Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20937). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p116 RIGHT — 23 lignes

L#	Texte OCR	Role auto
1	215	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	[15. Hayalīlā]	section_header via surya_layout
4	Where the (first) half is sung with svaras, in turagalīla (tāla), (and the	main via surya_layout
5	latter) half is sung with birudas, that is known as hayalīlā.	main via surya_layout
6	(397)	main via surya_layout
7	[16. <i>Gajalīlā</i>]	section_header via surya_layout
8	That which is completely composed according to gajalīlā but where the tāla	main via surya_layout
9	is gajalīla, that should be known by the name gajalīlā.	main via surya_layout
10	(398)	main via surya_layout
11	[17. Simhalīlā]	section_header via surya_layout
12	Composed in simhalilā metre, combined with svara and tena, that which is	main via surya_layout
13	sung with birudas is sinihalīlaka.	main via surya_layout
14	(399)	main via surya_layout
15	[18. Śarabhalila]	section_header via surya_layout
16	Where eight feet are composed with svaras and pāṭas, that is held to be	main via surya_layout
17	śarabhalīla, having eight rāgas and tālas.	main via surya_layout
18	(400)	main via surya_layout
19	[19. Śukacańcu]	section_header via surya_layout
20	In the beginning there is <math>r\bar{s}ga^{20}</math> with <math>gamaka</math>, that which is endowed with	main via surya_layout
21	<math>t\bar{a}la</math>, is sung with svaras and <math>p\bar{a}t</math>as (and) is sung in the languages of various	main via surya_layout
22	regions, is named śukacańcu, that is dear to the people.	main via surya_layout
23	(401)	main via surya_layout

vol_II_p094 RIGHT — 30 lignes

L#	Texte OCR	Role auto
1	171	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	Combined with dhaivata as the initial and concluding note, complete,	main via surya_layout
4	delightful to the people, having concert between dhaivata - niṣāda and ṣadja-	main via surya_layout
5	gāndhāra, born of Bangāla deśa, bāngālī is of divine form. This bhāṣā is full	main via surya_layout
6	of rasa and is also dear to the deity. 50 In performance, it is characterised	main via surya_layout
7	by smoothness and continuity by the singers bedecked with svaras.	main via surya_layout
8	<math>(111-112)</math>	annotation_inline parent ligne 7 via heuristic_height
9	Illustration - Dhārīsārīgāgādhā rīsārīmānīsānīnīsā sāsāridhāmāpā	main via surya_layout
10	dhādhārisāmādhānidhādhā. Bāṅgālī [vi]	editorial_bracket parent ligne 9 via heuristic_brackets
11	Having madhyama as amśa, dhaivata as the concluding note, being weak in	main via surya_layout
12	pañcama and ṛṣabha, having concert between ṣadja-madhyama and ṣadja-	main via surya_layout
13	gāndhāra, saindhavī has been known to be born of the Sindhu region and to	main via surya_layout
14	bear a regional name.	main via surya_layout
15	(113)	annotation_inline parent ligne 14 via heuristic_height
16	Illustration - Mā.Mādhānīdhā nīsāgāsāmāsāsāgāmāgāmā gāsānisanidhā	main via surya_layout
17	māpāmāmāmāsāmādhāmānisāsāsāsāgārī dhānidhādhāmādhānīdhā	main via surya_layout
18	mādhādhādhā. Saindhavī [vii]	editorial_bracket parent ligne 17 via heuristic_brackets
19	Kālingī has gāndhāra as amśa, dhaivata as the concluding note and is	main via surya_layout
20	comprised of four svaras, being devoid of pañcama and ṛṣabha and weak in	main via surya_layout
21	niṣāda. This is an antarabhāṣā and is sung by the people of Kalinga<sup>51</sup> It is	main via surya_layout
22	beautiful and charming and is sung according to pañcama<sup>52</sup> (rāga).	main via surya_layout
23	<math>(114-115)</math>	annotation_inline parent ligne 22 via heuristic_height
24	Illustration-<math>G</math>āsāmāgāmāgāsāsāsāsādhā<math>m</math>āsāsādhāmānīmāmāsāsāsāsāmā	main via surya_layout
25	dhāmāmādhāsāsādhānīgādhā. Kāliṅgī [viii]	editorial_bracket parent ligne 24 via heuristic_brackets
26	Having ṣadjaas the concluding note, dhaivataas aniśa, gāndhāra and pañcama	main via surya_layout
27	being omitted, having concert between ṣaḍja-madhyama and similarly ṣaḍja-	main via surya_layout
28	dhaivata, this antara-bhāṣā is sung by the Pulinda<sup>53</sup> people. It is well-known	main via surya_layout
29	as pulindikā, is pentatonic and subsists in (bhinna) sadja.54	main via surya_layout
30	<math>(116-117)</math>	annotation_inline parent ligne 29 via heuristic_height

vol_I_p070 LEFT — 43 lignes

L#	Texte OCR	Role auto
1	122	page_number via heuristic_pagenum
2	<b>BRHADDES!</b>	page_header via surya_layout
3	तत्र ध्रुवा सशब्दा स्यात् सर्पिणी वामगा भवेत् ।	main via surya_layout
4	ध्वका च गब्दस्याः	annotation_inline parent ligne 3 via heuristic_height
5	कृष्णा दक्षिणतो याता वर्तिनी चाप्यधोगता ॥१७९॥	main via surya_layout
6	(ना?ता)	annotation_inline parent ligne 5 via heuristic_short
7	.ताः	annotation_inline parent ligne 5 via heuristic_height
8	विसर्जिता बहिर्याता विक्षिप्ता कुञ्चिता भवेत् ।	main via surya_layout
9	•वर्ति₀10	annotation_inline parent ligne 8 via heuristic_markers
10	पताका चोर्ध्वगा जेया पतिता भूमिगा भवेत्12 ॥१८०॥	main via surya_layout
11	( का ?गा ) <sup>11</sup>वनि, भूम्मिगा (?)	main via surya_layout
12	ध्वका सर्पिणी चित्रे वार्तिक च परेऽपि द्वे ।	main via surya_layout
13	कृष्णापिद्मिनीनाम्न्यश्चाः दक्षिणेऽष्टौ स्मृता मात्राः ॥१८१॥	main via surya_layout
14	.नाम्न्यो	annotation_inline parent ligne 13 via heuristic_short
15	[ अनु॰ १०८ ]	editorial_bracket parent ligne 13 via heuristic_brackets
16	14दक्षिणावृतिषिचत्रेति वृत्तयो गीतोभयवाद्यप्राधान्यवशात्	main via surya_layout
17	प्रतीताः ।	annotation_inline parent ligne 16 via heuristic_short
18	वृत्तिः, उभयप्रधाना वृत्तिवृत्तिः, वाद्यप्रधाना चित्रा	main via surya_layout
19	दक्षिणा	annotation_inline parent ligne 18 via heuristic_short
20	गीतप्रधाना	main via surya_layout
21	वृत्तिः।	annotation_inline parent ligne 20 via heuristic_short
22	[ अनु॰ १०९ ]	editorial_bracket parent ligne 20 via heuristic_brackets
23	इदानी प्राधान्यं ज्ञापयति पाणिकृतं विवर्तितम्।	main via surya_layout
24	तदुक्तम् :-	main via surya_layout
25	•क्ताम्	annotation_inline parent ligne 24 via heuristic_height
26	"15ताल [ गीतिलय - ] यतिमार्गप्राधान्यान्यासां यथास्वं व्यञ्जकानि	editorial_bracket parent ligne 24 via heuristic_brackets
27	(न ?) न्यादासा <b>.संस्य</b> स्वरं (र) ( ? )	main via surya_layout
28	भवन्ति। 16चित्रे समा यतिः, द्वतो लयः, उपरिपाणिः, मागधीगीति -	main via surya_layout
29	याति+	annotation_inline parent ligne 28 via heuristic_short
30	रोघोऽवयवः। वार्तिक स्रोतोगता यतिर्मध्यो लयः, समपाणिः, सम्भाविता	main via surya_layout
31	.पनामुस्रो,	annotation_inline parent ligne 30 via heuristic_short
32	„Ц	annotation_inline parent ligne 30 via heuristic_height
33	गीतिरनुगतं चावयवः । तद्वद्क्षिणे गोपुच्छा यतिर्विलम्बितो लयः.	main via surya_layout
34	गवोबलयवः-----	annotation_inline parent ligne 33 via heuristic_short
35	उदाद.	annotation_inline parent ligne 33 via heuristic_height
36	अवपाणिः, पृथुला गीतिस्तत्त्वं चावयवः।"	main via surya_layout
37	÷	annotation_inline parent ligne 36 via heuristic_height
38	अधम,	annotation_inline parent ligne 36 via heuristic_height
39	₽.	annotation_inline parent ligne 36 via heuristic_height
40	[ अनु॰ ११० ]	editorial_bracket parent ligne 36 via heuristic_brackets
41	वृत्तीनां च वाद्यं 17समानागतातीतग्रहैः कार्यम्। तत्र	main via surya_layout
42	.पा	annotation_inline parent ligne 41 via heuristic_height
43	.ম.	annotation_inline parent ligne 41 via heuristic_height

vol_II_p019 RIGHT — 32 lignes

L#	Texte OCR	Role auto
1	21	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	[7. The definition of alpatva]	section_header via surya_layout
4	[Anu. 128]	editorial_bracket parent ligne 3 via heuristic_brackets
5	Now I speak of alpatva (sparseness) and bahutva (abundance). Out of	main via surya_layout
6	these, alpatva comes into being on account of the sparse use of svaras and	main via surya_layout
7	bahutva is on account of (their) abundant use. Alpatva and bahutva are	main via surya_layout
8	twofold each, one operating in samnyāsa and the like and the other through	main via surya_layout
9	antaramārga. 38 The definition of antaramārga is thus—sometimes in jātis even	main via surya_layout
10	the svara that is not an amsa (anamsa) is not sparse (alpa). Similarly in	main via surya_layout
11	Kārmāravī, gāndhāra (which is not an amśa), is used in antaramārga with	main via surya_layout
12	abundance through concert (saigati) with all the other svaras; thus will be	main via surya_layout
13	said-39	annotation_inline parent ligne 12 via heuristic_short
14	"Specially gāndhāra has movement towards all (svaras)."	main via surya_layout
15	(NŚ XXVIII.136)	main via surya_layout
16	[8. The definition of bahutva]	section_header via surya_layout
17	[ Anu. 129 ]	editorial_bracket parent ligne 16 via heuristic_brackets
18	After this he (the author) spoke (speaks) of bahutva. Bahutva is like	main via surya_layout
19	alpatva; it is to be perceived, thus is the special implication of the said	main via surya_layout
20	statement (about bahutva). How is that? Thus spoke (speaks) he (the	main via surya_layout
21	author), the inversion of strong and weak, i.e. the weak one is sparse (by	main via surya_layout
22	rule), in the case of inversion it becomes strong, thus is understood the	main via surya_layout
23	characteristic of strong (svara). Hence it has been said -	main via surya_layout
24	"The sparseness in jātis is always manifested through their svaras. There	main via surya_layout
25	is sañcāra (to and fro movement) among the amsas and the strong svaras.	main via surya_layout
26	Sparseness occurs in those jātis which have weak (svaras). Antaramārga	main via surya_layout
27	(inversion of strength and weakness) and nyāsa brings about the manifestation	main via surya_layout
28	of jātis."	annotation_inline parent ligne 27 via heuristic_height
29	(Cf. NŚ XXVIII 74cd, 75)	main via surya_layout
30	[9. The definition of nyasa]	section_header via surya_layout
31	[ Anu. 130 ]	editorial_bracket parent ligne 30 via heuristic_brackets
32	Now he (the author) spoke (speaks) of nyāsa - that (svara) on which or	main via surya_layout

vol_I_p044 LEFT — 33 lignes

L#	Texte OCR	Role auto
1	BRHADDESI	page_header via surya_layout
2	70	page_number via heuristic_pagenum
3	अग्निचिद् द्वादशाहश्च उपाशुः सोम एव च।	main via surya_layout
4	<b>43अश्वप्रतिग्रहो बर्हिस्तधाऽभ्युदय इत्यपि।।१०९।।</b>	main via surya_layout
5	•ग्राहोद्वही•	annotation_inline parent ligne 4 via heuristic_short
6	॥ इति ऋषभहीनताननामानि ॥	editorial_bracket parent ligne 4 via heuristic_brackets
7	सर्वस्वदक्षिणो दीक्षा सोमः समिधसंज्ञकः।	main via surya_layout
8	स्वाहाकारस्तनूनपात्•• ततो गोदोहनस्तथा।।११०।।	main via surya_layout
9	०श्च	annotation_inline parent ligne 8 via heuristic_height
10	॰पा	annotation_inline parent ligne 8 via heuristic_markers
11	ুখৰ	annotation_inline parent ligne 8 via heuristic_height
12	।। इति गान्धारहीनताननामानि ॥	list_item via surya_layout
13	।। इति मध्यमग्राम एकविंशतिः षाडवताननामानि ।।	list_item via surya_layout
14	।। इत्येवमुभयग्रामाश्रितान्येकोनपञ्चाशत्ताननामानि ।।	list_item via surya_layout
15	इडा पुरुषमेधश्च श्येनो वज्र•ः इषुस्तथा।	main via surya_layout
16	•इस्यः	annotation_inline parent ligne 15 via heuristic_height
17	यज्ञ	annotation_inline parent ligne 15 via heuristic_height
18	अङ्गिराः ४०कस्क्रुसंज्ञश्च षड्जग्रामेऽपि चौडुवाः ॥१११॥	main via surya_layout
19	क्स.	annotation_inline parent ligne 18 via heuristic_height
20	॥ इति षड्जपञ्चमहीनताननामानि ॥	editorial_bracket parent ligne 18 via heuristic_brackets
21	अग्निष्टोमोऽथ दर्शक्च नान्दी वै ४८पौर्णमासिकः।	main via surya_layout
22	47ज्योतिः	annotation_inline parent ligne 21 via heuristic_height
23	দূ	annotation_inline parent ligne 21 via heuristic_height
24	अभ्वप्रतिग्रहो रात्रिस्तथा ४१सौभरको मतः ॥११२॥	main via surya_layout
25	की लो	annotation_inline parent ligne 24 via heuristic_height
26	॥ इति गान्धारनिषादहीनताननामानि ॥	editorial_bracket parent ligne 24 via heuristic_brackets
27	सौभाग्यकृच्चऽ० ऽभ्कारीरी शान्तिकृत् पुष्टिकृत्तथा।	main via surya_layout
28	ुक्ति	annotation_inline parent ligne 27 via heuristic_height
29	भा	annotation_inline parent ligne 27 via heuristic_height
30	काच	annotation_inline parent ligne 27 via heuristic_height
31	वैनतेयो भवेदेव उच्चाटनवशीकृतौ ॥११३॥	main via surya_layout
32	।। इति पञ्चमर्षभहीनताननामानि ॥	main via surya_layout
33	।। इति षड्जग्राम औडुवितताननामानि एकविंशतिः।।	main via surya_layout

161 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p116 RIGHT — 23 lignes

vol_II_p094 RIGHT — 30 lignes

vol_I_p070 LEFT — 43 lignes

vol_II_p019 RIGHT — 32 lignes

vol_I_p044 LEFT — 33 lignes