Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21093). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p072 RIGHT — 31 lignes

page vol_II_p072 RIGHT
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1 127 page_number
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2 TRANSLATION page_header
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3 in yuddha-vīra 92 (rasa). Vīra and the like is the rasa. The mūrchanā beginning main
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4 with ṣaḍjaobtains. Ārohin is the varṇa. Prasannāntais the alaṅkāra. The kalā main
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5 is formed in the dakṣiṇa(mārga), the kalā obtains in the vārtika(mārga) and main
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6 the kalā prevails in the citra (mārga). A tāla like caccatpuṭa obtains in the songs main
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7 comprised of svara and pada. main
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8 [The assignment of grāma to sādhāraņa rāgas] section_header
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9 Now, the assignment of grāma to sādhāraņa (rāgas) is being shown. main
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10 Bhammāṇapañcama should be known to be born of madhyamagrāma and main
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11 so are gāndhārapañcama, narta and ṣaḍjakaiśika. main
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12 (342) annotation_inline
parent ligne 11
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13 The rāgas rūpasādhārita, śaka, kakubha, revagupta and pañcamaṣāḍava main
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14 should be known to be (related to ) the one known as sadja. The seven main
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15 (nine?) sādhāraņa (rāgas) have (thus) been said to be based on the two main
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16 grämas. annotation_inline
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17 (343) main
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18 [The basis of the specification of murchanā in respect of grāma-rāgas] section_header
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19 [Anu. 213] editorial_bracket
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20 (Contention) How is the specification of particular mūrchanās in respect main
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21 of grāma-rāgas known? It is being answered. The specification of mūrchanās main
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22 is known from the statements of authorities. Similarly has said Kasyapa - main
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23 "The mūrchanā should be specified by the wise after knowing the main
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24 predominance of amsa in a jāti."94 main
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25 [The difference between gita and raga] section_header
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26 [Anu. 214] editorial_bracket
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27 (Contention) What is the difference between gita and raga? It is being main
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28 answered. The gita characterised with ten lakṣaṇas should be named after main
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29 the word rāga. Gīta is comprised of four angas (components).95 It is five- main
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30 fold in combination with dhruva96 From where is this known? From the main
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31 statements of authorities. Similarly has said Kasyapa - main
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vol_II_p038 RIGHT — 51 lignes

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1 1 page_number
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2 59 page_number
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3 TRANSLATION page_header
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4 (3) table
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5 mā gā rī gā mā mā sā sā table
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6 <b>(4)</b> table
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7 [mā magama mā mā nidha padha pama gamama] table
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8 (5) table
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9 dhā padha pari riga maga riga sadhasa sā table
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10 (6) table
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11 nidha sā rī magama mā mā mā mā table
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12 (7) table
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13 mā mā magama madha dhapa padha pama gamaga table
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14 (8) table
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15 dhā padha pari riga maga riga sadhasa sā table
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16 (9) table
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17 mā mā dhani dhasa dhapa mapa pā pā table
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18 (10) table
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19 mā magama mā nidha padha pamaga gā mā table
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20 (11) table
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21 dhā padha pari riga maga riga sadhasa sā table
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22 (12) table
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23 nidha sā rī magama mā mā mā mā table
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24 Thus ends <i>şadjamadhyamā</i>. section_header
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25 [2. Gāndhārodīcyavā] section_header
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26 In gāndhārodīcyavā, ṣadjaand madhyama are the two amśas. The hexatonic main
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27 is known to be with the omission of rşabha. In the state of completeness there main
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28 is the sparseness of svaras other than those that are anisas. main
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29 (4) annotation_inline
parent ligne 28
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30 In the hexatonic form, niṣāda, dhaivata, pañcama and gāndhāra are said to main
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31 be sparse. Saigati (concert) between ṛṣabha and dhaivata should be known main
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32 and the mūrchanā beginning with dhaivata obtains. main
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33 (5) annotation_inline
parent ligne 32
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34 The tāla should be known as caccatpuța. Sixteen kalās (time units) are said main
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35 to obtain. Its application (viniyoga) is accepted to be in the singing of dhruvā main
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36 in the fourth act. annotation_inline
parent ligne 35
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37 (6) main
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38 Madhyamais the nyāsain this (jāti). Ṣaḍja and dhaivata are apanyāsas. The main
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39 prastāra is thus - main
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40 (1) table
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41 sā sā pā mā pā dhapa pā mā table
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42 (2) table
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43 dhā pā mā mā sā sā sā sā table
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44 (3) table
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45 dhã nĩ sã sã mã mã pã pã table
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46 (4) table
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47 ករី ករី ករី ករី ករី ករី ករី ករី table
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48 (5) table
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49 mã mã dhã nisa nĩ nĩ nĩ table
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50 (6) table
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51 mā pā mā pari gā gā sā sā table
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vol_I_p036 LEFT — 29 lignes

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1 <b>BRHADDES!</b> page_header
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2 54 page_number
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3 आरोहणावरोहणक्रमेण स्वरसप्तकम्। main
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4 मूर्छनाशब्दवाच्यं हि विज्ञेयं तद् विचक्षणैः ॥ ९१ ॥ main
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5 अनु. ३६ section_header
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6 सा च मूर्छना द्विविधा-सप्तस्वरमूर्छना द्वादशस्वरमूर्छना चेति। तत्र main
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7 सप्तस्वरमूर्छना चतुर्विधा- पूर्णा, षाडवा, औडुविता, साधारणा चेति। main
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8 तत्र सप्तभिः स्वरैर्या गीयते सा पूर्णा। षड्भिः स्वरैर्या गीयते सा main
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9 षाडवा। पञ्चिभः स्वरैर्या गीयते सा औडुविता। काकल्यन्तरस्वरैर्या main
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10 13:56 annotation_inline
parent ligne 9
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11 गीयते सा साधारणा। main
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12 ,पी14 main
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13 [ अनु. ३७ ] section_header
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14 ii<br>L unknown
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15 इदानीं मूर्छनामण्डलमुच्यते। तत्र परिपाट्याहितत्वेन प्रवृत्तत्वात् main
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16 सप्तस्वराणां मूर्छनानां प्रतिग्राममेकोनपञ्चाशत् स्वराः कोष्ठाश्च भवन्ति। main
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17 तद्यथा— section_header
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18 एकोनाः खलु पञ्चाशत् कर्तव्याः स्वरसंयुताः। main
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19 ₀ण्डू ( ? ) annotation_inline
parent ligne 18
via heuristic_markers
20 तिर्यगृध्वं च रेखाभिरष्टभिश्चैव कोष्ठकाः ॥९२॥ main
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21 [ अनु. ३८ ] section_header
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22 तत्र स-नि-ध-प-म-ग-रीत्याद्याः सप्त षड्जग्रामे। main
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23 म-ग-रि-स-नि-ध-पाद्याः सप्त मध्यमग्रामे। main
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24 तिर्यगृर्ध्वगा अपि स्वरा:15 कार्या:1 तद्यथा— main
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25 नि-ध-प-म-ग-रि-सा इति षड्जग्रामे। main
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26 ग-रि-सं-नि-ध-प-मा16 इति 17मध्यमग्रामे॥ main
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27 एवं तावदुभयग्रामिक्यश्चतुर्दश मूर्छनाः संपूर्णाः। main
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28 स-रि-ग-म-प-ध-नि annotation_inline
parent ligne 27
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29 नि-स-रि-ग-म-प-ध main
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vol_I_p048 LEFT — 38 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDES!</b> page_header
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2 78 page_number
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3 [ अनु₀ ५६ ] editorial_bracket
parent ligne 4
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4 कूटतानानां सहस्राणि पञ्च त्रयस्त्रिंशदधिकानि निष्पद्यन्ते। main
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5 <sub>०</sub>मस्त्रिः main
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6 दत्तिलेनाप्युक्तम्— annotation_inline
parent ligne 5
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7 <sup>83</sup>"पूर्णाः पञ्च सहस्राणि त्रयस्त्रिशच्च संख्यया। main
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8 ुर्णः, annotation_inline
parent ligne 7
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9 मसत्, main
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10 कथयन्ति प्रतिग्राममुपायो गणनेऽधुना।" main
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11 नेधुनः दत्तिलम् ३९ ] editorial_bracket
parent ligne 10
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12 पयोगेन main
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13 गणनाऽत्र परेण तानप्रयोगेण पूर्वस्तानप्रयोगो हन्यते। तथा चाह main
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14 ₀मा₃ annotation_inline
parent ligne 13
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15 दत्तिलः — main
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16 "हन्यादनन्तरायेण पूर्वा यस्य क्रमोत्क्रमात्। main
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17 गुणकारसमास्तत्र क्रमाः ध्ये शेषाः स्युरुत्क्रमाः।" main
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18 दित्तलम् ४० | unknown
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19 माच्छे. annotation_inline
parent ligne 17
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20 [ अनु<sub>०</sub> ५७ ] editorial_bracket
parent ligne 17
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21 इदानी गुणनोपायं कथयति— द्वाभ्यां पराभ्यामेकः पूर्वो बऽहन्येत main
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22 J. annotation_inline
parent ligne 21
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23 द्वावेव भवतः। तौ च द्वौ त्रिभिर्हतौ षड् भवतः । ते [ च षट् ] editorial_bracket
parent ligne 21
via heuristic_brackets
24 ्रित annotation_inline
parent ligne 21
via heuristic_height
25 ्रत्वा annotation_inline
parent ligne 21
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26 चतुर्हताश्चतुर्विंशतिर्भवन्ति। सा चतुर्विंशतिः पञ्चभिर्हता शतं विंशत्यधिकं main
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27 भवति। विंशत्यधिकं शतं षड्भिर्हतं शतानि सप्त-विंशत्यधिकानि भवति। main
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28 ्रन्ति main
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29 तानि सप्तभिर्हतानि पञ्चसहस्राणि चत्चारिंशदधिकानि भवन्ति। unknown
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30 अनु₀ ५८ editorial_bracket
parent ligne 28
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31 तत्र क्रमकृतास्तान् स्फोटयित्वा ह्युत्क्रमकृतानि कूटतानानां सप्त- main
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32 स्वरप्रयोगात् पञ्चसहस्राणि त्रयस्त्रिशदधिकानि भवन्ति। main
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33 प्रस्तारो annotation_inline
parent ligne 32
via heuristic_short
34 यथा— main
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35 तत्र षड्जस्वरस्य स इत्येकः क्रमः। ऋषभस्य सरीत्येक एव क्रमः। रिस main
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36 इति च व्युक्तमो द्वितीयः। गान्धारस्य सरिगेत्येकः क्रमः। गरिसेत्यादयो main
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37 ुम annotation_inline
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38 ुत्यतः annotation_inline
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vol_II_p115 RIGHT — 27 lignes

page vol_II_p115 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 213 page_number
via heuristic_pagenum
2 TRANSLATION page_header
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3 [9. Dodhaka] table
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4 Having sung the (first) half, the latter half is comprised of a stretching of svaras. table
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5 (391) table
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6 [10. <i>Totaka</i>] table
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7 [11. <i>Vastu</i>] section_header
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8 Where there are pāṭas and tennas 16 and the rest is comprised of a main
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9 stretching (elaboration) of svaras, that is vastu<sup>17</sup> used in desī gītas as well as main
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10 in drama. annotation_inline
parent ligne 9
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11 (392) main
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12 [12. Krauńcapada] section_header
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13 Krauñcapada is known to those proficient in gandharva as that which is main
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14 sung in pratitāla, being comprised of pada and svara. main
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15 (393) main
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16 [13. Haṁsapada] section_header
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17 Where there is one foot in Sainskṛta and the second (foot) is composed in main
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18 a regional (language) (and) which is sung with rhyme, that song is known main
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19 as hamsapada. annotation_inline
parent ligne 18
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20 (394) main
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21 [14. Śukasārika] section_header
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22 That which is combined with <i>tāla</i> (and) <i>pada</i>, bedecked with <i>pada</i> (and) main
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23 pāṭa (and) comprised of question and answer, is said to be śukaśārika. 19. main
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24 (395) annotation_inline
parent ligne 23
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25 That which is composed in the Karnāta language or is mixed (with other main
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26 languages) (and) is comprised of pada (text) embodying dialogue, is śukasārika. main
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27 (396) main
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176 lignes a valider — change uniquement les roles incorrects.