Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21022). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 116 page_number
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3 [अनु॰ २००] editorial_bracket
parent ligne 4
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4 अस्यार्थ: -मालवकैशिको मध्यमग्रामसम्बन्ध: कैशिकीजातेर्जातत्वात् । षड्जो ग्रहोंऽशो main
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5 न्यासश्च । धैवतस्यात्राल्पत्वम् । प्रयोगे निषादोऽत्र काकली । पूर्णस्वरश्चायम् । <sup>८७</sup>विप्रलम्भे शृङ्गारे main
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6 प्रयोगो annotation_inline
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7 काकलि: annotation_inline
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8 चास्य विनियोगः। वीरादिको रसः। षड्जादिमूर्छना । आरोही वर्णः । अलङ्कारः प्रसन्नमध्यमः । main
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9 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
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10 [वेसराणां ग्रामविभाग:] section_header
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11 इदानीं वेसराणां ग्रामविशेषो दर्श्यते - main
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12 दुश्यते annotation_inline
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13 टक्करागश्च सौवीरस्तथा वै टक्ककेशिक:। main
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14 बोट्टरागश्च षड्जाख्ये भवेद् वेसरषाडव: ॥ ३२९॥ main
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15 हिन्दोलकस्तु विज्ञेयो मध्यमग्रामसम्भव:। main
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16 मालवपञ्चमश्चैव मालवकैशिकस्तथा ॥ ३३०॥ main
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17 इति वेसरकाः प्रोक्ताः सर्वे निश्चितलक्षणाः। main
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18 स्वराणां दृश्यते वेगस्तेन वेगस्वरा: स्मृता: ॥३३१॥ main
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19 [ङ. साधारणरागा:] section_header
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20 शुद्धा भित्राश्च गौडाश्च तथा वेगस्वरा: परे । main
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21 <sup>८८</sup>कथिता: साम्प्रतं <sup>८९</sup>वक्ष्ये सप्त साधारणांस्तत: ॥३३२॥ main
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22 कथिता यत्र तान् main
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23 [अनु॰ २०१] section_header
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24 ननु साधारणानां कथं साधारणत्वम् ? उच्यते । पूर्वोक्तानां सर्वेषां रागाणां या गीतयस्ताभिर्जायमान- main
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25 (র্জী/র্জা) annotation_inline
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26 ॰मां annotation_inline
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27 त्वात् तेषां साधारणत्वम् ,एतत् साधारणगीत्या गीयमानत्वात् । तथा चाह कश्यप: - main
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28 (র্জী?র্জা) annotation_inline
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29 ‘‘सप्त साधारणा: प्रोक्ता: <sup>९०</sup>सर्वगीतिसमाश्रया: ।’’ main
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30 पञ्च annotation_inline
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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
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2 96 page_number
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3 [१. भिन्नषड्जः] section_header
via surya_layout
4 धैवतांशो मध्यमान्तः पञ्चमर्षभवर्जितः । main
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5 षड्जोदीच्यवतीजातो भिन्नषड्ज: स्मृतो बुधै: ॥३०६॥ main
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6 (जमा?जातो) annotation_inline
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7 [अनुः १७५] editorial_bracket
parent ligne 5
via heuristic_brackets
8 [अस्यार्थ:-]भित्रषड्जः पड्जग्रामसम्बन्धः षड्जोदीच्यवतीजातेर्जातत्वात्। धैवतो editorial_bracket
parent ligne 5
via heuristic_brackets
9 ग्रहोंऽशश्च। मध्यमो न्यासः। ऋषभपञ्चमहीन औडुवितः। निषादगान्धारौ काकल्यन्तरौ। main
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10 सर्वोपकरणप्रवृत्तस्य ५७विजातीयाद्रणान्निवृत्तस्य मृगयायां प्रवृत्तस्य नायकस्य प्रावेशिकीषु अस्य main
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11 विजातीयो निरणानियृत्तस्य (?) annotation_inline
parent ligne 10
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12 विनियोगः। <sup>५८</sup>बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । <sup>५९</sup>प्रसन्नादिरलङ्कारः । main
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13 दक्षिणे कला, वृत्तौ कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
14 [२.भिन्नपञ्चमः] section_header
via surya_layout
15 [अन्॰ १७६] editorial_bracket
parent ligne 14
via heuristic_brackets
16 .असौ भिन्नपञ्चम: स्वरभिन्नोऽभिधीयते । लक्षणं च तद्यथा - main
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17 शुद्धपञ्चमवत् प्रोक्तः स्वरज्ञैर्भित्रपञ्चमः। main
via surya_layout
18 स्वर(न्ग्रे?ई) annotation_inline
parent ligne 17
via heuristic_short
19 धैवतांशः पञ्चमान्तः सूत्रधारप्रवेशने ॥ ३०७॥ main
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20 [अन्॰ १७७] editorial_bracket
parent ligne 19
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21 अस्यार्थः - भित्रपञ्चमो मध्यमग्रामसम्बन्धः, मध्यमापञ्चमीजात्योर्जातत्वात् main
via surya_layout
22 पङ्जोदीच्यवतीजाते: मध्यमा(पञ्चमी) जात्यो॰ annotation_inline
parent ligne 21
via heuristic_markers
23 ण्या(म) annotation_inline
parent ligne 21
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24 भिन्न(सं?)पञ्चमो annotation_inline
parent ligne 21
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25 ग्रहोंऽशश्च धैवतः। पञ्चमो न्यासः। निषादोऽत्र काकली। क्वचित्रिषादस्यापि प्रयोगः । सम्पूर्ण- main
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26 श्चायम् । सूत्रधारप्रवेशेऽस्य विनियोगः । बीभत्सभयानकौ रसौ । धैवतादिमूर्छना । सञ्चारी वर्णः । main
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27 प्रसन्नादिख्लङ्कारः । दक्षिणे कला, वृत्तौ कला, चित्रे कला, स्वरपदगीते चच्चत्पुटादितालः । main
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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
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2 71 page_number
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3 gā pā mā pā nī nī nī nī table
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4 (11) table
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5 mă pă mă pariga gā gā gā gā table
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6 (12) table
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7 ni ni pā dhā ni gā gā gā table
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8 (13) table
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9 nî nî nî nî nî nî nî nî table
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10 (14) table
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11 mã mã dhã nĩ sani dhã pã pã table
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12 (15) table
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13 mā pā mā pariga gā gā gā gā table
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14 (16) table
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15 Thusends gāndhārapancami. section_header
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16 [8. Āndhrī] section_header
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17 In <i>āndhrī, niṣāda, ṛṣabha, gāndhāra</i> and <i>pañcama</i> are the <i>aniśas</i>. There is main
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18 concert between ṛṣabha-gāndhāra and niṣāda-dhaivata. One should proceed main
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19 upto the nyāsa according to the order of the respective amsas. main
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20 (21) annotation_inline
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21 The hexatonic form comes into being with the omission of sadja. The main
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22 mūrchanā beginning with madhyama obtains. The kalās, tāla and viniyoga main
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23 (application) are said to be as in the previous one (gāndhārapañcamī). main
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24 (22) annotation_inline
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25 Gāndhāra is the nyāsa in this āndhrī. The amsas themselves are apanyāsas. main
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26 The <i>prastāra</i> is thus – main
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27 gārirīrīrīrīrīrī table
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28 (1) table
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29 rī gā rī gā rī rī rī rī table
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30 (2) table
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31 rī rī gā gā rī rī mā mā table
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32 (3) table
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33 rī gā sā dhani nī nī nī nī table
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34 (4) table
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35 ni ri ni ri dhani dhani pā pā table
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36 (5) table
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37 mā pā mā riga gā gā gā gā table
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38 (6) table
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39 rī rī gā sa ma mā mā pā pā table
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40 <b>(7)</b> table
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41 mā pā mā riga gā gā gā gā table
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42 (8) table
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43 dhā nī gā gā gā gā gā gā table
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44 (9) table
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45 pā pā mā riga gā gā gā gā table
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46 (10) table
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L#Texte OCRRole autoCorriger si incorrect
1 119 page_number
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2 <b>TRANSLATION</b> page_header
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3 sarimapapamarisa rigapadhadhapagari gamadhaninidhamaga 143 mapanisasasanipama main
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4 sanipamamapanisa nidhamagagamadhani dhapagaririgapadha pamarisasarimapa, main
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5 (25) annotation_inline
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6 udghattitah annotation_inline
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7 sarigā rigamā gamapā mapadhā padhanī dhanisā 144 sanidhā nidhapā dhapamā main
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8 (26) annotation_inline
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9 pamagā magarī garisā, āksiptakah main
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10 sagamā marisā rimapā pagarī gapadhā dhamagā madhanī nipamā panisā 145 main
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11 sadhapā dhanisā sadhapā panisā nipamā madhanī dhamagā gapadhā pagarī main
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12 (27) annotation_inline
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13 rimapā marisā sagamā garisā, sampradānam main
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14 sagama marisa rimapa pagari..... main
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15 VII [ Section on Pada - giti ] section_header
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16 O! most venerable muni! I have duly spoken of the alankaras. Now I shall main
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17 speak about giti1 which is associated with chandas2 and akṣara3 (syllable). main
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18 (170) annotation_inline
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19 The first one should be known as māgadhī, and the second one is main
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20 ardhamāgadhī, the third one is sambhāvitā and the fourth one is known as main
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21 (171) annotation_inline
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22 pṛthulā. annotation_inline
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23 The giti which is 'returned to'4 (repeated) thrice, that giti is known as main
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24 māgadhī. That (gītī) which is completed5 in half the time (of māgadhī) should be main
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25 (172) annotation_inline
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26 known as ardhamāgadhī (lit. half-māgadhī). main
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27 And sambhāvitā should be known to be composed of guru (lit. heavy, here main
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28 long) syllables. And the one called pṛthulā should be known to be composed of main
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29 (173) annotation_inline
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30 laghu (lit. light, here short) syllables. main
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31 (Anu. 104) annotation_inline
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32 In dakṣiṇa 6 mārga 7 (lit. path) (operates) the pṛthulā gīti, in vārtika 8 mārga main
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33 sambhāvitā (gīti) and in citra 10 mārga māgadhī gīti. There are eight mātrās in main
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34 dakṣiṇa mārga, four mātrās in vārtika mārga and two mātrās in citra mārga in the main
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35 order of the use of kalās.11 main
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36 In the citra mārga and ekakala tāla, māgadhī gīti should be known; in the main
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37 vārtika mārga (and) dvikala tāla sambhāvitā gīti should be known. (174) main
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38 ___ annotation_inline
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39 (vide) annotation_inline
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L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
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2 90 page_number
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3 [अन्॰ १६७] editorial_bracket
parent ligne 4
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4 अस्यार्थ: -शुद्धसाधारितो राग: षड्जग्रामसम्बन्ध: षड्जमध्यमाजातेरुत्पत्रत्वात्। तारषड्जो main
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5 ग्रहोंऽशश्च । मध्यमो न्यासश्च । निषादगान्धारयोरल्पत्वम् । पूर्णश्चायम् । गर्भसन्धौ विनियोगः । वीररौद्रादिको main
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6 रसः । षड्जादिमूर्छना । अवरोही वर्णः । प्रसन्नान्तोऽलङ्कारः । दक्षिणे कला । वृत्तौ कला , चित्रे कला main
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7 (ति ? दि) annotation_inline
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8 स्वरपदगीते चच्चत्पुटादिताल:। main
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9 [४. शुद्धकैशिकमध्यम:] section_header
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10 कैशिकीषड्जमध्याभ्यां शुद्धकैशिकमध्यमः। main
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11 ॰शुद्ध॰ annotation_inline
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12 षड्जांशो मध्यमन्यासस्त्यक्तावृषभपञ्चमौ४१ ॥ ३०२॥ main
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13 ॰क (स्त्रि ? त्रि) त्रुतिपञ्चम: annotation_inline
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14 [अनु॰ १६८] editorial_bracket
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15 अस्यार्थ: - शुद्धकैशिकमध्यमो राग: षड्जग्रामसम्बन्ध: कैशिकीषड्जमध्याजातिभ्यां<sup>४२</sup> main
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16 ॰ जात्यो: annotation_inline
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17 समुत्पन्नत्वात् । ननु कैशिको मध्यमग्रामसम्बद्धा , षड्जमध्यमा षड्जग्रामसम्बन्धा, अत main
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18 (ननु ?) annotation_inline
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19 उभयग्रामता[ऽ]स्तीति भाव:।[ऋषभपञ्चमहीनत्वात् षड्जग्रामसम्बद्ध एवायम् , मध्यमग्रामे editorial_bracket
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20 ऋषभपञ्चमयोर्लोपो नास्तीति भाव: ।]<sup>४३</sup> तारषड्जोऽस्य ग्रहोंऽशश्च । मध्यमो न्यास: । editorial_bracket
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21 निषादगान्धारयोरल्पत्वम् । पञ्चमर्षभयोर्लोप: । निषादोऽत्र काकली, औडुवश्च । निर्वहणे चास्य main
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22 काकलिपाडवश annotation_inline
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23 प्रयोग: । षड्जादिमूर्छना । रौद्रवीरादिको रस: । प्रसन्नान्तोऽलङ्कार: । ..... main
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24 [५. शुद्धकैशिक: ] section_header
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25 ४४षड्जांश: ४५पञ्चमन्यास: कैशिकीजातिसम्भव:। main
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26 पड्जांशै: annotation_inline
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27 पञ्चमो annotation_inline
parent ligne 25
via heuristic_height
28 तथा कार्मारवीजाते: स्वरै: पूर्णेश्च कैशिक: ॥३०३॥ main
via surya_layout
170 lignes a valider — change uniquement les roles incorrects.