Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21008). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p110 RIGHT — 31 lignes

page vol_II_p110 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 203 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [2. Māngālī] section_header
via surya_layout
4 Having gāndhāra as graha and nyāsa, şadja as amśa, devoid of tāra, sa (şadja) main
via surya_layout
5 being mandra (low), it is always devoid of pa-ri (pañcama-ṛṣabha). main
via surya_layout
6 (354) annotation_inline
parent ligne 5
via heuristic_height
7 Having şadja as amsa, dha (dhaivata) as graha (and) nyāsa, having dha main
via surya_layout
8 (dhaivata) as low (mandra), leaning towards high (tāra), formed with even main
via surya_layout
9 svaras and being complete, <math>m\bar{a}ng\bar{a}\bar{u}^{12}</math> is sung by the people. main
via surya_layout
10 (355) annotation_inline
parent ligne 9
via heuristic_height
11 [3. Bhammānikā] section_header
via surya_layout
12 Bhammānikā 13 should be known by the wise to have pañcama as amsa, graha main
via surya_layout
13 and nyāsa, low ga (gāndhāra) (and) high şadja, being devoid of ri (ṛṣabha) and main
via surya_layout
14 with sparse dha-ga (dhaivata- gāndhāra). main
via surya_layout
15 (356) annotation_inline
parent ligne 14
via heuristic_height
16 [4. Pulindikā] section_header
via surya_layout
17 Pulindikā14 has dhaivata as nyāsa, is devoid of ga-pa (gāndhāra-pañcama) main
via surya_layout
18 (and) there is concert between sadja-dhaivata and similarly between dhaivata- main
via surya_layout
19 rşabha. annotation_inline
parent ligne 18
via heuristic_short
20 (357) main
via surya_layout
21 [5. Gāndhārasindhu] section_header
via surya_layout
22 Gāndhārasindhu<sup>15</sup> ..... table
via surya_layout
23 (358) main
via surya_layout
24 [6. Kārņāţī] section_header
via surya_layout
25 Having sadja as nyāsa and graha, dha (dhaivata) as amsa, high ga main
via surya_layout
26 (gāndhāra) and low madhyama, with even svaras and complete, is (the bhāṣā) main
via surya_layout
27 karnāļi<sup>16</sup> by name. main
via surya_layout
28 (359) main
via surya_layout
29 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, annotation_inline
parent ligne 28
via heuristic_height
30 Thus ends the fifth chapter entitled desi-rāgādhyāya in main
via surya_layout
31 Bṛhaddesī composed by Matanga Muni. main
via surya_layout

vol_II_p124 RIGHT — 29 lignes

page vol_II_p124 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 231 page_number
via heuristic_pagenum
3 [4. Mālatī] section_header
via surya_layout
4 The elā composed with long and short (syllables), 64 adorned with sweet main
via surya_layout
5 sounds, similarly straight, having profuse gamakas and alankāras (and) beautiful, main
via surya_layout
6 is mālatī. annotation_inline
parent ligne 5
via heuristic_short
7 (452) main
via surya_layout
8 [5. Lalitā] section_header
via surya_layout
9 This <i>lalitā</i> (<i>elā</i>) should be sung by the <i>gandharvas</i> with graceful regulation main
via surya_layout
10 of syllables. (Its) two feet are like the first one, combined with gamakas and main
via surya_layout
11 hindu-mūrchanā.65 annotation_inline
parent ligne 10
via heuristic_short
12 (453) main
via surya_layout
13 [6. Hemavatī] section_header
via surya_layout
14 (It) is with graceful pada, ends in biruda and similarly there is gamaka main
via surya_layout
15 placed on the yati. 66 This is the order of the (first) two feet, then there is the main
via surya_layout
16 name of the object of description. main
via surya_layout
17 (454) main
via surya_layout
18 [7. Kusumavatī?] section_header
via surya_layout
19 Where that (third foot) composed with textual units comprised of short main
via surya_layout
20 syllables, is sung again after having sung the name of the singer (composer) main
via surya_layout
21 'preceded' (accompanied) by the description of the play of valour and the like, main
via surya_layout
22 that has been said to be <i>varṇailā</i> by Matanga<sup>67</sup> according to the accepted order. main
via surya_layout
23 Where the respectability brought about by the description of glory, enthusiasm, main
via surya_layout
24 steadfastness and the like is seen in a definite order, that is said to be varyailā. It main
via surya_layout
25 is sung in tālas like maņļha, dvitīya, kankāla (and) įmatitāla. main
via surya_layout
26 <math>(455-457)</math> main
via surya_layout
27 This is one manner in which (varnaila) has been described clearly, now the main
via surya_layout
28 seven varnailās are being described in a way similar (samarasa) to the same. main
via surya_layout
29 (458) main
via surya_layout

vol_II_p074 RIGHT — 35 lignes

page vol_II_p074 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 [Chapter IV] section_header
via surya_layout
2 Now the definition of bhāṣās section_header
via surya_layout
3 [The beginning of the treatment of bhāṣās] section_header
via surya_layout
4 [ A. Bhāṣās according to Yāṣṭika] section_header
via surya_layout
5 [Thus spoke Yāṣṭika<sup>1</sup>] section_header
via surya_layout
6 I have spoken of all grāma-rāgas endowed with characteristics (lakṣaṇas). main
via surya_layout
7 After this, I shall speak of the description of bhāṣās? main
via surya_layout
8 Now listen. annotation_inline
parent ligne 7
via heuristic_short
9 (1) main
via surya_layout
10 Bhāṣās have been said to be four-fold viz. mūlā (basic) sankīrņā main
via surya_layout
11 (mixed), <math>^4</math> deśajā<math>^5</math> (regional) (and) chāyāmātrāśrayā<math>^6</math> (based on the chāyā of a main
via surya_layout
12 <i>rāga</i> ), arranged in a <i>grāma-rāga</i> in each case. main
via surya_layout
13 (2) main
via surya_layout
14 [Thus said Kaśyapa] section_header
via surya_layout
15 What is the nature of bhāṣā? Sankīrṇā, deśajā and chāyāmātrānugā main
via surya_layout
16 (exclusively following the <i>chāyā</i> of a <i>rāga</i>) have been said to be combined main
via surya_layout
17 with graha, amśa and nyāsa. main
via surya_layout
18 (3) annotation_inline
parent ligne 17
via heuristic_short
19 Which one is hexatonic there and which one is pentatonic? Which one, main
via surya_layout
20 on the other hand, is complete and that which has 'sādhāraṇa'?? main
via surya_layout
21 (4) annotation_inline
parent ligne 20
via heuristic_short
22 Which one, of what nature, where in grāma-rāgas, is sung by people? main
via surya_layout
23 Which one is obtained as bhāṣā and which one is vibhāṣā 8? main
via surya_layout
24 (5) annotation_inline
parent ligne 23
via heuristic_short
25 Which one is antara-bhāṣā <sup>9</sup> and which one falls in sequence? Tell me this main
via surya_layout
26 in essence; I have great curiosity. main
via surya_layout
27 (6) main
via surya_layout
28 Thus said Yāşţika - section_header
via surya_layout
29 Listen with attention the excellent description of bhāṣā which is sung with main
via surya_layout
30 effort on the earth by the knowledgeable ones in music. 10 main
via surya_layout
31 (7) annotation_inline
parent ligne 30
via heuristic_short
32 These (bhāṣās) are not perceived obviously by the singers who do not put main
via surya_layout
33 in effort. 11 When sung properly, they become well-known, specially to those main
via surya_layout
34 who are endowed with a tuneful voice. main
via surya_layout
35 (8) main
via surya_layout

vol_II_p110 LEFT — 25 lignes

page vol_II_p110 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 202 page_number
via heuristic_pagenum
3 [२. माङ्गाली] section_header
via surya_layout
4 गान्धारग्रहन्यासा च षड्जांशा तारवर्जिता । main
via surya_layout
5 समन्द्रा सस्वरा[?]चैव परिहीना सदा भवेत् ॥ ३५४॥ editorial_bracket
parent ligne 4
via heuristic_brackets
6 सिका annotation_inline
parent ligne 4
via heuristic_height
7 षड्जांशा धग्रहन्यासा धमन्द्रा तारतत्परा । main
via surya_layout
8 समस्वरा च सम्पूर्णा माङ्गाली गीयते जनै:८॥ ३५५॥ main
via surya_layout
9 (पी?गी)॰ annotation_inline
parent ligne 8
via heuristic_markers
10 [३. भम्माणिका] section_header
via surya_layout
11 पञ्चमांशग्रहन्यासा गमन्द्रा षड्जतारका । main
via surya_layout
12 रिहीना च धगस्वल्पा ज्ञेया भम्माणिका बुधै: १॥ ३५६॥ main
via surya_layout
13 [४. पुलिन्दिका] section_header
via surya_layout
14 षड्जांशा धैवतन्यासा गपहीना पुलिन्दिका । main
via surya_layout
15 +ग्रहन्यासा annotation_inline
parent ligne 14
via heuristic_height
16 षड्जधैवतसंवादो धैवतर्षभयोस्तथा १०॥ ३५७॥ main
via surya_layout
17 ॰संघादा annotation_inline
parent ligne 16
via heuristic_markers
18 [५. गान्धारसिन्धुः ] section_header
via surya_layout
19 १९गान्धारसिन्धुः .....॥ ३५८॥ main
via surya_layout
20 [६. कार्णाटी] section_header
via surya_layout
21 १२षड्जन्यासग्रहा धांशा गतारा मन्द्रमध्यमा । main
via surya_layout
22 समस्वरा च सम्पूर्णा कर्णाटी नामतो भवेत्रवा ३५९॥ main
via surya_layout
23 नामत(द्भ?भ)वेत् annotation_inline
parent ligne 22
via heuristic_short
24 ॥ इति मतङ्गमुनिविरचितबृहद्देश्यां देशीरागाध्यायो नाम पञ्चमः समाप्तः ॥ editorial_bracket
parent ligne 22
via heuristic_brackets
25 भाषालक्ष(णो?णा) main
via surya_layout

vol_II_p042 RIGHT — 50 lignes

page vol_II_p042 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 67 page_number
via heuristic_pagenum
3 sā pā nī mā pā pā gā gā table
via surya_layout
4 <b>(7)</b> table
via surya_layout
5 mā pā mā nidha nī nī sā sā table
via surya_layout
6 (8) table
via surya_layout
7 pā pā mā dhani pā pā pā pā table
via surya_layout
8 (9) table
via surya_layout
9 mā pā mā riga gā gā gā gā table
via surya_layout
10 (10) table
via surya_layout
11 gā pā mā pā nī nī nī nī table
via surya_layout
12 (11) table
via surya_layout
13 mā pā mā pariga gā gā gā gā table
via surya_layout
14 (12) table
via surya_layout
15 gā gā gā mā mā nidha nī nī table
via surya_layout
16 (13) table
via surya_layout
17 nī nī dhapa mā nidha nidha pā pā table
via surya_layout
18 (14) table
via surya_layout
19 rī gā sā sā mā nidhani nī nī table
via surya_layout
20 (15) table
via surya_layout
21 nī nī dhā pā dhā pā mā mā table
via surya_layout
22 (16) table
via surya_layout
23 Thusends<i>inadhyamodīcyavā</i>. section_header
via surya_layout
24 [6. Kārmāravi] section_header
via surya_layout
25 In kārmāravī, niṣāda, ṛṣabha, pañcama and dhaivata become the ainśas. main
via surya_layout
26 (16) annotation_inline
parent ligne 25
via heuristic_short
27 Many (svaras) are said to be non-amsas on account of antara-marga. main
via surya_layout
28 Gāndhāra is excessively abundant. There is concert among all the amśa main
via surya_layout
29 svaras. annotation_inline
parent ligne 28
via heuristic_height
30 (17) main
via surya_layout
31 Caccatpuța (is the tāla), there are sixteen kalās. The mūrchanā beginning main
via surya_layout
32 with şadja obtains. The application is (prescribed) in the dhruvā of the fifth main
via surya_layout
33 act. annotation_inline
parent ligne 32
via heuristic_short
34 (18) main
via surya_layout
35 Pañcama is the nyāsa in this (jāti). The amsás themselves are apanyāsas. main
via surya_layout
36 The prastāra is thus- main
via surya_layout
37 ri ri ri ri ri ri ri ri table
via surya_layout
38 (1) table
via surya_layout
39 mā gā sā gā sā nī nī nī table
via surya_layout
40 (2) table
via surya_layout
41 nī mā nī mā pā pā gā gā table
via surya_layout
42 (3) table
via surya_layout
43 gā pā mā pā nī nī nī nī table
via surya_layout
44 (4) table
via surya_layout
45 rī gā sā nī rī gā rī gā table
via surya_layout
46 (5) table
via surya_layout
47 rī gā rī sā nī dhani pā pā table
via surya_layout
48 (6) table
via surya_layout
49 mā pā mā pariga gā gā gā gā table
via surya_layout
50 <b>(7)</b> table
via surya_layout
170 lignes a valider — change uniquement les roles incorrects.