Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21144). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p124 LEFT — 29 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 (vide) unknown
via fallback
2 BRHADDEŚĪ page_header
via surya_layout
3 230 page_number
via heuristic_pagenum
4 [४.मालती] section_header
via surya_layout
5 एला गुरुलघुरचिता मधुरध्वनिशोभिता तथा सरला । main
via surya_layout
6 (वि)रचिता annotation_inline
parent ligne 5
via heuristic_height
7 बहुगमकालङ्कारा रमणीया मालती भवति ॥४५२॥ main
via surya_layout
8 <sup>४२</sup>बहुग(य?)म(का) main
via surya_layout
9 [५. ललिता] section_header
via surya_layout
10 गातव्या गन्धर्वैर्ललिता ललितेन वर्णनियमेन । main
via surya_layout
11 प्रथमिव चरणयुगलं <sup>४३</sup>सगमकमथ बिन्दुमूर्छनायुक्तम् ॥ ४५३॥ main
via surya_layout
12 सयमकमथ annotation_inline
parent ligne 11
via heuristic_height
13 1 page_number
via heuristic_pagenum
14 [६.हेमवती ?] section_header
via surya_layout
15 लिलतपदं बिरुदान्तं तथा च यतिसंस्थितगमकम्। main
via surya_layout
16 बिरुतां कथं(?) annotation_inline
parent ligne 15
via heuristic_height
17 oतं annotation_inline
parent ligne 15
via heuristic_height
18 चरणयुगक्रममेवं नाम ततो भवति वर्णनीयस्य ॥ ४५४॥ main
via surya_layout
19 °त्रयः annotation_inline
parent ligne 18
via heuristic_markers
20 [७.कुसुमवती ?] section_header
via surya_layout
21 लघुवर्णपदनिबद्धं तत् पुनरिप गीयते, गीत्वा । main
via surya_layout
22 गातृजननामधेयं वीरविलासादिवर्णनापूर्वम् ॥४५५॥ main
via surya_layout
23 यस्यां वर्णेला सा कथिता क्रमतो मतङ्गेन । main
via surya_layout
24 प्रतापोत्साहधैर्यादिवर्णनागुणगौरवम् ॥ ४५६॥ main
via surya_layout
25 क्रमशो दृश्यते यस्यां वर्णेला सा प्रकीर्तिता । main
via surya_layout
26 मण्ठद्वितीयकङ्कालै: प्रतितालेन गीयते ॥४५७॥ main
via surya_layout
27 मद्रद्वितीयं(कं)काल॰ annotation_inline
parent ligne 26
via heuristic_markers
28 प्रकारेणैकेन कथिता येनाधुना स्फुटम् । main
via surya_layout
29 कथ्यते तु समरसेन वर्णेलासप्तकं पुन: ॥४५८॥ main
via surya_layout

vol_II_p077 LEFT — 32 lignes

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L#Texte OCRRole autoCorriger si incorrect
1 * 1 annotation_inline
parent ligne 4
via heuristic_height
2 BRHADDEŚĪ page_header
via surya_layout
3 136 page_number
via heuristic_pagenum
4 साधारिता तृतीया तु गान्धारी च चतुर्थिका । main
via surya_layout
5 एवं ज्ञेयाश्चतस्रो हि भाषा: सौवीरकोद्भवा: ॥३१॥ main
via surya_layout
6 भाषा सैन्यविकी ज्ञेया ज्ञेया: <sup>१४</sup> main
via surya_layout
7 शुद्धिभन्ना तु वाराटी तथा धैवतभूषिता । main
via surya_layout
8 न्हो annotation_inline
parent ligne 7
via heuristic_height
9 ক্ট annotation_inline
parent ligne 7
via heuristic_height
10 १५विशाला च तत: प्रोक्ता भित्रपञ्चमसम्भवा: ॥३२॥ main
via surya_layout
11 वराटी annotation_inline
parent ligne 10
via heuristic_height
12 माङ्गल्याख्या तु या भाषा बोट्टरागोद्भवा तु सा । main
via surya_layout
13 TPo annotation_inline
parent ligne 12
via heuristic_height
14 मालवपञ्चमे जाता भाविनी लोकभाविनी<sup>र६</sup>॥३३॥ main
via surya_layout
15 टक्ककैशिकजा ज्ञेया मालवा <sup>१७</sup>भित्रवालिका । main
via surya_layout
16 तृतीया वेगमध्यमा annotation_inline
parent ligne 15
via heuristic_height
17 तृतीया द्राविडी तत्र भाषा लक्षितलक्षणा ॥३४॥ main
via surya_layout
18 मालवा भित्रवालीका ++++++ annotation_inline
parent ligne 17
via heuristic_height
19 बाह्यषाडवनादाख्ये जाते वेसरषाडवे । main
via surya_layout
20 •पाडनदाख्या annotation_inline
parent ligne 19
via heuristic_height
21 तानोद्भवा तु विज्ञेया भित्रताने व्यवस्थिता ॥३५॥ main
via surya_layout
22 गान्धारपञ्चमे ह्येका भाषा गान्धारिका मता । main
via surya_layout
23 गान्धारी <sup>१८</sup>बहुगान्धारा पञ्च[मे?]लोकरञ्जिका ॥ editorial_bracket
parent ligne 22
via heuristic_brackets
24 +++++ annotation_inline
parent ligne 22
via heuristic_height
25 १९रेवगुप्ते शकाख्यैका प्रोक्ता पञ्चमषाडवे ॥३६॥ main
via surya_layout
26 इत्येता: प्रकटा भाषा: प्रजायन्ते ह्यनेकश: । main
via surya_layout
27 सोदाहरणमेतासां लक्षणं चाधुना शृणु ॥३७॥ main
via surya_layout
28 [भाषाणां लक्षणानि] editorial_bracket
parent ligne 27
via heuristic_brackets
29 [१.अथ टकरागे] editorial_bracket
parent ligne 27
via heuristic_brackets
30 मध्यमांशा तु षड्जा[न]ता पञ्चमेन विवर्जिता । editorial_bracket
parent ligne 27
via heuristic_brackets
31 धैवतस्य निषादस्य <sup>२०</sup>षड्जधैवतयोस्तथा ॥३८॥ main
via surya_layout
32 <del>व्</del>तरेश page_footer
via surya_layout

vol_II_p084 RIGHT — 34 lignes

page vol_II_p084 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 151 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 Māmāgari. Sādhāsāsā. main
via surya_layout
4 Sāriririgāgārī. annotation_inline
parent ligne 3
via heuristic_height
5 dhāsāsāgāgadhari. annotation_inline
parent ligne 3
via heuristic_height
6 Sāsāsadhāmamagāsasasāsa. Sāsādhādhāpāpāsa pāpañcamadhādhāpañca[ma] editorial_bracket
parent ligne 3
via heuristic_brackets
7 sāpādhādhādhādhāpā. Pamāgāsā. Sāsāgārīgārī gādhāsāsā. Ardhavesarī [ii] editorial_bracket
parent ligne 3
via heuristic_brackets
8 Combined with şadja as the initial and concluding note, has concert of main
via surya_layout
9 madhyama and ṛṣabha, is laden with the svaras comprised of two śrutis each, main
via surya_layout
10 is commingled with kākalī and antara and is sādhāraņakṛtā, i.e., uses sādhāraņa main
via surya_layout
11 svaras (viz. kākalī and antara), this harṣapurikā bears the name deśī<sup>25</sup> main
via surya_layout
12 (regional). annotation_inline
parent ligne 11
via heuristic_height
13 (65) annotation_inline
parent ligne 11
via heuristic_height
14 Illustration - Sânīdhānīsāsāmāpā. Māgādhāmā. Gāsāsāgā. Gadhānī. main
via surya_layout
15 Sāsādhāsā. Nidhāpāpāgagāmagāmasāsānidhāsāsā. Pāmāgādhāmāgāsāsā. main
via surya_layout
16 Pāmāpāpāsarisāsāsāmāgā. Gapāpānidhā. Sarinīpāmāgāgānidhāsāsāsarīsarī. main
via surya_layout
17 Sāsāridhāpāpā. Māgārisāsāsārīsāsāsamā. Gamāgamāgamāgapāpāmāgārisarīsāsā. main
via surya_layout
18 Sāpāmāgārisāgaga. Sarimāgārīsānīsasā. Harşapūrī [iii] editorial_bracket
parent ligne 17
via heuristic_brackets
19 Māṅgālī has madhyama as aṁśa, ṣaḍja as the concluding note, is brilliant main
via surya_layout
20 with madhyama, has concert between madhyama and ṛṣabha, is complete and main
via surya_layout
21 delightful to the people. This bhāṣā should be known as māṅgālī by the main
via surya_layout
22 knowledgeable ones in music. main
via surya_layout
23 (66) annotation_inline
parent ligne 22
via heuristic_height
24 Illustration - Māgāmā gāsāmāpamā. Gamapāpāsasanisāsānīpāpāpāma. main
via surya_layout
25 Gamamagagamāmā. Sagama. Pāpānisānisāsā sanīsāsāsanīpāpā.... pāmā. main
via surya_layout
26 Papāmamā. Pamagāpamagā. Māmāmaga. Sāsāgamāpāpāsanirīrī. Māgārī. main
via surya_layout
27 Sanisasā. Māṅgālī [iv] editorial_bracket
parent ligne 26
via heuristic_brackets
28 Saindhavī should be embellished with ṣaḍja as the initial and concluding main
via surya_layout
29 note, is replete with sadja and madhyama and similarly there is (mutual main
via surya_layout
30 movement between) niṣāda and ṛṣabha. They have known it as bearing the main
via surya_layout
31 name of deśa (region), being born of the Sindhu region. main
via surya_layout
32 (67) annotation_inline
parent ligne 31
via heuristic_height
33 Illustration - Sārī. Māmā. Mādhāpāpāpāgā. Pāmāgārī. Pāmāgārī. Sanī. main
via surya_layout
34 Sādhāsārīmarīmā. Mārnādhāpāpā. Pādhamāpādhāpā māgārīsanīsāsī. Svindhavī [v] editorial_bracket
parent ligne 33
via heuristic_brackets

vol_I_p032 RIGHT — 46 lignes

page vol_I_p032 RIGHT
L#Texte OCRRole autoCorriger si incorrect
1 47 page_number
via heuristic_pagenum
2 TRANSLATION page_header
via surya_layout
3 The third (letter) of the eighth (group viz. 's') combined with the Hari-bija main
via surya_layout
4 <math>(a)^{71}</math> is the initial svara that the knowledgeable one in svara should draw out main
via surya_layout
5 with all effort. annotation_inline
parent ligne 4
via heuristic_short
6 (63) main
via surya_layout
7 The second (letter) of the seventh (group viz. 'r'), combined with kāmabīja main
via surya_layout
8 (viz. 'a'),72 know (that) as the second svara arising out of the brahmasthāna main
via surya_layout
9 (64) annotation_inline
parent ligne 8
via heuristic_short
10 (brahmagranthi). main
via surya_layout
11 The third (letter) of the second group (viz. 'g') combined with Viṣṇu - bīja, main
via surya_layout
12 (viz. 'a'), one should always draw out (this) svara which is attractive among the main
via surya_layout
13 (65) annotation_inline
parent ligne 12
via heuristic_short
14 various svaras. main
via surya_layout
15 The last (letter) of the sixth group, (viz. 'm') combined with the initial one main
via surya_layout
16 (viz. 'a') know it as madhyama, the indestructible (and)<sup>73</sup> best among svaras. main
via surya_layout
17 (66) annotation_inline
parent ligne 16
via heuristic_short
18 The first one of the same (sixth group, viz. 'p') combined with the first one main
via surya_layout
19 (viz. 'a'), know that as the beautiful svara, associated with the number (five) of main
via surya_layout
20 (67) annotation_inline
parent ligne 19
via heuristic_short
21 vyoma (space)<sup>74</sup> and born of the ostha (lip)<sup>75</sup> sthāna.<sup>76</sup> main
via surya_layout
22 The fourth (letter) of the fifth group (viz. 'dh') combined with the initial main
via surya_layout
23 one (viz. 'a'), one should draw out that excellent svara born of two bows.<sup>77</sup> (68) main
via surya_layout
24 The last (letter) of the fifth group (viz. 'n') differentiated by the end that is main
via surya_layout
25 other than akāra (viz. 'i') arising out of the brahma-sthāna78 (cerebral aperture) main
via surya_layout
26 is combined with 'high' sound. main
via surya_layout
27 (69) annotation_inline
parent ligne 26
via heuristic_short
28 Thus, this much has been shown as the svaroddhāra (analysis of svara-names) main
via surya_layout
29 (70 ab) annotation_inline
parent ligne 28
via heuristic_short
30 contained in agama.79 main
via surya_layout
31 [ Assignment of community, colour and the like to svaras ] section_header
via surya_layout
32 Now I shall speak of the assignment of community, colour and the like (to main
via surya_layout
33 <math>(70 \text{ cd})</math> main
via surya_layout
34 svaras). main
via surya_layout
35 (i) Kula-Vamśa. section_header
via surya_layout
36 Şadja, gāndhāra and madhyama are born in the Kula 80 (community) of gods, main
via surya_layout
37 this svara pañcama is born in the lineage (vaṃśa)81 of manes (pitṛvaṃśa). main
via surya_layout
38 (71) unknown
via fallback
39 The two svaras ršabha and dhaivata are born in the lineage of rsis. The niṣāda main
via surya_layout
40 (72) annotation_inline
parent ligne 39
via heuristic_short
41 born in the community of demons, is called 'ni'. main
via surya_layout
42 (ii) Colours. section_header
via surya_layout
43 Ṣadja is of the colour of the lotus-petal, ṛṣabha is of the colour of parrot, main
via surya_layout
44 gāndhāra is goldenhued, madhyama is (white) like kunda (jasminum multi- main
via surya_layout
45 (73) annotation_inline
parent ligne 44
via heuristic_short
46 florum). main
via surya_layout

vol_I_p042 LEFT — 34 lignes

page vol_I_p042 LEFT
L#Texte OCRRole autoCorriger si incorrect
1 BRHADDESI page_header
via surya_layout
2 66 page_number
via heuristic_pagenum
3 मपधनिसरि X main
via surya_layout
4 [ хमपधनिसरी] editorial_bracket
parent ligne 3
via heuristic_brackets
5 रि 🗙 म प ध नि स main
via surya_layout
6 सरि ४ म प ध नि annotation_inline
parent ligne 5
via heuristic_short
7 निसरि X म प ध main
via surya_layout
8 गहीनाः [इति षाडवाः।] editorial_bracket
parent ligne 7
via heuristic_brackets
9 धनिसरिप्रमप unknown
via fallback
10 मप x निस x ग main
via surya_layout
11 गमप X निस X annotation_inline
parent ligne 10
via heuristic_short
12 [хगमपх निस] editorial_bracket
parent ligne 10
via heuristic_brackets
13 स X गमप X नि main
via surya_layout
14 निस X ग म प X annotation_inline
parent ligne 13
via heuristic_short
15 [ x न स x ग म प ] editorial_bracket
parent ligne 13
via heuristic_brackets
16 प x नि स x ग म main
via surya_layout
17 म प ध 🗶 स रि 🗶 annotation_inline
parent ligne 16
via heuristic_short
18 [ хमपध editorial_bracket
parent ligne 16
via heuristic_brackets
19 रि 🗶 म प ध 🗶 स main
via surya_layout
20 सरि 🗶 म प ध 🗶 annotation_inline
parent ligne 19
via heuristic_short
21 [ ४ सरि ४ म प ध ] editorial_bracket
parent ligne 19
via heuristic_brackets
22 ध x स रि x म प main
via surya_layout
23 निगहीनाः । इत्यौडुविताः । main
via surya_layout
24 पध X स रि X म main
via surya_layout
25 [ मूर्छनातानयोर्भेदः ] section_header
via surya_layout
26 [ अनु. ४५ ] editorial_bracket
parent ligne 25
via heuristic_brackets
27 23ननु मूर्छनातानयोः को भेदः? उच्यते— main
via surya_layout
28 मूर्जनातानयोर्नार्थान्तरत्वमिति24 विशाखिलः । एतच्चा- main
via surya_layout
29 26,ਜ਼ੂ annotation_inline
parent ligne 28
via heuristic_short
30 <sup>25</sup>योः अणुत्वा. main
via surya_layout
31 •श्राह् annotation_inline
parent ligne 30
via heuristic_short
32 •नुनुत्वा main
via surya_layout
33 सङ्गतम्। २७ संग्रहश्लोके तु मूर्छनातानयोर्भेदस्य प्रतिपादितत्वात्। unknown
via fallback
34 28तत् कथम् ? [ 29आरोहावरोहक्रमयुक्तः स्वरसमुदायो ] editorial_bracket
parent ligne 32
via heuristic_brackets
175 lignes a valider — change uniquement les roles incorrects.