Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21135). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_I_p007 RIGHT — 81 lignes

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1 CONTENTS section_header
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2 ix table
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3 Foreword by Kapila Vatsyayan table
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4 XI table
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5 Introduction table
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6 xvii table
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7 <b>Abbreviations</b> table
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8 Brhaddesi of Śri Matanga Muni table
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9 3 page_number
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10 <b>Text and Translation</b> table
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11 3 page_number
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12 Section I: Deśī table
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13 3 page_number
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14 The desi nature of Dhvani table
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15 5 page_number
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16 The definition of desi and marga table
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17 7 page_number
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18 Section II: Nāda table
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19 7 page_number
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20 The glory, origin, definition and kinds of Nāda table
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21 9 page_number
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22 Section III: Sruti table
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23 9 page_number
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24 The definition of śruti and its numeration table
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25 Five alternatives in the relationship between sruti and svara table
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26 19 page_number
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27 The demonstration of visual representation of srutis by table
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28 25 page_number
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29 Mandala-prastāra table
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30 <b>29</b> table
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31 Section IV: Svara table
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32 29 page_number
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33 The laksana of svara table
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34 The fourfoldness of svaras according to kinds beginning table
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35 33 page_number
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36 with vādin table
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37 35 page_number
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38 The samvādi-mandala in sadjagrāma table
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39 37 page_number
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40 The anuvādi-maṇḍala in ṣaḍjagrāma table
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41 39 page_number
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42 The vivādi-maṇḍala in ṣaḍjagrāma table
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43 41 page_number
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44 The saṃvādi-maṇḍala in madhyama-grāma table
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45 41 page_number
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46 The anuvādi-maṇḍala in madhyama-grāma table
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47 43 page_number
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48 The vivādi-maṇḍala in madhyama-grāma table
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49 The sevenfold combination of svaras according to the table
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50 43 page_number
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51 types beginning with arcika table
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52 43 page_number
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53 The etymology of svara-names table
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54 45 page_number
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55 The castes of svaras table
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56 45 page_number
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57 The drawing out of svara signs as contained in agama table
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58 47 page_number
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59 Assignment of community, colour and the like to svaras table
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60 51 page_number
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61 Section V: Grāma-mūrchanā table
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62 51 page_number
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63 The treatment of grāma table
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64 <b>53</b> table
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65 The treatment of mūrchanā table
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66 57 page_number
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67 Mūrchanā-maṇḍala table
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68 67 page_number
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69 The distinction between Mürchanā and tāna table
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70 69 page_number
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71 The yajña-names of tanas table
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72 <b>73</b> table
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73 The performance of tanas table
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74 83 page_number
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75 The mūrchanā of twelve svaras table
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76 85 page_number
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77 Section VI: Varņas and Alankāras table
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78 85 page_number
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79 The Varnas table
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80 89 page_number
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81 The Alankaras table
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vol_II_p073 RIGHT — 19 lignes

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1 TRANSLATION page_header
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2 129 page_number
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3 "Sometimes the aniśa, sometimes the nyāsa, sometimes ṣāḍava and auḍuvita main
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4 (becomes obvious). The wise should arrange (the melody) after knowing main
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5 the sparseness and abundance combined with graha and apanyasa and main
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6 similarly low and high (mandra-tāra). The grāma-rāgas should be used in main
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7 daśarūpaka 97 according to the prescribed rules. The gāna that is five-fold as main
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8 praveśa (entry), ākṣepa (sudden change in emotive state), niṣkrāma (exit), main
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9 prāsādika (pacifying) and āntara (filler of gaps) should be performed in main
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10 these rāgas." annotation_inline
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11 [The application of gītis] section_header
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12 In pūrvaraiga, the śuddhā should be there, the bhinnā is based on main
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13 prastāvanā, 98 the vesarā should be 'done ' in the two mukhas (mukha and main
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14 pratimukha sandhi),99 gauḍi is prescribed in the garbha (sandhi) and main
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15 similarly sādhārita should be there in avamarsa sandhi<sup>101</sup> and nirvahana main
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16 (sandhi). annotation_inline
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17 (344) annotation_inline
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18 Thus ends the third chapter entitled "Raga-laksana" in annotation_inline
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19 Bṛhaddeśi composed by Matanga Muni. main
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vol_II_p025 LEFT — 31 lignes

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1 BRHADDEŚĪ page_header
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2 32 page_number
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3 सगमपनि, सरिमपध । षट्स्वरांशा कैशिकी - सगमपधनि । सप्तस्वरांशा षड्जमध्यमा - main
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4 मग annotation_inline
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5 सरिगमपंध annotation_inline
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6 पहज annotation_inline
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7 सरिगमपधनि । एवं त्रिषष्टिरंशा व्याख्याता: । main
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8 मध्यमोदीच्यवा चैव तथा गान्धारपञ्चमी । main
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9 नन्दयन्ती च तिस्रस्ताः पश्चमैकांशतः स्मृताः ॥२४१॥ main
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10 धैवती पञ्चमी चैव ज्ञेये धरिरिपांशके । main
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11 ॰दिवां॰ annotation_inline
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12 गान्धारोदीच्यवा द्वाभ्यां मध्यम: षड्ज इत्यपि ॥२४२॥ main
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13 (न्म)र्यभ annotation_inline
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14 आर्षभ्यां निरिधा अंशा नैषाद्यां निरिगास्त्रय:। main
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15 (तिरि? निरि) annotation_inline
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16 सगपाः षड्जकैशिक्यां तिस्रस्त्र्यंशाः प्रकीर्तिताः ॥२४३॥ main
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17 (ला:?पा:) annotation_inline
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18 चतुरंशा समनिधै: षड्जोदीच्यवती स्मृता । main
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19 कार्मारवी रिपनिधैरान्ध्री गरिनिपैरपि ॥२४४॥ main
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20 (국 ?) annotation_inline
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21 सगमपधै: षाड्जी स्यात् पञ्चभिश्चापि मध्यमा । main
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22 सरिमपधैरंशै:, स्याद् गान्धारी सगमनिपै: ॥२४५॥ main
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23 तद्वत् स्याद् रक्तगान्धारी पूर्वेरंशैश्च पञ्चभिः। main
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24 कैशिक्येका षडंशा स्यात् सगमपनिधैः स्मृता ॥२४६॥ main
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25 षड्जमध्या तु सप्तांशा त्रिषष्टिरिति तेंऽशका: । main
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26 न्मध्यमा annotation_inline
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27 [७. जातीनां प्रयोगविधिः] section_header
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28 ८८अंशकैर्ग्रामरागांस्तु जनयन्तीति जातय: ॥२४७॥ main
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29 (ग्रा?र्ग्रा) annotation_inline
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30 आसां प्रयोगकाले तु युग्मायुग्माश्रयो विधि:। main
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31 मार्गेस्त्रिभि: प्रयोक्तव्याश्चित्रवार्तिकदक्षिणै: ॥२४८॥ main
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vol_II_p126 RIGHT — 29 lignes

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1 235 page_number
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2 TRANSLATION page_header
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3 [7. Mohini] section_header
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4 Comprised of five padas, endowed with mūrchanā gamaka 74 (?) the main
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5 seventh varņailā should be known as mohinī, the auspicious one. main
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6 (466) annotation_inline
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7 [Thus end the seven varņailās described in a different manner.] editorial_bracket
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8 [ E. The Varieties of <i>Deśailā</i>] section_header
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9 The charming and systematic elās become distinct with the respective main
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10 languages of (regions like) Lāṭa, 75 Karnāṭa, 6 Gauda, 77 Āndhra 78 (and) Dravida. 79 main
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11 (467) main
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12 [1, Lāţailā] section_header
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13 Lāṭailā is said to have rhyme (antyaprāsa)80 and is devoid of middle main
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14 alliteration,81 being combined with rasas and bhāvas. main
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15 (468) main
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16 [2. Karņāţailā] section_header
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17 Karņāţikā elā is said to be comprised of charming sounds with beautiful main
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18 alliteration in the beginning, middle and end.82 main
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19 (469) main
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20 [3. Gauḍailā] section_header
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21 Having alliteration everywhere, devoid of gamakas and endowed with main
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22 nāda, bindu<sup>83</sup> and rasa, that is the elā born of gauḍadeśa. main
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23 (470) main
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24 [4. Āndhrailā] section_header
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25 The wise have known andhri to be brimming with many gamakas, mixed main
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26 with many sounds and blended with many rāgas.84 main
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27 (471) main
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28 And the second of the second of the second of the second of the second of the second of the second of the second of the annotation_inline
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29 . . . annotation_inline
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vol_I_p068 LEFT — 34 lignes

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1 BRHADDESI page_header
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2 118 page_number
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3 सरिमपपमरिस । रिगपधधपगरि । गमधनिनिधमग । main
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4 मपनिससनिपम। सनिपममपनिस। निधमगगमधनि। main
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5 धपगरिरिगपध। पमरिससरिमप। उद्घट्टितः [ २५ ] editorial_bracket
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6 सिरिग्। रिग्म। गमप्। मप्ध। पधनि। धनिस। सनिध। निधप। धपम। main
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7 पमग्। मगरि। गरिस। आक्षिप्तकः [ २६ ] editorial_bracket
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8 सगमा मरिसा। रिमपा पगरी। गपधा धमगा। main
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9 मधनी निपमा। पनिसा सधपा। धनिसा। सधपा पनिसा। main
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10 निपमा मधनी। धमगा गपधा। पगरी रिमपा। main
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11 मरिसा सगमा। गरिसा। सम्प्रदानमः [ २७ ] editorial_bracket
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12 。नम् annotation_inline
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13 सगम मरिस। रिमप पगरि-- - - - - - - unknown
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14 VII [ पदगीतिप्रकरणम् ] section_header
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15 अलङ्कारा मया प्रोक्ता यथावन्मुनिसत्तम main
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16 1अथ गीतिं प्रवक्ष्यामि छन्दोऽक्षर- [ समन्विताम् ] ॥१७०॥ editorial_bracket
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17 प्रथमा मागधी जेया द्वितीया चार्धमागधी । main
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18 सम्भाविता तृतीया च चतुर्थी पृथुला स्मृता ॥१७१॥ main
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19 थित्रिर्निवृत्ता च या गीतिः सा गीतिर्मागधी स्मृता । main
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20 अर्धकालनिवृत्ता च विज्ञेया त्वर्धमागधी ॥१७२॥ main
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21 सम्भाविता च विज्ञेया गुर्वक्षरसमन्विता । main
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22 पृथुलास्या च विज्ञेया लघ्वक्षरसमन्विता ॥१७३॥ main
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23 [ अनु₀ १०४ ] editorial_bracket
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24 दक्षिणे मार्गे पृथुला गीति [:], वार्तिक मार्गे सम्भाविता, चित्रे मार्गे editorial_bracket
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25 र्मा. annotation_inline
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26 <b>,</b>† annotation_inline
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27 र्गा annotation_inline
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28 मागधी । अष्टौ ३ मात्रा [ दक्षिणमार्गे, चतस्रो मात्रा editorial_bracket
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29 .धिः annotation_inline
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30 वार्तिकमार्गे, द्वे मात्रे चित्रमार्गे ] कलाप्रयोगक्रमेण । editorial_bracket
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31 ⁴ताल. annotation_inline
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32 चित्रे चैककले ताले विज्ञेया गीतिर्मागधी । main
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33 वार्तिक द्विकले ज्ञेया गीतिः सम्भाविता बुधैः ॥१७४॥ unknown
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34 .ला annotation_inline
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194 lignes a valider — change uniquement les roles incorrects.