should be known as mohinī, the auspicious one. main
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6 (466) annotation_inline
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7 [Thus end the seven varņailās described in a different manner.] editorial_bracket
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8 [ E. The Varieties of <i>Deśailā</i>] section_header
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9 The charming and systematic elās become distinct with the respective main
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10 languages of (regions like) Lāṭa, 75 Karnāṭa, 6 Gauda, 77 Āndhra 78 (and) Dravida. 79 main
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11 (467) main
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12 [1, Lāţailā] section_header
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13 Lāṭailā is said to have rhyme (antyaprāsa)80 and is devoid of middle main
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14 alliteration,81 being combined with rasas and bhāvas. main
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15 (468) main
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16 [2. Karņāţailā] section_header
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17 Karņāţikā elā is said to be comprised of charming sounds with beautiful main
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18 alliteration in the beginning, middle and end.82 main
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19 (469) main
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20 [3. Gauḍailā] section_header
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21 Having alliteration everywhere, devoid of gamakas and endowed with main
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22 nāda, bindu<sup>83</sup> and rasa, that is the elā born of gauḍadeśa. main
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23 (470) main
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24 [4. Āndhrailā] section_header
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25 The wise have known andhri to be brimming with many gamakas, mixed main
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26 with many sounds and blended with many rāgas.84 main
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27 (471) main
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28 And the second of the second of the second of the second of the second of the second of the second of the second of the annotation_inline
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29 . . . annotation_inline
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vol_II_p015 RIGHT — 37 lignes

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1 TRANSLATION page_header
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2 13 page_number
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3 [2. The definition of amsa] section_header
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4 [Anu. 120] editorial_bracket
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5 After this amsa is being spoken of; that is known as tenfold according to main
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6 the division of its angas (lit. limbs, here functions). Anisa is that which leads main
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7 to the manifestation of raga (delight) in the course of its operation; this is its main
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8 first (function). And the second anisa (in its functioning) is that with which main
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9 gīta (melodic organisation and performance) begins and proceeds, which is main
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10 vikalpita (alternatively arranged) as graha, this is its second (function). That main
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11 amsa is third (in its functioning) which is the cause of the manifestation of main
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12 tāra (high) and mandra (low). The ascent up to the fifth svara is (the range main
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13 of) tāra (high); sometimes even the ascent up to the sixth svara is tāra, just main
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14 as in gāndhārī (jāti) şadja is tāra, ni-dha-ni-dha-sā, thus is (its illustration). main
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15 Just as it (amśa) is the regulator of tāra, similarly the svara that is the regulator main
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16 . annotation_inline
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17 ofmandra is also amsa on account of descent in seven svaras. Just as in the main
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18 ṣāḍjī (jāti) with pañcama as theamśa there is (descent in seven svaras) - as sā main
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19 <math>-s\bar{a}</math> - <math>s\bar{a}</math> - <math>dh\bar{a}^{14}</math> in its svasthāna 15 (section of melodic ela main
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20 amśa which is used profusely; this is the fourth (function). That svara is also main
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21 amsa which stands as the object (here content) of raga; this is the fifth main
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22 (function). That is also amsa which is perceptible in (the operation of) main
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23 graha, apanyāsa, vinyāsa, samnyāsa (and) nyāsa; this is the sixth, seventh, main
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24 eighth, ninth and tenth (function).<sup>16</sup> main
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25 [The definition of apanyasa forming part of that of amsa section_header
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26 [Anu. 121] section_header
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27 • annotation_inline
parent ligne 26
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28 That is apanyāsa, where gīta (melodic rendering) is supposed or appears main
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29 to be ending; this occurs in the middle of all vidārīs (sub-sections). That main
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30 vidārī is of two kinds, viz. gīta-vidārī 17 (sections of melodic structure) and main
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31 pada-vidārī 18 (splitting of the melodic- cum-textual units). main
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32 (Contention) What is signified by the word vidārī (?) It is the splitting or main
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33 separating of <math>p\bar{a}das^{19}</math> (feet), the <math>pes\bar{i}^{20}</math> (lit. muscle) i.e. section of a <ma main
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34 (melodic structure) could be (understood) as such. main
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35 [The definition of samnyāsa forming part of that of amśa] section_header
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36 [Anu. 122] section_header
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37 Now samnyāsa is being said. The nyāsa (final svara) is called samnyāsa when main
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vol_I_p072 LEFT — 46 lignes

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1 <b>BRHADDESI</b> page_header
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2 126 page_number
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3 कलां द्वतलयेन देवं शर्वीमिति पदद्वयेन2० वन्दे इति पदान्तरसहितेन main
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4 .ला .वरदेन देवशर्व annotation_inline
parent ligne 3
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5 ्रदये− main
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6 निर्वाहयतीति कलात्रयव्यापनम् २१। यथा - main
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7 .वयव्यापातनाद् (?) annotation_inline
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8 .हा. main
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9 मा मा सा सा annotation_inline
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10 [देवं] editorial_bracket
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11 मा सा सा मा main
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12 [देवंश र्व] editorial_bracket
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13 <b>22सस मस मम रिरि</b> main
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14 [देवं भर्व वं दे] editorial_bracket
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15 [ अनु० ११२ ] editorial_bracket
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16 मगधदेशोद्भवत्वान्मागधी। अन्ये तु द्विर्निवृत्तां मागधीं प्ठन्ति। main
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17 •सा annotation_inline
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18 अर्धमिति पदसम्बन्ध्यर्धपदत्वेनार्धमागधी। न च पदार्द्यनिवृत्तावर्थः main
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19 . El. annotation_inline
parent ligne 18
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20 .पा. main
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21 .য₀ annotation_inline
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22 प्रवृत्तिनिवृत्तिगो हेतुर्मन्तव्यः । यतः सामवेदे२ गीतप्रधाने आवृत्तिष्वर्थो main
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23 यादेव annotation_inline
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24 ,व्या main
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25 ,द annotation_inline
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26 .र्ष main
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27 ग: annotation_inline
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28 नाद्रियत इति । तदुक्तं—य आवृत्त्यात्मा जातवेदसमिति [ २४शब्दः] । editorial_bracket
parent ligne 26
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29 गा, main
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30 ਚ, annotation_inline
parent ligne 29
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31 अत्र वेदशब्दपर्यवसिता सम्भाविता, लघुप्रायत्वे 25 च पृथुला, main
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32 .प्रभाव (?) annotation_inline
parent ligne 31
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33 भूयस्त्वात् पदग्रामस्य पृथुलेत्युक्ता। main
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34 .स्त्वा annotation_inline
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35 2611 इति मार्गलया [:] 11 editorial_bracket
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36 [ अनु० ११३ ] editorial_bracket
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37 मार्गत्रये गीतिविधौ लयप्रयोगो नवधा द्रष्टव्यः। main
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38 •यो annotation_inline
parent ligne 37
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39 .क्याः annotation_inline
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40 लयसम्प्रयोगं दर्शयति— दक्षिणो मार्गो, वार्तिको मार्गिश्चत्रमार्ग main
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41 इति annotation_inline
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42 दक्षिण— [ मार्ग - ] प्रवृत्तौ लयत्रयम् । वार्तिकमार्गश्चित्रमार्गो ध्वमार्गश्चेति । editorial_bracket
parent ligne 40
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43 दक्षिणावृत्ती main
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44 वृत्तिमार्गप्रवृत्तौ लयत्रयम्। चित्रमार्गो ध्रुवमार्गः main
via surya_layout
45 शून्यमार्गप्रचेति चित्र - [ मार्गप्रवृत्तौ ] लयत्रयम्। editorial_bracket
parent ligne 44
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46 चित्रे main
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vol_II_p013 LEFT — 29 lignes

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1 F unknown
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2 8 page_number
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3 BRHADDEŚĪ page_header
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4 षाड्ज्यान्ध्री नन्दयन्ती च गान्धारोदीच्यवा तथा। main
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5 पह्(ज्य ? जा) annotation_inline
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6 चतेस्रः षट्स्वरा होता ज्ञेयाः पञ्चस्वराः पराः ॥ २०१ ॥ main
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7 निषादवत्यार्षभी च धैवती षड्जमध्यमा । main
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8 षड्जोदीच्यवती चैव पञ्च षड्जाश्रिता: स्मृता: ॥ २०२ ॥ main
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9 त्रिधा annotation_inline
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10 गान्धारी रक्तगान्धारी मध्यमा पञ्चमी तथा । main
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11 कैशिकी चेति विज्ञेया: पञ्जैता मध्यमाश्रिता: ॥ २०३ ॥ main
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12 षड्जग्रामे तु विज्ञेया १४[ सम्पूर्णा षड्जकैशिकी । editorial_bracket
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13 षट्स्वरा चैव विज्ञेया षाड्जी गान्धारयोगत: ॥ २०४॥ main
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14 सम्पूर्णा मध्यमग्रामे ज्ञेया कार्मारवी तथा। main
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15 गान्धारपञ्चमी चैव मध्यमोदीच्यवा तथा ॥ २०५ ॥ main
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16 पुनश्च षट्स्वरा ज्ञेया] गान्धारोदीच्यवा बुधै:। editorial_bracket
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17 आन्ध्री च नन्दयन्ती च मध्यमग्रामसंश्रया: ॥ २०६ ॥ main
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18 (:) annotation_inline
parent ligne 17
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19 एवमेता बुधैर्ज्ञेया द्वैग्रामिक्यो विभागत: ॥ २०७ ॥ main
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20 द्वी ग्रामीकौ(?)<sup>१५</sup>ऽपिजातय: main
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21 यास्ता: सप्तस्वरा ज्ञेया याश्चेता: षट्स्वरा: स्मृता: । main
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22 क्वचित् षाडवितास्तास्तु पक्षे चौडुवितीकृताः ॥ २०८ ॥ main
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23 ॥ इति शुद्धाः, विकृताः, संसर्गजा विकृताश्च ॥ editorial_bracket
parent ligne 22
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24 [३. सामान्यलक्षणम् ] section_header
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25 [ अनु ॰ ११८ ] section_header
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26 इदानीं [ सामान्य-] लक्षणमाह - editorial_bracket
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27 <sup>१६</sup>श्रुतिग्रहस्वरादिसमूहाज्जायन्त अतो जातय इत्युच्यन्ते। <sup>१७</sup>यस्माज्जायते रसप्रतीतिरारभ्यते main
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28 <b>न्ते जातय:</b> annotation_inline
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29 न्त annotation_inline
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vol_II_p144 LEFT — 51 lignes

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1 2"-WH - - * annotation_inline
parent ligne 4
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2 270 page_number
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3 BRHADDEŚĪ page_header
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4 54. Reconstruction based on Kalā (appendix) on SR II, p. 139, list_item
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5 reading sa-ri-sangatā. list_item
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6 55. Both S Rāj II.2.1.999 c and Kalā (appendix) on SR, p.119 read list_item
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7 khañjanī. list_item
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8 56. S Rāj II.2.1.999b reads 'gāndhāreņa vivarjitā', thus describing it list_item
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9 as being devoid of 'gāndhāra'. list_item
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10 57. Gūrjarī is described as complete in S Rāj II.2.1.1001f and Kalā list_item
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11 (appendix) on SR II, p. 138, hence our reconstruction. list_item
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12 ककुभे मध्यमग्रामभाषा धैवतविश्रमा। main
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13 58. cf. annotation_inline
parent ligne 12
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14 मध्यमांशग्रहा पूर्णा सङ्कीर्णा रिधसङ्गता ॥ main
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15 S. Rāj II. 2. 1. 683. main
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16 59. Bha Bhā Vol. II,VII, 47 c reads śalavāhinī, enumerating it under the list_item
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17 five antarabhāṣās of ṣadjagrāma. S. Rāj II.2.1.123a reads sālavāhanī under the list_item
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18 uddeśa(enumeration) of the bhāṣās of kakubha and ibid 686 f reads śātavāhanī list_item
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19 while giving its lakṣaṇa (description). It also reads śālavāhanī while enumerating list_item
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20 it in verse 79 d as an <i>antarabhāṣā</i> of <i>kakubha</i>. Kalā (appendix) on SR II, p. 134 list_item
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21 reads śālavāhanī while describing it as an antarabhāṣā of kakubha. list_item
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22 60. Kalā (appendix) on SR II, p.134 reads ri-ga-sangatā, describing a list_item
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23 concert between rṣabha and gāndhāra. list_item
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24 विभाषा ककुभे भोगवर्धनी तारमन्द्रगा ॥ list_item
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25 61. cf. (i) list_item
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26 धैवतांशग्रहन्यासा मापन्यासा रिवर्जिता । list_item
via surya_layout
27 धनिभ्यां गमपैभृंरिवैराग्ये विनियुज्यते ॥ list_item
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28 SR II. 2. 112 c-113. main
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29 (ii) annotation_inline
parent ligne 28
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30 निषादांशग्रहा भाषा ककुभे भोगवर्धनी । main
via surya_layout
31 स्वल्पर्पभसमायुक्ता धैवतन्यासभूपिता ॥ main
via surya_layout
32 निगयोर्गपयोर्युक्ता सङ्गत्या गानमाश्रिता । main
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33 षड्जग्रामे .....॥ annotation_inline
parent ligne 32
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34 S Rāj II.2.1.690,691.c. main
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35 तथैव याष्टिकेनोक्ता विभाषा भोगवर्धनी । main
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36 (iii) annotation_inline
parent ligne 35
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37 पङ्जग्रामेण सम्बद्धा ककुभे तारमन्द्रगा ॥ main
via surya_layout
38 धैवतांशग्रहन्यासा ऋषभेण विवर्जिता । main
via surya_layout
39 षड्जान्यस्वरभूयिष्ठा गापन्यासा, नियोजिता ॥ main
via surya_layout
40 वैराग्येऽप्यथवा संन्यासे .....ं। main
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41 Ibid. 707, 708.c. annotation_inline
parent ligne 40
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42 मधुरी ककुभोद्भूता सांशा धान्ताखिल स्वरा। main
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43 62. cf. (i) annotation_inline
parent ligne 42
via heuristic_short
44 गपयोर्निपयोर्युका सङ्कीर्णा याष्ट्रिकोदिता ॥ main
via surya_layout
45 Kalā (appendix) on SR II,p.133. main
via surya_layout
46 Carl man Carlo man a March and unknown
via fallback
47 · 西西州市，1920年11日，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年，1920年 annotation_inline
parent ligne 45
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48 2012/09/09 8:44 annotation_inline
parent ligne 45
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49 (vide) annotation_inline
parent ligne 45
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50 -0.0 annotation_inline
parent ligne 45
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51 . . . . . . . . . . . . . . . . . . . . annotation_inline
parent ligne 45
via heuristic_height
192 lignes a valider — change uniquement les roles incorrects.