Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21140). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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L#Texte OCRRole autoCorriger si incorrect
1 BRHADDEŚĪ page_header
via surya_layout
2 114 page_number
via heuristic_pagenum
3 [अनु॰ १९८] section_header
via surya_layout
4 षड्जोऽस्य ग्रहोंऽशो न्यासश्च । निषादोऽत्र काकली । धैवतर्षभहीनमौडुवितम् । main
via surya_layout
5 धैवत ऋषभहीन( ध ?)मौडवितम् annotation_inline
parent ligne 4
via heuristic_height
6 <sup>८२</sup>सम्भोगशृङ्गारेऽस्य विनियोग:। वीरादिरस:। मूर्छना षड्जादि:। वर्ण आरोही। main
via surya_layout
7 ॰ना(दि) annotation_inline
parent ligne 6
via heuristic_markers
8 प्रसन्नादिरलङ्कारः । दक्षिणे कला, वार्तिके कला, चित्रे कला। स्वरपदगीते चच्चत्पुटादिताल । main
via surya_layout
9 [७. टक्ककेशिक:] section_header
via surya_layout
10 धैवतांशस्तदन्तश्च स्वल्पद्विश्रुतिकस्वर: । main
via surya_layout
11 धैवतीमध्यमाजात्यो: सञ्जातष्टक्ककैशिक: ॥३२६॥ main
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12 ॰एक annotation_inline
parent ligne 11
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13 [अनु॰ १९९] section_header
via surya_layout
14 धैवतीमध्यमाजात्योर्जातत्वाट्टक्ककेशिक: षड्जग्रामसम्बन्ध:। <sup>८३</sup>ननु उभयग्रामसम्बन्धिन्यो- main
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15 (यस्याज? ठमय) annotation_inline
parent ligne 14
via heuristic_height
16 र्जात्योः समुत्पन्नोऽयं गगः षड्जग्रामसम्बन्ध इति कथं वक्तुं युक्तम् ? अस्य प्रयोगे चतुःश्रुतिसम्बन्धः main
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17 र्जा(न्यो?त्यो) annotation_inline
parent ligne 16
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18 (कथं) annotation_inline
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via heuristic_height
19 पञ्चम उपलभ्यते। पञ्चमधैवतौ द्विग्रामयोर्भेदकारिणौ अत: पञ्चमस्य चतु:श्रुतिकत्वात् । षङ्जग्रामसम्बन्ध main
via surya_layout
20 (पञ्चमे पैवतेन भिग्रामयोर्भेदकारिणौ ?) annotation_inline
parent ligne 19
via heuristic_height
21 एवायं राग:। ग्रहोंऽशो न्यासश्च धैवत:। निषादगान्धारौ चात्र काकल्यन्तरौ। पूर्णस्वरश्चायम्। main
via surya_layout
22 <sup>८४</sup>कश्यपमते निषादगान्धारयोर्लोपादयमौडुवित: । उद्भटनाट्ये कामग्रस्ततत्कञ्चकिप्रवेशे चास्य main
via surya_layout
23 विनियोग:। बीभत्सादिरस: । धैवतादिमूर्छना। आरोही वर्ण:। दक्षिणे कला, वार्तिके कला, चित्रे main
via surya_layout
24 मध्यमादिधैवता(?) annotation_inline
parent ligne 23
via heuristic_height
25 कला । स्वरपदगीते चच्चत्पुटादिताल: । main
via surya_layout
26 [८. मालवकैशिक:] section_header
via surya_layout
27 ८५कैशिकीजातिसम्भूतः षड्जांशन्याससंयुतः । main
via surya_layout
28 दुर्बलो धैवतेन स्याद् रागो मालवकैशिक: ॥ ३२७॥ main
via surya_layout
29 <sup>८६</sup>पञ्चमं केचिदिच्छन्ति चास्य वै न्यासकर्मणि । main
via surya_layout
30 हात्याद्याः + कर्मणि annotation_inline
parent ligne 29
via heuristic_height
31 गान्धारं च तथा चान्ये तद्धि लक्ष्ये न दृश्यते ॥ ३२८॥ main
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L#Texte OCRRole autoCorriger si incorrect
1 <b>BRHADDEŚ</b>I page_header
via surya_layout
2 116 page_number
via heuristic_pagenum
3 सरिरिस [स] रिगगरिस सरिगममगरिस सरिगमपपमगरिस editorial_bracket
parent ligne 4
via heuristic_brackets
4 सरिगमपध्धपमगरिस सरिगमपधिननिधपमगरिस सरिगमपधिनस- main
via surya_layout
5 सनिधपमग्रिस, प्रस्तारः [ १५ ] editorial_bracket
parent ligne 4
via heuristic_brackets
6 सा annotation_inline
parent ligne 4
via heuristic_height
7 सनिनिस सनिधधनिस सनिधपपधनिस सनिधपममपधनिस main
via surya_layout
8 सा annotation_inline
parent ligne 7
via heuristic_height
9 [ सनिधपमगगमपधनिस ] editorial_bracket
parent ligne 7
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10 री annotation_inline
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11 सा annotation_inline
parent ligne 7
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12 सिन्धपमगरिरिगमपधिनस सिन्धपमगरिस [ स ] रिगमपधिनस, editorial_bracket
parent ligne 7
via heuristic_brackets
13 ृप्रसादः [ १६ ] editorial_bracket
parent ligne 7
via heuristic_brackets
14 सरि रिग गम मप पध धनि निस सनि निध main
via surya_layout
15 धप पम मग गरि रिस, उद्वाहितः [ १७ ] editorial_bracket
parent ligne 14
via heuristic_brackets
16 सरिसरि रिगरिंग गमगम मपमप पधपध main
via surya_layout
17 धनिधनि निसनिस सनिसनि निधनिध main
via surya_layout
18 धपधप पमपम मगमग गरिगरि रिसरिस, main
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19 उपलोलकः [ १८ ] editorial_bracket
parent ligne 18
via heuristic_brackets
20 ः सरिरिस सरिगगरिस सरिगममगरिस सरिगमपपमगरिस main
via surya_layout
21 सरिगमपध्धपमगरिस सरिगमपधनिनिधपमगरिस सरिगमपधनिस- main
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22 सनिधपमगरिस, क्रमः [१९ ] editorial_bracket
parent ligne 21
via heuristic_brackets
23 ुमाः annotation_inline
parent ligne 21
via heuristic_height
24 सग रिम ग़प मध पनि धस, निष्कूजितः [ २० ] editorial_bracket
parent ligne 21
via heuristic_brackets
25 सध annotation_inline
parent ligne 21
via heuristic_height
26 सधसध निपनिप धमधम पगपग मरिमरि main
via surya_layout
27 गसगस, ह्रादमानः [ २१ ] editorial_bracket
parent ligne 26
via heuristic_brackets
28 सारी गरि। री गामग। गामापम। मापाधप। main
via surya_layout
29 पा धा निध। धा नी सनि। रञ्जितः [ २२ ] editorial_bracket
parent ligne 28
via heuristic_brackets
30 सरिगमपधनिसा। सनिधपमगरिसा। आवर्तकः, [ २३ ] editorial_bracket
parent ligne 28
via heuristic_brackets
31 सरिगपपमगस्। रिगमधधपमरि। गमपनिनिधपगः। मपधससनिपमः। main
via surya_layout
32 सा annotation_inline
parent ligne 31
via heuristic_height
33 मा annotation_inline
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34 មា annotation_inline
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35 गा annotation_inline
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36 [ सनिपममपधस ] निधपगगमपनि। धपमरिरिगमध। editorial_bracket
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37 धा annotation_inline
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38 मप annotation_inline
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39 (vide) annotation_inline
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40 티 annotation_inline
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41 गा annotation_inline
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42 पमगससरिगप, परिवर्तकः [ २४ ] editorial_bracket
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43 <sup>—</sup>सा <sup>-</sup> annotation_inline
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44 पा annotation_inline
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L#Texte OCRRole autoCorriger si incorrect
1 PĂŢĦAVIMARŚA page_header
via surya_layout
2 255 page_number
via heuristic_pagenum
3 170. Ibid.adds asyāḥ before ‘prastāraḥ’. list_item
via surya_layout
4 171. Reading in SR I. 7. 94. list_item
via surya_layout
5 172. SR I. 7. p. 242 adds 'raktagāndhāryām 'after 'asyām'. list_item
via surya_layout
6 173. Ibid.adds 'asyāḥ 'before 'prastāraḥ'. list_item
via surya_layout
7 174. SR I. 7. p. 245 adds ‘gāndhārapañcamyāṁ ’ after ‘ asyāṁ ’. list_item
via surya_layout
8 175. Ibid.adds ‘asyāḥ ’before ‘ prastāraḥ’. list_item
via surya_layout
9 176. SR. I. 7. p. 253 adds 'madhyamodīcyavāyām' after 'asyām'. list_item
via surya_layout
10 177. Ibid.adds ' asyāḥ ' before ' prastāraḥ '. list_item
via surya_layout
11 178. SR 1. 7. p. 253 adds ‘ kārmāravyāṁ ’ after ‘ asyāṁ ’. list_item
via surya_layout
12 179. Ibid.adds ‘ asyāḥ ’ before ‘ prastāraḥ ’. list_item
via surya_layout
13 180. SR1. 7.104 reads ‘sūribhiḥ’ but SRĀ I.7.103 reads ‘sū (bhū) ribhiḥ’. list_item
via surya_layout
14 181. SR 1.7. p.257 adds ‘gāndhārapañcamyām’ after ‘asyām’. list_item
via surya_layout
15 182. Ibid.adds ‘ asyāḥ ’ before ‘prastāraḥ ’. list_item
via surya_layout
16 183. Reading in SR I. 7. 105. list_item
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17 184. Reading in SR I.7.106. list_item
via surya_layout
18 185. Reading in SR 1.7.106; SRĀ 1.7.106 and Sudhā on the same, p. list_item
via surya_layout
19 260 read 'tāla' which fits the context. list_item
via surya_layout
20 186. SR I. 7, p.261 adds 'āndhryam' after 'asyām'. list_item
via surya_layout
21 187. Ibid.adds ' asyāḥ ' before ' prastāraḥ '. list_item
via surya_layout
22 188. Reading in SR I. 7.109. list_item
via surya_layout
23 189. SR I. 7, p. 264 adds ‘ nandayantyām’ after ‘ asyām’. list_item
via surya_layout
24 190. Ibid.adds asyāḥ before prastāraḥ. list_item
via surya_layout
25 191. P.t. adds 'sa' or 'ma' after each jātiprastāra in this interpolated list_item
via surya_layout
26 portion; the significance is not clear. list_item
via surya_layout
27 192. The jātis described in this interpolated portion do not complete list_item
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28 the number eighteen because of two repetitions as follows- list_item
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29 Jätis left out table
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30 Jātis described in the table
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31 Jātis described table
via surya_layout
32 interpolated portion table
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33 in the prose portion table
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34 1. Madhyamā table
via surya_layout
35 1.Şadjamadhyamā table
via surya_layout
36 1. Şādjī table
via surya_layout
37 2. Pañcami table
via surya_layout
38 2. Gändhärodicyavā table
via surya_layout
39 2. Arşabhī table
via surya_layout
40 3. Raktagāndhārī table
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41 3. Dhaivatī table
via surya_layout
42 4. Kaišikī table
via surya_layout
43 4. Naisādī table
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44 5. Madhyamodicyavā table
via surya_layout
45 5. Şadjakaisikī table
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46 6. Kārmāravī table
via surya_layout
47 6. Şadjodicyavā table
via surya_layout
48 7. Gändhärapañcamī table
via surya_layout
49 7.Şadjamadlıyrunā table
via surya_layout
50 8. Āndhrī table
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51 8. Gändhäri table
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52 9. Nandayanti table
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53 9. Raktagāndhārī table
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L#Texte OCRRole autoCorriger si incorrect
1 BŖHADDEŚĪ page_header
via surya_layout
2 52 page_number
via heuristic_pagenum
3 पञ्चमयोरत्पत्वम् । <sup>१५३</sup>गान्धारस्यांशत्वे[ऽ]प्राप्ते[ऽपि] बाहुत्यम् । षाडवे पञ्चमस्यात्पत्वम् editorial_bracket
parent ligne 4
via heuristic_brackets
4 पद्जागान्धारपञ्चमयोरलपत्वम् , main
via surya_layout
5 औडुविते न कस्याप्यल्पत्वमशेषाणां बहुत्वम् । मध्यमो न्यासः । ऋषभधैवतावपन्यासौ । अंशानां main
via surya_layout
6 परस्परगमनम् । main
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7 [अनु॰ १५७] section_header
via surya_layout
8 १५४एकादशविधत्वमस्या:। एकादशांशका: -पूर्णाश्चत्वार:, षाडवास्त्रयो धैवतांशे तदपवादाद् main
via surya_layout
9 औडुविताश्चत्वार:।शुद्धस्तु नास्ति।गान्धार[ादि]मूर्छना।ताल:पञ्चपाणि:।एककलेन चित्रेण editorial_bracket
parent ligne 8
via heuristic_brackets
10 मागधी, द्विकलेन वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । रसौ शृङ्गारहास्यौ । main
via surya_layout
11 ध्रवागाने द्वितीयप्रेक्षणके विनियोग:। main
via surya_layout
12 [७. पड्जमध्यमा] section_header
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13 [अनु॰ १५८] section_header
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14 षड्जमध्यमाया ग्रहा अंशाश्च सप्तैव स्वरा:। पञ्चस्वरपरस्तार:। न्यासपरस्तत्परो वा मन्द्र: main
via surya_layout
15 ॰हा: annotation_inline
parent ligne 14
via heuristic_markers
16 निषादहीना षाडवा । निषादगान्धारहीना औडुविता । ग्रामाविरोधेन यथेष्टं सञ्चार: । पूर्णावस्थायां main
via surya_layout
17 निषादगान्धारयोरल्पत्वम् । षड्जमध्यमौ न्यासौ । सप्तस्वरा अपन्यासा: । main
via surya_layout
18 <b>क्खरापन्या</b> (स: ? सा) annotation_inline
parent ligne 17
via heuristic_height
19 [अनु॰ १५९] section_header
via surya_layout
20 सप्तदशांशका: – तत्र सप्त पूर्णा:, पञ्च षाडवा:, पञ्च औडवाश्चेति main
via surya_layout
21 <sup>१५५</sup>सप्तदशविधत्वमस्याः । main
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22 एतदंशकाश्रत्वार: पाडवा:। तथैव थैवतेंऽशे पाडवानाम् औदुविताश main
via surya_layout
23 <sup>१५६</sup>दशिंधत्वमस्या annotation_inline
parent ligne 22
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24 शुद्धत्वं नास्ति । मध्यमादिमूर्छना । ताल: पञ्चपाणि: । एककलेन चित्रेण मागधी, द्विकलेन main
via surya_layout
25 (F) annotation_inline
parent ligne 24
via heuristic_height
26 वार्तिकेन सम्भाविता, चतुष्कलेन दक्षिणेन पृथुला । सर्वरसात्मिका, ध्रुवागाने द्वितीये प्रेक्षणके main
via surya_layout
27 विनियोग: । annotation_inline
parent ligne 26
via heuristic_short
28 ॥ [इति] एता: षड्जग्रामसम्बन्धा: सप्त जातय: ॥ editorial_bracket
parent ligne 26
via heuristic_brackets
29 [अनु॰ १६०] section_header
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30 इदानीं मध्य[म] ग्रामसम्बन्धा जातय उच्यन्ते - editorial_bracket
parent ligne 29
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31 --- annotation_inline
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vol_I_p093 RIGHT — 44 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 VIMARŚA main
via surya_layout
2 169 page_number
via heuristic_pagenum
3 6, 7. The author seems to be speaking of svara at the same level at which list_item
via surya_layout
4 sabda has been treated as eternal and vibhu (all-pervading) by several systems list_item
via surya_layout
5 of philosophy, e.g. grammar, mimāmsā. list_item
via surya_layout
6 8. The infinity of svara, as propounded here, could be understood in two list_item
via surya_layout
7 layers viz. (i) the infinite melodic combinations and permutations of the seven list_item
via surya_layout
8 svaras (ii) the multi-farious shades of intervals coming into usage on account of list_item
via surya_layout
9 various relationships between svaras established on account of variety of list_item
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10 melodic phrasing involving leaps, glides, pauses etc. Jāti, the initial form of list_item
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11 melodic configuration and bhāṣā, the derived form of rāga have been list_item
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12 mentioned here for indicating the infinity of variety in melodic phrasing that list_item
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13 brings about the infinity of svara. Raga has been omitted here, but its relevance list_item
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14 could be inferred on the basis of its derivative bhāṣā. list_item
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15 9. The statement that svaras are combined with padas means that syllabic list_item
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16 units are combined with svaras when the latter are rendered. These (units) list_item
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17 could be meaningful linguistic units or non-sensical so far as linguistic meaning list_item
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18 is concerned. Pada has been thus defined by Bharata - list_item
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19 यत् स्यादक्षरसम्बद्धं तत्सर्वं पदसन्नितम् । main
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20 ( NŚ XXXII, 28 ab ) annotation_inline
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21 "Whatever is formulated with syllables, all that is called pada". main
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22 Thus meaningfulness is not a condition for pada in music. Tonal rendering main
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23 with the voice is usually combined with syllabic units, e.g. in the ālāpa in main
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24 dhrupad, syllabic units like nom tom diri etc. are used. NS also prescribes the main
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25 following (and a few more) syllabic units known as padas spoken of by Brahmā main
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26 for nirgita (music devoid of meaningful text, rendered mainly on stringed and main
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27 wind instruments, accompanied by voice )- main
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28 झण्दु जगतिय दिगिनिगि तितिझल कुचझल main
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29 ( NŚ XXXI, 104 ) annotation_inline
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30 It will be seen that these are formulated units of four-matras (time-units) main
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31 each. If the voice renders svaras without padas (meaningful or non-sensical main
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32 syllabic units) then it is combined with vowels like a, i, u etc. which themselves main
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33 are primary units of pada. Hence the combination of svara with pada is spoken main
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34 of. main
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35 10. In Indian music svaras are not used in a plain or unornamented way; list_item
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36 hence alankāra is mentioned here. The concept of alankāra will be discussed in list_item
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37 the respective section. list_item
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38 11. The prescription of the use of specific svaras in the context of different list_item
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39 rasas dates back to NS. It will be discussed under the reproduction of this list_item
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40 prescription in our text later in this section. list_item
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41 12,13. Pāršyadeva refutes the view that svaras are indestructible and all- list_item
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42 pervading (vide Sam S Sa, p. 12). His argument is that since svara is heard in list_item
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43 a limited time and space and not for all times or everywhere, it could not be list_item
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44 said to be indestructible or all-pervading. list_item
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203 lignes a valider — change uniquement les roles incorrects.