Calibration 2g.6

Role	Definition	Exemple Brihaddesi
main	Vers principal du texte (le contenu canonique de l'ouvrage)	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inline	Commentaire interligne en petits caracteres (variante manuscrite, glose)	मत्सरी / अङ्धी / ₹क
editorial_bracket	Ajout editorial entre crochets [...] OU note avec marqueur ° / ॰	[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnote	Note de bas de page (au bas de la page, separee du texte)	<sup>१३५</sup>षाडवा:
page_header	En-tete de page (titre du livre, en haut)	BRHADDESI
page_footer	Pied de page (texte au bas, sous le contenu)	(texte de pied de page)
page_number	Juste le numero de page, isole (en haut ou en bas)	181 / 70 / 46
section_header	Titre d'une section ou sous-section dans la page	[२. आर्षभी]
caption	Legende d'une figure ou tableau	Fig. 1 : svaramaṇḍala
list_item	Item d'une liste enumere	1. ... 2. ... 3. ...
table	Ligne d'un tableau de donnees	(colonnes alignees)
verse_number	Numero de verset isole (souvent entre dandas)	॥१९०॥ / ॥७८॥
unknown	Non classe (l'algo n'a pas su decider)	—

5 demi-pages random (seed 21005). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p030 LEFT — 40 lignes

L#	Texte OCR	Role auto
1	(vide)	unknown via fallback
2	BŖHADDEŚĪ	page_header via surya_layout
3	42	page_number via heuristic_pagenum
4	सर्वस्वराणां प्रवरो ह्यनाशी मध्यमस्वर: ।	main via surya_layout
5	व्य अनाशी <sup>१२६</sup>मध्यम: स्मृत:	main via surya_layout
6	<sup>१२७</sup>हाधिनाशी तु मध्यम:	main via surya_layout
7	गान्धर्वकल्पे <sup>१२८</sup> विहित: सामस्विप च मध्यम: ॥''	main via surya_layout
8	१२९०ल्येऽ	main via surya_layout
9	सामगैश	unknown via fallback
10	महर्षिभि:	main via surya_layout
11	भिमत:	annotation_inline parent ligne 10 via heuristic_short
12	[ना॰ शा॰ २८.५८-६५]	editorial_bracket parent ligne 10 via heuristic_brackets
13	[अनु॰ १४२]	editorial_bracket parent ligne 10 via heuristic_brackets
14	इदानीं षाडवौडुवितविधिरुत्सर्गापवादविधिश्च विकृतास्वेव जातिषु बोद्धव्य:, न तु	main via surya_layout
15	<b>॰</b>विधस्तु उत्सर्गाफ	annotation_inline parent ligne 14 via heuristic_markers
16	॰स्तु	annotation_inline parent ligne 14 via heuristic_markers
17	शुद्धासु जातिषु, तासां शुद्धानामन्यजात्युत्पत्तौ मूलत्वात् । एता एव शुद्धा विकृता भवन्ति ।	main via surya_layout
18	٩	page_number via heuristic_pagenum
19	कथम् -	main via surya_layout
20	[९. पुन: शुद्धाजातिलक्षणम् ]	section_header via surya_layout
21	तद्ग्रहा तदपन्यासा तदंशा च यदा भवेत्।	main via surya_layout
22	मन्द्रन्यासा च पूर्णा च शुद्धा जातिस्तदोच्यते ॥२५९॥	main via surya_layout
23	१३००धी	annotation_inline parent ligne 22 via heuristic_short
24	इति शुद्धालक्षणमुक्तम्।	main via surya_layout
25	<b>4</b> °	annotation_inline parent ligne 24 via heuristic_markers
26	[१०. शुद्धाजातीनां पुनर्विकृतत्वम्]	section_header via surya_layout
27	[अनु॰ १४३]	editorial_bracket parent ligne 26 via heuristic_brackets
28	एतेन लक्षणेनैकेन द्वाभ्यां [बहुभि]वां विकृता भवन्ति । पुनर्न्यासवर्जमिति, न्यासेन: विकृत	editorial_bracket parent ligne 26 via heuristic_brackets
29	•ज्य	annotation_inline parent ligne 26 via heuristic_height
30	न्त	annotation_inline parent ligne 26 via heuristic_height
31	धा	annotation_inline parent ligne 26 via heuristic_height
32	[त्वं] च नास्ति न्यासवर्जमिति वचनात् ।	editorial_bracket parent ligne 26 via heuristic_brackets
33	न्दर्भ	annotation_inline parent ligne 26 via heuristic_height
34	[तत्र षाङ्ज्या उदाहरणम्]	editorial_bracket parent ligne 26 via heuristic_brackets
35	[अनु॰ १४४]	editorial_bracket parent ligne 26 via heuristic_brackets
36	विकृता षाङ्जी द्विविधा-नित्यसम्पूर्ण पाडवा चेति।	main via surya_layout
37	नामांशेन षाङ्जी शुद्ध [1] । विकृता	editorial_bracket parent ligne 36 via heuristic_brackets
38	(ক্টি)	main via surya_layout
39	(vide)	annotation_inline parent ligne 38 via heuristic_height
40	78 LE	annotation_inline parent ligne 38 via heuristic_height

vol_II_p132 LEFT — 50 lignes

L#	Texte OCR	Role auto
1	246	page_number via heuristic_pagenum
2	BRHADDEŚĪ	section_header via surya_layout
3	Verse No.	table via surya_layout
4	Reading	table via surya_layout
5	Reading	table via surya_layout
6	BrD	table via surya_layout
7	Datti	table via surya_layout
8	BŗD	table via surya_layout
9	Datti	table via surya_layout
10	193	page_number via heuristic_pagenum
11	49	page_number via heuristic_pagenum
12	पड्जायाधैव	table via surya_layout
13	पड्जायास्त्वथ	table via surya_layout
14	194	page_number via heuristic_pagenum
15	सधैवत्यो:	table via surya_layout
16	सधैवत्ये *	table via surya_layout
17	50	page_number via heuristic_pagenum
18	*This reading is there in the Trivandrum edition of Datti which has been	main via surya_layout
19	changed by Mukund Lath to sadhaivatyoh.	main via surya_layout
20	12. Both p.t. and Datti read'tatha', but we have replaced it with	list_item via surya_layout
21	'tābhyām' because 'tathā' does not relate gāndhārī and pañcamī to gāndhāra-	list_item via surya_layout
22	pañcami as its components or progenitors.	list_item via surya_layout
23	13. cf. NŚ XXVIII 49-53 for verses 199-203 of our text.	list_item via surya_layout
24	14. The portion in square brackets has been added from	list_item via surya_layout
25	NŚ XXVIII.55, 56.	list_item via surya_layout
26	15. Reading in NŚ XXVIII. 57.	list_item via surya_layout
27	l 6. cf(i) श्रुतिस्वरग्रामसमूहाज्जायन्त इति जातय:, अथवा जायते रसप्रतीतिराभ्य इति जातय:,यद्वा सकलस्य	list_item via surya_layout
28	रागादेर्जन्महेतुत्वाज्जातयः, अथवा यथा नराणां ब्राह्मणत्वादयो जातयः, शुद्धा विकृताश्च, एवमेता अपीति जातयः।	list_item via surya_layout
29	C.r. in Sudhā on SR 1.7.3. p. 171.	unknown via fallback
30	ŧ	annotation_inline parent ligne 28 via heuristic_height
31	(ii) निर्हेतौ समवायात् श्रुतिस्वरग्रहादिसमूहाद्यतो जायन्ते ततो जातय इति निर्वचनम् ।	list_item via surya_layout
32	Abhi Bhā on NŚ XXVIII. p. 37.	list_item via surya_layout
33	17.cf. अंशग्रहादिशतयोजनाया जायन्त इति जातय इत्यन्ये । जाते रसं प्रति आभ्य(जायते रसप्रतीतिराभ्य)इति	list_item via surya_layout
34	वा सकलस्य रागादेर्जन्महेतुर्जातिरिति टीकाकार:।	list_item via surya_layout
35	Abhi Bhā on NŠ XXVIII.p.38.	main via surya_layout
36	18. Reconstruction based on BhaKo, p. 227.	list_item via surya_layout
37	Reconstruction based on Sudhā on SR I. 7.3 p. 171,	list_item via surya_layout
38	cf. शुद्धाश्च विकृताश्चैवमत्रापि जातिलक्षणम् । जातिर्द्धिधा शुद्धा विकृता च । शुद्धा सप्तविधा । विकृता एकादशविधा ।	list_item via surya_layout
39	BhaKo p. 227.	list_item via surya_layout
40	20. 'Viścṣa' or specified 'lakṣaṇa' relates to the description of each	list_item via surya_layout
41	<i>jāti</i>, hence this word has been replaced by us with ‘ <i>daśavidha</i> ’ (tenfold) .	list_item via surya_layout
42	ग्रहांशी तारमन्द्री च पाडवीडुविते क्रमात् । अल्पत्वं च बहुत्वं च न्यासोऽपन्यास एव च ॥	list_item via surya_layout
43	21. cf.(i)	list_item via surya_layout
44	<b>Datti.</b> 55,	unknown via fallback
45	ग्रहांशी तारमन्द्री च न्यासोऽपन्यास एव च ।	list_item via surya_layout
46	(ii)	list_item via surya_layout
47	अल्पत्वं च बहुत्वं च पाडवौडुविते तथा ॥	list_item via surya_layout
48	NŠ XXVIII.66.	main via surya_layout
49	22. Reading of MS B as recorded by the ed.	list_item via surya_layout
50	23. Datti 56 reads <i>evametadyathājāti </i>.	list_item via surya_layout

vol_I_p080 LEFT — 45 lignes

L#	Texte OCR	Role auto
1	142	page_number via heuristic_pagenum
2	BRHADDESI	page_header via surya_layout
3	only by implication. It was considered better to mention the 'change of grāma'	main via surya_layout
4	rather than the explicit mention of madhyamagrāma.	main via surya_layout
5	16. Shake on svaras composed of three śrutis each has been spoken of in	main via surya_layout
6	Nātyašāstra and Abhinava Bhāratī cf. NŚ XXX, 7 where rṣabha and dhaivata	main via surya_layout
7	(the two svaras made up of three śrutis each ) have been said to be played with	main via surya_layout
8	shaking fingers. Abhi Bhā on NŚ XXVIII, 21 also speaks of shake on svaras	main via surya_layout
9	composed of three śrutis both in the Vedic and non-Vedic traditions. In the	main via surya_layout
10	description of alankāras NŚ XXIX, 43 speaks of shake for three kalās in the	main via surya_layout
11	kampita alankāra and this description seems also to apply to recita and kuhara	main via surya_layout
12	mentioned in the same verse. Abhinavagupta comments that kalā here, stands	main via surya_layout
13	for 'sruti'. In view of all these postulations the P.t. reading 'dvisruti' has been	main via surya_layout
14	changed to 'triśruti'. In the description of the next two 'alankāras' P.t. also reads	main via surya_layout
15	triśruti'.	annotation_inline parent ligne 14 via heuristic_height
16	17,18,19. P.t. is extremely confused here and hence it has not been noticed.	main via surya_layout
17	20. P.t. reads after 'athava' वेल षड्जग्रामे षड्जाद्याः सप्त मूर्खनाः मध्यमग्रामे मध्यमाण्च सप्त।	main via surya_layout
18	एताष्ट्रचतुर्दम मूर्खनाः। प्रत्येक चतुर्धा भवन्ति। धुद्धा करकलिकलिता सान्तरा तद्द्वयोपेता चेति। एकैकस्या	main via surya_layout
19	मूर्जनायाप्रचतुर्विधत्वात् यत्त्रज पञ्चचत्वारिष्ठायुतानि पञ्चसहस्राणि 'कूटकूटतानानाम् (?)।	main via surya_layout
20	षद्पञ्चाशन्पूर्छनास्ताः पूर्णकृटास्तु योजिताः ॥	main via surya_layout
21	लक्षड्रय सहस्राणि इचामीतिई मते तथा।	main via surya_layout
22	चत्वारिमञ्च संस्थाता अथापूर्णा ( त् ? न् ) प्रचक्ष्महे ॥	main via surya_layout
23	एकैकाद्यग्निवरहाद् गमजा घड्जादयः स्वराः ।	main via surya_layout
24	एक्स्बरोऽत्र निर्भेदोऽप्युक्तो नष्टोदिसिद्धये ( ७ )॥	main via surya_layout
25	क्रमादकूटतानत्वे युक्तास्तेषूपयोगिनः ।	main via surya_layout
26	सप्तस्थानानि – आधारस्वाधिष्ठानानाहतमणिपूरक ( अनाहत ? ) विशुद्धचाजाब्रह्मरन्ध्रेषु। गमपधनिस। रि।	main via surya_layout
27	सरिगरिगामग । ममपमधपपध निधनिधनिस । प्रस्तारः ॥	annotation_inline parent ligne 26 via heuristic_height
28	This portion is totally out of context and bears evidence to extreme confusion	main via surya_layout
29	in the MSS. The enumeration of seven sthanas in the last sentence of this	main via surya_layout
30	portion is, however, interesting.	main via surya_layout
31	21,22. P.t. is utterly confused and hence has not been noticed.	main via surya_layout
32	23. P.t. reads -सचरन्तावारोहक्रमेणा (रोहक्रमेणा?) वरोहादुद्वाहितः ।	main via surya_layout
33	We have added 'ca' (and) after 'avarohāt' in accordance with Sanskrit	main via surya_layout
34	idiom.	annotation_inline parent ligne 33 via heuristic_height
35	24. P.t. is extremely confused and hence has not been noticed.	list_item via surya_layout
36	25. P.t. reads -	list_item via surya_layout
37	कं (ल ? ला) त्रयकरणात् (प्रा ? हा) दमानः साधासाधासाधा। नीपानीपानीपा। धामाधामाधामा। पागापागापागा।	list_item via surya_layout
38	मारीमारीमारी गासागासागासा।	list_item via surya_layout
39	The illustration has been repeated twice.	main via surya_layout
40	26. We have changed the long solfa-syllables here to short because the	list_item via surya_layout
41	description of this alankara in the text says that three kalas have to be made (in	list_item via surya_layout
42	each phrase). Six short syllables would make three long units (gurus) and one	list_item via surya_layout
43	guru is equal to one kalā as a standard unit.	list_item via surya_layout
44	27. Reading of MS B as noticed by the ed.	list_item via surya_layout
45	28. P.t. Catu (rtha).	list_item via surya_layout

vol_I_p065 RIGHT — 43 lignes

L#	Texte OCR	Role auto
1	113	page_number via heuristic_pagenum
2	<b>TRANSLATION</b>	page_header via surya_layout
3	Sampradana is said here to be in the order of a gap after each svara; 105 (it is)	main via surya_layout
4	like ākṣipta, with svaras that approach or reach another106 kalā (time-unit) in	main via surya_layout
5	(158)	annotation_inline parent ligne 4 via heuristic_height
6	due course. 107	annotation_inline parent ligne 4 via heuristic_height
7	Hasita (is known as such as it) is pronounced in a manner similar to	main via surya_layout
8	1	page_number via heuristic_pagenum
9	laughter; it is dvikala 108 and pronounced twice, it should be known like ākşiptaka	main via surya_layout
10	(159)	annotation_inline parent ligne 9 via heuristic_height
11	by the wise, being made up of gapless svaras.	main via surya_layout
12	(That which) ascends in gapless svaras like hasita with three or four svaras	main via surya_layout
13	(in each phrase) in ekakala 109 (form), should be known as one named hunkāra.	main via surya_layout
14	(160)	annotation_inline parent ligne 13 via heuristic_height
15	Sandhipracchādana is indeed with upward110 'throw' in a (specific) order; it is	main via surya_layout
16	catușkala<sup>111</sup> (with four kalās) (and) comes back in two svaras after ascending	main via surya_layout
17	(161)	annotation_inline parent ligne 16 via heuristic_height
18	another sthana (register).	annotation_inline parent ligne 16 via heuristic_height
19	1	page_number via heuristic_pagenum
20	In the beginning, after having pronounced a pada 112 (syllabic unit) where	main via surya_layout
21	there is a short varna 113 (?) composed of two svaras and (which) ascends in one	main via surya_layout
22	(162)	annotation_inline parent ligne 21 via heuristic_height
23	kalā (phrase) without a gap that is vidhuta.	main via surya_layout
24	In the beginning it is arohin; (like) prastara where there is descent	main via surya_layout
25	according to definite measure (pramāṇa),114 that is said to be udgīta alankāra.	main via surya_layout
26	(163)	annotation_inline parent ligne 25 via heuristic_height
27	One should ascend (in) gapless svaras like hunkāra in the other two kalās	main via surya_layout
28	(phrases) there are two svaras each that are shaking 115 and then there are two	main via surya_layout
29	(164)	annotation_inline parent ligne 28 via heuristic_height
30	lower svaras.	annotation_inline parent ligne 28 via heuristic_height
31	Thus should be known gatravarna in the prescription (vidhi) of varna and	main via surya_layout
32	alankāra. With ākāra 116 and okāra other long syllables should also be combined.	main via surya_layout
33	(165)	annotation_inline parent ligne 32 via heuristic_height
34	ı	annotation_inline parent ligne 32 via heuristic_height
35	Thus has been indicated the prescription about alankarana (ornamentation	main via surya_layout
36	or the act of 'making adequate') pertaining to the alankara of gita (melodic	main via surya_layout
37	rendering). The giti musical rendering should be ornamented with these	main via surya_layout
38	(166)	annotation_inline parent ligne 37 via heuristic_height
39	without conflicting with the varna.117	main via surya_layout
40	One should 'do' (use) an alankāra at the proper place; one should not tie	main via surya_layout
41	the kānci (ornament for the waist) on the bosom. There could be many	main via surya_layout
42	(167)	annotation_inline parent ligne 41 via heuristic_height
43	alankāras, they should not be used without varņa.118	main via surya_layout

vol_I_p033 LEFT — 26 lignes

L#	Texte OCR	Role auto
1	BRHADDEŚI	page_header via surya_layout
2	48	page_number via heuristic_pagenum
3	पञ्चमस्तु भवेत् कृष्णः पीतवर्णस्तु धैवतः।	main via surya_layout
4	निषादः सर्ववर्णोऽयं विज्ञेयाः स्वरवर्णकाः॥७४॥	main via surya_layout
5	<b>४</b> यड्जस्य दैवतं ब्रह्मा ऋषभो वह्निदैवतः।	main via surya_layout
6	गान्धारो भारतीदेवो मध्यमोभ् हरदैवतः॥७५॥	main via surya_layout
7	पञ्चमः शतयज्ञस्तु धैवतो गणनायकः।	main via surya_layout
8	निषादो भानुदेवस्तु इत्येते स्वरदेवताः॥७६॥	main via surya_layout
9	<b>44अग्निगीतः स्वरः षड्ज ऋषभो ब्रह्मणोदितः।</b>	main via surya_layout
10	सोमेन गीतो गान्धारो विष्णुना मध्यमः स्वरः॥७७॥	main via surya_layout
11	पञ्चमस्तु स्वरो गीतो नारदेन महात्मना।	main via surya_layout
12	धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ।।७८।।	main via surya_layout
13	<b>४</b>व्हास्यशृङ्गारयोः कार्यौ स्वरौ मध्यमपञ्चमौ।	main via surya_layout
14	षड्जर्षभौ तथा ज्ञेयौ वीररौद्राद्भुतेषु च ॥७९॥	main via surya_layout
15	गान्धारइच निषादइच कर्तव्यौ करुणे रसे।	main via surya_layout
16	धैवतश्चापि कर्त्तव्यो बीभत्से सभयानके।।८०॥	main via surya_layout
17	कण्ठादुत्तिष्ठते षड्ज ऋषभः शिरसः स्मृतः।	main via surya_layout
18	स्यि	annotation_inline parent ligne 17 via heuristic_height
19	नासायाश्चैव गान्धार उरसो मध्यमः स्वरः॥८१॥	main via surya_layout
20	उरसः शिरसः कण्ठादुत्थितः पञ्चमः स्वरः।	main via surya_layout
21	तालुदेशात् समुत्पन्नो धैवतस्तु यशस्विनि।।	main via surya_layout
22	46हो	annotation_inline parent ligne 21 via heuristic_height
23	निषादस्तु समुत्पन्नो विज्ञेयः सर्वसन्धितः ॥८२ ॥	main via surya_layout
24	एवं स्वरान् विजानीयादुत्पन्नान् गीतसागरे।	main via surya_layout
25	महादेवमुखोद्भतान् देशीमार्गे च संस्थितान्।।८३।।	main via surya_layout
26	॥ इति स्वरप्रकरणम् ॥	editorial_bracket parent ligne 25 via heuristic_brackets

204 lignes a valider — change uniquement les roles incorrects.

Legende des roles

vol_II_p030 LEFT — 40 lignes

vol_II_p132 LEFT — 50 lignes

vol_I_p080 LEFT — 45 lignes

vol_I_p065 RIGHT — 43 lignes

vol_I_p033 LEFT — 26 lignes