Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21025). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p009 RIGHT — 4 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 श्रीमतङ्गमुनिप्रणीता<br>बृहद्देशी<br>BRHADDEŚĪ main
via surya_layout
2 <b>OF</b> annotation_inline
parent ligne 1
via heuristic_height
3 ŚRĪ MATANGA MUNI main
via surya_layout
4 (Volume I) main
via surya_layout

vol_II_p113 LEFT — 42 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 208 page_number
via heuristic_pagenum
3 प्रबन्धोऽयं स्वरार्थ: स्याद् ज्ञेयोऽसौ गीतवेदिभि: । main
via surya_layout
4 चत्वारिंशत्तमं प्रोक्तं करणं पञ्चभिर्युतम् ॥३७८॥ main
via surya_layout
5 चत्वारिंशद्युत: षड्भिश्चासौ वर्णस्वर: स्मृत:। main
via surya_layout
6 °ता: annotation_inline
parent ligne 5
via heuristic_markers
7 चत्वारिंशत्सप्तयुता ज्ञेया मुक्तावलीति या ॥ ३७९॥ main
via surya_layout
8 प्रतापवर्धनश्चाष्ट्रचत्वारिशः प्रकीर्तितः । main
via surya_layout
9 (त?न) annotation_inline
parent ligne 8
via heuristic_short
10 ॰शत् annotation_inline
parent ligne 8
via heuristic_markers
11 अष्टौ च मुनिना ख्याताश्चत्वारिंशत् सुसंयुता[:] ॥ ३८०॥ editorial_bracket
parent ligne 8
via heuristic_brackets
12 पञ्चधा मुनिना main
via surya_layout
13 न्ता चत्वाः annotation_inline
parent ligne 12
via heuristic_height
14 एतेषां लक्षणं विच्य समासाद् विदुषां कृते । main
via surya_layout
15 चच्छि annotation_inline
parent ligne 14
via heuristic_short
16 विदुषात्तमम् main
via surya_layout
17 यथोक्तं चात्र नियमै[:] [पदतालादिसंयुतै:] ॥ editorial_bracket
parent ligne 16
via heuristic_brackets
18 रागैर्यथावदुक्तैस्तु गातव्या गीतकोविदै: ॥ ३८१॥ main
via surya_layout
19 [प्रबन्धानां लक्षणानि] section_header
via surya_layout
20 [१.कन्द:] section_header
via surya_layout
21 तालशून्यस्तु य: पाटैर्बिरुदेश्च समन्वित:। main
via surya_layout
22 ॰ता: annotation_inline
parent ligne 21
via heuristic_markers
23 स कन्द इति कर्णाटभाषादिपदिमश्रित: ॥३८२॥ main
via surya_layout
24 कन्दादिप्रबन्धा लक्ष्यत: प्रसिद्धा एव । main
via surya_layout
25 क(दा?न्दा) main
via surya_layout
26 [२. वृत्त:] section_header
via surya_layout
27 आर्यायां द्विपथे वृत्तो गाथायां दोघके तथा। main
via surya_layout
28 वृते गाधाया जेधके तथा(?) main
via surya_layout
29 ्याः annotation_inline
parent ligne 28
via heuristic_height
30 तोटके[ ऽथ] च तालस्य नियमो नास्ति कदाचन ॥ editorial_bracket
parent ligne 28
via heuristic_brackets
31 •केन main
via surya_layout
32 मुख्यता तेषु निर्दिष्टा मुनिभिश्छन्दस: स्फुटम्<sup>४</sup>॥ ३८३॥ main
via surya_layout
33 ॰सा annotation_inline
parent ligne 32
via heuristic_markers
34 अन्ते च स्वरविन्यास: [स्वरहीनं स्मृतं परै:] । editorial_bracket
parent ligne 32
via heuristic_brackets
35 अन्त: स्वर + विन्यास: + + + + + main
via surya_layout
36 [वृत्ते छन्दिस यच्चान्ये] वङ्क्ति तदिप सम्मतम् ॥३८४॥ editorial_bracket
parent ligne 35
via heuristic_brackets
37 . . . . . . . . . annotation_inline
parent ligne 35
via heuristic_height
38 न्तः annotation_inline
parent ligne 35
via heuristic_height
39 NAME OF TAXABLE PARTY. annotation_inline
parent ligne 35
via heuristic_height
40 محفظ ماملا دي ماسي الراكات المار annotation_inline
parent ligne 35
via heuristic_height
41 4 . . . . . . . . . annotation_inline
parent ligne 35
via heuristic_height
42 (vide) annotation_inline
parent ligne 35
via heuristic_height

vol_I_p030 RIGHT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 , annotation_inline
parent ligne 4
via heuristic_height
2 43 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 The vivādi-maṇḍala in madhyama-grāma is thus — main
via surya_layout
5 ma annotation_inline
parent ligne 4
via heuristic_height
6 pa annotation_inline
parent ligne 4
via heuristic_height
7 ga unknown
via surya_layout
8 ц unknown
via surya_layout
9 dha unknown
via surya_layout
10 ni annotation_inline
parent ligne 4
via heuristic_height
11 sa annotation_inline
parent ligne 4
via heuristic_height
12 [The sevenfold combination of svaras according to the types beginning with editorial_bracket
parent ligne 4
via heuristic_brackets
13 ārcika] editorial_bracket
parent ligne 4
via heuristic_brackets
14 (Anu. 28) main
via surya_layout
15 Now the names of the sevenfold combination of svaras are being spoken of - main
via surya_layout
16 ārcika,45 gāthika,46 sāmika,47 svarāntara,48 auduva,49 şādava50 and sampūrņa.51 main
via surya_layout
17 Nārada has said so - main
via surya_layout
18 "Ārcika, gāthika, sāmika, svarāntara, auduva, sādava and the seventh is main
via surya_layout
19 sampūrņa. That which (involves) the use of one svara is called ārcika. Gāthika main
via surya_layout
20 should be known as being comprised of two svaras, the (combination of) three main
via surya_layout
21 svaras itself is sāmika. The use of four svaras is spoken of as svarāntara. Auduva is main
via surya_layout
22 with five (svaras), şāḍava is with six svaras and sampūrņa is known with seven main
via surya_layout
23 (svaras) by the designers (yoktṛns) of gīta 52 (music)." main
via surya_layout
24 [The etymology of svara-names] section_header
via surya_layout
25 ŧ annotation_inline
parent ligne 24
via heuristic_height
26 The producer of six svaras, or the one produced by six svaras, or that which main
via surya_layout
27 (55) annotation_inline
parent ligne 26
via heuristic_short
28 is born of six angas is called sadja.53 main
via surya_layout

vol_I_p053 RIGHT — 42 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 89 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 (manifested) in the bodily<sup>21</sup> (<math>v\bar{i}n\bar{a}</math>). That is why it has been said that just as these main
via surya_layout
4 (varṇas) exist (in the bodily <math>viṇ\bar{a}</math>), similarly do they bring (themselves) into main
via surya_layout
5 effect (on the wooden <math>vin\bar{a}</math>); this meaning is inherent in the mention of <math>sanra^{22}</math> main
via surya_layout
6 (bodily) svaras (in the verse of NS quoted above). main
via surya_layout
7 So has been said - annotation_inline
parent ligne 6
via heuristic_height
8 These four varnas should be known as the constructors23 of melodic main
via surya_layout
9 (NŚ XXIX, 19ab) annotation_inline
parent ligne 8
via heuristic_height
10 rendering. annotation_inline
parent ligne 8
via heuristic_height
11 [Thus end the varnas] editorial_bracket
parent ligne 8
via heuristic_brackets
12 [The Alankaras] section_header
via surya_layout
13 (Anu. 68) annotation_inline
parent ligne 12
via heuristic_height
14 Now the well-known thirty-three 24 alankāras are being described by name main
via surya_layout
15 and application. What is spoken of through the word alankara and what is its main
via surya_layout
16 etymology? It is being answered. Ornament25 is being spoken of by the word main
via surya_layout
17 alankāra. Just as a man or woman adorned with a bracelet on the forearm, main
via surya_layout
18 middle-arm and the like, bears beauty (becomes beautiful), similarly the singing main
via surya_layout
19 that subsists in varņas (and is) adorned by these alankāras (known as) main
via surya_layout
20 prasannādi and the like, becomes delightful to the performers and listeners. main
via surya_layout
21 And the etymology is like this—the root 'du krñ' in the meaning of doing or main
via surya_layout
22 making bears the prefix alam (sufficient or adequate) and (the word) alankāra main
via surya_layout
23 (derived thereby) means that which makes something sufficient or adequate. main
via surya_layout
24 This word alankara has the end-suffix ghan. main
via surya_layout
25 (Anu. 69) annotation_inline
parent ligne 24
via heuristic_height
26 The names<sup>26</sup> of alankāras are being said (1) Prasannādi (having prasanna or main
via surya_layout
27 mandra i.e. lower svaras in the beginning), (2) prasannānta (having the lower main
via surya_layout
28 svaras in the end), (3) prasannādyanta (having the lower svaras in the beginning main
via surya_layout
29 and end), (4) prasannamadhya (having the lower svaras in the middle, (5) sama main
via surya_layout
30 (equal), (6) bindu (lit. dot or anusvāra, nasal sound marked by a dot above the main
via surya_layout
31 line), (7) Nivittapravitta (one whose setting forth has been withheld), (8) Veņu main
via surya_layout
32 (the bamboo flute), (9) Kampita (the shaken one), (10) Kuharita (with a cavity main
via surya_layout
33 or hole) (11) Recita (the purged or emptied one, or a specific pace of a horse) main
via surya_layout
34 (12) Prenkholita (the swinging one) (13) Tāramandraprasanna (having high and main
via surya_layout
35 low svaras) (14) Mandratāraprasanna (having low, high and low svaras) (15) main
via surya_layout
36 Prastāra (permutation or extension), (16) Prasāda (clarity or brightness or main
via surya_layout
37 graciousness) (17) Udvāhita (held upwards or lifted up) (18) Upalolaka main
via surya_layout
38 (constantly moving or restless) (19) Krama (a specific order or sequence), (20) main
via surya_layout
39 i annotation_inline
parent ligne 38
via heuristic_height
40 Nișkūjita (the cooed one), (21) Hrādamāna (the thundering or roaring or main
via surya_layout
41 sounding one), (22) Ranjita (the coloured or delighted one) (23) Avartaka main
via surya_layout
42 (the rotating one), (24) Parivartaka (moving to and fro, changing), (25) main
via surya_layout

vol_II_p091 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 programme. annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŠĪ page_header
via surya_layout
3 164 page_number
via heuristic_pagenum
4 ऋषभांशा पञ्चमान्ता विज्ञेया षड्जदुर्बला । main
via surya_layout
5 প্লা annotation_inline
parent ligne 4
via heuristic_height
6 निषादकाकलीरूपा कर्तव्या सा तु नित्यशः॥ ९७॥ main
via surya_layout
7 साधारणकृता ह्येषा विभाषा गीतवेदिभि:। main
via surya_layout
8 ८७अन्थाली विश्रुता लोके कित्रराणां च वल्लभा ॥ ९८॥ main
via surya_layout
9 अमाली annotation_inline
parent ligne 8
via heuristic_height
10 उदाहरणम् - रीमापापाधाधाधाधापा धाधासापापापा धानिनिपा। पासापाधापापापा मरिमरि- main
via surya_layout
11 धाधापधपसाधाधापापा धधपधपापाधापा। पामारिरिसाधापापापा मपधममारिरिधाधपपाप। main
via surya_layout
12 मामाधपपापममरिरिमपापा धपापापधपधसासारिगरिधपापापा । अन्धाली। [७] editorial_bracket
parent ligne 11
via heuristic_brackets
13 अल्पर्षभा मध्यमांशा पञ्चमन्याससंयुता । main
via surya_layout
14 मध्यमांशाल्पऋपभा annotation_inline
parent ligne 13
via heuristic_height
15 मध्यधैवतसंवादो बाहुल्यं पञ्चमस्य तु ॥ main
via surya_layout
16 ॰वादस्तुल्यं स्यात् annotation_inline
parent ligne 15
via heuristic_markers
17 मध्यमः annotation_inline
parent ligne 15
via heuristic_height
18 ८८ सम्पूर्णा पञ्चमाच्चेयं भाषा तानोद्भवा भवेत् ॥ ९९॥ main
via surya_layout
19 सम्पूर्णपाड(वा) चेयं annotation_inline
parent ligne 18
via heuristic_height
20 उदाहरणम् - मामामगासारिरिनिसागरि । सानिनिगागागसानिपापा पासानिसासासानिसानि - main
via surya_layout
21 निधधनिनिसा। गरिसासासानिनिसाधानिपापा धानिनिगगसासासासासागासानीधामापापा । main
via surya_layout
22 तानोद्भवा। [८] editorial_bracket
parent ligne 21
via heuristic_brackets
23 त्रावणी पञ्चमन्यासा पञ्चमर्षभदुर्बला । main
via surya_layout
24 त्रापणी annotation_inline
parent ligne 23
via heuristic_height
25 द्विश्रुतीनां स्वरूपेण गमनं तत्प्रयोक्तृभि: ॥ १००॥ main
via surya_layout
26 तु annotation_inline
parent ligne 25
via heuristic_height
27 षड्जमध्यमबाहुल्यं पञ्चमर्षभयोस्तथा । main
via surya_layout
28 साधारणकृता होषा त्रावणी देशसम्भवा ८९॥१०१॥ main
via surya_layout
29 उदाहरणम् -सासासापापापा धाधाधाधानीनीनीसासानिधानिधाधारिसासा नीधानीधासाममरि main
via surya_layout
30 मारिमागागारिसा सनिपापापा निधानिसासनिसनिमधधसनिधामागामाधानीसासाधानीसामधा - main
via surya_layout
31 मागामाधानीसास। सससनिसासानिगासनिधामामाधारीसासा सधानीधापा । त्रावणी । [९] editorial_bracket
parent ligne 30
via heuristic_brackets
32 त्रापणी annotation_inline
parent ligne 30
via heuristic_height
148 lignes a valider — change uniquement les roles incorrects.