Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21024). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p059 LEFT — 53 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚI page_header
via surya_layout
2 100 page_number
via heuristic_pagenum
3 उद्घट्टितः। [ यथा - ] सरिमप पमरिस, रिगपध धपगरि, गमधनि निधमग, मपनिस editorial_bracket
parent ligne 9
via heuristic_brackets
4 रि annotation_inline
parent ligne 9
via heuristic_height
5 सा annotation_inline
parent ligne 9
via heuristic_height
6 धा annotation_inline
parent ligne 9
via heuristic_height
7 सा annotation_inline
parent ligne 9
via heuristic_height
8 पा annotation_inline
parent ligne 9
via heuristic_height
9 सनिपम् अपधनिस । सनिपम मपनिस, निधमग गमधनि, धपगरि रिगमध, पमरिस main
via surya_layout
10 नी annotation_inline
parent ligne 9
via heuristic_short
11 री main
via surya_layout
12 सा annotation_inline
parent ligne 11
via heuristic_height
13 गा annotation_inline
parent ligne 11
via heuristic_height
14 धा annotation_inline
parent ligne 11
via heuristic_height
15 सा annotation_inline
parent ligne 11
via heuristic_height
16 मा annotation_inline
parent ligne 11
via heuristic_height
17 सरिमप, मगरिस [ इति ] उद्घट्टितः। editorial_bracket
parent ligne 11
via heuristic_brackets
18 [ २५ ] editorial_bracket
parent ligne 11
via heuristic_brackets
19 पा annotation_inline
parent ligne 11
via heuristic_height
20 सा annotation_inline
parent ligne 11
via heuristic_height
21 अन्₀ ९५ ] section_header
via surya_layout
22 त्रिभिः स्वररारोहक्रमेण वा एककलादारभ्य यावत् षट्कलमित्येवं main
via surya_layout
23 कलामानादाक्षिप्तकः। [ यथा - ] सरिगा नु रिगमा नु गमपा नु मपधा नु पधनी नु editorial_bracket
parent ligne 22
via heuristic_brackets
24 धनिसा नु सनिधा नु निधपा नु धपमा नु पमगा नु मगरी नु गरिसा नु main
via surya_layout
25 २६ । annotation_inline
parent ligne 24
via heuristic_short
26 इत्याक्षिप्तकः । main
via surya_layout
27 अनु, ९६ section_header
via surya_layout
28 प्रथमात् स्वरा [ द ] नन्तरं परित्यज्य स्वरद्वये च गत्वा तेनैव editorial_bracket
parent ligne 27
via heuristic_brackets
29 क्रमेणा- main
via surya_layout
30 व ] रोहणादेककलादवरोहणेऽपि चैककल इति द्विकलसम्प्रदानश्च द्वाविंशतिकलः। [यथा -] editorial_bracket
parent ligne 29
via heuristic_brackets
31 सगमा मरिसा, रिमपा पगरी, गपधा धमगा, मधनी निपमा, पनिसा main
via surya_layout
32 संधपा, धनिसा। संधपा पनिसा, निपमा मधनी, धमगा गपधा, पगरी रिमपा, मरिसा संगमा, main
via surya_layout
33 गरिसा सम्प्रदानः। अथवा सगमा मगसा, रिमपा पमरी, गपधा धपगा, मधनी निधमा, main
via surya_layout
34 पा annotation_inline
parent ligne 33
via heuristic_height
35 म annotation_inline
parent ligne 33
via heuristic_height
36 पनिसा सनिपा, धनिसा। सधपा पधसा, निपमा मपनी, धमगा गमधा, पगरी रिगपा, main
via surya_layout
37 [ २७ ] editorial_bracket
parent ligne 36
via heuristic_brackets
38 मरिसा सरिमा, गरिसा इति सम्प्रदानः । main
via surya_layout
39 अन्० ९७ section_header
via surya_layout
40 सम्प्रदानस्यैव द्विकलयोगेन हसनाद्धसितः। [ यथा -] सग मम रिस, रिम पप गरि, editorial_bracket
parent ligne 39
via heuristic_brackets
41 गप धध मग, मध निनि पम, पनि सस धप, अधनिस सध पप निस, निप मम धनि, main
via surya_layout
42 ₹, annotation_inline
parent ligne 41
via heuristic_height
43 धम गग पध, पग रिरि मप, मरि सस गम, गरिस [ इति ] हसितः। editorial_bracket
parent ligne 41
via heuristic_brackets
44 Ⅰ २८ ] editorial_bracket
parent ligne 41
via heuristic_brackets
45 गा annotation_inline
parent ligne 41
via heuristic_height
46 धा annotation_inline
parent ligne 41
via heuristic_height
47 मा annotation_inline
parent ligne 41
via heuristic_height
48 सा annotation_inline
parent ligne 41
via heuristic_height
49 सा annotation_inline
parent ligne 41
via heuristic_height
50 पा annotation_inline
parent ligne 41
via heuristic_height
51 [ अनु。 ९८ ] section_header
via surya_layout
52 ह्सितवत् स्वरत्रयारोहणेन चतुष्टयारोहणेन वा उभयथाप्येककलो हुद्कारः। [यथा -] editorial_bracket
parent ligne 51
via heuristic_brackets
53 सरिगा गरिसा, रिगमा मगरी, गमपा पमगा, मपधा धपमा, पधनी निधपा, धनिसा main
via surya_layout

vol_II_p017 LEFT — 42 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 A TOPE STORY OF THE STORY unknown
via fallback
2 BRHADDEŚĪ page_header
via surya_layout
3 16 page_number
via heuristic_pagenum
4 बोद्धव्या पञ्चस्वरं यावत् तारावधिः। यथा गान्धार्यां निध निस इति । main
via surya_layout
5 वाशब्दात् annotation_inline
parent ligne 4
via heuristic_short
6 तारिवधिं main
via surya_layout
7 बोड्ज: annotation_inline
parent ligne 6
via heuristic_short
8 सा annotation_inline
parent ligne 6
via heuristic_height
9 सप्तस्वरस्यापि तारता भवति । त्रिधा तारगति: । तथा चाह भरत: - main
via surya_layout
10 चतुर्धा (... गी?ग) annotation_inline
parent ligne 9
via heuristic_short
11 ‘‘अंशात्तारगतिं विद्यादाचतुर्थस्वरादिह । main
via surya_layout
12 न्दिभि: unknown
via fallback
13 (गीतं? गतिं) main
via surya_layout
14 વ્ય main
via surya_layout
15 (vide) unknown
via fallback
16 आपञ्चमात् सप्तमाद्वा नातः परिमहेष्यते ॥'' main
via surya_layout
17 [ना॰ शा॰ २८.७०] editorial_bracket
parent ligne 16
via heuristic_brackets
18 [४. मन्द्रलक्षणम्] section_header
via surya_layout
19 [अनु॰ १२५] editorial_bracket
parent ligne 18
via heuristic_brackets
20 इदानीं मन्द्र उच्यते - main
via surya_layout
21 (ন?র) annotation_inline
parent ligne 20
via heuristic_height
22 मृदुस्वरो मन्द्रः। सा च मन्द्रगतिस्त्रिधांऽशपरा, न्यासपरा, अपन्यासपरा चेति । main
via surya_layout
23 .धा(आं?अं) annotation_inline
parent ligne 22
via heuristic_short
24 (तप? तत्प)रा main
via surya_layout
25 म(न्द:?न्द्र:) annotation_inline
parent ligne 24
via heuristic_short
26 अंशस्वर: परो यस्मादिति बहुव्रीहौ। तस्मात् पूर्वो य: स्वर: स मन्द्र:। यथा-धैवत्यां धाधा main
via surya_layout
27 श्स्वरस्य (य:स्या? यस्मा)दिति unknown
via fallback
28 घा annotation_inline
parent ligne 26
via heuristic_height
29 निध पध मा। मा मा। एवमत्रापन्यासस्वर इति, न्यासस्वरोऽप्येवमेव । main
via surya_layout
30 ज्यांकि <sub>ह</sub>ु main
via surya_layout
31 म annotation_inline
parent ligne 30
via heuristic_height
32 [५. षाडवलक्षणम्] section_header
via surya_layout
33 [अनु॰ १२६] editorial_bracket
parent ligne 32
via heuristic_brackets
34 इदानीं षाडवमुच्यते - main
via surya_layout
35 षट्स्वरं षाडवमिति चतुर्दशजातिविषयत्वाच्चतुर्दशविधम्, चतसृणां main
via surya_layout
36 जातीनां annotation_inline
parent ligne 35
via heuristic_short
37 <b>॰वि(धि॰? ঘ):।</b> annotation_inline
parent ligne 35
via heuristic_markers
38 ॰ रा४९ annotation_inline
parent ligne 35
via heuristic_markers
39 नित्यसम्पूर्णत्वेन तदभावाज्जात्यंशभेदेन तु सप्तचत्वारिंशत्प्रकारं च तद् भवति । तथा main
via surya_layout
40 चाह annotation_inline
parent ligne 39
via heuristic_short
41 ५०लचे(न) main
via surya_layout
42 भरत: - main
via surya_layout

vol_II_p028 RIGHT — 34 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) annotation_inline
parent ligne 4
via heuristic_height
2 39 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 applied without any svara forming an exception. Out of sixty-three (anisas), main
via surya_layout
5 nine amsas that pertain to the four jātis which are always complete, should main
via surya_layout
6 be subtracted. That is thus-pa-sa-ga-pa-ri-pa-dha-ni-pa. When these nine are main
via surya_layout
7 subtracted, fifty-four amsas remain. Out of them (again) the seven amsas of main
via surya_layout
8 six jātis viz. ṣadjamadhyamā, ṣadjodīcyavā, kaišikī, gāndhārī, raktagāndhārī main
via surya_layout
9 (and) ṣādjī, should be subtracted. When seven ainsas are subtracted, there main
via surya_layout
10 are forty-seven anisas. That is thus - main
via surya_layout
11 Madhyamodicyavā (becomes non-ṣāḍava) with pa, similarly gāndhārapañcamī main
via surya_layout
12 (and) kārmāravī (become non-ṣāḍava) with ri-pa-ni-dha (and ) ṣaḍjakaiśiki main
via surya_layout
13 (becomes so) with sa - ga - pa. annotation_inline
parent ligne 12
via heuristic_height
14 (257) annotation_inline
parent ligne 12
via heuristic_height
15 [ Anu. 140] editorial_bracket
parent ligne 12
via heuristic_brackets
16 This means .....in the forty-seven anisas, the formation of ṣāḍava should main
via surya_layout
17 be carried out with the said svaras. annotation_inline
parent ligne 16
via heuristic_height
18 Now he (the author) shows the svaras that are not exceptional <math>^{53}</math> in the main
via surya_layout
19 formation of auduvita - annotation_inline
parent ligne 18
via heuristic_height
20 In the same way, those that are free from being exceptional are thirty main
via surya_layout
21 (amśa svaras that form) auduvita. main
via surya_layout
22 (258) annotation_inline
parent ligne 21
via heuristic_height
23 [Anu. 141] editorial_bracket
parent ligne 21
via heuristic_brackets
24 This means - in that way, those devoid of exception should be known to main
via surya_layout
25 be of thirty kinds. That is thus - out of sixty-three, nine anisas belonging to main
via surya_layout
26 the four jātis that are always complete (in which omission is not prescribed) main
via surya_layout
27 should be subtracted. After their subtraction, fifty-four amsas remain there. main
via surya_layout
28 There also out of fifty-four, twelve amsas of the four jātis that are always main
via surya_layout
29 complete and ṣāḍava, should be subtracted. After their subtraction, out of main
via surya_layout
30 forty-two (being the remainder), twelve anisas that do not form auduvita in main
via surya_layout
31 five jātis, viz. gāndhārī, raktagāndhārī, ṣaḍjamadhyamā, kaiśikī and pañcamī, main
via surya_layout
32 should be subtracted. After their subtraction, the formation of auduvita main
via surya_layout
33 takes place with thirty amśa svaras that have been spoken of. Similarly has main
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34 said Bharata- annotation_inline
parent ligne 33
via heuristic_height

vol_II_p102 RIGHT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 TRANSLATION page_header
via surya_layout
2 187 page_number
via heuristic_pagenum
3 Illustration - Gāsānīdhadhānīsā nīsādhādhāmāmādhānīsā main
via surya_layout
4 māgāmā annotation_inline
parent ligne 3
via heuristic_height
5 dhādhāmāgāmānisāsā. Dohyā [v] editorial_bracket
parent ligne 3
via heuristic_brackets
6 Having niṣāda as amśa, ṣadja as the concluding note, being devoid of main
via surya_layout
7 pañcama svara, śārdūlī<sup>4</sup> bhāṣā in ṭakkarāga is weak in ṛṣabha. main
via surya_layout
8 (6) annotation_inline
parent ligne 7
via heuristic_height
9 Illustration-<i>Nīninis</i>ā rīrīmārīrīpānidhāpānisāririmadhāmāridhānirisā.Sārdūlī [vi] editorial_bracket
parent ligne 7
via heuristic_brackets
10 Combined with ṣadja as the initial and concluding note, alaghvī is born of main
via surya_layout
11 a deśa (region), is complete (and) comes into being from takkarāga, which main
via surya_layout
12 is sung in one's own abode. main
via surya_layout
13 (7) annotation_inline
parent ligne 12
via heuristic_short
14 Illustration - Sasasas Dhasasasas เกิดเลือนที่เกิดเลือนที่สายสายสายสายสายสายสายสายสายสายสายสายสายส main
via surya_layout
15 sādhāgā risārisā nidhānisāsā. Alaghvī [vii] editorial_bracket
parent ligne 14
via heuristic_brackets
16 Thus end the <i>bhāṣās</i> in <i>ṭakkarāga</i> in the opinion of Sārdūla. main
via surya_layout
17 [2. Now in hindola] section_header
via surya_layout
18 Bhinnavalitikā, ravicandrā, bhinnapaurālī, drāviḍī, piūjarī (and) pārvatī- main
via surya_layout
19 these are the bhāṣās in hindolaka. main
via surya_layout
20 Having gāndhāra as ainsa, sadja as the concluding note, being hexatonic, main
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21 bereft of dhaivata, bhinnavalitā is sung in hindola by people in lonely places.<sup>6</sup> main
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22 (8) annotation_inline
parent ligne 21
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23 Illustration - Gāgārī saninipā sanīpāpā panīsāsā . Gāsāni sāsāpānī sāgāmāpā main
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24 pลักโอลิเทลิรสิทิรนิ. Ninininīnī māgāgāsānīnī nīnīsīmāgāsā nisāsī. Bhinnavalitikā [i] editorial_bracket
parent ligne 23
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25 Having niṣāda as amśa ,ṣadja as the concluding note, being hexatonic, main
via surya_layout
26 omitting dhaivata, the bhāṣā ravicandrā is sung in hindola in due order.<sup>7</sup> main
via surya_layout
27 (9) annotation_inline
parent ligne 26
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28 Illustration - Ninipāsā māgārīsāgārīsā sāsāmāmā gānininisāsāni sāsāni pāpā main
via surya_layout

vol_II_p071 RIGHT — 36 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 125 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 [Anu. 210] editorial_bracket
parent ligne 4
via heuristic_brackets
4 Its meaning is thus – pañcamaṣāḍavais related to ṣaḍjagrāma. Ŗṣabhais its graha main
via surya_layout
5 and anisa. Madhyama is the nyāsa and with relevance to the performer 88 it main
via surya_layout
6 sometimes becomes amśa also. Niṣāda is kākalī here and this (rāga) is complete. main
via surya_layout
7 Its application is prescribed in the passionate performance of cārīs, maṇḍalas and main
via surya_layout
8 (situations of ) combat. Vīra and the like is the rasa89. The mūrchanā beginning main
via surya_layout
9 with ṛṣabha obtains. Prasannādyanta is the alankāra. The kalā is formed in the main
via surya_layout
10 dakṣiṇa (mārga), the kalā obtains in the vārtika (mārga) and the kalā prevails in main
via surya_layout
11 the citra (mārga). A tāla like caccatpuṭa obtains in the songs comprised of svara and main
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12 pada annotation_inline
parent ligne 11
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13 [9. Revagupta] section_header
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14 Revagupta is said to be born of ārṣabhī and madhyamā jātis, has ṛṣabha as main
via surya_layout
15 its amsa and madhyama as its concluding note and is with complete svaras. main
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16 (340) annotation_inline
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17 [Anu. 211] editorial_bracket
parent ligne 15
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18 Its meaning is thus - Revagupta is related to sadjagrāma. Although it is born main
via surya_layout
19 of ārṣabhī and madhyamā jātis, it is related to ṣaḍjagrāma alone because of main
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20 pañcama being comprised of four śrutis. Rṣabha is its graha and amśa, main
via surya_layout
21 <math>madhyama</math> alone is <math>ny\bar{a}sa</math>, <math>nis\bar{a}da</math> is <math>k\bar{a}kal\bar{t}</math> he main
via surya_layout
22 svaras. Its application is prescribed in the passionate performance of cārīs, main
via surya_layout
23 mandalas and (situations of) combat. Vira and the like is the rasa. The main
via surya_layout
24 mūrchanā beginning with ṛṣabha obtains. Ārohin is the varṇa. Prasannānta is main
via surya_layout
25 the alankāra. The kalā is formed in the dakṣiṇa (mārga), the kalā obtains in main
via surya_layout
26 the vārtika (mārga) and the kalā prevails in the citra (mārga). A tāla like main
via surya_layout
27 caccatputa obtains in the songs comprised of svara and pada. main
via surya_layout
28 [10. Takkasaindhava] section_header
via surya_layout
29 The rāga takka qualified by saindhava is born of ṣāḍjī and dhaivatī jātis, is main
via surya_layout
30 combined with sadja as amsa and nyāsa and is weak in pancama. main
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31 (341) annotation_inline
parent ligne 30
via heuristic_height
32 [Anu. 212] editorial_bracket
parent ligne 30
via heuristic_brackets
33 Its meaning is thus - takkasaindhava rāga is related to şadjagrāma on main
via surya_layout
34 account of being born of ṣāḍjī and dhaivatī (jātis). Ṣaḍja is its graha, amśa and main
via surya_layout
35 nyāsa. Niṣāda and gāndhāra are kākalī and antara. There is the sparseness of main
via surya_layout
36 pañcama and this (rāga) is complete in svaras. Its application is prescribed main
via surya_layout
193 lignes a valider — change uniquement les roles incorrects.