Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 20971). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p035 RIGHT — 29 lignes

L#	Texte OCR	Role auto
1	53	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	This has been said—	annotation_inline parent ligne 4 via heuristic_height
4	"Two grāmas named şadja and madhyama are well-known in the world."10	main via surya_layout
5	(Anu. 33)	annotation_inline parent ligne 4 via heuristic_height
6	But why are there only two grāmas? It is being answered; here two grāmas	main via surya_layout
7	have been formulated on account of (musical) performance being rooted in	main via surya_layout
8	the usage of two svaras.11	main via surya_layout
9	"The svaras have attained the state of grāma through jātis and śrutis."12	main via surya_layout
10	(Anu. 34)	annotation_inline parent ligne 9 via heuristic_height
11	"Through the jātis" means through śuddhās and vikṛtās (both types of jātis)	main via surya_layout
12	and through śrutis. Hence the svaras that are there in the śuddhā and vikṛtā	main via surya_layout
13	jātis, on account of disruption13 in their śrutis, (their) slight augmentation14 and	main via surya_layout
14	diminution and mixing up,15 (these) svaras have attained the state of grāma.	main via surya_layout
15	ṣaḍja - (grāma) is born of the śuddhā-(jātis) and madhyama (grāma) of the vikṛtās	main via surya_layout
16	and from the two (types of jātis) are born sankīrņās (jātis)16. From them (jātis) is	main via surya_layout
17	born rāga.17 On account of the change 18 of grāma the change in the jāti and	main via surya_layout
18	rāga occurs.	annotation_inline parent ligne 17 via heuristic_height
19	[ Thus ends the treatment of grāma ].	editorial_bracket parent ligne 17 via heuristic_brackets
20	[ The treatment of Mürchanā ]	section_header via surya_layout
21	(Anu. 35)	annotation_inline parent ligne 20 via heuristic_height
22	Now the murchanas that befit the occasion or context are being spoken of.	main via surya_layout
23	But what is the etymology of the word murchana and what is its lakşana	main via surya_layout
24	(definition)? It is being answered. The etymology of 'mūrchanā' is thus - (the	main via surya_layout
25	root) mūrch stands for moha (loss of consciousness, stupefaction, infatuation)	main via surya_layout
26	and samucchrāya 19 (increase, growth).	main via surya_layout
27	That through which raga 20 (colour, delightfulness) grows or increases, is	main via surya_layout
28	(90)	annotation_inline parent ligne 27 via heuristic_height
29	called mūrchanā.	annotation_inline parent ligne 27 via heuristic_height

vol_I_p076 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	135	page_number via heuristic_pagenum
2	PÄTHA VIMARŠA	page_header via surya_layout
3	100	page_number via heuristic_pagenum
4	80. Bha Ko, p. 755.	list_item via surya_layout
5	81. Suggested by the ed. in the place of 'su'.	list_item via surya_layout
6	82. Bha Ko, p. 755.	list_item via surya_layout
7	83. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
8	84. Bha Ko, p. 756.	list_item via surya_layout
9	85, 86. C.r. in S R I Sudhā, p. 84.	list_item via surya_layout
10	87. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
11	88. Reading suggested by the ed.	list_item via surya_layout
12	89. MS B reading as recorded by the ed.	list_item via surya_layout
13	Section IV (Svara)	section_header via surya_layout
14	1, 2, 3. C.r. in S R I Sudhā, p. 84.	list_item via surya_layout
15	4. Bha Ko, p. 754.	list_item via surya_layout
16	5. C.r. in Sam S Sā, p. 10.	list_item via surya_layout
17	6. Bha Ko, p. 754.	list_item via surya_layout
18	7. Added by the ed.	list_item via surya_layout
19	8. 'Nāda' of the MSS has been replaced with 'pada' because 'nāda' cannot	list_item via surya_layout
20	be said to be the associate of svara, it is only the subtle or undifferentiated form	list_item via surya_layout
21	of svara. The association of pada with svara has been explained in the	list_item via surya_layout
22	annotations.	list_item via surya_layout
23	"l'alamiti' has been modified, as 'tvalamiti' because 'alamiti kṛtau' could be	main via surya_layout
24	construed as standing for alankṛti or alankāra, whereas tālamiti is neither	main via surya_layout
25	grammatically correct, nor does it fit into the context. An alternative reading	main via surya_layout
26	could be 'tālamitaḥ' (cf. Saṃ S Sā, p. 11) meaning that svara is measured with	main via surya_layout
27	tāla, but even then 'kṛtau' would pose a problem.	main via surya_layout
28	9. cf. अत्र मिरगादिप्वाद्याक्षराणा व्यञ्जनत्वात् कथ स्वरत्विमत्याक्षिप्याचार्यपरिभाषया सङ्केतमात्रमेतिर्दित	main via surya_layout
29	पृत्याह मनङ्गः ।	annotation_inline parent ligne 28 via heuristic_short
30	(SRI Kalā, p. 82)	main via surya_layout
31	10. The use of first person is notable here.	list_item via surya_layout
32	11. MS B reading as recorded by the ed.	list_item via surya_layout
33	12. C.r. in S R I Kalā, p. 92.	list_item via surya_layout
34	13. Added in accordance with C.r. in ibid. and Sudhā, p. 93.	list_item via surya_layout
35	14. Reading suggested by the ed. as tri (. te? ke).	list_item via surya_layout
36	15. C.r. in S R I Sudhā, p. 94.	list_item via surya_layout
37	16. Bha Ko, p. 765 adds 'rāga-svareņa'.	list_item via surya_layout
38	17. Portion added according to S R I Sudhā, p. 94.	list_item via surya_layout
39	18. Ed. suggests rşabhasya.	list_item via surya_layout
40	19. Ed. suggests dhaivalasya.	list_item via surya_layout
41	20. MS A reading as recorded by the ed.	list_item via surya_layout
42	21. MSS reading, reconstructed by the ed. as 'tadanu'.	list_item via surya_layout
43	Se STATISTICS	annotation_inline parent ligne 42 via heuristic_height

vol_II_p058 LEFT — 30 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚĪ	page_header via surya_layout
2	98	page_number via heuristic_pagenum
3	[ जातिभिन्न:]	section_header via surya_layout
4	इदानीं जातिभिन्नस्य लक्षणमाह -	main via surya_layout
5	जातीनामंशक: स्थाप्य: स्वल्पकस्तु बहुस्तथा ।	main via surya_layout
6	॰कं स्थाय(?)	annotation_inline parent ligne 5 via heuristic_markers
7	अल्पत्वं च बहुत्वं च प्रयोगाल्पबहुत्वतः ॥	main via surya_layout
8	सूक्ष्मातिसूक्ष्मैर्वक्रैश्च जातिभिन्नः स उच्यते ॥ ३०८॥	main via surya_layout
9	[अनु॰ १७८]	editorial_bracket parent ligne 8 via heuristic_brackets
10	अस्यार्थ: - शुद्धकैशिकमध्यमो हि कैशिकीषड्जमध्यमाजात्योर्जात:।भित्रकैशिकमध्य [म]स्तु	editorial_bracket parent ligne 8 via heuristic_brackets
11	<b>र्जात(य?):</b>	annotation_inline parent ligne 8 via heuristic_height
12	न्मध्यो	annotation_inline parent ligne 8 via heuristic_height
13	पड्जमध्यमाजातेर्जातत्वात् तदंशग्राहित्वेन स्थायिवर्णग्राहित्वेन च सूक्ष्मातिस्क्ष्मै: प्रयोगैश्च	main via surya_layout
14	(ति)	annotation_inline parent ligne 13 via heuristic_height
15	जातिभिन्नो भवेदित्यर्थ:। लक्षणं चास्य यथा -	main via surya_layout
16	(दि)	annotation_inline parent ligne 15 via heuristic_height
17	[३.भिन्नकैशिकमध्यमः]	section_header via surya_layout
18	स्यात् षड्जमध्यमाजातेभित्रकैशिकमध्यमः।	main via surya_layout
19	(तै?ते)	main via surya_layout
20	षङ्जांशो मध्यमन्यासो मन्द्रैस्तु गमकैर्युत: ॥३०९॥	unknown via fallback
21	[अन्॰ १७९]	editorial_bracket parent ligne 19 via heuristic_brackets
22	[अस्यार्थ:-] भित्रकैशिकमध्यमः षड्जग्रामसम्बन्धः षड्जमध्यमाजातेरुत्पन्नत्वात् ।	editorial_bracket parent ligne 19 via heuristic_brackets
23	षङ्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यासः । मन्द्रगमकश्च । निषादोऽत्र काकली । पूर्णश्चायम् । दानवीर	main via surya_layout
24	पह्(जॉऽश ? जो)स्य	annotation_inline parent ligne 23 via heuristic_short
25	चास्य प्रयोगः । वीररौद्रादिको रसः । षड्जादिमूर्छना । वर्णः सञ्चारी । प्रसन्नादिरलङ्कारः । दक्षिणे	main via surya_layout
26	कला, वार्तिके कला, चित्रे कला। [स्वरपदगीते] चच्चत्पुटादिताल:।	editorial_bracket parent ligne 25 via heuristic_brackets
27	[शुद्धभिनः]	section_header via surya_layout
28	[इदानी]शुद्धभित्रस्य लक्षणमाह -	section_header via surya_layout
29	परित्यजन्नन्यजातिं स्वजातिकुलभूषणः।	main via surya_layout
30	स्वकं कुलं तु संगृह्धन् शुद्धभित्रः प्रकीर्तितः ॥३१०॥	main via surya_layout

vol_II_p032 RIGHT — 38 lignes

L#	Texte OCR	Role auto
1	47	page_number via heuristic_pagenum
2	TRANSLATION	page_header via surya_layout
3	When it (ṣāḍjī) is sung as hexatonic, then the sparseness<sup>59</sup> of ṛṣabha has to	main via surya_layout
4	be brought about, (and) there is abundance of the remaining svaras.	main via surya_layout
5	[ Anu. 147]	editorial_bracket parent ligne 4 via heuristic_brackets
6	And it has ten amsas. That is thus - one suddha, five vikṛtas in the complete	main via surya_layout
7	state and four ṣāḍavas, because when gāndhāra is amśa, it excludes the	main via surya_layout
8	formation of ṣāḍava. The amśas have been written as such so that they	main via surya_layout
9	become clear.	annotation_inline parent ligne 8 via heuristic_height
10	There is the state of śuddhā with ṣadja as the amśa and ṣadja is the apanyāsa.	main via surya_layout
11	In its sampūrņa state there are eight-fold lakṣaṇas (ṣāḍava and auḍava being	main via surya_layout
12	irrelevant). In the sadava state (they are) nine-fold (auduvita being	main via surya_layout
13	irrelevant). Ṣādjī should be known as four-fold in its vikṛtā (modified) state,	main via surya_layout
14	excluding (its) šuddhā (form).	main via surya_layout
15	And it has the <math>m\bar{u}rchan\dot{a}^{60}</math> beginning with dhaivata. (The <math>t\bar{a}la</math>) ekakala	main via surya_layout
16	pañcapāṇi61 (known also as uttara and satpitāputraka) in the citra	main via surya_layout
17	(mārga) (operates alongwith) māgadhī gīti. Dvikala pancapāņi in the vārtika	main via surya_layout
18	mārga (operates alongwith) sambhāvitā gīti. In dakṣiṇa mārga, catuṣkala	main via surya_layout
19	pañcapāṇi (operates alongwith) pṛthulā gīti. (The corresponding pattern of	main via surya_layout
20	tāla and gīti) should be known for all the jātis in this order. Vīra, raudra and	main via surya_layout
21	adbluta rasas should be evoked (lit. made). Its application (viniyoga) 62 is	main via surya_layout
22	(prescribed) in the singing of dhruvā(s) in the first scene (or act).	main via surya_layout
23	[2. Ārşabhī]	section_header via surya_layout
24	[Anu. 148]	editorial_bracket parent ligne 23 via heuristic_brackets
25	(În ārṣabhī) ṛṣabha, dhaivata (and) niṣāda are the grahas, (they) themselves	main via surya_layout
26	are the amsas. They alone are apanyāsas. Niṣāda63 (?) is (the limit of the	main via surya_layout
27	extension of) tāra upto five svaras. Ŗṣabha is the nyāsa. Mandra extends upto	main via surya_layout
28	nyāsa or upto the svara next to nyāsa. There is sangati (concert) of şadja-	main via surya_layout
29	dhaivata and ṛṣabha-gāndhāra. Ṣāḍava is devoid of ṣaḍja and auḍuvita is	main via surya_layout
30	devoid of șadja-pañcama. In its complete state there is the sparseness of șadja,	main via surya_layout
31	gandhara and pancama. In the auduvita form, there is the sparseness of	main via surya_layout
32	gāndhāra and madhyama and the profusion of the remaining (svaras).	main via surya_layout
33	[Anu. 149]	editorial_bracket parent ligne 32 via heuristic_brackets
34	And it (ārṣabhī) is ten-fold i.e., there are ten amśas. Śuddhā (is one), vikṛtās	main via surya_layout
35	in the complete state are three, in the sadava state are three and in the	main via surya_layout
36	auduva state are (also) three, thus in the complete state are three, in the	main via surya_layout
37	ṣāḍava state are three, thus (they are ten). The mūrchanā 64 beginning with	main via surya_layout
38	pañcama obtains (here). Caccatpuța is the tāla. With the ekakala (tāla) in the	main via surya_layout

vol_I_p065 LEFT — 40 lignes

L#	Texte OCR	Role auto
1	<b>BRHADDESI</b>	page_header via surya_layout
2	112	page_number via heuristic_pagenum
3	आक्षिप्तवच्चतुर्भिः स्वरैस्तु काले कलान्तरोपेतैः ।	main via surya_layout
4	स्त्रिस्वरः	annotation_inline parent ligne 3 via heuristic_height
5	एकान्तरस्वरक्रम इह गदितः सम्प्रदानस्तु ॥१५८॥	main via surya_layout
6	द्विरपि द्विकलं गदितं हसितमिवोच्चारितं तथा हसितम्	main via surya_layout
7	₀हो₀ ₀तततोऽप<b>₀</b>	annotation_inline parent ligne 6 via heuristic_markers
8	समनन्तरस्वरकृतं चाक्षिप्तकमिव बुधैर्जेयम् ॥१५९॥	main via surya_layout
9	समनन्तरस्वरेषु हसितवत् त्रिस्वरैष्टचतुःस्वरैवापि ।	main via surya_layout
10	₀द्यपरश्चतुःपरो (?) वापि	annotation_inline parent ligne 9 via heuristic_markers
11	आरोहत्येककलो हुङ्काराख्यः स विज्ञेयः ॥१६०॥	main via surya_layout
12	स्थानान्तरमारुह्य प्रत्येति द्वयं चतुष्कलो ज्ञेयः ।	main via surya_layout
13	₀कद्वयश्च	annotation_inline parent ligne 12 via heuristic_markers
14	क्रमेणोर्ध्वपरिक्षेपः स्यात् सन्धिप्रच्छादनो नाम ॥ १६१॥	main via surya_layout
15	.मनो.	annotation_inline parent ligne 14 via heuristic_height
16	(?)	main via surya_layout
17	आदौ पदमुच्चार्य [ तु ] यत्र स्याद् द्विस्वरो लघुवर्णः ।	editorial_bracket parent ligne 16 via heuristic_brackets
18	यः	annotation_inline parent ligne 16 via heuristic_height
19	समनन्तरमारोहत्येककलां तद् विधुतं तु ॥१६२॥	main via surya_layout
20	•ला	annotation_inline parent ligne 19 via heuristic_height
21	<b>.</b>Ų.	main via surya_layout
22	आदावारोही स्यात् प्रस्तारोऽन्तेऽवरोहते यत्र ।	main via surya_layout
23	बादा++वरोही	annotation_inline parent ligne 22 via heuristic_short
24	प्रमाणतश्च कलासु वदन्त्यलङ्कारमुद्गीतम् ॥१६३॥	main via surya_layout
25	<b>ब्न्स्याकार</b>ु (२)	main via surya_layout
26	हुक्कारवदारोहेदनन्तरांस्तु स्वरान् कलान्तरयोः ।	main via surya_layout
27	म्,	annotation_inline parent ligne 26 via heuristic_height
28	द्वी द्वी प्रकम्पमानी ततश्च प्रसन्नी द्वी ॥१६४॥	main via surya_layout
29	च ,मती(?)चतस्य	annotation_inline parent ligne 28 via heuristic_short
30	वर्णालक्कारविधौ विज्ञेयो गात्रवर्ण इत्येवम् ।	main via surya_layout
31	आकारोकारतया दीर्घाक्षरमन्यदिप योज्यम् ॥१६५॥	main via surya_layout
32	गीतालङ्काराणा [ – मल- ] ङ्करणविधिरयं समुद्दिष्टः ।	editorial_bracket parent ligne 31 via heuristic_brackets
33	,णां	annotation_inline parent ligne 31 via heuristic_height
34	एभिरलक्कर्तव्या गीतिर्वर्णविरोधेन ॥१६६॥	main via surya_layout
35	.नीमा,	annotation_inline parent ligne 34 via heuristic_height
36	स्थाने चालङ्कारं कुर्यान्न ह्युरिस काञ्ची बध्नीयात् ।	main via surya_layout
37	द् गाम्युरसि किचित् उदावेध ।।	main via surya_layout
38	₀र	annotation_inline parent ligne 37 via heuristic_markers
39	बहवोऽलञ्काराः – स्युर्वर्णविहीना [ न ] प्रयोक्तव्याः ॥१६७॥	editorial_bracket parent ligne 37 via heuristic_brackets
40	,नाः	page_footer via surya_layout

180 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_I_p035 RIGHT — 29 lignes

vol_I_p076 RIGHT — 43 lignes

vol_II_p058 LEFT — 30 lignes

vol_II_p032 RIGHT — 38 lignes

vol_I_p065 LEFT — 40 lignes