Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21127). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p017 LEFT — 42 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 A TOPE STORY OF THE STORY unknown
via fallback
2 BRHADDEŚĪ page_header
via surya_layout
3 16 page_number
via heuristic_pagenum
4 बोद्धव्या पञ्चस्वरं यावत् तारावधिः। यथा गान्धार्यां निध निस इति । main
via surya_layout
5 वाशब्दात् annotation_inline
parent ligne 4
via heuristic_short
6 तारिवधिं main
via surya_layout
7 बोड्ज: annotation_inline
parent ligne 6
via heuristic_short
8 सा annotation_inline
parent ligne 6
via heuristic_height
9 सप्तस्वरस्यापि तारता भवति । त्रिधा तारगति: । तथा चाह भरत: - main
via surya_layout
10 चतुर्धा (... गी?ग) annotation_inline
parent ligne 9
via heuristic_short
11 ‘‘अंशात्तारगतिं विद्यादाचतुर्थस्वरादिह । main
via surya_layout
12 न्दिभि: unknown
via fallback
13 (गीतं? गतिं) main
via surya_layout
14 વ્ય main
via surya_layout
15 (vide) unknown
via fallback
16 आपञ्चमात् सप्तमाद्वा नातः परिमहेष्यते ॥'' main
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17 [ना॰ शा॰ २८.७०] editorial_bracket
parent ligne 16
via heuristic_brackets
18 [४. मन्द्रलक्षणम्] section_header
via surya_layout
19 [अनु॰ १२५] editorial_bracket
parent ligne 18
via heuristic_brackets
20 इदानीं मन्द्र उच्यते - main
via surya_layout
21 (ন?র) annotation_inline
parent ligne 20
via heuristic_height
22 मृदुस्वरो मन्द्रः। सा च मन्द्रगतिस्त्रिधांऽशपरा, न्यासपरा, अपन्यासपरा चेति । main
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23 .धा(आं?अं) annotation_inline
parent ligne 22
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24 (तप? तत्प)रा main
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25 म(न्द:?न्द्र:) annotation_inline
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26 अंशस्वर: परो यस्मादिति बहुव्रीहौ। तस्मात् पूर्वो य: स्वर: स मन्द्र:। यथा-धैवत्यां धाधा main
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27 श्स्वरस्य (य:स्या? यस्मा)दिति unknown
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28 घा annotation_inline
parent ligne 26
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29 निध पध मा। मा मा। एवमत्रापन्यासस्वर इति, न्यासस्वरोऽप्येवमेव । main
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30 ज्यांकि <sub>ह</sub>ु main
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31 म annotation_inline
parent ligne 30
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32 [५. षाडवलक्षणम्] section_header
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33 [अनु॰ १२६] editorial_bracket
parent ligne 32
via heuristic_brackets
34 इदानीं षाडवमुच्यते - main
via surya_layout
35 षट्स्वरं षाडवमिति चतुर्दशजातिविषयत्वाच्चतुर्दशविधम्, चतसृणां main
via surya_layout
36 जातीनां annotation_inline
parent ligne 35
via heuristic_short
37 <b>॰वि(धि॰? ঘ):।</b> annotation_inline
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via heuristic_markers
38 ॰ रा४९ annotation_inline
parent ligne 35
via heuristic_markers
39 नित्यसम्पूर्णत्वेन तदभावाज्जात्यंशभेदेन तु सप्तचत्वारिंशत्प्रकारं च तद् भवति । तथा main
via surya_layout
40 चाह annotation_inline
parent ligne 39
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41 ५०लचे(न) main
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42 भरत: - main
via surya_layout

vol_II_p100 RIGHT — 22 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 183 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 15. Now the bhāṣās in pañcamaṣāḍava section_header
via surya_layout
4 Having ṛṣabha as amśa, madhyama as the concluding note, this śakabhāṣā is main
via surya_layout
5 said to be complete (and) having abundant gändhära-pañcama. The profusion main
via surya_layout
6 of dhaivata-ṛṣabha is seen again and again. (This) bhāṣā (subsists) in main
via surya_layout
7 pancamaṣāḍava, being born of śakarāga. 71 main
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8 (142-143) annotation_inline
parent ligne 7
via heuristic_height
9 Illustration - Ririsānini. Pānīririri [ . . . ma ]. Šakabhāṣā. editorial_bracket
parent ligne 7
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10 [Thus in pañcamaṣāḍava] section_header
via surya_layout
11 Thus are the bhāṣās manifested in (this)world, that are known to be main
via surya_layout
12 accepted by many. That <math>(bh\bar{a}s\bar{a})</math> is so modified as it is performed by one.<sup>72</sup> main
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13 (144) annotation_inline
parent ligne 12
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14 Similarly, (a bhāṣā) should be sung in accordance with its lakṣaṇas, with all main
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15 effort. It should always be listened to by the singers in the context of wit and main
via surya_layout
16 humour and whatever is seen in fighting or sacrifice (yajña), all that is shown main
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17 by that (bhāṣā). Bhāṣās are obtained everywhere in grāmarāgas. main
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18 <math>(145-146)</math> annotation_inline
parent ligne 17
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19 Thus ends in sarvāgamasamhita the fourth chapter dealing with bhāṣā- main
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20 lakṣaṇa where Yāṣṭika is the leader. main
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21 [ B. Bhāṣās according to Śārdūla] section_header
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22 After this I shall speak of the description of bhāṣā according to Śārdūla. main
via surya_layout

vol_II_p012 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 6 page_number
via heuristic_pagenum
3 ‘‘शुद्धा विकृताश्चैव हि समवायाज्जातयस्तु जायन्ते । main
via surya_layout
4 <sup>८</sup>पुनरेवाशुद्धकृता भवन्त्यथैकादश परास्तु ॥’’ main
via surya_layout
5 [ना॰ शा॰ २८.४६] editorial_bracket
parent ligne 4
via heuristic_brackets
6 <sup>९</sup>तासां यास्तु निर्वृत्ता: स्वरेष्वथांशेषु <sup>१</sup>°हानिषु च । annotation_inline
parent ligne 4
via heuristic_markers
7 जातिषु annotation_inline
parent ligne 4
via heuristic_height
8 • व • annotation_inline
parent ligne 4
via heuristic_height
9 जातीस्ता वक्ष्याम: सङ्क्षेपेण क्रमेण चैवात्र ॥ १९२ ॥ main
via surya_layout
10 <sup>११</sup>षड्जाया मध्यमायाश्च संसर्गात् षड्जमध्यमा । main
via surya_layout
11 षड्जायाश्चैव गान्धार्या जायते षड्जकैशिकी॥ १९३ ॥ main
via surya_layout
12 तयोरेव सधैवत्यो: षड्जोदीच्यवती भवेत्। main
via surya_layout
13 आसां समध्यमानां तु गान्धारोदीच्यवा भवेत् ॥ १९४ ॥ main
via surya_layout
14 गान्धार्या मध्यमायाश्च पञ्चम्याश्चेव सङ्करात् । unknown
via fallback
15 (मी?म्या) annotation_inline
parent ligne 13
via heuristic_height
16 सधैवतीनामासां तु मध्यमोदीच्यवा भवेत् ॥ १९५ ॥ main
via surya_layout
17 आसां स्याद् रक्तगान्धारी नैषादी चेच्चतुर्थिका । main
via surya_layout
18 आर्षभ्यास्तु भवेदान्ध्री गान्धार्याश्चैव सङ्करात् ॥ १९६ ॥ main
via surya_layout
19 •द्यन्धी annotation_inline
parent ligne 18
via heuristic_height
20 अनयोस्त् सपञ्चम्योर्नन्दयन्ती प्रजायते । main
via surya_layout
21 सनिषादास्त्वगान्धार्याः कुर्युः कार्मारवीमिमाः ॥ १९७ ॥ main
via surya_layout
22 ग्माम् annotation_inline
parent ligne 21
via heuristic_height
23 गान्धारी पञ्चमी चैव ताभ्यां गान्धारपञ्चमी । main
via surya_layout
24 १२तथा annotation_inline
parent ligne 23
via heuristic_short
25 आर्षभी-धैवती-वर्ज्याः कैशिकीमिति सङ्कराः ॥ १९८॥ main
via surya_layout
26 इदानीं विभागमाहु: - section_header
via surya_layout
27 <sup>१३</sup>चतस्रो जातयो नित्यं ज्ञेया: सप्तस्वरा बुधै:। main
via surya_layout
28 चतस्र: षट्स्वराश्चान्या दश पञ्चस्वरा: स्मृता: ॥ १९९ ॥ main
via surya_layout
29 न्द्या annotation_inline
parent ligne 28
via heuristic_height
30 एतदेव स्फुटं भवति - main
via surya_layout
31 मध्यमोदीच्यवा चैव तथा वै षड्जकैशिकी । main
via surya_layout
32 कार्मारवी च सम्पूर्णा तथा गान्धारपञ्चमी ॥ २०० ॥ main
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vol_I_p050 RIGHT — 44 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 83 page_number
via heuristic_pagenum
2 <b>TRANSLATION</b> page_header
via surya_layout
3 the kāku-vidhi (prescription about kāku) (in Nāţyaśāstra?); considered main
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4 separately, one should know them as sixty-six58 for the sake of (the sthānas) main
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5 mandra and the like. Hence whatever is sung is only for the sake of establishing main
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6 the arrangement of mandra (low) and tara (high) through the sounds of the main
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7 voice that are particularised by medium sounds i.e. that belong to the medium main
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8 category.59 annotation_inline
parent ligne 7
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9 I have spoken of the fourfold mūrchanās composed of seven svaras. main
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10 [The murchana of twelve svaras] section_header
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11 Now I shall speak about the mūrchanās (composed) of twelve svaras. (117) main
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12 (Anu. 61) annotation_inline
parent ligne 11
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13 Because the treatment of murchanas has been said to be for the sake of main
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14 obtaining the three sthanas and it has also been said that this (treatment) is for main
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15 the sake of establishing mandra and tāra, the mūrchanās should be observed as main
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16 being composed of twelve svaras during performance.60 main
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17 Similarly has said Kohala - annotation_inline
parent ligne 16
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18 "The order (of svaras) should always be arranged by the wise according to main
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19 lakşya (practice) for the sake of the accomplishment of jāti, rāga and the like, main
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20 after having established the murchanā."61 main
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21 Nandikeśvara has also said— annotation_inline
parent ligne 20
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22 "The murchanas should be known by the wise to be composed of twelve svaras main
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23 (each) for the sake of the accomplishment of jāti, bhāṣā and the like and for the main
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24 sake of the establishment of tara (high), mandra (low) and the like."62 main
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25 (Anu. 62) annotation_inline
parent ligne 24
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26 Although acaryas (teachers) have propounded murchanas of seven svaras, yet main
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27 murchanas have been used only with twelve svaras, for the sake of obtaining the main
via surya_layout
28 three sthānas; otherwise the usage ri -ma in cokşa (śuddha) şāḍava could not main
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29 have been there and if this were the case, that raga could not be formulated. main
via surya_layout
30 The usage of <math>\vec{n}</math> - <math>ga</math> - <math>ma</math> - <math>dha</math> - <math>ni</math> in <math>\hat main
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31 and mandra. The performance of other ragas would also be destructive (of their main
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32 proper form). Hence the mūrchanās beginning with sa - ri - ga - ma - pa - main
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33 dha - ni begin with dha - ni - sa - ni - ga - ma - pa (when they are formed main
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34 with twelve svaras). That is thus -63 main
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35 Uttaramandrā (1) annotation_inline
parent ligne 34
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36 dha-ni-sa-ri-ga-ma-pa-dha-ni-sa-ri-ga main
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37 Rajani (2) annotation_inline
parent ligne 36
via heuristic_height
38 ni-sa-ri-ga-ma-pa-dha-ni-sa-ri-ga-ma main
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39 Uttarāyatā (3) annotation_inline
parent ligne 38
via heuristic_height
40 sa-ri-ga-ma-pa-dha-ni-sa-ri-ga-ma-pa main
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41 Śuddhasadjā (4) annotation_inline
parent ligne 40
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42 ri-ga-ma-pa-dha-ni-sa-ri-ga-ma-pa-dha annotation_inline
parent ligne 40
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43 Matsarikṛtā (5) annotation_inline
parent ligne 40
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44 ga-ma-pa-dha-ni-sa-ri-ga-ma-pa-dha-ni main
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vol_II_p067 LEFT — 30 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 116 page_number
via heuristic_pagenum
3 [अनु॰ २००] editorial_bracket
parent ligne 4
via heuristic_brackets
4 अस्यार्थ: -मालवकैशिको मध्यमग्रामसम्बन्ध: कैशिकीजातेर्जातत्वात् । षड्जो ग्रहोंऽशो main
via surya_layout
5 न्यासश्च । धैवतस्यात्राल्पत्वम् । प्रयोगे निषादोऽत्र काकली । पूर्णस्वरश्चायम् । <sup>८७</sup>विप्रलम्भे शृङ्गारे main
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6 प्रयोगो annotation_inline
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7 काकलि: annotation_inline
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8 चास्य विनियोगः। वीरादिको रसः। षड्जादिमूर्छना । आरोही वर्णः । अलङ्कारः प्रसन्नमध्यमः । main
via surya_layout
9 दक्षिणे कला, वार्तिके कला, चित्रे कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
10 [वेसराणां ग्रामविभाग:] section_header
via surya_layout
11 इदानीं वेसराणां ग्रामविशेषो दर्श्यते - main
via surya_layout
12 दुश्यते annotation_inline
parent ligne 11
via heuristic_height
13 टक्करागश्च सौवीरस्तथा वै टक्ककेशिक:। main
via surya_layout
14 बोट्टरागश्च षड्जाख्ये भवेद् वेसरषाडव: ॥ ३२९॥ main
via surya_layout
15 हिन्दोलकस्तु विज्ञेयो मध्यमग्रामसम्भव:। main
via surya_layout
16 मालवपञ्चमश्चैव मालवकैशिकस्तथा ॥ ३३०॥ main
via surya_layout
17 इति वेसरकाः प्रोक्ताः सर्वे निश्चितलक्षणाः। main
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18 स्वराणां दृश्यते वेगस्तेन वेगस्वरा: स्मृता: ॥३३१॥ main
via surya_layout
19 [ङ. साधारणरागा:] section_header
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20 शुद्धा भित्राश्च गौडाश्च तथा वेगस्वरा: परे । main
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21 <sup>८८</sup>कथिता: साम्प्रतं <sup>८९</sup>वक्ष्ये सप्त साधारणांस्तत: ॥३३२॥ main
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22 कथिता यत्र तान् main
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23 [अनु॰ २०१] section_header
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24 ननु साधारणानां कथं साधारणत्वम् ? उच्यते । पूर्वोक्तानां सर्वेषां रागाणां या गीतयस्ताभिर्जायमान- main
via surya_layout
25 (র্জী/র্জা) annotation_inline
parent ligne 24
via heuristic_height
26 ॰मां annotation_inline
parent ligne 24
via heuristic_markers
27 त्वात् तेषां साधारणत्वम् ,एतत् साधारणगीत्या गीयमानत्वात् । तथा चाह कश्यप: - main
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28 (র্জী?র্জা) annotation_inline
parent ligne 27
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29 ‘‘सप्त साधारणा: प्रोक्ता: <sup>९०</sup>सर्वगीतिसमाश्रया: ।’’ main
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30 पञ्च annotation_inline
parent ligne 29
via heuristic_height
170 lignes a valider — change uniquement les roles incorrects.