Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21000). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p041 LEFT — 48 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 64 page_number
via heuristic_pagenum
3 धा नी सां सा रीं रीं रीं रीं table
via surya_layout
4 (३) table
via surya_layout
5 सां सां सां री गा मा मा मा table
via surya_layout
6 (8) table
via surya_layout
7 मां धां नीं धां मां धां मां पां table
via surya_layout
8 (4) table
via surya_layout
9 गारी साधित रीरीरीरी table
via surya_layout
10 (६) table
via surya_layout
11 गां रीं सां सां पा धा मा मा table
via surya_layout
12 (v) table
via surya_layout
13 गा गा गा मा पा निधनि नी नी table
via surya_layout
14 (८) table
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15 गा गा नी नी गा गा गा गा table
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16 (९) table
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17 गा गा नी नी निध पा पा पा table
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18 (१०) table
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19 मां पो मो पो पो मो मो table
via surya_layout
20 (११) table
via surya_layout
21 सा मा गा निध नी नी गा गा table
via surya_layout
22 (१२) table
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23 ॥ [इति] कैशिकी ॥ table
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24 1 म ॥ annotation_inline
parent ligne 25
via heuristic_height
25 [५. मध्यमोदीच्यवा] section_header
via surya_layout
26 पञ्चमांशा सदा पूर्णा, मध्यमोदीच्यवा मता ॥१४॥ main
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27 ंपञ्च(मा: ? मां) annotation_inline
parent ligne 26
via heuristic_short
28 [मता] editorial_bracket
parent ligne 26
via heuristic_brackets
29 लक्ष्म शेषं विजानीयाद् गान्धारोदीच्यवागतम् । main
via surya_layout
30 (म्) annotation_inline
parent ligne 29
via heuristic_short
31 मध्यमादिर्मूर्छना स्यात् तालश्चचत्पुटो मत: ॥१५॥ main
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32 ॰(मंरीन ? मूर्छना) annotation_inline
parent ligne 31
via heuristic_markers
33 चतुर्थस्य प्रेक्षणस्य ध्रुवायां विनियोजनम् । main
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34 ্ক annotation_inline
parent ligne 33
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35 <sup>१७६</sup>अस्यां मध्यमो न्यास: । षड्जधैवतावपन्यासौ । <sup>१७७</sup>प्रस्तार:- main
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36 अस्या annotation_inline
parent ligne 35
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37 पा धनि नी नी मा मा नी पा table
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38 (१) table
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39 री री री गा सा रिग गा गा table
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40 (२) table
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41 नी नी नी नी नी नी नी table
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42 (3) table
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43 नी नी धप मा निध निध पा पा table
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44 (8) table
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45 पांपारी री री री री री table
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46 (4) table
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47 मा रिग सा सधं नीं नीं नीं नीं table
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48 <b>(६)</b> table
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vol_I_p034 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 50 page_number
via heuristic_pagenum
3 V [ ग्राममूर्छनाप्रकरणम् ] section_header
via surya_layout
4 [ अनु. ३० ] editorial_bracket
parent ligne 3
via heuristic_brackets
5 अथ किमुच्यते ग्रामशब्देन ? ननु कति ग्रामा भवन्ति ? main
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6 कस्मादुत्पद्यते ग्रामः कि वा तस्य प्रयोजनम्।।८४॥ main
via surya_layout
7 अश्रोच्यते— unknown
via fallback
8 म्समूहवाचिनौ ग्रामौ स्वरश्रुत्यादिसंयुतौ ॥८५॥ main
via surya_layout
9 यथा कुटुम्बिनः सर्व एकीभूत्वा वसन्ति हि। main
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10 ₀ता² annotation_inline
parent ligne 9
via heuristic_markers
11 सर्वलोकेषु स ग्रामो यत्र नित्यं व्यवस्थितिः ।।८६॥ main
via surya_layout
12 ₄तः annotation_inline
parent ligne 11
via heuristic_height
13 षड्जमध्यमसंज्ञौ तु द्वौ ग्रामौ विश्रुतौ किल। main
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14 गान्धारं नारदो बूते स तु मर्त्यैर्न गीयते॥८७॥ main
via surya_layout
15 सामवेदात् स्वरा जाताः स्वरभ्यो ग्रामसम्भवः। main
via surya_layout
16 द्वावेतौ च इमौ ज्ञेयौ षड्जमध्यमलक्षितौ॥८८॥ main
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17 [ अनु. ३१ ] editorial_bracket
parent ligne 16
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18 प्रयोजनं च यथा—स्वरश्रुतिमूर्छना—तानजातिरागाणां व्यवस्थापनत्वं main
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19 o404 annotation_inline
parent ligne 18
via heuristic_height
20 नाम प्रयोजनम्। main
via surya_layout
21 [ अनु. ३२ ] editorial_bracket
parent ligne 20
via heuristic_brackets
22 ननु कथं षड्जमध्यमस्वराभ्यां ग्रामण्यपदेशः ? उच्यते—असाधारणत्वेन ताभ्यां main
via surya_layout
23 ग्रामण्यपदेशः। असाधारणत्वं च देवकुलसमुत्पन्नत्वेन। main
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24 ₀लोत्पन्न,<sup>5</sup> annotation_inline
parent ligne 23
via heuristic_markers
25 तथा चाह नारदः – main
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26 "देवकुलसमुत्पन्नाः षड्जगान्धारमध्यमाः। main
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27 एतेपां देवता जेया ब्रह्माविष्णुमहेश्वराः॥ "6 main
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28 उभयोग्रामियोर्मध्ये मुख्यत्वं कस्य गम्यते। main
via surya_layout
29 ुण्युः annotation_inline
parent ligne 28
via heuristic_height
30 षड्जस्यैव हि मुख्यत्वं गम्यते वचनान्भुनेः॥८९॥ main
via surya_layout
31 __ु•वाह्रि च __ main
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vol_II_p072 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 126 page_number
via heuristic_pagenum
3 युद्धवीरेऽस्य विनियोगः। वीरादिको रसः। षड्जादिमूर्छना। आरोही वर्णः। प्रसन्नान्तोऽलङ्कारः । main
via surya_layout
4 ॰(र्य?रे) annotation_inline
parent ligne 3
via heuristic_markers
5 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
6 [साधारणरागाणां ग्रामविभागः] section_header
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7 इदानीं साधारणानां ग्रामविभाग: प्रदर्श्यते - main
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8 भम्माणपञ्चमो ज्ञेयो मध्यमग्रामसम्भव:। main
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9 गान्धारपञ्चमो नर्त: षड्जकैशिक एव च ॥ ३४२॥ main
via surya_layout
10 रूपसाधारितो रागः शकः ककुभ एव च। main
via surya_layout
11 रेवगुप्तस्तु षड्जाख्ये ज्ञेयः पञ्चमषाडवः ॥ main
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12 (뭐) annotation_inline
parent ligne 11
via heuristic_height
13 सप्त[नव ?] साधारणाः प्रोक्ता ग्रामद्वयसमाश्रयाः ॥३४३॥ editorial_bracket
parent ligne 11
via heuristic_brackets
14 (माश्र) annotation_inline
parent ligne 11
via heuristic_height
15 [ग्रामरागाणां मूर्छना-निर्देशस्य आधार:] section_header
via surya_layout
16 [अनु॰२१३] editorial_bracket
parent ligne 15
via heuristic_brackets
17 ननु पूर्वोक्तानां[ग्रामरागाणां]<sup>१११</sup> मूर्छनाविशेष-निर्देश: कस्माज्जायत इति [चेत्]<sup>११२</sup> editorial_bracket
parent ligne 15
via heuristic_brackets
18 उच्यते । आसवचनान्पूर्छनानिर्देशो ज्ञायते । तथा चाह काश्यप: - main
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19 ११३कश्यप: annotation_inline
parent ligne 18
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20 (आसवचनाद्) annotation_inline
parent ligne 18
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21 ९१४‘‘ज्ञात्वा जात्यंशबाहुल्यं निर्देश्या मूर्छना बुधै:।” main
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22 [गीतरागयोर्भेद:] section_header
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23 [अनु॰ २१४] . editorial_bracket
parent ligne 22
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24 नन् गीतरागयो: को भेद:<sup>११५ ।</sup> उच्यते । दशलक्षणलिक्षतं गीतं रागशब्दाभिधेयम् । main
via surya_layout
25 <sup>११६</sup> शब्देनाभिधीयते annotation_inline
parent ligne 24
via heuristic_height
26 ॰(यो:को) annotation_inline
parent ligne 24
via heuristic_markers
27 गीतं चतुरङ्गेपेतम् , ध्रुवायोगात् पञ्चविधम् । कुत <sup>११७</sup>एतद् विज्ञायते ? आसवचनात् । main
via surya_layout
28 तथा annotation_inline
parent ligne 27
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29 एव annotation_inline
parent ligne 27
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30 चाह काश्यप: - annotation_inline
parent ligne 27
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31 ११८कश्यप: main
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vol_II_p003 RIGHT — 69 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 Park to the unknown
via fallback
2 <b>CONTENTS</b> section_header
via surya_layout
3 Introduction table
via surya_layout
4 ν table
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5 xvii table
via surya_layout
6 <b>Abbreviations</b> table
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7 Bṛhaddeśī of Srī Mataṅga Muni table
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8 (Text and Translation) table
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9 CHAPTER II table
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10 Jātis table
via surya_layout
11 3 page_number
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12 1. Their number, nomenclature and types table
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13 Number and nomenclature table
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14 3 page_number
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15 3 page_number
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16 The jātis of ṣaḍjagrāma table
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17 3 page_number
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18 The jātisof madhyamagrāma table
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19 5 page_number
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20 Sādhāraņakṛtā Jātis table
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21 5 page_number
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22 2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis table
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23 9 page_number
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24 3. General definition of jāti table
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25 4. The tenfold lakṣaṇas or characteristics table
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26 The definition of graha table
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27 13 page_number
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28 The definition of amśa table
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29 2. table
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30 The definition of apanyāsa table
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31 13 page_number
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32 forming part of that of amsa table
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33 The definition of sammyāsa table
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34 forming part of that of amśa table
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35 13 page_number
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36 The definition of vinyāsa table
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37 15 page_number
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38 forming part of that of anisa table
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39 15 page_number
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40 The definition of tara table
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41 3. table
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42 17 page_number
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43 The definition of mandra table
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44 4. table
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45 17 page_number
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46 5. The definition of sāḍava table
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47 19 page_number
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48 The definition of audava table
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49 6. table
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50 21 page_number
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51 The definition of alpatva table
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52 7. table
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53 21 page_number
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54 The definition of bahutva table
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55 8. table
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56 21 page_number
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57 The definition of <i>nyāsa</i> table
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58 9. table
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59 23 page_number
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60 10. The definition of apanyāsa table
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61 5. Optional and alternative prescription of amśa table
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62 23 page_number
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63 and the like in jātis table
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64 31 page_number
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65 6. Indication of the gaņas or groups of the jātis table
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66 7. Prescription regarding the performance of jātis table
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67 33 page_number
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68 35 page_number
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69 8. The ṣāḍava and auḍava formation of jātis table
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vol_II_p156 RIGHT — 41 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA page_header
via surya_layout
2 295 page_number
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3 becoming an adjective of vidhi and the total meaning being 'general rule'. main
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4 Utsarga and apavāda is another pair that is commonly used in Pūrva main
via surya_layout
5 Mīmāmsā, meaning general rule and exception respectively. Here 'utsarga' main
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6 has been used in isolation, the compound utsarga-vidhi being implicit. main
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7 'Vidhi' meaning rule or injunction has been used with the adjective samvādī main
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8 -anuvādī in a compound, meaning the rule pertaining to the samvādin and main
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9 anuvādin svaras. annotation_inline
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10 14. This phrase or piece of notation does not occur in SR in the list_item
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11 prastāra of ṣāḍjī, nor in Bha Bhā in the prastāra of pancamāmśa ṣāḍjī. list_item
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12 15. 'Svasthāna' is known to stand for a section of 'ālapti' or list_item
via surya_layout
13 improvised elaboration of a rāga (cf. SR III. 192-195); it has been used here list_item
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14 in jāti which is a prototype of rāga. It is not improbable that our text is using list_item
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15 this word in a different meaning, which could, perhaps, be graha. list_item
via surya_layout
16 16. The purport is that amsa is the regulator of graha, apanyasa, list_item
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17 vinyāsa, samnyāsa and nyāsa on account of being the point of reference both list_item
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18 in intervallic and melodic organisation. list_item
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19 17,18. Gīta is melodic rendering and pada is a unit of text or melody list_item
via surya_layout
20 or text-cum-melody, as the case may be, i.e., gīta could stand for melodic list_item
via surya_layout
21 rendering with or without text and 'pada' could stand for self-contained list_item
via surya_layout
22 units of text (meaningful or otherwise) or of melody or of text-cum-melody. list_item
via surya_layout
23 Apanyāsa operates within the splittings (vidārīs) of gīta or pada i.e., it is the list_item
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24 pause between one vidārī and another. list_item
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25 19. 'Pāda', literally meaning foot is used both in the context of list_item
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26 textual metre and musical composition. list_item
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27 20. 'Peśī', literally meaning muscle suggests the conception of the list_item
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28 'body' of a musical structure on the model of the human body. SR IV. 12a list_item
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29 speaks of the dhātus (lit. humours) of prabandha that are so called because list_item
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30 of upholding the 'body' of prabandha and again in 13b speaks of the list_item
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31 'prabandha-puruşa' that has six angas or limbs. The word peśī has also been list_item
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32 used in Datti. 142 for a vidārī of gīta or pada; thus this word has a history going list_item
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33 much earlier than our text. list_item
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34 21. NS. XXVIII.68, 69 has reading variants in all the editions; the list_item
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35 citation in our text has proximity to c.r. in Kalā. It is notable that the name list_item
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36 of Bharata does not occur in the introduction to the citation. list_item
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37 22. The octave of the amsa is implied here; that is the beginning of list_item
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38 tāra (high). list_item
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39 23. The 23rd kalā or vidārī (sub-section) of the prastāra of nandayantī list_item
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40 in SR reads - sā sā dhani dhā, there is a vertical stroke on the two 'sās' list_item
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41 indicating their tara position. list_item
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220 lignes a valider — change uniquement les roles incorrects.