Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21004). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p011 LEFT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 4 page_number
via heuristic_pagenum
3 आन्ध्री च नन्दयन्ती च कार्मारव्यथ कैशिकी । main
via surya_layout
4 अङ्धी annotation_inline
parent ligne 3
via heuristic_height
5 ₹क annotation_inline
parent ligne 3
via heuristic_height
6 एवमेकादश ज्ञेया मध्यमग्रामसंश्रया: ॥ १९०॥ main
via surya_layout
7 [॥ इत्येकादशमध्यमग्रामाश्रया:॥] editorial_bracket
parent ligne 6
via heuristic_brackets
8 [साधारणकृता जातय:] section_header
via surya_layout
9 साधारणकृतास्तिस्रो विज्ञेया जातयो बुधै: । main
via surya_layout
10 मध्यमा पञ्चमी चैव तथा वै षड्जमध्यमा ॥१९१॥ main
via surya_layout
11 मत्सरी annotation_inline
parent ligne 10
via heuristic_height
12 ॥ इति सङ्ख्या, उद्देशश्च॥ editorial_bracket
parent ligne 10
via heuristic_brackets
13 [२. शुद्धाः, विकृताः, संसर्गजा विकृताश्च] section_header
via surya_layout
14 [ अनु ॰ ११५] section_header
via surya_layout
15 आभ्योऽष्टादशजातिभ्य: सप्तस्वराख्याश्चोक्ता द्विधा शुद्धा विकृताश्चेति । तत्र शुद्धा main
via surya_layout
16 अन्यूनस्वराः*स्वस्वरांशग्रहन्यासापन्यासाश्च । एभ्यो लक्षणेभ्योऽन्यतमेन द्वाभ्यां बहुभिर्वा main
via surya_layout
17 ्रा स्वरस्वरग्रहान्यासाध (?)<br>लक्षणैर्विकृतिमुपगता न्यासवर्ज विकृतसंज्ञा भवन्ति । main
via surya_layout
18 <sup>५</sup>व्यायापि तुष्टा(?) main
via surya_layout
19 <sup>६०</sup>वजा annotation_inline
parent ligne 18
via heuristic_short
20 [अनु०११६] editorial_bracket
parent ligne 18
via heuristic_brackets
21 तंत्रं न्यासविधिमाह-तत्र न्यासविधौ या जातय: शुद्धा:,तासु नामकारी यो न्यास: [स] editorial_bracket
parent ligne 18
via heuristic_brackets
22 ्बलः यवाः विकारित । विकृतासु च नामकारी [न्यास:] तारो वा मन्द्रो वा भवतीत्यनियम:। editorial_bracket
parent ligne 18
via heuristic_brackets
23 <sup>७</sup>कविकारी <b>या मन्द्रो भवतीत्य</b>नियम: । annotation_inline
parent ligne 18
via heuristic_height
24 [ अनु ११७ ] section_header
via surya_layout
25 तत्र शुद्धानां जातीनां शुद्धत्वं विकृतत्वं च रूपद्वयमस्ति । एकादशानां जातीनां विकृतोद्भवत्वादु main
via surya_layout
26 विकृतत्वमेव रूपं भवति न तु शुद्धत्विमिति कुत एतत् ? ता हि परस्परसंसर्गाज्ञायन्ते । तथा main
via surya_layout
27 वृ॰ annotation_inline
parent ligne 26
via heuristic_markers
28 (ते?न्ते) annotation_inline
parent ligne 26
via heuristic_height
29 । ननु annotation_inline
parent ligne 26
via heuristic_height
30 चाह भरत: - main
via surya_layout

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 121 page_number
via heuristic_pagenum
3 and hāsya (rasas) and nirvahaṇa (sandhi). Vīra<sup>80</sup> and the like is the rasa. The main
via surya_layout
4 mūrchanā beginning with ṣaḍja obtains. Ārohin is the varņa. Prasannamadhya main
via surya_layout
5 is the <i>alankāra. The kalā</i> is formed in the <i>dakṣiṇa (mārga</i>), the <i>kalā</i> obtains main
via surya_layout
6 in the <i>vārtika (mārga</i>) and the <i>kalā</i> prevails in the <i>citra (mārga</i>). A <i>tāla</i> like main
via surya_layout
7 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
8 [3. Kakubha] section_header
via surya_layout
9 Kakubha comes out of madhyamā, pañcamī and dhaivatī jātis, has pañcama main
via surya_layout
10 as its nyāsa and is formed with dhaivata as the amśa. main
via surya_layout
11 (335) main
via surya_layout
12 [Anu. 206] section_header
via surya_layout
13 Its meaning is thus – Kakubha is related to şadjagrāma. How is it related main
via surya_layout
14 to şadjagrāma alone in spite of being born of madhyamā, pañcamī and main
via surya_layout
15 dhaivatī? On account of pañcama being comprised of four śrutis and main
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16 dhaivata of three śrutis. Dhaivata is its amśa and graha. Pañcama is the nyāsa main
via surya_layout
17 and this (rāga) is complete in svaras. Its application is prescribed in the medium state of karuṇa (rasa). Karuṇa is its main
via surya_layout
18 with dhaivata obtains. Ārohin is the varņa. Prasannamadhya is the alaṅkāra. main
via surya_layout
19 The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika main
via surya_layout
20 (mārga) and the kalā prevails in the citra(mārga). A tāla like caccatupṭa main
via surya_layout
21 obtains in the songs comprised of svara and pada. main
via surya_layout
22 [4. Bhammāṇapañcama] section_header
via surya_layout
23 Bhammāṇapañcama comes of ṣaḍjamadhyamā jāti, has ṣaḍja as its aṅiśa, main
via surya_layout
24 madhyama as nyāsa and treats as sparse the svaras comprised of two śrutis each. main
via surya_layout
25 (336) main
via surya_layout
26 [Anu. 207] section_header
via surya_layout
27 Its meaning is thus – Bhammāṇapañcama is related to madhyamagrāma on main
via surya_layout
28 account of being born of sadja-madhyamā jāti. Şadja is the graha and anisa, main
via surya_layout
29 madhyama is the nyāsa. There is the sparseness of niṣāda and gāndhāra. Niṣāda main
via surya_layout
30 is kākalī here and this (rāga) is complete in svaras. Its application is prescribed main
via surya_layout
31 in (the situation of ) travel on a path in summer, (by those) full of fatigue and main
via surya_layout
32 in (the depiction of) forests. Vīra and the like is the rasa<sup>83</sup>. The mūrchanā main
via surya_layout
33 beginning with ṣadjaobtains. Ārohinisthe varṇa. Prasannamadhya isthe alankāra. main
via surya_layout
34 The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) main
via surya_layout
35 and the kalāprevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
via surya_layout
36 comprised of svara and pada. main
via surya_layout
37 [5. Rūpasādhārita] section_header
via surya_layout
38 Rūpasādhārita is born of şadjamadhyamā and naiṣādī (jātis). It has ṣadja as main
via surya_layout
39 its <i>amśa, madhyama</i> as <i>nyāsa</i> and is with sparse <i>pañcama</i> and <i>ṛṣabha.</i> main
via surya_layout
40 (337) main
via surya_layout

vol_I_p061 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 105 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 (Anu. 102) annotation_inline
parent ligne 4
via heuristic_height
4 Like hunkāra one should ascend (with) three solfa syllables without a gap main
via surya_layout
5 (and) in a combined80 (manner), thence two lower svaras (forming two phrase- main
via surya_layout
6 units each) should be made (pronounced) with shake81 and verily in main
via surya_layout
7 combination with another (next) kalā 82 (phrase-unit). Thus is gātravarņa, main
via surya_layout
8 because of the combination or formulation of ekakala 83 svaras (forming main
via surya_layout
9 temporal units of one kalā or mātrā each). As - dhanisa nini dhadha, padhani main
via surya_layout
10 dhadha papa, mapadha papa mama, gamapa mama gaga, rigama gaga riri, main
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11 (33) annotation_inline
parent ligne 10
via heuristic_height
12 sariga riri sasa. Thus is (ends) gatravarna. main
via surya_layout
13 [ The treatment of Alankaras according to Bharata's opinion ] section_header
via surya_layout
14 I shall now speak of the varnas 84 in which the charming alankāras are main
via surya_layout
15 'seated' (formed), according to the prescription of Bharata. main
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16 (121) annotation_inline
parent ligne 15
via heuristic_height
17 Prasannādi, prasannānta, prasannādyanta, similarly prasannamadhya, sama, main
via surya_layout
18 recita itself, prastāra and prasāda are based on the sthāyivarņa. These alankāras main
via surya_layout
19 (122, 123) annotation_inline
parent ligne 18
via heuristic_short
20 should be known according to their respective definition. main
via surya_layout
21 After this, please understand (the alankāras) born of the sancārin (varņa), as main
via surya_layout
22 they are again and again being described (lit. glorified). Mandratāraprasanna, main
via surya_layout
23 bindu, prenkolita, tāramandraprasanna, nivīttapravītta, kuhara, veņu, ranjita, main
via surya_layout
24 upalolaka, avartaka, paravarta. Thus are the eleven charming alankaras born of main
via surya_layout
25 <math>(124 - 126)</math> annotation_inline
parent ligne 24
via heuristic_height
26 the sancarin (varna). annotation_inline
parent ligne 24
via heuristic_height
27 Nişkūjita, kuhara, hasita, bindu itself, prenkholita, ākṣipta, vidhuta, udvāhita, main
via surya_layout
28 hrādamāna, sampradāna, sandhipracchādana, prasannādi and main
via surya_layout
29 prasannanta—(these) thirteen are (based) on the arohin (varna). (127, 128) main
via surya_layout

vol_II_p035 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 52 page_number
via heuristic_pagenum
3 पञ्चमयोरत्पत्वम् । <sup>१५३</sup>गान्धारस्यांशत्वे[ऽ]प्राप्ते[ऽपि] बाहुत्यम् । षाडवे पञ्चमस्यात्पत्वम् editorial_bracket
parent ligne 4
via heuristic_brackets
4 पद्जागान्धारपञ्चमयोरलपत्वम् , main
via surya_layout
5 औडुविते न कस्याप्यल्पत्वमशेषाणां बहुत्वम् । मध्यमो न्यासः । ऋषभधैवतावपन्यासौ । अंशानां main
via surya_layout
6 परस्परगमनम् । main
via surya_layout
7 [अनु॰ १५७] section_header
via surya_layout
8 १५४एकादशविधत्वमस्या:। एकादशांशका: -पूर्णाश्चत्वार:, षाडवास्त्रयो धैवतांशे तदपवादाद् main
via surya_layout
9 औडुविताश्चत्वार:।शुद्धस्तु नास्ति।गान्धार[ादि]मूर्छना।ताल:पञ्चपाणि:।एककलेन चित्रेण editorial_bracket
parent ligne 8
via heuristic_brackets
10 मागधी, द्विकलेन वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । रसौ शृङ्गारहास्यौ । main
via surya_layout
11 ध्रवागाने द्वितीयप्रेक्षणके विनियोग:। main
via surya_layout
12 [७. पड्जमध्यमा] section_header
via surya_layout
13 [अनु॰ १५८] section_header
via surya_layout
14 षड्जमध्यमाया ग्रहा अंशाश्च सप्तैव स्वरा:। पञ्चस्वरपरस्तार:। न्यासपरस्तत्परो वा मन्द्र: main
via surya_layout
15 ॰हा: annotation_inline
parent ligne 14
via heuristic_markers
16 निषादहीना षाडवा । निषादगान्धारहीना औडुविता । ग्रामाविरोधेन यथेष्टं सञ्चार: । पूर्णावस्थायां main
via surya_layout
17 निषादगान्धारयोरल्पत्वम् । षड्जमध्यमौ न्यासौ । सप्तस्वरा अपन्यासा: । main
via surya_layout
18 <b>क्खरापन्या</b> (स: ? सा) annotation_inline
parent ligne 17
via heuristic_height
19 [अनु॰ १५९] section_header
via surya_layout
20 सप्तदशांशका: – तत्र सप्त पूर्णा:, पञ्च षाडवा:, पञ्च औडवाश्चेति main
via surya_layout
21 <sup>१५५</sup>सप्तदशविधत्वमस्याः । main
via surya_layout
22 एतदंशकाश्रत्वार: पाडवा:। तथैव थैवतेंऽशे पाडवानाम् औदुविताश main
via surya_layout
23 <sup>१५६</sup>दशिंधत्वमस्या annotation_inline
parent ligne 22
via heuristic_height
24 शुद्धत्वं नास्ति । मध्यमादिमूर्छना । ताल: पञ्चपाणि: । एककलेन चित्रेण मागधी, द्विकलेन main
via surya_layout
25 (F) annotation_inline
parent ligne 24
via heuristic_height
26 वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । सर्वरसात्मिका, ध्रुवागाने द्वितीये प्रेक्षणके main
via surya_layout
27 विनियोग: । annotation_inline
parent ligne 26
via heuristic_short
28 ॥ [इति] एता: षड्जग्रामसम्बन्धा: सप्त जातय: ॥ editorial_bracket
parent ligne 26
via heuristic_brackets
29 [अनु॰ १६०] section_header
via surya_layout
30 इदानीं मध्य[म] ग्रामसम्बन्धा जातय उच्यन्ते - editorial_bracket
parent ligne 29
via heuristic_brackets
31 --- annotation_inline
parent ligne 29
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vol_II_p124 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 231 page_number
via heuristic_pagenum
3 [4. Mālatī] section_header
via surya_layout
4 The elā composed with long and short (syllables), 64 adorned with sweet main
via surya_layout
5 sounds, similarly straight, having profuse gamakas and alankāras (and) beautiful, main
via surya_layout
6 is mālatī. annotation_inline
parent ligne 5
via heuristic_short
7 (452) main
via surya_layout
8 [5. Lalitā] section_header
via surya_layout
9 This <i>lalitā</i> (<i>elā</i>) should be sung by the <i>gandharvas</i> with graceful regulation main
via surya_layout
10 of syllables. (Its) two feet are like the first one, combined with gamakas and main
via surya_layout
11 hindu-mūrchanā.65 annotation_inline
parent ligne 10
via heuristic_short
12 (453) main
via surya_layout
13 [6. Hemavatī] section_header
via surya_layout
14 (It) is with graceful pada, ends in biruda and similarly there is gamaka main
via surya_layout
15 placed on the yati. 66 This is the order of the (first) two feet, then there is the main
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16 name of the object of description. main
via surya_layout
17 (454) main
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18 [7. Kusumavatī?] section_header
via surya_layout
19 Where that (third foot) composed with textual units comprised of short main
via surya_layout
20 syllables, is sung again after having sung the name of the singer (composer) main
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21 'preceded' (accompanied) by the description of the play of valour and the like, main
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22 that has been said to be <i>varṇailā</i> by Matanga<sup>67</sup> according to the accepted order. main
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23 Where the respectability brought about by the description of glory, enthusiasm, main
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24 steadfastness and the like is seen in a definite order, that is said to be varyailā. It main
via surya_layout
25 is sung in tālas like maņļha, dvitīya, kankāla (and) įmatitāla. main
via surya_layout
26 <math>(455-457)</math> main
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27 This is one manner in which (varnaila) has been described clearly, now the main
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28 seven varnailās are being described in a way similar (samarasa) to the same. main
via surya_layout
29 (458) main
via surya_layout
159 lignes a valider — change uniquement les roles incorrects.