Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21077). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p160 RIGHT — 42 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA page_header
via surya_layout
2 303 page_number
via heuristic_pagenum
3 lustre, splendour (Monier Williams). Maitrī Upaniṣad VI. 7 says "bha is so main
via surya_layout
4 called as it illuminates these worlds." It has been used in neuter gender main
via surya_layout
5 because it qualifies 'jyotis'. There is a sāman known as 'bhakāra' wherein all main
via surya_layout
6 the consonants are replaced with bh, keeping the vowels intact. That the main
via surya_layout
7 consonant 'bh' should have been selected for this purpose bears testimony main
via surya_layout
8 to the special importance of this consonant as it stands for light. main
via surya_layout
9 2. 'Hamsa' occurs in several Upanișads; the most relevant occurrence list_item
via surya_layout
10 is in Kathopanişad II.5.2, where hamsa is mentioned as one of the synonyms list_item
via surya_layout
11 of 'ātman'. list_item
via surya_layout
12 3. 'Bharata' here stands for ātman and not the sage Bharata. list_item
via surya_layout
13 4. Bhāratī is another name of Saraswatī and occurs in Rgveda (VIII. list_item
via surya_layout
14 6.9). list_item
via surya_layout
15 The verse containing the above four words is placed in the very main
via surya_layout
16 beginning of the chapter on raga. If it is taken to embody mangalacarana, its main
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17 relevance to rāga is not obvious (See Vol. III). main
via surya_layout
18 5. Here 'Bharata' stands for the sage who is the author of Nāṭyaśāstra. list_item
via surya_layout
19 6,7. 'Dhvani' basically means sound; a 'type of sound' or 'special list_item
via surya_layout
20 sound 'could mean 'a melodic form 'which is called 'dhun' in Hindi. list_item
via surya_layout
21 8,9. The general lakṣaṇa pertains to a category like jāti or rāga and list_item
via surya_layout
22 special lakṣaṇa pertains to the 'individuals' within a category. list_item
via surya_layout
23 10. A rūdha word is that where the etymological meaning is not list_item
via surya_layout
24 relevant; only the conventional meaning operates. list_item
via surya_layout
25 11. Aśvakarņa literally means 'the ear of a horse', but it is used for list_item
via surya_layout
26 a fracture of the bones that resembles the ear of a horse. list_item
via surya_layout
27 12. Yaugika means combinational. Mandapa is a compound list_item
via surya_layout
28 meaning one who drinks 'manda' or the scum of boiled rice or any grain, list_item
via surya_layout
29 stands for an open hall or pavilion. Really speaking, the list_item
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30 but it list_item
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31 combinational meaning does not operate here. list_item
via surya_layout
32 13. Yogarūdha is a type of word where both combination and list_item
via surya_layout
33 convention operate. The classic example is that of pankaja, which means list_item
via surya_layout
34 'that which is born in mud', but is restricted to lotus, although many other list_item
via surya_layout
35 things are born of 'mud'. list_item
via surya_layout
36 14. 'Sūkṣma' literally means small or subtle; here we have interpreted list_item
via surya_layout
37 it as being short in time, because 'small' in a temporal context would list_item
via surya_layout
38 naturally mean 'short in time'. list_item
via surya_layout
39 15. 'Kampa' has been translated here as shake according to English list_item
via surya_layout
40 idiom, although literally it could also be rendered as 'tremor'. list_item
via surya_layout
41 16. ' Pāṇi' means 'hand', but here 'hand' could not be relevant to the list_item
via surya_layout
42 context, not even the figurative usage of 'hand' in tāla as a synonym of list_item
via surya_layout

vol_II_p080 LEFT — 31 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 142 page_number
via heuristic_pagenum
3 सैन्धवी मध्यमांशा तु षड्जान्ता धैवतोज्वला । main
via surya_layout
4 सै(वमी?न्धवी) annotation_inline
parent ligne 3
via heuristic_height
5 सुसम्पूर्णस्वरा होषा षड्जधैवतयोस्तथा ॥४७॥ main
via surya_layout
6 ३१गान्धारमध्यमानां तु गमनं दृश्यते घनम् । unknown
via fallback
7 गमकं annotation_inline
parent ligne 5
via heuristic_height
8 गाभारः annotation_inline
parent ligne 5
via heuristic_height
9 देशभाषा तु देश्याख्या सैन्धवी टक्करागजा ३२॥४८॥ main
via surya_layout
10 सनीनीनीचाधासरिसा नीधाधाधरिनिधाधा । धानिसा गारीमा । main
via surya_layout
11 उदाहरणम् – मामासासा । main
via surya_layout
12 सासा annotation_inline
parent ligne 11
via heuristic_height
13 मामा गमागामासाधासारीमामामासा रिगामापापाधानिपधापामा गारीरीनिरिनि- धाधाधनीसा main
via surya_layout
14 रीगामामागामामा गामामामासासा । सैन्धवी । [८] editorial_bracket
parent ligne 13
via heuristic_brackets
15 षड्जाद्यन्तसमायुक्ता पञ्चमेन विवर्जिता । main
via surya_layout
16 धैवतनिषादयोश्च षड्जधैवतयोस्तथा ॥४९॥ main
via surya_layout
17 परस्परं तु गमनं दृश्यते च क्षणे क्षणे । main
via surya_layout
18 भाषेयं षाडवा ज्ञेया वेसरिका प्रयोक्तृभि: ॥५०॥ main
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19 र्श<sup>े देरे</sup> सकाकली annotation_inline
parent ligne 18
via heuristic_height
20 उदाहरणम् - सासा । सधानि । धासासासा मामागामा गामासाधा मागारीसासासा । main
via surya_layout
21 वेसरिका।[९] editorial_bracket
parent ligne 20
via heuristic_brackets
22 पञ्चमांशा तु षड्जान्ता सम्पूर्णा लोकरञ्जिका । main
via surya_layout
23 प्ञुमर्षभसंवाद: षड्जमध्यमयोस्तथा ॥ main
via surya_layout
24 भाषेयं पञ्चमाख्या तु सम्पूर्णा समुदाहता ॥ ५१॥ main
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25 उदाहरणम् – पापापारिपा । रिपापापापमापापामपमा सासासरीरीरि । निधाधपापा । main
via surya_layout
26 पसामामा annotation_inline
parent ligne 25
via heuristic_height
27 रिरोगगरिसपा पगारिसागारिसारिपापारिरिगरि। गाधामागारिरि धपरिगसासा। पञ्चमाख्या ३४। [१०] editorial_bracket
parent ligne 25
via heuristic_brackets
28 offlo annotation_inline
parent ligne 25
via heuristic_height
29 ध्यमन्द्रा तु षड्जान्ता गान्धारांशाल्पसप्तमा । main
via surya_layout
30 ३५ऋषभगान्धारयोस्त् षड्जमध्यमयोस्तथा ॥५२॥ main
via surya_layout
31 +र्षगान्धार॰ annotation_inline
parent ligne 30
via heuristic_markers

vol_I_p030 RIGHT — 28 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 , annotation_inline
parent ligne 4
via heuristic_height
2 43 page_number
via heuristic_pagenum
3 TRANSLATION page_header
via surya_layout
4 The vivādi-maṇḍala in madhyama-grāma is thus — main
via surya_layout
5 ma annotation_inline
parent ligne 4
via heuristic_height
6 pa annotation_inline
parent ligne 4
via heuristic_height
7 ga unknown
via surya_layout
8 ц unknown
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9 dha unknown
via surya_layout
10 ni annotation_inline
parent ligne 4
via heuristic_height
11 sa annotation_inline
parent ligne 4
via heuristic_height
12 [The sevenfold combination of svaras according to the types beginning with editorial_bracket
parent ligne 4
via heuristic_brackets
13 ārcika] editorial_bracket
parent ligne 4
via heuristic_brackets
14 (Anu. 28) main
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15 Now the names of the sevenfold combination of svaras are being spoken of - main
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16 ārcika,45 gāthika,46 sāmika,47 svarāntara,48 auduva,49 şādava50 and sampūrņa.51 main
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17 Nārada has said so - main
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18 "Ārcika, gāthika, sāmika, svarāntara, auduva, sādava and the seventh is main
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19 sampūrņa. That which (involves) the use of one svara is called ārcika. Gāthika main
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20 should be known as being comprised of two svaras, the (combination of) three main
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21 svaras itself is sāmika. The use of four svaras is spoken of as svarāntara. Auduva is main
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22 with five (svaras), şāḍava is with six svaras and sampūrņa is known with seven main
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23 (svaras) by the designers (yoktṛns) of gīta 52 (music)." main
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24 [The etymology of svara-names] section_header
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25 ŧ annotation_inline
parent ligne 24
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26 The producer of six svaras, or the one produced by six svaras, or that which main
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27 (55) annotation_inline
parent ligne 26
via heuristic_short
28 is born of six angas is called sadja.53 main
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vol_II_p128 RIGHT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 , annotation_inline
parent ligne 4
via heuristic_height
2 TRANSLATION page_header
via surya_layout
3 239 page_number
via heuristic_pagenum
4 [37. Dhvanikuṭṭanī] section_header
via surya_layout
5 Here there are <i>mātr</i>ās of even number and there is <i>dhvuni</i>, sometimes there is main
via surya_layout
6 a pause after that. If there are two tālas in this, then that is dhvanikuṭṭanī. main
via surya_layout
7 (480) main
via surya_layout
8 [38.<i>Dheńki</i>] section_header
via surya_layout
9 Where <math>n\bar{a}da_{*}^{86}</math> synthesised with syllable is taken up at will without <math>t\bar{a}la</math> and main
via surya_layout
10 then there is tāla, that is said to be <i>dhenkikā</i>. main
via surya_layout
11 (481) main
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12 [39. Ekatālī] section_header
via surya_layout
13 Where there is alliteration without break <math>^{87}</math> (and) where yati is formed in each main
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14 druta<sup>88</sup>(?), that is known to be ekatālikā by those knowledgeable in the essence main
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15 of music. annotation_inline
parent ligne 14
via heuristic_short
16 (482) main
via surya_layout
17 [40. <i>Mātṛkā</i>] section_header
via surya_layout
18 Where the letters of the alphabet are taken up one by one and are sung main
via surya_layout
19 in combination with the desired meaning, that is called mātṛkā.89 main
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20 (483) main
via surya_layout
21 [41. Svarārtha] section_header
via surya_layout
22 Where the song is properly accomplished with the svaras (solfa syllables) main
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23 yielding the desired meaning, that is known as svarārtha among the songs made main
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24 of vastu. annotation_inline
parent ligne 23
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25 (484) main
via surya_layout
26 [42. <i>Karana</i>] section_header
via surya_layout
27 Where two sections are composed of svaras alone without any break, that has main
via surya_layout
28 been said here to be karaṇa, being (endowed) with the yati named karaṇa (?).91 main
via surya_layout
29 (485) main
via surya_layout

vol_II_p039 LEFT — 46 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 #1 unknown
via fallback
2 60 page_number
via heuristic_pagenum
3 BRHADDEŚĪ page_header
via surya_layout
4 गा गम पा पध मा धनि पा पा table
via surya_layout
5 (৩) table
via surya_layout
6 री गा सा सध नी नी धा धा table
via surya_layout
7 (८) table
via surya_layout
8 गा रिंग सा सनि गा रिंग सा सा table
via surya_layout
9 (9) table
via surya_layout
10 सा सा सा मा मिन धिन नी नी table
via surya_layout
11 (१०) table
via surya_layout
12 मां मां मां परिंग गो गो सो सो table
via surya_layout
13 (११) table
via surya_layout
14 गों सी गों सी मी पी मी पेरिने table
via surya_layout
15 (१२) table
via surya_layout
16 गा गा गा गा गा सा सा table
via surya_layout
17 (१३) table
via surya_layout
18 नी नी पो धो नी गो गो गो table
via surya_layout
19 (१४) table
via surya_layout
20 नी नी धा पा धा पा मा पा table
via surya_layout
21 (१५) table
via surya_layout
22 धा पा मा मा मा मा मा मा table
via surya_layout
23 (१६) table
via surya_layout
24 ॥ [इति] गान्धारोदीच्यवती ॥ editorial_bracket
parent ligne 26
via heuristic_brackets
25 । मा annotation_inline
parent ligne 26
via heuristic_height
26 [३.रक्तगान्धारी] section_header
via surya_layout
27 अंशा: स्यू रक्तगान्धार्या पञ्च धर्षभवर्जिता:। main
via surya_layout
28 (म ?घ)पंभ(पूजि ? वर्जि)ताः main
via surya_layout
29 रिमतिक्रम्य सगयो: कार्ये सित्रिधिमेलने ॥ ७॥ main
via surya_layout
30 री(रि) annotation_inline
parent ligne 29
via heuristic_short
31 रिलोपरिधलोपाभ्यां षाडवौडुविमष्यते । main
via surya_layout
32 बहुत्वं निधयोरंश: पञ्चमो द्वेष्टि षाडवम् ॥ ८॥ main
via surya_layout
33 द्विषन्त्यौडुवितं षड्जनिमपा: सङ्गतौ सगौ। main
via surya_layout
34 द्विप(जो ? नयौ) द्ववितं main
via surya_layout
35 पञ्चपाण्यादि षाङ्जीवद् ऋषभादिस्तु मूर्छना ॥ ९॥ main
via surya_layout
36 तृतीयप्रेक्षणगतं ध्रुवायां विनियोजनम् ॥१०॥ main
via surya_layout
37 <sup>१७१</sup>ंगतघुवायां main
via surya_layout
38 <sup>१७२</sup>अस्यां गान्धारो न्यास:, मध्यमोऽपन्यास:। <sup>१७३</sup>प्रस्तार: - main
via surya_layout
39 (तस्या ?)तस्या annotation_inline
parent ligne 38
via heuristic_short
40 (न्यास:, मध्यमोऽ) main
via surya_layout
41 पा नी सा सा गा सा पा नी main
via surya_layout
42 (१) annotation_inline
parent ligne 41
via heuristic_short
43 सां सां पा पा मा मा गा गा main
via surya_layout
44 (२) annotation_inline
parent ligne 43
via heuristic_short
45 मा पा धा पा मा पा धप मग main
via surya_layout
46 (3) unknown
via fallback
176 lignes a valider — change uniquement les roles incorrects.