Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21012). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p040 LEFT — 47 lignes

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1 BRHADDEŚĪ page_header
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2 62 page_number
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3 मा मा मा मा मा मा मा मा table
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4 (8) table
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5 धां नी पां मंपं धां नी पां पां table
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6 (4) table
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7 मां पां मां धंनिं पां पां पां पां table
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8 (ξ) table
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9 री गा मा पा पा पा मा पा table
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10 (৩) table
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11 री गा मा पा पा पा मा पा table
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12 (८) table
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13 पा पा पा पा पा पा पा table
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14 (९) table
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15 री गासासारी गागागा table
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16 (१०) table
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17 मा गा पा धंम धा निध पा पा table
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18 (११) table
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19 मों पी मी पेरिने भी भी भी गी table
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20 (१२) table
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21 ॥ [इति] रक्तगान्धारी॥ table
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22 1 411 annotation_inline
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23 [४. कैशिकी] section_header
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24 कैशिक्यामृषभान्येंऽशा, निधावंशौ यदा तदा । main
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25 ॰न्यां(न्येंऽ) annotation_inline
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26 (प?य) main
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27 न्यासः पञ्चम एव स्यादन्यदा द्विश्रुती मतौ ॥ main
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28 (वि ? द्वि) annotation_inline
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29 अन्ये तु निगपन्यासान्निधयोरंशयोर्विदु: ॥ ११॥ main
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30 ॰न्यासा(न्) निधयो ॰ annotation_inline
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31 रिलोपरिधलोपेन षाडवौडुवितं मतम्। main
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32 रिरल्पो निपबाहुल्यमंशानां सङ्गतिर्मिथ: ॥ १२॥ main
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33 षाडवौडुविते द्विष्ट: क्रमात् पञ्चमधैवतौ । main
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34 (दृ ? हि) annotation_inline
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35 षाङ्जीवत् पञ्चपाण्यादि गान्धारादिस्तु मूर्छना ॥ main
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36 पञ्चमप्रेक्षणगतं ध्रुवायां विनियोजनम् ॥ १३॥ main
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37 (प्रो?प्रे) annotation_inline
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38 <sup>१७४</sup>अस्यां गान्धारपञ्चमनिषादा न्यासा:। रिवर्ज्या: षट् सप्त वा स्वरा अपन्यासा:। <sup>१७५</sup>प्रस्तार:- main
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39 (गान्धा) annotation_inline
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40 पा धनि पा धनि गा गा गा गा main
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41 (१) unknown
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42 पा पा मा निध निध पा पा पा unknown
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43 (२) unknown
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44 (vide) annotation_inline
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45 . . . annotation_inline
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46 . . . . . . . . . . . . . . . . . . . . annotation_inline
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47 the control of the control of the control of the control of the control of the control of the control of the control of annotation_inline
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vol_II_p148 LEFT — 42 lignes

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1 <b>Ç≛</b> 20040 - 15 unknown
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2 278 page_number
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3 BRHADDEŚĪ page_header
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4 which is said to be omitted, is profusely used therein: main
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5 पासागममाधाधा पामाससानिसानि सानिमगमामापाधामपामारीसानि धापामहमामाधानीरिरिरिसागारि ऋपभारिरिपका । main
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6 133. P.t. omits the description of gāndhārī. Other texts describe it list_item
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7 as follows- list_item
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8 गान्धारपञ्चमे भाषा गान्धारी सगभूषिता । list_item
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9 (i) list_item
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10 धाद्यना सर्वलोकस्य हद्या स्त्रीणां विशेषत:॥ list_item
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11 Kalā (appendix) on SR II, p.139 main
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12 (ii) annotation_inline
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13 गान्धारपञ्चमे रागे गान्धारी भाषिकैकिका । main
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14 धैवतांशग्रहन्यासा पङ्जमध्यमभूयसी ॥ main
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15 गान्धारबहुला वाऽपि षड्जग्रामनिवासिनी ॥ main
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16 S Rāj II.2.1.1006. annotation_inline
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17 134. Kalli has described a bhāṣā named śakā, pertaining to revagupta; main
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18 that description is different from the one of our text. main
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19 सन्यासा रेवगुप्तस्य भाषा मांशा शकाह्या । main
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20 गपाभ्यां बहुला पूर्णा रिधाभ्यामपि भूयसी ॥ main
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21 Kalā (appendix) on SR II. p.142. main
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22 S Rāj II.2.1.1100 describes śakabhāṣā as pertaining to pañcamaṣāḍava, falling main
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23 in line with our text, as follows - main
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24 ऋषभांशा मध्यमान्ता सम्पूर्णा गपभूयसी । main
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25 रिधयो: सङ्गता प्रोक्ता रागे पञ्चमषाडवे ॥ main
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26 शकभाषाद्वया ....। annotation_inline
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27 Kalli describes a bhāṣā named potā under revagupta; the same seems to find main
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28 place in S Rāj under the name revaguptā; the two descriptions are very main
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29 similar. annotation_inline
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30 पोता - main
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31 ्रऋषभांशग्रहन्यासा धहीना निसभूयसी । main
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32 पोता प्रोक्ता मतङ्गेन भाषा पञ्चमषाङ्ये ॥ main
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33 Kalā (appendix) on SR II. p. 142. main
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34 रेवगुप्ता –   ऋषभांशग्रहन्यासा निभूयिष्ठा धदुर्बला । main
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35 रेवगुप्ता स्मृता भाषा रागे पञ्चमषाडवे ॥ main
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36 S Rāj 11.2.1.1102. annotation_inline
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37 It may be noted that potā has been enumerated under pañcamaṣāḍava main
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38 in S Rāj II.2.1.100 cd, but it has not been described in that text. main
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39 [B. Bhāṣālakṣaṇa according to Śārdula] section_header
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40 1. We are treating the matter falling under this heading as forming main
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41 part of the chapter entitled bhāṣālakṣaṇa, but the verses have been numbered main
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42 ٠ page_number
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vol_II_p078 RIGHT — 27 lignes

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1 TRANSLATION page_header
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2 139 page_number
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3 Illustration - Māsāsāsā sānidhāni dhānī dhāgāsāsā. Dhānisāmā gāgāgāmā main
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4 sānidhāsāsāsāsāgāmādhānīdhādhāmārīgārīrīmarigāsāsānidhāsāsā. Nidhagāsās- main
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5 ānidhanimāmānidhāsāsā nidhāsagamāgāsā nīdhanīsā. Travaņā [i] editorial_bracket
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6 That which has sadja as its concluding note, madhyama as its amsa, is main
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7 always abundant in gāndhāra, is devoid of pañcama; dhaivata and ṛṣabha are main
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8 profuse, (and) is always sankīrņā (mixed), this travaņodbhavā is hexatonic. main
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9 (40) annotation_inline
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10 Illustration - Mānīnīnīsāsā. Sārīrīrīgāgāgamāmā māmārī. Garininidhā. main
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11 Dhādhā-māmagārigā. Sāmāgarī. Saninigāgā ninidhāsarigārīmā, Gāmāmānī main
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12 nīsasā. Travaņodbhavā [ii] editorial_bracket
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13 Verañjikā should be known to have gandhāra as its amśa and weak main
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14 pañcama. It should be performed with ṣaḍja as its nyāsa, bringing about the main
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15 mutual movement of şadja-dhaivata and similarly gāndhāra-ṛṣabha. Thus main
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16 should be known (this) bhāṣā; it is said to be hexatonic. main
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17 <math>(41-42)</math> main
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18 Illustration-Gānigāgā dharimāmāgā māmāgārigāsasāsā nigārīninidhādhādha- main
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19 nigārīmāgārisanīdhāni. Sāsāgamāmādhāsāsaganigānigāniga dharīgarīrigārirīga main
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20 ma-mamadhamamamadharīgasāsāsā sanīgārīgā ninidhāmādhānidhāsanigā main
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21 rīmamarisā- nidhānisāsā. Verañjika [iii] editorial_bracket
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22 Combined with sadja as the initial and concluding one (graha-nyāsa), main
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23 complete, brilliant 15 with madhyama, there being the mutual concert main
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24 (samvāda<sup>16</sup>) between sadja-madhyama and the (two) svaras comprised of two main
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25 śrutis each (gāndhāra and niṣāda), chevāṭī should be known by the main
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26 knowledgeable ones in music as <i>mūlabhāṣā</i>. main
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27 (43) page_footer
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vol_II_p098 LEFT — 29 lignes

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1 BRHADDEŚĪ page_header
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2 178 page_number
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3 [११. अथ टककैशिके] section_header
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4 धैवताद्यन्तसंयुक्ता ज्ञेया <sup>१२२</sup>मालवपञ्चमी । main
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5 <sup>१२३</sup>षड्जर्षभसंवाद: स्यात् <sup>१२४</sup>षड्जधैवतयोस्तथा ॥ main
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6 बहुधैव तयोस्तथा annotation_inline
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7 <sup>१२५</sup>सम्पूर्णा सुस्वरा ह्येषा देशभाषा मनोहरा ॥ १३३॥ main
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8 उदाहरणम्-धैवत धापाधैवत धाधाधारिमामाधा । पामधाधापामागरिमाधापाधा। मालवा [१] editorial_bracket
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9 षड्जांशा धैवतन्यासा विज्ञेया <sup>१२६</sup>भित्रवालिका । main
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10 भित्रलालिका annotation_inline
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11 धैवतनिषादबाहुल्यं दृश्यते च परस्परम् ॥ १३४॥ main
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12 •बाहु<del>ल्</del>या annotation_inline
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13 क्वचिद् दृष्टं न दृष्टं च भित्रपञ्चमसंज्ञिता[?]। editorial_bracket
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14 किशिद् प्रष्टं annotation_inline
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15 एषा तु कथिता लोके भाषा सङ्कीर्णशोभना ॥ १३५॥ main
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16 उदाहरणम् - सासासागासाधा नीसासाधानीमधा निधाधाधा निधामाधा निमधापाधाधाधा main
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17 भित्रवालिका।[२] editorial_bracket
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18 भित्रलालिता annotation_inline
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19 <sup>१२७</sup>गान्धारांशा धैवतान्ता द्राविडी सम्प्रकीर्तिता । main
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20 द्विश्रुतीनां च गमनं षड्जधैवतयोस्तथा ॥ main
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21 द्राविडविषये होषा देशाख्या सुमनोहरा<sup>१२८</sup> ॥ १३६॥ main
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22 उदाहरणम्-[गा]धानिमधानिधाधाधानिधामधापाधाधा पामाधाधागामाधाधा सागासानि- editorial_bracket
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23 धाधा पामागाममनि[धा] । द्राविडी । [३] editorial_bracket
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24 ॥ एताष्ट्रक्ककैशिकभाषास्तिस्र: ॥ main
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25 [१२. अथ वेसरपाडवे ] editorial_bracket
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26 मध्यमाद्यन्तसंयुक्ता विज्ञेया बाह्यषाडवा । main
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27 ॰पाडवं annotation_inline
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28 १२९द्विश्रुत्यो: स्याच्च संवादो मध्यमर्पभयोस्तथा ॥ १३७॥ main
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29 वि? द्वित्र्तिभ्यां च annotation_inline
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1 19 page_number
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2 TRANSLATION page_header
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3 " (A structure with) six svaras is ṣāḍava that is fourteenfold, with forty-seven main
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4 varieties. The said regulation (number 47) is according to the varieties of main
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5 amśa svara (in fourteen jātis)." annotation_inline
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6 (NŚ XXVIII, p. 49) annotation_inline
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7 [6. The definition of auduva] section_header
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8 ----- annotation_inline
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9 "(A structure of) five svaras should be known as audavita, it is tenfold<sup>32</sup> main
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10 according to those knowledgeable in prayoga (performance). It is prescribed main
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11 to have thirty varieties and its definition is as has been said before." main
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12 (NŚ XXVIII.76) annotation_inline
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13 [Anu. 127] editorial_bracket
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14 (The structure) beginning with the group of four svaras is deśi,33 not main
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15 mārga. That is used in (the music of people known as) 34 śabara, pulinda, main
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16 kāmboja, baṅga, kirāta, bāhlīka, āndhra, draviḍa, vana (forest-dwellers) etc. main
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17 On account of lack of regulation (aniyama)35 śruti (?) alone should be main
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18 understood here. When there is the usage of four svaras, then it is said to be main
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19 svarāntara 36; this should be known in avakṛṣṭā dhruvās alone and we shall main
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20 explain this within the treatment of dhruvā. Similarly has said Bharata - main
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21 "There is the use of six svaras and similarly of five svaras. Here (in drama) main
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22 there is also the use of four svaras in the avakṛṣṭā dhruvās."37 main
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23 (NŚ XXVIII.77) annotation_inline
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24 By the word 'api' (in the above verse) meaning 'also', the complete main
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25 (structure) should also be understood. Thus should be known the fourfold main
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26 usage of dhruvās (viz. complete, hexatonic, pentatonic, quadratonic). main
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171 lignes a valider — change uniquement les roles incorrects.