Calibration 2g.6 — validation humaine du tagging

Rapport · Re-roller

Legende des roles

RoleDefinitionExemple Brihaddesi
mainVers principal du texte (le contenu canonique de l'ouvrage)धैवतश्च निषादश्च गीतौ तुम्बुरुणा स्वरौ ॥७८॥
annotation_inlineCommentaire interligne en petits caracteres (variante manuscrite, glose)मत्सरी / अङ्धी / ₹क
editorial_bracketAjout editorial entre crochets [...] OU note avec marqueur ° / ॰[२. शुद्धाः, विकृताः...] / [अनु ॰ ११५]
footnoteNote de bas de page (au bas de la page, separee du texte)<sup>१३५</sup>षाडवा:
page_headerEn-tete de page (titre du livre, en haut)BRHADDESI
page_footerPied de page (texte au bas, sous le contenu)(texte de pied de page)
page_numberJuste le numero de page, isole (en haut ou en bas)181 / 70 / 46
section_headerTitre d'une section ou sous-section dans la page[२. आर्षभी]
captionLegende d'une figure ou tableauFig. 1 : svaramaṇḍala
list_itemItem d'une liste enumere1. ... 2. ... 3. ...
tableLigne d'un tableau de donnees(colonnes alignees)
verse_numberNumero de verset isole (souvent entre dandas)॥१९०॥ / ॥७८॥
unknownNon classe (l'algo n'a pas su decider)—
5 demi-pages random (seed 21148). Si role auto correct → ne touche rien. Sinon → dropdown. Click sur image pour zoom plein écran. Bouton ? en haut à droite = légende.

vol_II_p140 LEFT — 51 lignes

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1 r annotation_inline
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2 ### ### 100 mg 2 annotation_inline
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3 262 page_number
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4 BRHADDEŚĪ page_header
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5 शुद्धपङ्जाया एव विवक्षितत्वेन तत्प्रयुक्तमन्द्रव्याप्तपङ्जग्रामसम्बन्धोऽनुमेय इति । main
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6 Kalā on SR II.2.30-32, p.30. main
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7 78. P.t. repeats (śruti?) main
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8 79. cf. मान्तोऽल्पगः main
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9 SR II.2.51a, where gāndhāra is said to be sparse. main
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10 80. cf. annotation_inline
parent ligne 9
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11 केचिद् ऋषभलोपेन हिन्दोलं षड्जसंश्रितम्। main
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12 वदन्ति, तन्मतं नाहं मतङ्गादिविरोधत:। main
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13 धैवतस्याविलोपेन द्विग्रामत्वेऽपि मध्यगम् ॥ main
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14 मध्यमग्रामजात्युत्थं शुद्धमध्याख्यमूर्च्छनम् । main
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15 S.Rāj II.2.1.502c-504b. main
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16 81. ८. यथाह मतङ्ग: - ‘‘भरतकोहलादिभिराचार्यैधैवतलोपस्यानिष्टत्वात् केचित् पङ्जग्रामाश्रित एवायमिति main
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17 मन्यन्ते चतुःश्रुतिकस्य पञ्चमस्यात्रोपलम्भाद् धैवतस्यास्तित्वं वा नास्तित्वं वा न विशेषप्रदर्शकं सर्वत्र । एवं च सित main
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18 ग्राममूर्छनाभेदो वा धैवतेन न स्यादिति भाव:।" main
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19 C.r. in Kalā on SR II.2.30-32, p. 31. main
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20 82.cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिविंरुध्यते । main
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21 तथाहि तैरुक्तम् -सम्भोगे चैव शृङ्गारे प्रेङ्खोलितकमेव च । main
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22 Abhi Bhā on NŚ XXIX. 8, p.69 main
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23 83. cf. यद्यपि सम्पूर्णस्वरस्यास्य प्रयोगे च चतुःश्रुतिकस्य पञ्चमस्योपलम्भात् पूर्वोक्तन्यायेन पड्जग्रामसम्बद्ध main
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24 एवायमिति मतङ्गमतम्, तथापि कश्यपमतेन निषादगान्धारयोर्लोपादयमौडुवित इति मतङ्गेनोक्तत्वात् तदा “रिधाभ्यां main
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25 द्विश्रुतिभ्यां च मध्यमग्रामगास्तु ते । हीनाश्चतुर्दशैव स्युः'' इत्यौडुवशुद्धतानलक्षणं मध्यमग्रामेऽपि साक्षादवगम्यत main
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26 इत्याचार्यद्वयमतानुसारिणा नि:शङ्कसूरिणा 'द्विग्रामष्टककैशिक:' इति सुष्ट्रदिष्टम् । main
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27 Kalā on SR II.2.30-32, p.30. main
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28 84.cf. annotation_inline
parent ligne 27
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29 थैवतांश(स्तदन्तश्च)स्वल्पद्विश्रुतिकस्वर:। main
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30 मध्यमाधैवतीजात्योर्जायते टक्ककेशिक:॥ main
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31 Cited in the name of Kasyapa on Bha Bhā Vol. II, VI. 102. main
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32 85. cf. annotation_inline
parent ligne 31
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33 पङ्जांशकग्रहन्यासमन्द्रतारोपशोभित: । main
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34 ----- तदा मालवकैशिक:॥ unknown
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35 C.r. in Bha Bhā Vol . VII MS folio no. 203. main
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36 86. cf. annotation_inline
parent ligne 35
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37 केचित् पञ्चमविश्रामं मन्यन्ते केचन त्विमम् । main
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38 गान्धारकृतसम्पूर्तिमेतन्नादरमहीत । main
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39 गान्धारस्य विवादित्वात्र्यासस्तत्र न युज्यते ॥ main
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40 S Rāj II.2.1.467c-468. main
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41 87. cf. अत्र टीकाकार: शङ्कते । योऽयं जात्यंशकानां विनियोग उक्त: स कश्यपमुनिमतङ्गादिभिर्विरुध्यते । main
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42 तथाहि तैरुक्तम् - कामभूतेषु सर्वेषु कुर्यान् मालवकैशिकम् । main
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43 Abhi Bhā on NŚ XXIX. 8, p. 69. main
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44 88. cf. annotation_inline
parent ligne 43
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45 कथिता यत्र तान् वक्ष्ये सप्त साधारणांस्तत: । main
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46 C.r. in Kalā on SR II.2.23-26,p.26. main
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47 89. cf. annotation_inline
parent ligne 46
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48 मतङ्गो रेवगुप्तं च टक्कसैन्धवमेव च। main
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49 साधारणेषु निक्षिप्य न तान(व) ब्रबीदथ ॥ main
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50 S Rāj II.2.1.62c,63b. main
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51 Terminate and the control of the control of the control of the control of the control of the control of the control of t annotation_inline
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vol_II_p123 RIGHT — 34 lignes

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1 TRANSLATION page_header
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2 229 page_number
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3 [2. Kāmalekhā] section_header
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4 Kāmalekhā is that where there are twenty-two<sup>60</sup> (dviguņita-rudra) mātrās in the main
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5 first (foot) and in the foot bearing an even number (second) the same (number main
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6 of mātrās) obtains, in the foot of odd number (third) there are twenty (mātrās). main
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7 (445) main
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8 [3. Bāṇalekhā] section_header
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9 If in all the three feet, in a uniform manner there are double the number main
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10 of mātrās (obtaining in kāmalekhā) (and) where they are composed in main
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11 bāṇagaṇas,61 that is bāṇalekhā. main
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12 (446) main
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13 [4. Candralekhā] section_header
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14 Where there are three above forty (forty-three) mātrās in a couple of feet main
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15 i.e. the first two feet (and where) the number of mātrās is less by one (forty- main
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16 two) in the foot bearing an odd number (third foot), that is candralekhā. main
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17 (447) main
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18 Thus ends the fourfold mātrailā. section_header
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19 [C. The varieties of <i>Varnailā</i>] section_header
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20 There is no regulation of <i>tāla</i> here, none of <i>msa</i> and none of <i>rāga</i>; there is only main
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21 the regulation of syllables <math>^{62}</math> (in their number); hence it is called <i>varyailā</i>. main
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22 (448) annotation_inline
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23 Madanavatī, śaśilekhā, prabhāvatī, mālatī, similarly lalitā, hemavatī, (and) main
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24 kusumavatī, these seven are the elās regulated on the basis of varņa (syllable). main
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25 (449) annotation_inline
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26 Beginning with eleven syllables and ending with seventeen (syllables in main
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27 each foot), these seven are sung in sequence, by the gandharvas with main
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28 beautiful padas (textual units) (and) good sounds. main
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29 (450) main
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30 [1. Madanavatī 2. Šašilekhā 3. Prabhāvatī] section_header
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31 That madanavatī is composed of non-short (alaghu) gaṇas 63 i.e., has all main
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32 long (guru) syllables, śaśilekhā is with short (laghu) gaṇas, prabhāvatī is always main
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33 profuse with long (guni) gaṇas (and) mālatī and lalitā (will be described now). main
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34 (451) main
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vol_I_p027 LEFT — 28 lignes

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1 <b>BRHADDEŚ</b>I page_header
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2 36 page_number
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3 [ अनु. २३ ] section_header
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4 अनुवादित्वं च पुनरेकश्रुत्यन्तरहीनत्वेन स्यात्। ननु किं तदनुवादित्वम्? main
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5 <sup>20</sup>श्रुतिहीनत्वेन main
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6 21त्ववनु annotation_inline
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7 यत् संवादिना रागस्य रागत्वं सम्पादितं तत्प्रतिपादकत्वं नामानुवादित्वम्। main
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8 22,द वादिना annotation_inline
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9 ₀दक annotation_inline
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10 अनुवादिमण्डलं यथा- main
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11 स annotation_inline
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12 नि unknown
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13 रि unknown
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14 घ annotation_inline
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15 म annotation_inline
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16 4 page_number
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17 ॥ इति षड्जग्रामे ] अनुवादिमण्डलम्॥ caption
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18 [ अनु. २४ ] section_header
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19 अनुवादिप्रयोगो यथा—षड्जस्थाने ऋषभ ऋषभस्थाने main
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20 षड्जः annotation_inline
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21 प्रयुज्यमानः स्वरूपं भजन् जातिरागहा न भवति । पञ्चमस्य स्थाने main
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22 ॰धैवतः प्रयुज्यमानो धैवतस्य स्थाने पञ्चमः प्रयुज्यमानो २३[ जाति- ] editorial_bracket
parent ligne 21
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23 रागहा न भवेत् । षड्जस्थाने धैवतः प्रयुज्यमानो धैवतस्थाने षड्जः main
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24 प्रयुज्यमानो जातिरागविनाशकरो न भवति। पञ्चमस्थान ऋषभः main
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25 प्रयुज्यमान ऋषभस्थाने पञ्चमः प्रयुज्यमानो जातिरागहा न भवेत् । main
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26 24 मध्यमस्थान ऋषभ ऋषभस्थाने च मध्यमस्तथा धैवतस्थाने main
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27 मध्यमो मध्यमस्थाने च धैवतः प्रयुज्यमानो जातिरागनाशको न main
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28 भवति। main
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vol_II_p052 RIGHT — 34 lignes

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1 87 page_number
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2 TRANSLATION page_header
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3 Şāḍava, pañcama, similarly kaiśikamadhyama, cokṣasādhārita and similarly, main
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4 also cokṣakaiśika, these should be known as cokṣa (pure). Now listen about main
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5 the bhinnaones. annotation_inline
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6 (293) annotation_inline
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7 Bhinnaṣadja ,(bhinna-) tāna, bhinnakaiśikamadhyama, the one named main
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8 bhinnapañcama, and the fifth is bhinnakaiśika. main
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9 (294) annotation_inline
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10 One is gaudapañcama, gaudakaiśika and also gaudakaiśika madhyama, are main
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11 said to be the three gaudas. main
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12 (295) annotation_inline
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13 Ţakkarāga, similarly sauvīra, mālavapancama, ṣāḍava and boṭṭarāga, similarly main
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14 the other one is hindolaka, ţakkakaiśika has thus been said, similarly main
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15 mālavakaišika - these rāgas (pertaining to the rāgagīti) have been spoken of main
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16 by their names, by the excellent munis. main
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17 <math>(296-297)</math> annotation_inline
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18 Narta, the one named śaka, kakubha, similarly harmāṇapañcama and main
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19 itself, similarly gändhärapañcama and the one named main
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20 rūpasādhārita annotation_inline
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21 ṣaḍjakaiśika are known as the seven sādhāraṇa (rāgas). main
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22 (298) annotation_inline
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23 [Thus is the number and nomenclature of rāgas] editorial_bracket
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24 [The specific description of ragas] section_header
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25 [A. Out of them śuddharagas] section_header
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26 Now he (the author) has spoken about the description of suddha (rāgas)- main
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27 Those that are in accordance with their 'own' jāti 31 (from which they are main
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28 born), without any reference to other jātis and those that are one out of the main
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29 many (individual forms) of their own jāti, they are called śuddha (rāgas). main
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30 (299) annotation_inline
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31 [1. Suddhaşādava] section_header
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32 [Anu. 164] editorial_bracket
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33 Why is sadava so called? Is it because it is sung with six svaras and is hence main
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34 ṣāḍava or is it ṣāḍava on account of being prominent among the six rāgas? main
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1 E. annotation_inline
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2 27 page_number
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3 TRANSLATION page_header
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4 In gāndhārī, the two (svaras) that are not amśas viz. ṛṣabha, dhaivata are main
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5 always to be omitted respectively (for making ṣāḍava and auḍava forms). main
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6 Şadja and pañcama are to be known as the two apanyāsas. One should move main
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7 from dhaivata to ṛṣabha. In raktagāndhārī, almost everything is like this main
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8 (gãndhārī), but madhyama is apanyāsa. Dhaivata and niṣāda have to be main
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9 accorded abundant usage. Sañcāra (to and fro movement) is to be rendered main
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10 in this (jāti) between ṣaḍja and gāndhāra by the performers. main
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11 <math>(222-224)</math> annotation_inline
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12 Gāndhārodīcyavā is mostly similar to şadjodīcyavatī. Şadja and madhyama main
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13 are the two amsas and the auduvita (pentatonic) form is not desirable in it. main
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14 (225) annotation_inline
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15 In madhyamā there are five amśas, excepting the two svaras composed of main
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16 two śrutis each (viz. gāndhāra-niṣāda). These two are omitted for (forming main
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17 the ṣāḍava and auḍuva) varieties respectively i.e. ṣāḍava is formed by main
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18 omitting gåndhåra and auduva by omitting gåndhåra-niṣāda. Şadja and main
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19 madhyama are abundant. main
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20 (226) annotation_inline
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21 Madhyamodīcyavā is like gāndhārodīcyavā. It is always made of seven svaras; main
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22 pañcama is amsa in it. main
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23 (227) annotation_inline
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24 In pañcamī, ṛṣabha and pañcama have been said by the gurus to be aniśas. main
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25 These two alongwith niṣāda are apanyāsa and there is the sangati (concert) main
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26 between madhyama and ṛṣabha. Ṣaḍja, madhyama and gāndhāra are sparse. main
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173 lignes a valider — change uniquement les roles incorrects.