Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21147). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

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1 <b>TRANSLATION</b> page_header
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2 57 page_number
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3 dha - ni main
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4 - n annotation_inline
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5 - sa main
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6 - ga annotation_inline
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7 ma main
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8 - pa annotation_inline
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9 - annotation_inline
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10 - dha - ni main
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11 - sa annotation_inline
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12 n main
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13 - annotation_inline
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14 • - main
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15 ga annotation_inline
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16 рa main
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17 (vide) annotation_inline
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18 ma main
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19 dha - ni annotation_inline
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20 ni main
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21 sa annotation_inline
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22 - pa main
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23 - annotation_inline
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24 - main
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25 • annotation_inline
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26 - ga main
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27 ma annotation_inline
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28 - dha - main
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29 ni annotation_inline
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30 - pa main
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31 - ni annotation_inline
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32 - ma main
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33 sa annotation_inline
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34 - main
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35 ga main
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36 ŧ annotation_inline
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37 dha - main
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38 ni annotation_inline
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39 ni - sa main
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40 - ma - þa - annotation_inline
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41 - ga main
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42 Thus is in sadjagrāma. main
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43 - dha - ni - annotation_inline
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44 - pa main
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45 - 17 annotation_inline
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46 54 page_number
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47 ma main
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48 - ga annotation_inline
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49 - dha - main
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50 ni annotation_inline
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51 - pa main
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52 ma annotation_inline
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53 - main
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54 sa annotation_inline
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55 ฑ main
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56 ga annotation_inline
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57 • main
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58 dha - annotation_inline
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59 ni main
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60 ni - annotation_inline
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61 - pa main
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62 - ma annotation_inline
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63 sa main
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64 - ga annotation_inline
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65 - main
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66 dha - annotation_inline
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67 pa main
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68 ni annotation_inline
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69 - ni main
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70 - ma annotation_inline
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71 - ga main
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72 - annotation_inline
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73 - main
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74 sa annotation_inline
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75 dha main
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76 - pa annotation_inline
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77 ni main
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78 - n annotation_inline
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79 - ga main
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80 ma annotation_inline
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81 - sa main
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82 - annotation_inline
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83 - main
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84 ١ page_number
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85 dha - ni - sa main
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86 - ni annotation_inline
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87 ga main
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88 • annotation_inline
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89 - ma - pa main
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90 pa - dha - ni annotation_inline
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91 - sa main
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92 ni annotation_inline
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93 - main
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94 ga annotation_inline
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95 ma main
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96 - annotation_inline
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97 Thus is in madhyama-grāma. main
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98 ! unknown
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99 Mūrchanā-maņdala (cycle) section_header
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100 dha | pa table
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101 ni table
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102 ni table
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103 ma table
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104 ga table
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105 sa table
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106 dha| pa table
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107 ni table
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108 ni table
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109 ma table
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110 50 page_number
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111 ga table
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112 dha table
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113 ni table
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114 ni table
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115 þa table
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116 50 page_number
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117 ga table
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118 ma table
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119 1 page_number
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120 dha| pa table
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121 ni table
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122 ni table
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123 Sa table
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124 ga table
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125 ma table
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126 dha table
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127 ni table
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128 ni table
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129 pa table
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130 ma table
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131 sa table
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132 ga table
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133 dha table
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134 n table
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135 ni table
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136 pa table
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137 ma table
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138 ga table
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139 Sa table
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140 ni table
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141 ni table
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142 dha pa table
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143 ga table
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144 ma table
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145 sa table
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146 Thus is the mūrchanā-maṇḍala in ṣaḍja-grāma. main
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147 dha | pa table
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148 ni table
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149 ni table
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150 ma table
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151 sa table
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152 ga table
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153 <math>\pi^{i}</math> table
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154 dha| pa table
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155 ni table
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156 ma table
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157 ga table
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158 sa table
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159 ni table
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160 dha table
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161 ni table
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162 рa table
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163 ga table
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164 sa table
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165 ma table
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166 dha| pa table
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167 ni table
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168 ni table
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169 SA table
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170 ma table
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171 ga table
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172 dha table
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173 71 page_number
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174 ni table
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175 рa table
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176 sa table
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177 ma table
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178 ga table
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179 ni table
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180 dha table
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181 ni table
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182 þа table
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183 ma table
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184 ga table
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185 sa table
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186 ni table
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187 ni table
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188 dha pa table
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189 ma table
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190 ga table
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191 Sa table
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192 1 page_number
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193 Thus is the mūrchanā-maṇḍala in madhyama-grāma. main
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1 TRANSLATION page_header
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2 5 page_number
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3 and andhri and nandayanti and karmaravi and then kaisiki, thus should be main
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4 known the eleven (jātis) based on madhyamagrāma. main
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5 <math>(189 - 190)</math> main
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6 [Thus end the eleven jātis based on madhyamagrāma] editorial_bracket
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7 [ sādhāraņakṛtā jātis ] section_header
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8 Three jatis should be known by the wise to be sadharanakṛtā (those in main
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9 which the use of sādhāraṇa svaras is prescribed) viz., madhyamā, pañcamī and main
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10 similarly <i>şadjamadhyamā</i>. main
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11 (191) annotation_inline
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12 Thus ends the number and nomenclature of jātis. main
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13 [2. The śuddhā, vikṛtā and samsargajā vikṛtā jātis] section_header
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14 [Anu. 115] section_header
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15 Out of these eighteen jātis the seven bearing the names of (seven) svaras main
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16 are spoken of as being twofold - suddhās and vikṛtās. The suddhās are devoid main
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17 of the omission of notes and have their anisa, graha, nyāsa and apanyāsa on main
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18 their own svara, i.e. the svara from which each of them derives its respective main
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19 name. They assume the name vikṛtā on account of the alteration obtaining main
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20 in them through an alteration in respect of one, two or many lakṣaṇas main
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21 (characteristics) out of the above lakṣaṇas(characteristics of their śuddha main
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22 1002 472 7 unknown
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23 form), excepting nyāsa4 (which is not altered). main
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24 [Anu. 116] section_header
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25 Out of these (lakṣaṇas) he (the author) spoke (speaks) about the main
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26 日本が一次の後の日の行人の行うのできるというますが、まるは、大利の大利の人の自己となりから unknown
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27 prescription of nyāsa. There in the prescription of nyāsa, the nyāsa which is main
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28 the svara from which the respective jāti derives its name, is, as a rule, low main
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29 (mandra) in the jātis that are śuddhā (unaltered). In the vikṛtā (jātis) the main
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30 nyāsa on the note from which the respective jāti derives its name, is either main
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31 tāra (high) or mandra (low); thus there is no rule. main
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32 [Anu. 117] section_header
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33 Thus the śuddhā jātis have a twofold<sup>5</sup> form, viz., the original (unaltered) main
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34 and the altered state. The eleven jātis have only an altered state because they main
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35 are born of the vikṛtā varieties (of śuddhā jātis); they do not have an main
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36 unaltered state. Why is that so? They are born of mutual blending. main
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37 Similarly has said Bharata - main
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38 ر<br>د د د د د د د د د د د د د د د د د د د unknown
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1 (vide) annotation_inline
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2 BRHADDEŚĪ page_header
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3 194 page_number
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4 .....मालवी । [३]<sup>२४</sup> editorial_bracket
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5 .....गुर्जरी । [४]<sup>२५</sup> editorial_bracket
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6 मध्यामांशा २६धैवतान्ता षाडवा ऋषभोज्झिता । main
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7 ऋषभान्विता annotation_inline
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8 गीयते यज्ञकाले या सा ख्याता बाह्यषाडवा ॥ २४॥ main
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9 उदाहरणम् - माधा । मानिनि पामापाधाधा । माधामागा गागागामा ममनिधा मापापानिधा- main
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10 धाधा । बाह्यषाडवा । [५] editorial_bracket
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11 निषादांशा धैवतान्ता षाडवा स्याद्रिवर्जिता<sup>२७</sup>। main
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12 षद्द्जवर्जिता annotation_inline
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13 कौसली देशसम्भूता प्रतीहारेषु गीयते ॥ २५॥ main
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14 कौसलदेश॰ annotation_inline
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15 उदाहरणम् – निनिधा । पामामा । मागमा । सासासासासा । मागमानिधाधा । कौसली । [६] editorial_bracket
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16 गान्धारांशा मध्यमान्ता गान्धारी मध्यमाश्रिता<sup>२८</sup>। main
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17 (श?शा) annotation_inline
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18 एकान्तवासिभिर्गीता मूलभाषा तु षड्जगा ॥ २६॥ main
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19 उदाहरणम् - गामापानीसासा । निधाधामा मामागामाधा । निसारी । सापामामा । धानीसारी । main
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20 गारीसानी । धामामा । गान्धारी । [७] editorial_bracket
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21 २९धैवताद्यन्तसंयुक्ता रिहीना षाडवस्वरा । main
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22 ॰ पह्जर्पभहीना annotation_inline
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23 स्वरविवितका एषा गीयते दृढमानसै: ॥ २७॥ main
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24 + + बलितगा annotation_inline
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25 उदाहरणम् - धाधामापा । गागामाधा निसानिधाधा पापागामा धासनिधानिसासागामा पापा- main
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26 धाधा । मधापामामा गधगामधानिसासा। निसानिगागा मासानीधा धापमामागाधा । सामाधा- main
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27 नी ससाधापामाधाधा । स्वरवलिता । [८] editorial_bracket
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28 धैवताद्यन्तललिता पञ्चमर्षभवर्जिता । main
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29 षह्जपश्चम ॰ annotation_inline
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30 ३॰पञ्चस्वरा तु गीयेत प्रकृष्टा सा मता क्रमात् ॥ २८॥ annotation_inline
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31 - Paragraphy (Fig. 25) Apply (Head Co. 19) Apply (The Section 25) (25) annotation_inline
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32 All the second second second second second second second second second second second second second second second second annotation_inline
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33 والمراجع والمراكب والمراكب والمراجع والمراجع والمراجع والمراجع والمناكب annotation_inline
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1 VIMARŚA annotation_inline
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2 297 page_number
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3 35. Lack of regulation i.e. scope for free will in rendering is a main
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4 characteristic of desi, but the import of 'sruti' is not clear. It could, perhaps, main
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5 stand for 'aural appearance'. main
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6 36. See citation in the name of Nărada under Anu. 28 in chapter one list_item
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7 of our text Vol. I. 'Svarāntara' literally means a different svara; its relation list_item
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8 with the number four of svaras could thus be explained. The first three svaras list_item
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9 are repeated as the last three of a heptad. The fourth known as madhyama list_item
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10 comes in-between these two triads. Hence the fourth adds a 'different or list_item
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11 new svara'. This could be the reason for giving the name svarantara to a list_item
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12 group of four svaras. This name is relevant only for the first triad + the list_item
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13 fourth, but its secondary application could be related to any group of four list_item
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14 svaras. list_item
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15 37. Avakṛṣṭā dhruvā is described and illustrated in NS V on p.157, list_item
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16 158 of the supplement (variant reading) to the said chapter. The description list_item
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17 ' (in terms of upohana or introductory portion and metre) is given below - list_item
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18 "Five dhruvās should be performed in Pūrvaranga (preliminaries of main
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19 drama), viz. utthāpanī in the beginning, then parivarta, avakṛṣṭā, aḍḍitā and main
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20 <i>vikşiptă”</i> (p. 251). annotation_inline
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21 "The upohana in avakṛṣṭā dhruvā should be done in five kalās (time- main
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22 units) with the syllabic units dingle dingle, two units of four short syllables main
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23 each and jhantum in the end. Each foot of the dhruva is composed of sixteen main
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24 syllables, the third, sixth, ninth, eleventh, fifteenth and sixteenth being guru main
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25 (long) and the rest being laghu (short)." The illustration is as follows- main
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26 Varadam saganam tripurāntakam vṛṣabhaketum/ main
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27 Gajacarmapaṭamviṣamekṣaṇambhuvananātham/ main
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28 Bhujagābharaṇaṁjagatāṁhitaṁbhuvanayoniṁ/ main
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29 Praṇato'smi bhavantamumāpatim tvasitakantham/ main
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30 38. Antaramārga is mentioned in NŚ XXVIII (prose portion preceding main
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31 verse 74 and in verse 75). The context is the same as that in our text, viz. main
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32 alpatva-bahutva. The manipulation of sparseness and abundance of svaras main
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33 in jātis on account of which a non-amsa svara also becomes abundant in a main
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34 special context is antara-mārga. main
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35 The literal meaning of this word is 'search for the inner path'. The root main
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36 'mārg' means searching. Abhi has said that 'antara-mārgaņa 'i.e. the search main
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37 of the inner is antara-marga. What is this inner? This has to be understood main
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38 in two ways. The first is in relation to the seven jātis named after svaras, which main
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39 assume a two-fold form viz. śuddha and vikṛta. The second is in the context main
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40 of eleven samsargajā vikṛtā jātis that are formed with a mixture of the above main
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1 BRHADDEŚĪ page_header
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2 170 page_number
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3 धैवताद्यन्तसंयुक्ता सम्पूर्णा लोकरञ्जिका । main
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4 धैवतनिषादसंवाद: षड्जगान्धारयोस्तथा ॥ १११॥ main
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5 बङ्गालदेशसम्भूता बाङ्गाली दिव्यरूपिणी । main
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6 यङ्गाली annotation_inline
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7 एषा वै सरसा भाषा दैवतस्यापि वल्लभा ॥ main
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8 एषा भाषा रसा च + थैवतः annotation_inline
parent ligne 7
via heuristic_height
9 प्रयोगे शृक्ष्णलक्ष्मा च गायकै: स्वरशोभितै: ॥ ११२॥ main
via surya_layout
10 ॰सूक्ष्मध annotation_inline
parent ligne 9
via heuristic_markers
11 उदाहरणम् - धारीसारीगागाधा रीसारीमानीसानीनीसा सासारिधामापा धाधारिसामाधानि main
via surya_layout
12 धाधा। बाङ्गाली । [६] editorial_bracket
parent ligne 11
via heuristic_brackets
13 वङ्गाली annotation_inline
parent ligne 11
via heuristic_height
14 <sup>१००</sup>मध्यमांशा धैवतान्ता <sup>१०१</sup>पञ्चमर्षभदुर्बला । main
via surya_layout
15 षड्जमध्यमसंवाद: षड्जगान्धारयोस्तथा ॥ main
via surya_layout
16 सिन्धुविषयसम्भूतां देशाख्यां सैन्धर्वी विदु: ॥ ११३॥ main
via surya_layout
17 गासानिसानिधा unknown
via fallback
18 उदाहरणम् –मा । माधानीधा नीसागासामासासागामागामा unknown
via fallback
19 मापामामासामाधा annotation_inline
parent ligne 16
via heuristic_height
20 नी annotation_inline
parent ligne 16
via heuristic_height
21 मानिसासासागारीधानिधाधा माधानीधामाधाधाधा । सैन्धवी<sup>१०२</sup>।[७] editorial_bracket
parent ligne 16
via heuristic_brackets
22 गान्धारांशा तु कालिङ्गी धैवतान्ता चतुःस्वरा। main
via surya_layout
23 कालिन्दी annotation_inline
parent ligne 22
via heuristic_height
24 पञ्चमर्षभहीना च निषादेन च दुर्बला ॥ ११४॥ main
via surya_layout
25 एषा १०३ ह्यन्तरभाषा वै कालिङ्गै: सा तु गीयते । main
via surya_layout
26 कालिङ्गे annotation_inline
parent ligne 25
via heuristic_height
27 हृद्या मनोहरा ह्येषा १०४पञ्चमादनुगीयते ॥ ११५॥ main
via surya_layout
28 उदाहरणम् -गासामागामागासासासासाधा मासासाधामानीमामासासासासामाधा मामाधासा- main
via surya_layout
29 साधानीगाधा । कालिङ्गी । [८] editorial_bracket
parent ligne 28
via heuristic_brackets
30 कालिन्दो annotation_inline
parent ligne 28
via heuristic_height
31 षड्जान्ता धैवतांशा १०५ च हीनौ गान्धारपञ्चमौ । main
via surya_layout
32 धैवताऱ्यासा annotation_inline
parent ligne 31
via heuristic_height
33 <sup>९०६</sup>षड्ज[मध्यमसङ्गत्या षड्ज-]धैवतयोस्तथा ॥ ११६॥ editorial_bracket
parent ligne 31
via heuristic_brackets
337 lignes a valider — change uniquement les roles incorrects.